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View from the Fringe Newsletter of the New England Rug Society View from the Fringe Newsletter of the New England Rug Society Vol. XVII, No. 1 September 2009 www.ne-rugsociety.org September Meeting: Wendel Swan on “Color, Color, Color: The Appeal of Oriental Rugs” On September 25, Wendel Swan will speak on exploring and explaining the appeal of color in rugs, a September/October Meeting Details discourse that evolved from his years-long effort to ex- Date: Swan: Friday, September 25 plain, if only to himself, why some rugs, whether they Frauenknecht: Friday, October 9 are city or nomadic, pile or flat-woven, appeal to us while others don’t. Time: 7:30PM In real estate, the mantra is “location, location, lo- Place: First Parish, Bedford Road, Lincoln cation,” and for oriental rug enthusiasts the mantra is Note: Non-members welcomed for $10 fee “color, color, color.” We all know what colors we like, Directions: but often we don’t understand why we like them or just how complex the issue of “color” can be. From Rte. 95 (128) take the Trapelo Road West exit To begin with, color is a matter of perception and (#28B) in Waltham. Proceed west about 2.5 miles to we all perceive colors differently—sometimes not much a stop sign at the five-way intersection in Lincoln (there differently but sometimes very differently. Wendel will is a white planter in the middle of the intersection.) discuss traditional color theory and how the selection Go right on Bedford Road for 0.1 miles to Bemis and juxtaposition of colors in rugs may lead us to per- Hall, a large brick building on your right. The parish ceive them in ways that are entirely different than we house is on your left. might have imagined. There will be considerable audi- From Rte. 2 take Bedford Road, Lincoln Center exit ence participation in the program. (eastbound, turn right at light; westbound, go through Following his PowerPoint presentation, Wendel light, turn right, and circle 270 degrees to cross Rte. would like to discuss rugs and textiles from local collec- 2 at the light.) Proceed 0.9 miles and you will see tions in the context of the lecture. He hopes that some Bemis Hall, a large brick building on your left. The of our members can bring in some very old rugs, some parish house is on your right. that are minimalist and some that have large “blocks” of Parking: color in them. Most of all, he would like to discuss rugs In back of the parish house plus along the street. It’s that our members feel have outstanding color, regard- OK to park in front of Bemis Hall provided the build- less of age or condition. ing is dark and not in use. Continued on page 2 October Meeting: Bertram Frauenknecht on Shahsavan Weavings On October 9 Bertram Frauenknecht will discuss Taschen,” a catalogue of some sixty 19th century soumak Shahsavan weavings, many of which are small soumak Shahsavan bagfaces. bags. The Shahsavan are a confederation of Turkish “To understand the Shahsavan it is important to speaking nomadic tribal groups most of whom are now understand their history,” he explains. In the talk he will settled in northwest Iran. Bertram became fascinated first discuss Shahsavan history from their assumed ori- with their flat-woven pieces in 1971 when he encoun- gin up to the present time. Then he will use images of tered a group of Shahsavan nomads near Tabriz. After their weavings, both piled and flat-woven, to compare visiting with them several more times and collecting their their colors and designs. Finally, in comparing these weavings, in 1993 he published “Shahsavan Sumak Continued on page 10 Page 2 View from the Fringe September Meeting Continued from page 1 16 years. He serves on the Board of Trustees of The Wendel Swan has collected rugs since 1968. Al- Textile Museum in Washington, is chair of the Executive though he is primarily known for his interest in bags from Committee of the International Conference on Oriental Northwest Persia, in recent years he has also become Carpets (ICOC) and has lectured at various rug societ- more interested in early Turkish carpets as well as Swed- ies, conferences and museums throughout the United ish folk weavings. States and in Europe. He has spoken to NERS on sev- Wendel was the president of the Washington Tex- eral occasions. tile Group and the International Hajji Baba Society for April Meeting: Mike Tschebull on “A Contemporary View of Old Caucasian Village Rugs” By Jim Adelson On April 17th, long-time NERS member Mike raphy—villages kept separate by the landscape.” The Tschebull gave a talk on Caucasian village rugs, some of ethnic make-up of most villages has varied a lot in the their design influences, and changes in the weaving over last couple of centuries, with almost all groups, most of time. whom were Turkic speaking, having been moved around Mike started by noting that despite their popular- and brutalized by the Russians. The primary exception ity, so much is uncertain about older village weavings— has been the Georgians, who appear to have stayed in “so many Caucasian rugs, so little is known about them.” the same place for thousands of years. The popular rug literature leaves a lot of questions unan- Following these introductory remarks, Mike dis- swered. Ulrich Schurmann’s book is the bible, but cussed some of his suggestions for design origins and doesn’t contain a lot of ethnographic information. Ian influences. He commented that he thought the influence Bennett’s book on Caucasian rugs combines text that of felts on weaving design is underestimated. Design he wrote with a set of rug slides from Germany. There rendering in felt helped develop the sense of negative are several other books, none of which are particularly space. He showed pictures from around 1890-1900 of recommended when it comes to Caucasian village rugs. a wedding yurt in the northeast Caucasus decorated with From outside the rug literature, there are a number felts. He also displayed felts with reciprocal borders of sources, but they tend not to contain detailed infor- and other design elements that are very similar to mation related to weaving. The Empress of Russia sent Bordjalou pile rug designs. a couple of German investigators to the Caucasus in the Mike then noted the effects of slit tapestry kilim late 18th/early 19th century, but they wrote about plants weaving on pile designs. Certain overall design con- and animals, rather than rugs. Some 19th century photos cepts, such as diagonal stripes, may trace their roots collected and shown by Alexander Bainbridge show cer- back to earlier kilims. Some individual design motifs, tain relevant things, such as a woman weaving, or cloth such as latchhook and stepped designs, seem connected merchants with sheepskin caps, but there isn’t enough to the structural characteristics of slit tapestry weaving. on rugs to be very comprehensive. There are more pho- Zigzag border designs may have come from slit tapestry tos in the Azarbayjani Museum in Baku, but again they kilims, although it is also possible that warp-faced de- don’t provide a very complete picture of Caucasian vil- signs were a source for this. In addition to kilims, jajims lage weaving. may have contributed, with their vertically striped pat- According to Mike, there are some things that are terns, a possible influence on the development of verti- known. Many of the weaving villages are found in the cally striped pile designs. Kura river valley, at altitudes ranging from 1000–2000 A number of designs ceased being woven around meters. He commented that “I think the variety of rugs 1860 under Russian efforts to standardize production. you see coming out of the Caucasus reflects the topog- Continued on page 3 Page View from the Fringe 3 April Meeting Continued from page 2 Even the designs that survived suffered—Mike showed an example of a boteh design rug from the Russian era, and a less stiff example from perhaps two generations earlier. He felt that Russians collected many older Cauca- sian pieces during the period from 1850 to 1880, during which time they also closed a number of mosques. In addition, fewer of the older Caucasian pieces remain because they hadn’t been made in great numbers, since there wasn’t as much demand as from the end of the 19th century onward. Finally, the older rugs were prone to destruction, partly from oxidation, and partly from de- terioration of their cotton selvedges and ends. Mike commented briefly on many other possible design influences. Prayer rugs were driven by architec- ture; he used the example of a Moorish building in To- ledo that exhibits shapes utilized in prayer rugs. He made a link between an Anatolian slit-tapestry prayer kilim and the design(s) used in Fachralo prayer rugs. He also showed another piece with a central medallion (Lori- Pambak?), pointing to a possible origin from Turkmen guls, but depicted in a simpler, less cluttered fashion. A number of possible influences came from or through Iran. Mike showed an example of a Gujarati embroidery, coming through Iran and possibly providing inspiration for the lattice prayer rugs in the Caucasus, such as those attributed to Shirvan and Daghestan. He showed pieces that originate from a cypress tree design. Mike displayed a Turkish antecedent for a cruciform design seen in Caucasian rugs, and then stated that this design perhaps goes back further to the Persian garden design in architecture and carpets. Throughout his talk, Mike made mention of the dif- Continued on page 4 From top: Nogai 19th century yurt with mosaic felt panels Example of design transfer from supplementary warp decorated Azarbayjani jajim to Qarabagh pile-woven prayer rug Examples of a “Shirvan” design combination that apparently died out before about 1880 Page 4 View from the Fringe April Meeting Continued from page 3 border design also contained three different reds.
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