The Cincinnati Symphony Orchestra
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CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious. -
International Choral Bulletin Is the Official Journal of the IFCM
2011-2 ICB_ICB New 5/04/11 17:49 Page1 ISSN 0896 – 0968 Volume XXX, Number 2 – 2nd Quarter, 2011 ICB International CIhoCral BulBletin First IFCM International Choral Composition Competition A Great Success! Results and Interview Inside Dossier Choral Music in Malaysia, Indonesia, Singapore and Macau 2011-2 ICB_ICB New 5/04/11 17:49 Page2 International Federation for Choral Music The International Choral Bulletin is the official journal of the IFCM. It is issued to members four times a year. Managing Editor Banners Dr Andrea Angelini by Dolf Rabus on pages 22, 66 & 68 Via Pascoli 23/g 47900 Rimini, Italy Template Design Tel: +39-347-2573878 - Fax: +39-2-700425984 Marty Maxwell E-mail: [email protected] Skype: theconductor Printed by Imprimerie Paul Daxhelet, B 4280 Avin, Belgium Editor Emerita Jutta Tagger The views expressed by the authors are not necessarily those of IFCM. Editorial Team Michael J. Anderson, Philip Brunelle, Submitting Material Theodora Pavlovitch, Fred Sjöberg, Leon Shiu-wai Tong "When submitting documents to be considered for publication, please provide articles by CD or Email. Regular Collaborators The following electronic file formats are accepted: Text, Mag. Graham Lack – Consultant Editor RTF or Microsoft Word (version 97 or higher). ([email protected] ) Images must be in GIF, EPS, TIFF or JPEG format and be at Dr. Marian E. Dolan - Repertoire least 350dpi. Articles may be submitted in one or more of ([email protected] ) these languages: English, French, German, Spanish." Dr. Cristian Grases - World of Children’s and Youth Choirs ( [email protected] ) Reprints Nadine Robin - Advertisement & Events Articles may be reproduced for non-commercial purposes ([email protected] ) once permission has been granted by the managing Dr. -
Department Historyrevised Copy
The Music Department of Wayne State University A History: 1994-2019 By Mary A. Wischusen, PhD To Wayne State University on its Sesquicentennial Year, To the Music Department on its Centennial Year, and To all WSU music faculty and students, past, present, and future. ii Contents Preface and Acknowledgements ……………………………………………………………………...........v Abbreviations ……………………………………………………………………………............................ix Dennis Tini, Chair: 1993-2005 …………………………………………………………………………….1 Faculty .…………………………………………………………………………..............................2 Staff ………………………………………………………………………………………………...7 Fundraising and Scholarships …………………………………………………................................7 Societies and Organizations ……………………………………………..........................................8 New Music Department Programs and Initiatives …………………………………………………9 Outreach and Recruitment Programs …………………………………………….……………….15 Collaborative Programs …………………………………………………………………………...18 Awards and Honors ……………………………………………………………………………….21 Other Noteworthy Concerts and Events …………………………………………………………..24 John Vander Weg, Chair: 2005-2013 ………………………………………………................................37 Faculty………………………………………………………………..............................................37 Staff …………………………………………………………………………………………….....39 Fundraising and Scholarships …………………………………………………..............................40 New Music Department Programs and Initiatives ……………………………………………..…41 Outreach and Recruitment Programs ……………………………………………………………..45 Collaborative Programs …………………………………………………………………………...47 Awards -
ESO Highnotes November 2020
HighNotes is brought to you by the Evanston Symphony Orchestra for the senior members of our community who must of necessity isolate more because of COVID-!9. The current pandemic has also affected all of us here at the ESO, and we understand full well the frustration of not being able to visit with family and friends or sing in soul-renewing choirs or do simple, familiar things like choosing this apple instead of that one at the grocery store. We of course miss making music together, which is especially difficult because Musical Notes and Activities for Seniors this fall marks the ESO’s 75th anniversary – our Diamond Jubilee. While we had a fabulous season of programs planned, we haven’t from the Evanston Symphony Orchestra been able to perform in a live concert since February so have had to push the hold button on all live performances for the time being. th However, we’re making plans to celebrate our long, lively, award- Happy 75 Anniversary, ESO! 2 winning history in the spring. Until then, we’ll continue to bring you music and musical activities in these issues of HighNotes – or for Aaron Copland An American Voice 4 as long as the City of Evanston asks us to do so! O’Connor Appalachian Waltz 6 HighNotes always has articles on a specific musical theme plus a variety of puzzles and some really bad jokes and puns. For this issue we’re focusing on “Americana,” which seems appropriate for Gershwin Porgy and Bess 7 November, when we come together as a country to exercise our constitutional right and duty to vote for candidates of our choice Bernstein West Side Story 8 and then to gather with our family and friends for Thanksgiving and completely spoil a magnificent meal by arguing about politics… ☺ Tate Music of Native Americans 9 But no politics here, thank you! “Bygones” features things that were big in our childhoods, but have now all but disappeared. -
Boston Symphony Orchestra Concert Programs, Season 115, 1995-1996
BOSTON > V SYMPHONY ORCHESTRA ft SEIJIOZAWA MUSIC DIRECTOR 9 6 S E O N The security of a trust, Fidelity investment expertise. A CLumlc Composition Fidelity Just as a Beethoven score is at its best when performed by a world- Pergonal class symphony — so, too, should your trust assets be managed by Triittt a financial company recognized Serviced globally for its investment expertise. Fidelity Investments. That's why Fidelity now offers a % managed trust or personalized estment management account or your portfolio of $400,000 or more/ For more information, visit Fidelity Investor Center or call Fidelity Pergonal Trust Services at 1-800-854-2829. Visit a Fidelity Investor Center Near You: Boston - Back Bay • Boston - Financial District Braintree, MA • Burlington, MA Fidelity Investments' SERVICES OFFERED ONLY THROUGH AUTHORIZED TRUST COMPANIES. TRUST SERVICES VARY BY STATE. FIDELITY BROKERAGE SERVICES, INC., MEMBER NYSE, SIPC. Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Fifteenth Season, 1995-96 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. Robert B. Newman James F. Cleary Deborah B. Davis Allen Z. Kluchman Robert P. O'Block John E. Cogan, Jr. Nina L. Doggett George Krupp Peter C. Read Julian Cohen Avram J. Goldberg R. Willis Leith, Jr. Carol Scheifele-Holmes Chairman-elect William F. -
75Thary 1935 - 2010
ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State. -
78R1 MF 0518.Pdf
CONTENTS CONCERTS ARTISTS 38 Verdi REQUIEM: Friday May 18 19 Juanjo Mena, Principal Conductor 21 Robert Porco, Director of Choruses 46 Bernstein MASS: Saturday May 19 22 May Festival Chorus May Festival Youth Chorus, SING HALLELUJAH: Sunday May 20 27 56 James Bagwell, director 59 JUANJO MENA’S DEBUT: 30 Guest Conductor, Guest Artists Friday May 25 36 Cincinnati Symphony Orchestra Handel MESSIAH: Saturday May 26 67 FEATURES 12 Bernstein’s MASS, Then and Now 15 Celebrating the Musical Legacy of Leonard Bernstein 16 About Otxote Txanbela 17 Q&A with Juanjo Mena 22 Q&A with Robert Porco 29 Q&A with James Bagwell 57 Q&A with Creative Partner Rollo Dilworth DEPARTMENTS 7 Greetings from the Principal Conductor 8 Your Concert Experience 11 Greetings from the Board Chair and Executive Director 75 In Memoriam 76 Choral Student Fund and ArtsWave Partners 76 Special Thanks 77 Cincinnati Musical Festival Association 79 Annual Fund 81 2017 ArtsWave Community Campaign 82 May Festival Subscribers 84 Administration 2 | MAY FESTIVAL 2018 | mayfestival.com MAY FESTIVAL PROGRAM BOOK STAFF: Vice President of Communications Chris Pinelo Director of Communications Diana Maria Lara Communications Assistant Kayla Moore Editor/Layout McKibben Publications Graphic Designer Regina Kuhns All contents © 2018. The contents cannot be reproduced in any manner, whole or in part, without written permission from the May Festival. CINCINNATI MAY FESTIVAL Music Hall Geraldine V. Chavez Center for the Choral Arts ON THE COVER 2018 marks a true 1241 Elm Street homecoming for the May Festival, as it returns to Cincinnati, OH 45202 the beautifully renovated Music Hall—a treasured Administrative Offices: 513.621.1919 National Historic Landmark that was originally [email protected] constructed for the May Festival. -
Spectrum October-November 2008.Indd
October/November, 2008 SAS CELEBRATES 50 YEARS OF SERVICE TO THE SPECTROSCOPY COMMUNITY AT FACSS IN RENO Former and current SAS offi cers and journal editors were honored at the SAS 50th anniversary celebration at FACSS XXXV in Reno, Nevada. Honorees include (left to right), front row: Larry Nafi e (2003 President), Rina Dukor (2000 President), Kathryn Kalasinki (1997 President), Gary Hieftje (1991 President), James de Haseth (2007 President), Debbie Bradshaw (Treasurer 2002-2004), James Holcombe (Editor-in-Chief 1994- 1997), Jeanette Grasselli Brown (1970 President), Joel Harris (Editor 1998 -), Paul Farnsworth (Editor 1998- ), Paul Bourassa (Treasurer 2008-): back row, John Chalmers (2008 President) and John Carnahan (2009 President. APPLIED SPECTROSCOPY DREAM TEAM The Applied Spectroscopy and Editorial Produc- REPORTS TO THE tion staff were recognized in Reno. Left to right: Editorial Assistant Jenny Jensen, Editor-in-Chief EXECUTIVE COMMITTEE & Joel Harris, Editor Paul Farnsworth, and Produc- GOVERNING BOARD tion and Composition Editor Rebecca Airmet. Harris and Farnsworth are stepping down as President’s Report 2 editors after twelve years of service. Accomplish- Secretary’s Report 2 ments include conversion of all issues to electron- Executive Director’s Report 3 ic format and the development of a cooperative Journal Editor’s Report 4 publishing arrangements with the Optical Society Treasurer’s Report 6 of America. On-Line Editor’s Report 6 ANALYTICAL CHEMISTRY PREPARES Newsletter Editor’s Report 8 HISTORICAL WEBPAGE Web Editor’s -
The Emery Is a Rare Jewel – an Artistic Hub for Community and Collaboration Unlike Any Other in the Region
“The Emery is a rare jewel – an artistic hub for community and collaboration unlike any other in the region. The time to bring it all back to life is now.” -Tina Manchise & Tara Lindsey Gordan Act I The Emery stands as Cincinnati’s Carnegie Hall, the long-lost gem of Over-The-Rhine. Its longstanding resilience creates the opportunity to give the neighborhood and its residents a new story of art, music and dance. Act II We are challenging you to help us set the stage for the second act of the Emery, one that does not erase the past life of the theatre, but adds new layers to the peeling paint and old world aura by introducing artistically based programming and education through events open to Cincinnati’s Over-The-Rhine community. Explore the opening scenes of Act II... The Emery in Over-The-Rhine The Emery in Over-The-Rhine The new streetcar route encompasses a lot of Cincinnati’s art community. It connects Music Hall and The School for Creative & Performing Arts to within one block of Taft Theatre. Never will travel between these venues for art have been easier. The Emery Theatre, located only blocks away from Music Hall, the Art Academy of Cincinnati, and the School for the Creative and Performing Arts, is in the heart of the new streetcar and the art community it envelops. Community areas such as Washington Park, Gateway Quarter and Mercer Commons are also connected to the vibrant art community through the streetcar. 11.11.11 TheThe PreviewPreview ofof TheThe Emery,Emery, 11.11.11,11.11.11, heldheld onon NovemberNovember 11,11, 20112011 waswas aa sold-outsold-out eventevent thatthat broughtbrought aa diversediverse audienceaudience ofof overover 750750 patrons,patrons, promotedpromoted thethe valuevalue ofof TheThe EmeryEmery TheatreTheatre toto thethe communitycommunity ofof GreaterGreater Cincinnati,Cincinnati, andand highlightedhighlighted thethe intendedintended useuse forfor thethe theatretheatre uponupon TheThe Emery’sEmery’s revival.revival. -
The Billboard 1918-01-12
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Cincinnati: Many Rivers Run Through It
Cincinnati: Many Rivers Run Through It Susan Paddock Attendees at ICMA’s 86th Annual Conference 2000 in September, held in Cincinnati/ Hamilton County, will see that the Ohio River is a fascinating local asset. Downtown and riverfront development means that more attractions are yet to come. Cincinnati always has been defined by its relationship to the Ohio River. This enviable river location symbolizes the success Cincinnati enjoys as an ever- changing place to live, work, and play. Cincinnati’s early development was a direct result of its access to the river because commerce thrives in a location with a transportation advantage. Growth and development in the downtown and on the riverfront reflect the “rivers” that now flow through the city, as well as next to it. Cincinnati’s rivers of vitality, tradition, information, creativity, and opportunity demonstrate the city’s advantages not only in transportation but also in quality of life, historic preservation, technology, the arts, and development. River of Vitality Streams of people living, working, and playing in Cincinnati contribute to its urban environment. In particular, the city’s broad-ranging, well-planned housing options create a 24-hour city full of vitality. Eugenie Birch, professor and chair of the department of city and regional planning at the University of Pennsylvania, has compared housing trends in 40 cities from 1990 to 1999. She found in her 1999 study “Downtown Living: A Deeper Look” that Cincinnati had one of the more robust markets in downtown housing in the United States. “Cincinnati is one of the brighter stories,” Ms. Birch says.