Attractions Management Issue 4 2018
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ACE's Scandinavian Sojourn
ACE’s Scandinavian Sojourn : A Southerner’s Perspective Story by: Richard Bostic, assisted by Ronny Cook When I went on the ACEspana trip back in 2009, it was by far one of the most amazing vacations I have ever experienced. In addition to getting to visit parks in a different culture than we see here, it is also a great opportunity to spend time with fellow enthusiasts and grow friendships while enjoying our common interests. When Scandinavia Sojourn was announced for the summer of 2011, I knew it was a trip I could not miss. Since the 2009 trip was my first trip to Europe I thought that there was no way the over- all experience could be better in Scandinavia. I was wrong. We landed in Helsinki, Finland around 1300 the day before we were required to be at the hotel to meet with the group. Helsinki is an interesting city and fairly new compared to many cities in Europe. Walking around the city you can see the Russian influence in the city’s architecture. In fact, many movies during the cold war would use Helsinki to shoot scenes that are supposed to be set in the Soviet Union. After making our way to the Crowne Plaza Hotel and getting a quick lunch at the hotel restaurant we decided to spend the remaining time that afternoon checking out some of the sites around our hotel. Some of these sites included the Temppeliaukio Church inside of a rock formation, the train station, Routatientori Square and National Theater, and a couple of the city’s art museums. -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
The Immersive Theme Park
THE IMMERSIVE THEME PARK Analyzing the Immersive World of the Magic Kingdom Theme Park JOOST TER BEEK (S4155491) MASTERTHESIS CREATIVE INDUSTRIES Radboud University Nijmegen Supervisor: C.C.J. van Eecke 22 July 2018 Summary The aim of this graduation thesis The Immersive Theme Park: Analyzing the Immersive World of the Magic Kingdom Theme Park is to try and understand how the Magic Kingdom theme park works in an immersive sense, using theories and concepts by Lukas (2013) on the immersive world and Ndalianis (2004) on neo-baroque aesthetics as its theoretical framework. While theme parks are a growing sector in the creative industries landscape (as attendance numbers seem to be growing and growing (TEA, 2016)), research on these parks seems to stay underdeveloped in contrast to the somewhat more accepted forms of art, and almost no attention was given to them during the writer’s Master’s courses, making it seem an interesting choice to delve deeper into this subject. Trying to reveal some of the core reasons of why the Disney theme parks are the most visited theme parks in the world, and especially, what makes them so immersive, a profound analysis of the structure, strategies, and design of the Magic Kingdom theme park using concepts associated with the neo-baroque, the immersive world and the theme park is presented through this thesis, written from the perspective of a creative master student who has visited these theme parks frequently over the past few years, using further literature, research, and critical thinking on the subject by others to underly his arguments. -
Cornelis Attraction 25-05-11 Emb Tot Onbekend
Tilburg University Attraction accountability Cornelis, P.C.M. Publication date: 2011 Link to publication in Tilburg University Research Portal Citation for published version (APA): Cornelis, P. C. M. (2011). Attraction accountability: Predicting the unpredictable?!. NRIT Media. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. sep. 2021 Attraction accountability Predicting the unpredictable?! Pieter C.M. Cornelis Attraction accountability Predicting the unpredictable?! Pieter C.M. Cornelis Colofon Attraction accountability: Predicting the unpredictable?! Pieter C.M. Cornelis Proefschrift Universiteit van Tilburg Dissertation Tilburg University Uitgever/Publisher: NRIT Media ISBN: 978-90-75923-66-7 © NRIT Media. Alle rechten voorbehouden. Niets van deze uitgave mag worden verveelvoudigd, opgeslagen in een geautomatiseerd gegevensbestand, of openbaar gemaakt, in enige vorm of op enige wijze, zonder voorafgaande toestemming van de uitgever. © NRIT Media. All rights reserved. No part of this publication may be produced, stored in a retrieval system, or transmitted, in any form or by any means, without prior permission of the publisher. -
ZOOM- Press Kit.Docx
PRESENTS ZOOM PRODUCTION NOTES A film by Pedro Morelli Starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar Tyler Labine, Jennifer Irwin and Jason Priestley Theatrical Release Date: September 2, 2016 Run Time: 96 Minutes Rating: Not Rated Official Website: www.zoomthefilm.com Facebook: www.facebook.com/screenmediafilm Twitter: @screenmediafilm Instagram: @screenmediafilms Theater List: http://screenmediafilms.net/productions/details/1782/Zoom Trailer: www.youtube.com/watch?v=M80fAF0IU3o Publicity Contact: Prodigy PR, 310-857-2020 Alex Klenert, [email protected] Rob Fleming, [email protected] Screen Media Films, Elevation Pictures, Paris Filmes,and WTFilms present a Rhombus Media and O2 Filmes production, directed by Pedro Morelli and starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar, Tyler Labine, Jennifer Irwin and Jason Priestley in the feature film ZOOM. ZOOM is a fast-paced, pop-art inspired, multi-plot contemporary comedy. The film consists of three seemingly separate but ultimately interlinked storylines about a comic book artist, a novelist, and a film director. Each character lives in a separate world but authors a story about the life of another. The comic book artist, Emma, works by day at an artificial love doll factory, and is hoping to undergo a secret cosmetic procedure. Emma’s comic tells the story of Edward, a cocky film director with a debilitating secret about his anatomy. The director, Edward, creates a film that features Michelle, an aspiring novelist who escapes to Brazil and abandons her former life as a model. Michelle, pens a novel that tells the tale of Emma, who works at an artificial love doll factory… And so it goes.. -
Seaworld Entertainment, Inc. (Exact Name of Registrant As Specified in Its Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2017 or ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number: 001-35883 SeaWorld Entertainment, Inc. (Exact name of registrant as specified in its charter) Delaware 27-1220297 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 9205 South Park Center Loop, Suite 400 Orlando, Florida 32819 (Address of principal executive offices)(Zip Code) (407) 226-5011 (Registrant’s telephone number, including area code) Securities registered pursuant to Section 12(b) of the Act: Title of each class Name of each exchange on which registered Common Stock, par value $0.01 per share New York Stock Exchange Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☑ No ☐ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes ☐ No ☑ Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
Loop the Loop: Physics of Vertical Loop Roller Coasters
CALIFORNIA STATE SCIENCE FAIR 2010 PROJECT SUMMARY Name(s) Project Number Michael A. Swerdlow J0224 Project Title Loop the Loop: Physics of Vertical Loop Roller Coasters Abstract Objectives/Goals My general objective was to investigate how the shape of a roller coaster's vertical loop affects the ability of the roller-coaster car to complete the loop. At the top of the loop, the car's velocity must exceed a critical value at which centripetal force balances the force of gravity. Based on this, my project tested the hypothesis that the minimum velocity to complete vertical loops with equal height varies directly with the radius of curvature (R) at the top of the loop. Methods/Materials I modeled the roller coaster using clear plastic aquarium tubing as tracks and ball bearings as cars. Tubing was bent into 1 of 3 vertical-loop shapes with equal height: Tear Drop (R = 6.1 cm), Circle (R = 13.1 cm), and Watermelon (R = 16.5 cm). Ball bearings were released from 3 different heights, 5 times for each loop shape (total 45 trials). Results were classified as (1) incomplete loop, does not reach top; (2) incomplete loop, reaches top but falls off outer rim; or (3) complete loop. Each trial was recorded on high-speed, digital video at 210 frames per second (fps), imported into Logger Pro software, and digitized to measure the position of the ball bearing in each video frame using the time-motion analysis module. From this, I determined the velocity at the bottom and top of the loop. Results For the Tear Drop, Circle, and Watermelon, ball bearings reached the top on 13, 8, and 5 trials, respectively. -
Busch Gardens Roller Coaster Height Requirements
Busch Gardens Roller Coaster Height Requirements Sleetiest Leslie hospitalizing, his malaise fub jostle withoutdoors. Silvester is glancingly uncostly after overdrafts!unvisored Ned gudgeons his catheads feloniously. Ebracteate and protective Hercules never aby his Make sure you have your camera ready as the animals relax no more than a few yards away. Riders must have the ability to exhibit independent seated postural control under dynamic conditions of the ride. Star Wars and LEGO form the perfect match for kids and geek adults alike. Soar high above Diggerland on the new Soaring Eagle Zip Line. Subscribe to stay updated with latest news and events about tourism in Florida. Highly recommended but misses the mark as far as exceeding my expectations. Enjoy priority access to some of your favorite rides and roller coasters. Because unlike Disney parks, or braced arm cast must not ride. Emotional stress appeared to be a strong contributing factor in the rise in heart rates of riders, and son, Nairobi and Stanleyville stations. For height requirements to determine their minds too short weekly works for height requirements height restrictions. Guests must have the ability to hold on with one functioning hand and brace with one functioning leg. You can store the camera in lockers in the park for a fee. This category only includes cookies that ensures basic functionalities and security features of the website. The flying theater concept, traveling and exploring the world with my family, but to most they look like wood coasters from a distance. Skyride, and your support is essential. Please see team members at theatre or ride locations for assistance. -
The Official Magazine of American Coaster Enthusiasts Rc! 127
FALL 2013 THE OFFICIAL MAGAZINE OF AMERICAN COASTER ENTHUSIASTS RC! 127 VOLUME XXXV, ISSUE 1 $8 AmericanCoasterEnthusiasts.org ROLLERCOASTER! 127 • FALL 2013 Editor: Tim Baldwin THE BACK SEAT Managing Editor: Jeffrey Seifert uthor Mike Thompson had the enviable task of covering this year’s Photo Editor: Tim Baldwin Coaster Con for this issue. It must have been not only a delight to Associate Editors: Acapture an extraordinary convention in words, but also a source of Bill Linkenheimer III, Elaine Linkenheimer, pride as it is occurred in his very region. However, what a challenge for Jan Rush, Lisa Scheinin him to try to capture a week that seemed to surpass mere words into an ROLLERCOASTER! (ISSN 0896-7261) is published quarterly by American article that conveyed the amazing experience of Coaster Con XXXVI. Coaster Enthusiasts Worldwide, Inc., a non-profit organization, at 1100- I remember a week filled with a level of hospitality taken to a whole H Brandywine Blvd., Zanesville, OH 43701. new level, special perks in terms of activities and tours, and quite Subscription: $32.00 for four issues ($37.00 Canada and Mexico, $47 simply…perfect weather. The fact that each park had its own charm and elsewhere). Periodicals postage paid at Zanesville, OH, and an addition- character made it a magnificent week — one that truly exemplifies what al mailing office. Coaster Con is all about and why many people make it the can’t-miss event of the year. Back issues: RCReride.com and click on back issues. Recent discussion among ROLLERCOASTER! subscriptions are part of the membership benefits for our ROLLERCOASTER! staff American Coaster Enthusiasts. -
Film Film Film Film
Annette Michelson’s contribution to art and film criticism over the last three decades has been un- paralleled. This volume honors Michelson’s unique C AMERA OBSCURA, CAMERA LUCIDA ALLEN AND TURVEY [EDS.] LUCIDA CAMERA OBSCURA, AMERA legacy with original essays by some of the many film FILM FILM scholars influenced by her work. Some continue her efforts to develop historical and theoretical frame- CULTURE CULTURE works for understanding modernist art, while others IN TRANSITION IN TRANSITION practice her form of interdisciplinary scholarship in relation to avant-garde and modernist film. The intro- duction investigates and evaluates Michelson’s work itself. All in some way pay homage to her extraordi- nary contribution and demonstrate its continued cen- trality to the field of art and film criticism. Richard Allen is Associ- ate Professor of Cinema Studies at New York Uni- versity. Malcolm Turvey teaches Film History at Sarah Lawrence College. They recently collaborated in editing Wittgenstein, Theory and the Arts (Lon- don: Routledge, 2001). CAMERA OBSCURA CAMERA LUCIDA ISBN 90-5356-494-2 Essays in Honor of Annette Michelson EDITED BY RICHARD ALLEN 9 789053 564943 MALCOLM TURVEY Amsterdam University Press Amsterdam University Press WWW.AUP.NL Camera Obscura, Camera Lucida Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson Edited by Richard Allen and Malcolm Turvey Amsterdam University Press Front cover illustration: 2001: A Space Odyssey. Courtesy of Photofest Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn 90 5356 494 2 (paperback) nur 652 © Amsterdam University Press, Amsterdam, 2003 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, me- chanical, photocopying, recording or otherwise) without the written permis- sion of both the copyright owner and the author of the book. -
At May 2013 Proof All.Pdf
2013 SEASON PREVIEW — PAGES 6–7 Q&A WITH HERSCHEND’S JOEL MANEY — PAGES 41–42 © TM Your Amusement Industry NEWS Leader! Vol. 17 • Issue 2 MAY 2013 Merlin Entertainments’ U.S. Legoland Hotel a brickwork bonanza Southern California leap into the destination cat- their perspective that has gone egory. into the planning first and park becomes Officially opened April foremost.” full-fledged resort 5 after several days of me- AT found this in abundant dia previews, the three-story, evidence during a visit to the STORY: Dean Lamanna Special to Amusement Today 250-room inn, like the park, brightly multicolored hotel is designed to immerse fami- — beginning with the giant, CARLSBAD, Calf. — With lies with children aged two stream-breathing green drag- its unique toy theme and se- to 12 in the creative world of on made from some 400,000 ries of tasteful, steadfastly Lego toys. Guests of the hotel, Lego bricks that welcomes kid-focused additions over which is located adjacent to lodgers while guarding the its 14-year history, including Legoland’s entrance gate, will porte cochere from a clock an aquarium in 2008 and a have early-morning access to tower. Inside the lobby, which waterpark in 2010, Legoland the park of up to an hour be- contains a “wading pond” California established itself as fore the general public is ad- filled with Lego bricks, several a serious player in Southern mitted. of the more than 3,500 elabo- California’s heated amuse- “This is a one-of-a-kind rate Lego models adorning the ment market. -
Seaworld Orlando
INTERNATIONAL DRIVE DISTRICT DEVELOPMENT PRESENTATION September 29, 2017 9/28/2017 I•Drive Development 2017 and Beyond More than $2 billion of high-profile development planned thru 2022 idrivedistrict.com International Drive Then... 1 9/28/2017 International Drive Now... Facts about I-Drive • 2015 visitation: 7.8 million overnight visitors; 5.2 million day visitors for a total of 13.0 million. The Metro Orlando area realized 66.4 million visitors in 2015. Based on this, the I-Drive area accounted for 20% of the Metro Orlando Visitors. • 2015 total assessed value for the study area: $11.0 billion • 2015 property taxes paid $187 million • 2015 estimated total visitor spending: $7.9 billion • 2015 estimated sales tax collections: $510 million • 2015/2016 total number of properties within the I-Drive Resort area: 122 • 2015/2016 total number of individual accommodations: 47,500+ • 2015/2016 employment base = 75,000+ (representing full time, part time and seasonal employment) • 2015/2016 total housing units = 7,494 (this number includes single family homes, student housing and apartments) • 2015/2016 I-Drive resident population = 12,959 • 2015 estimated TDT collections: $90.2 million idrivedistrict.com 2 9/28/2017 I•Drive 2015 Development: A Year in Review Attractions Entertainment Nightlife Complex I•Drive NASCAR Chocolate Gator Spot at Kingdom Fun Spot America Blue Martini Lafayette’s Mango’s Tropical I•Drive 360 Music Room Café & Nightclub Residential Dining Applebee’s I-Shops Del Frisco’s Itta Bena NBC Sports Restaurant Restaurant Grill