A Typo-morphological Approach to Human–Machine Interaction Analysis in Music Eric Maestri To cite this version: Eric Maestri. A Typo-morphological Approach to Human–Machine Interaction Analysis in Music. Organised Sound, Cambridge University Press (CUP), 2017, 22 (3), pp.315-323. 10.1017/S1355771817000474. halshs-01644115 HAL Id: halshs-01644115 https://halshs.archives-ouvertes.fr/halshs-01644115 Submitted on 14 Mar 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. A TYPO-MORPHOLOGICAL APPROACH TO HUMAN-MACHINE INTERACTION ANALYSIS IN MUSIC Eric Maestri GREAM, Université de Strasbourg
[email protected] Abstract This article proposes an analytical perspective on the aural analysis of human-machine interaction. Starting from Pierre Schaeffer’s musical thinking, it focuses on the perception of sound morphologies that generate from human machine interaction. This interaction, usually interpreted under the perspective of the devices and technological innovation, will be interpreted through the perspective of musical perception and semantics. In the article, the author applies the criterion of ‘allure’, that permits to analyse the sound objects sustain and to indicate the sound agent as mechanical, living or natural. ‘Allure’ is used as a theoretical framework for the analysis of human-computer interaction in music.