About the Apo: Auckland Philharmonia Orchestra Playing for Auckland

Total Page:16

File Type:pdf, Size:1020Kb

About the Apo: Auckland Philharmonia Orchestra Playing for Auckland Auckland Philharmonia Orchestra Candidate Pack: Director of Artistic Planning November 2019 DIRECTOR OF ARTISTIC PLANNING After 10 highly successful years with the Auckland Philharmonia Orchestra, our Director of Artistic Planning, Ronan Tighe, is now making plans to move on to new projects. While we will be sorry to part ways, we are delighted with the legacy he leaves behind. The APO is currently performing at a very high level presenting a highly regarded programme of concert activity to packed houses across the season and working with some of the finest performing artists in the world. This is a wonderful opportunity for an exceptional artistic planner to join the APO as it continues this exciting journey. The position description is available within this Candidate Pack. POSITION DESCRIPTION ǀ DIRECTOR OF ARTISTIC PLANNING Auckland Philharmonia Orchestra November 2019 Department Artistic Department Reports to CEO Date November 2019 Led by Music Director Giordano Bellincampi, Auckland Philharmonia Orchestra is New Zealand’s full-time professional Metropolitan orchestra, serving the country’s largest and most vibrant city with a comprehensive programme of concerts and education and outreach activities. In more than 70 performances annually, the APO presents a full season of symphonic work showcasing many of the world’s finest classical musicians. Renowned for its innovation, passion and versatility, the APO collaborates with some of New Zealand’s most inventive artists. Through its numerous APO Connecting (education, outreach and community) initiatives the APO offers opportunities to more than 20,000 young people and adults nationwide to participate in music. More than 250,000 people hear the orchestra live each year, with many thousands more reached through special events, recordings and other media. Purpose of Role The Director of Artistic Planning is a member of Auckland Philharmonia’s senior management team with responsibility for developing, leading and executing the APO multi-year artistic strategies in collaboration with Music Director and CEO. This includes planning and implementing a season of orchestral concerts and events that serves diverse audience segments and maintains the APO’s position as an artistically vibrant modern symphony orchestra. Role dimensions Full-time 37.5 hours per week (minimum) Number of direct reports 4 Budget accountability Work within APO delegated financial authority Technical Specifications Location Auckland and other areas as identified Internal Working Relationships APO Board APO leadership team APO Music Director Artistic Department team members APO Staff APO Musicians APO Players Committee APO Section Leaders Committee POSITION DESCRIPTION ǀ DIRECTOR OF ARTISTIC PLANNING Key Responsibilities: Implementation of Artistic vision and strategy • Lead and implement the APO’s concert season to support the APO Strategic Plan, the Artistic Strategy and the Music Director’s artistic vision. This includes subscription concert planning, celebrations/festivals, collaborations, and other events. • Oversee all APO Commercial and recital programming and pre-concert talks • Oversee all APO Connecting programming • Proactively identify and facilitate new opportunities for performances by the Orchestra and its ensembles • Work closely with the Music Director on all artistic and scheduling matters and be his primary point of contact at the APO • Attend appropriate stages of concert/event production to ensure consistency with artistic vision • Work with senior management team, including Marketing, Business Development, Fundraising and Connecting to deliver market-appropriate offerings • Attend and chair regular Section Leader Committee meetings to review recent activity, discuss future plans and other artistic concerns • Represent artistic and programming perspectives to staff, board, donors and media as required. Planning • Continually research and identify top-level artists, conductors, composers, programme concepts and other ideas to keep APO programming artistically fresh, innovative and aligned with the strategic vision of the organisation • Select, engage and contract all artists appearing with the APO in line with APO strategies. • Negotiate of all artists’ tours, fees, terms and conditions through to contract in line with approved budgets. • Oversee the organisation of all travel, accommodation and other arrangements for artists including visa arrangements for international guests and where possible collaborate with other arts companies to maximise efficiencies • Maintain up to date knowledge about international and New Zealand artists, contemporary repertoire and musical trends that may be compatible with the artistic vision of the APO. People/Relationship Management • Supervise the annually appointed Assistant Conductor in Residence, including schedule planning across the other New Zealand orchestras involved in the scheme, mentoring, and identifying performance and assisting opportunities for them • Manage, mentor and develop Artistic Department staff, facilitating overall success of the department • Manage and maintain proactive and constructive relationships with the Music Director, guest artists, concertmaster and orchestra musicians • Maintaining proactive, positive and constructive relations with APO’s industry partners, including other arts companies and orchestras in New Zealand and Australia. Where appropriate, this includes coordinating artistic planning to avoid repertoire and artist clashes or to share costs and resource, when appropriate and mutually beneficial. • Liaise with marketing team to ensure appropriate publicity is generated about the artistic programme and artists • Liaise with operations team to optimise the scheduling of orchestral activity across the concert season. POSITION DESCRIPTION ǀ DIRECTOR OF ARTISTIC PLANNING Business Management • Establish and manage departmental budgets in consultation with CEO and Director of Business Services • Negotiate artists’ fees and other expenses within budget • As a member of the Senior Management team, participate in the development and implementation of Company strategies, policies, procedures and systems • Provide timely, accurate and relevant reports to other Heads of Department to support funding applications and reporting to funders • Provide timely, accurate and relevant reports to the CEO and the APO Board as required • Lead in recruitment and / or renewal of Music Director and / or Assistant Conductor in Residence, as required. Public Relations • Promote the profile of the APO within New Zealand and overseas. • Serve as guest speaker / APO representative at various functions as required. Selection Criteria: Essential • Previous experience in planning orchestral programmes at professional level • An excellent network of contacts across the international industry, in particular the major artist agents • A comprehensive knowledge of conductors and soloists internationally with a view to their suitability to perform with the APO • Extensive knowledge of orchestral and chamber music • Intrinsic understanding of orchestral and recital programming, specifically how it impacts artistic vibrancy and box office performance • An ambitious and tenacious approach to securing the finest guest artists to perform with the APO • A collaborative approach to working, including understanding and accommodating the concerns of Marketing and Box Office, Fundraising and Sponsorship, while maintaining artistic excellence • Sound knowledge and understanding of the orchestra environment • Understanding of and/or willingness to learn about the unique NZ cultural and artistic environment • Excellent communication skills, both verbal and written • Management experience, including excellent people management skills • Experience in negotiating and achieving mutually beneficial outcomes, including financial outcomes • Willingness and ability to work flexible hours and to travel as and when required • Relevant tertiary qualification Desirable • Previous experience as an orchestra musician or similar • Evidence of ability to establish credibility and influence people • Knowledge of the contemporary New Zealand music scene, and in interest in other art forms including dance, theatre, literature, visual arts • Experience planning large and relatively complex artistic events • At least three years’ experience in a similar role ABOUT THE APO: AUCKLAND PHILHARMONIA ORCHESTRA PLAYING FOR AUCKLAND Ko Te Rāngai Puoro Tuatini o Tāmaki Makau Rau te hā o te oro ki APO VISION Tāmaki whānui, me te whakaoho i te manawaroa mō te rāngai puoro. To be the musical heart of Auckland & its communities Auckland Philharmonia Orchestra is the musical heart of Auckland and its communities and inspires a life-long love of orchestral music. APO MISSION Auckland Philharmonia Orchestra is New Zealand’s full-time professional APO: Inspiring a lifelong Metropolitan orchestra, serving the country’s largest and most vibrant city passion for orchestral music with a comprehensive programme of concerts and education and outreach activities. In more than 70 mainstage performances annually, the APO presents a full season of symphonic work showcasing many of the world’s finest classical musicians. APO STRATEGY . To have an orchestra of Our orchestra comprises of 72 full-time professional musicians and a total of outstanding quality as a key 35 admin staff members. We are one of two full-time professional symphony cultural landmark for the city orchestras in New Zealand, and we are the
Recommended publications
  • Wednesday Playlist
    September 25, 2019: (Full-page version) Close Window “Art and life are not two separate things.” — Gustav Mahler Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Sibelius The Swan of Tuonela Boston Symphony/Davis Philips 446 160 028944616026 Awake! 00:11 Buy Now! Elgar The Sanguine Fan, Op. 81 London Philharmonic/Boult EMI 63133 077776313320 00:30 Buy Now! Mozart Piano Quartet No. 2 in E flat, K. 493 Bronfman/Zukerman/Marks/Forsyth RCA Red Seal 88697160442 886971604429 01:00 Buy Now! Gershwin Lullaby for Strings Cincinnati Pops/Kunzel Telarc 80503 089408050329 01:10 Buy Now! Bach English Suite No. 4 in F, BWV 809 Glenn Gould Sony 52606 n/a 01:28 Buy Now! Strauss, R. Le Bourgeois Gentilhomme Suite Chicago Symphony/Reiner RCA 5721 07863557212 01:59 Buy Now! Mozart Overture ~ The Magic Flute, K. 620 Academy of St. Martin-in-the-Fields/Marriner EMI 47014 077774701426 Virgin Classics 02:07 Buy Now! Rameau Fourth Concert (for harpsichord and strings) Trio Sonnerie 90749 07567907492 Digital 02:19 Buy Now! Beethoven Piano Concerto No. 5 in E flat, Op. 73 "Emperor" Arrau/Dresden State Orchestra/Davis Philips 416 215 028941621528 03:01 Buy Now! Mascagni Intermezzo ~ Cavalleria rusticana Philadelphia Orchestra/Ormandy Sony 48260 07464482602 03:05 Buy Now! Shostakovich Cello Concerto No. 1 in E flat, Op. 107 Kanneh-Mason/CBSO/Grazinyte-Tyla Decca 483 2948 028948329489 03:38 Buy Now! Telemann Paris Quartet No. 10 Kuijken Bros/Leonhardt Sony 63115 074646311523 03:59 Buy Now! Chopin Scherzo No.
    [Show full text]
  • The Music Room Conversations About Music with Zoë Beyers Episode
    The Music Room Conversations about Music With Zoë Beyers Episode One Kenneth Woods Conductor, Writer, Cellist (First broadcast 19th June 2020) Programme Notes Gustav Mahler Mahler’s Journeyman Songs We begin this episode in the world of Mahler, with the second movement of his song cycle Lieder eines fahrenden Gesellen in Arnold Schoenberg’s 1920 arrangement for small ensemble. This work is not only intensely personal, but also semi-autobiographical. At the time of writing (1884-1885), Mahler was a young, itinerant composer. He was also heartbroken in the wake of a failed romance with the singer Johanna Richter. Ging heut ’Morgen über’s Feld I Walked Across the Fields This Morning Gustav Mahler English translation © Richard Stokes Ging heut ’morgen über’s Feld, I walked across the fields this morning, Tau noch auf den Gräsern hing; Dew still hung on the grass, Sprach zu mir der lust’ge Fink: The merry finch said to me: „Ei du! Gelt? ‘You there, hey - Guten Morgen! Ei, Gelt? Du! Good morning! Hey, you there! Wird’s nicht eine schöne Welt? Isn’t it a lovely world? Zink! Zink! Schön und flink! Tweet! Tweet! Bright and sweet! Wie mir doch die Welt gefällt!“ O how I love the world!’ Auch die Glockenblum ’am Feld And the harebell at the field’s edge, Hat mir lustig, guter Ding’, Merrily and in good spirits, Mit den Glöckchen, klinge, kling, Ding-ding with its tiny bell Ihren Morgengruß geschellt: Rang out its morning greeting: „Wird’s nicht eine schöne Welt? ‘Isn’t it a lovely world? Kling! Kling! Schönes Ding! Ding-ding! Beautiful thing! Wie mir doch die Welt gefällt! O how I love the world!’ Und da fing im Sonnenschein And then in the gleaming sun Gleich die Welt zu funkeln an; The world at once began to sparkle; Alles, alles, Ton und Farbe gewann! All things gained in tone and colour! Im Sonnenschein! In the sunshine! Blum ’und Vogel, groß und klein! Flower and bird, great and small.
    [Show full text]
  • RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KHAIRULLO ABDULAYEV (b. 1930, TAJIKISTAN) Born in Kulyab, Tajikistan. He studied composition at the Moscow Conservatory under Anatol Alexandrov. He has composed orchestral, choral, vocal and instrumental works. Sinfonietta in E minor (1964) Veronica Dudarova/Moscow State Symphony Orchestra ( + Poem to Lenin and Khamdamov: Day on a Collective Farm) MELODIYA S10-16331-2 (LP) (1981) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where he studied under Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. His other Symphonies are Nos. 1 (1962), 3 in B flat minor (1967) and 4 (1969). Symphony No. 2 in E minor (1964) Valentin Katayev/Byelorussian State Symphony Orchestra ( + Vagner: Suite for Symphony Orchestra) MELODIYA D 024909-10 (LP) (1969) VASIF ADIGEZALOV (1935-2006, AZERBAIJAN) Born in Baku, Azerbaijan. He studied under Kara Karayev at the Azerbaijan Conservatory and then joined the staff of that school. His compositional catalgue covers the entire range of genres from opera to film music and works for folk instruments. Among his orchestral works are 4 Symphonies of which the unrecorded ones are Nos. 1 (1958) and 4 "Segah" (1998). Symphony No. 2 (1968) Boris Khaikin/Moscow Radio Symphony Orchestra (rec. 1968) ( + Piano Concertos Nos. 2 and 3, Poem Exaltation for 2 Pianos and Orchestra, Africa Amidst MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies A-G Struggles, Garabagh Shikastasi Oratorio and Land of Fire Oratorio) AZERBAIJAN INTERNATIONAL (3 CDs) (2007) Symphony No.
    [Show full text]
  • CAL PERFORMANCES at UC BERKELEY 2016–17 SEASON #Berkeleyradical
    EMBARGOED FOR RELEASE UNTIL: APRIL 19, 2016 CONTACTS: Louisa Spier Eric Latzky Cal Performances Culture | Communications NY 510-643-6714 212-358-0223 [email protected] [email protected] CAL PERFORMANCES AT UC BERKELEY 2016–17 SEASON #BerkeleyRADICAL MARK MORRIS DANCE GROUP TO OPEN SEASON WITH WORLD PREMIERE of LAYLA AND MAJNUN Major Full-Evening Work with Music Performed by THE SILK ROAD ENSEMBLE Sets and Costumes by HOWARD HODGKIN, Cal Performances Co-Commission September 30–October 2 ESA-PEKKA SALONEN and PHILHARMONIA ORCHESTRA OF LONDON FIVE WORKS by STRAVINSKY October 7–9 • SECOND BERKELEY RADICAL SEASON TO EMBRACE Three Strands of Artistic Exploration – INCLUSION, INNOVATION, IMMERSION INCLUSION THE NILE PROJECT musical communities gathered around shared water; KRONOS QUARTET performs Serbian and Armenian compositions; BLACK ARM BAND’s musical DIRTSONG deals with Aboriginal struggle; Mark Morris’ LAYLA AND MAJNUN explores forbidden love INNOVATION Re-imagination, fresh ideas from established artists, future directions – ROBERT WILSON and MIKHAIL BARYSHNIKOV – LETTER TO A MAN, Cal-Performances Co-Commission and West Coast Premiere; JOHN ADAMS at 70 – AVAILABLE LIGHT restaging with FRANK O. GEHRY and LUCINDA CHILDS, Cal Performances Co-Commission; STEVE REICH at 80 – ENSEMBLE SIGNAL performs the US Premiere of Runner, Cal Performances Co-Commission; KIDD PIVOT and ELECTRIC COMPANY THEATRE: BETROFFENHEIT, Collaboration of CRYSTAL PITE and JONATHON YOUNG Cal Performances 2016–17 Season Announcement IMMERSION Deep explorations
    [Show full text]
  • Timeline: Music Evolved the Universe in 500 Songs
    Timeline: Music Evolved the universe in 500 songs Year Name Artist Composer Album Genre 13.8 bya The Big Bang The Universe feat. John The Sound of the Big Unclassifiable Gleason Cramer Bang (WMAP) ~40,000 Nyangumarta Singing Male Nyangumarta Songs of Aboriginal World BC Singers Australia and Torres Strait ~40,000 Spontaneous Combustion Mark Atkins Dreamtime - Masters of World BC` the Didgeridoo ~5000 Thunder Drum Improvisation Drums of the World Traditional World Drums: African, World BC Samba, Taiko, Chinese and Middle Eastern Music ~5000 Pearls Dropping Onto The Jade Plate Anna Guo Chinese Traditional World BC Yang-Qin Music ~2800 HAt-a m rw nw tA sxmxt-ib aAt Peter Pringle World BC ~1400 Hurrian Hymn to Nikkal Tim Rayborn Qadim World BC ~128 BC First Delphic Hymn to Apollo Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Epitaph of Seikilos Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Magna Mater Synaulia Music from Ancient Classical Rome - Vol. 1 Wind Instruments ~ 30 AD Chahargan: Daramad-e Avval Arshad Tahmasbi Radif of Mirza Abdollah World ~??? Music for the Buma Dance Baka Pygmies Cameroon: Baka Pygmy World Music 100 The Overseer Solomon Siboni Ballads, Wedding Songs, World and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco Timeline: Music Evolved 2 500 AD Deep Singing Monk With Singing Bowl, Buddhist Monks of Maitri Spiritual Music of Tibet World Cymbals and Ganta Vihar Monastery ~500 AD Marilli (Yeji) Ghanian Traditional Ghana Ancient World Singers
    [Show full text]
  • Voyager's Gold Record
    Voyager's Gold Record https://en.wikipedia.org/wiki/Voyager_Golden_Record #14 score, next page. YouTube (Perlman): https://www.youtube.com/watch?v=aVzIfSsskM0 Each Voyager space probe carries a gold-plated audio-visual disc in the event that the spacecraft is ever found by intelligent life forms from other planetary systems.[83] The disc carries photos of the Earth and its lifeforms, a range of scientific information, spoken greetings from people such as the Secretary- General of the United Nations and the President of the United States and a medley, "Sounds of Earth," that includes the sounds of whales, a baby crying, waves breaking on a shore, and a collection of music, including works by Mozart, Blind Willie Johnson, Chuck Berry, and Valya Balkanska. Other Eastern and Western classics are included, as well as various performances of indigenous music from around the world. The record also contains greetings in 55 different languages.[84] Track listing The track listing is as it appears on the 2017 reissue by ozmarecords. No. Title Length "Greeting from Kurt Waldheim, Secretary-General of the United Nations" (by Various 1. 0:44 Artists) 2. "Greetings in 55 Languages" (by Various Artists) 3:46 3. "United Nations Greetings/Whale Songs" (by Various Artists) 4:04 4. "The Sounds of Earth" (by Various Artists) 12:19 "Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Allegro (Johann Sebastian 5. 4:44 Bach)" (by Munich Bach Orchestra/Karl Richter) "Ketawang: Puspåwårnå (Kinds of Flowers)" (by Pura Paku Alaman Palace 6. 4:47 Orchestra/K.R.T. Wasitodipuro) 7.
    [Show full text]
  • London's Symphony Orchestra
    London Symphony Orchestra Living Music Thursday 26 January 2017 7.30pm Barbican Hall BRAHMS AND STRAUSS Brahms Piano Concerto No 1 INTERVAL Brahms Variations on a Theme by Haydn London’s Symphony Orchestra Strauss Death and Transfiguration Alpesh Chauhan conductor Benjamin Grosvenor piano Concert finishes approx 9.35pm 2 Welcome 26 January 2017 Welcome Living Music Kathryn McDowell In Brief A very warm welcome to tonight’s LSO performance 2017/18 SEASON LAUNCH at the Barbican. This evening we are delighted to be joined by two musicians making their debuts with On 17 January the LSO revealed the full details of the Orchestra: conductor Alpesh Chauhan, who is its 2017/18 Season, the first with Sir Simon Rattle becoming known both in the UK and internationally as Music Director. Booking opens to the public for his work with leading orchestras; and pianist online at 10am on Friday 3 February, and all Benjamin Grosvenor, who has steadily built his of the concert listings can be found on our website. career after winning the Keyboard Final of the 2004 BBC Young Musician of the Year competition at just alwaysmoving.lso.co.uk 11 years old. This evening’s programme explores pivotal works MAHLER SYMPHONY NO 6 LIVE STREAM: from two beloved Romantic composers. We begin NOW ON YOUTUBE with Brahms’ Piano Concerto No 1, before hearing his Variations on a Theme by Haydn – which, although Sir Simon Rattle and the LSO’s performance of composed at the age of 40, was Brahms’ first major Mahler’s Symphony No 6 and Mark-Anthony work for orchestra alone.
    [Show full text]
  • Download the Concert Programme (PDF)
    London Symphony Orchestra Living Music Wednesday 15 February 2017 7.30pm Barbican Hall UK PREMIERE: MARK-ANTHONY TURNAGE London’s Symphony Orchestra Mark-Anthony Turnage Håkan (UK premiere, LSO co-commission) INTERVAL Rachmaninov Symphony No 2 John Wilson conductor Håkan Hardenberger trumpet Concert finishes approx 9.30pm Supported by LSO Patrons 2 Welcome 15 February 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican, THE LSO ON TOUR which features the UK premiere of one of two works by Mark-Anthony Turnage co-commissioned by the This month, the LSO will embark on a landmark LSO this season. Håkan is Mark-Anthony Turnage’s tour of the Far East. On 20 February the Orchestra second work for trumpeter Håkan Hardenberger; will open the UK-Korea Year of Culture in Seoul, regular members of the audience will remember the followed by performances in Beijing, Shanghai and LSO’s performance of the first concerto, From the Macau. To conclude the tour, on 4 March the LSO will Wreckage, in 2013. It is a great pleasure to welcome make history by becoming the first British orchestra this collaboration of composer and soloist once again. to perform in Vietnam, conducted by Elim Chan, winner of the 2014 Donatella Flick LSO Conducting The LSO is very pleased to welcome conductor Competition. A trip of this scale is possible thanks to John Wilson for this evening’s performance, and the support of our tour partners. The LSO is grateful is grateful to him for stepping in to conduct at to Principal Partner Reignwood, China Taiping, short notice.
    [Show full text]
  • Download Booklet
    111248 bk Klemperer EU 1/15/07 11:55 AM Page 4 Great Conductors: Otto Klemperer Ludwig van BEETHOVEN (1770-1827) Symphony No. 5 in C minor, Op. 67 35:00 BEETHOVEN 1 I Allegro con brio 8:04 2 II Andante con moto 10:06 3 III Allegro 5:43 Symphonies Nos. 5 and 7 4 IV Allegro – Presto 11:07 Recorded 6th and 7th October and 17th December, 1955 in Kingsway Hall, London First issued on Columbia 33C 1051 LEM O K PER Symphony No. 7 in A major, Op. 92 38:44 TT ER 5 I Poco sostenuto – Vivace 12:53 O 6 II Allegretto 9:27 7 III Presto – Assai meno presto 8:24 8 IV Allegro con brio 7:58 Recorded 5th and 6th October and 17th December, 1955 in Kingsway Hall, London First issued on Columbia 33CX 1379 Philharmonia Orchestra Otto Klemperer Reissue Producer and Audio Restoration Engineer: Mark Obert-Thorn Producer’s Note When stereo tape recording was first adopted by the major labels in the mid-1950s, it was looked upon as an experimental adjunct to the main monaural recording sessions. The stereo engineer would work from a different 1 s studio than the mono producer and engineer. With EMI and Decca at least, this control room was kept secret 955 Recording from the “artistes” out of fear they might demand to be paid twice for the sessions (once for the mono and again for the stereo taping). The new equipment often malfunctioned, and sometimes not enough was recorded of takes that went well to release.
    [Show full text]
  • Lynn Freeman Olson Collection Cassette
    LYNN FREEMAN OLSON COLLECTION CASSETTE RECORDINGS LIST Beethoven 9 Symphonien Ouverturen (6 tape boxed set)- Karajan Berliner Philharmonikar Vivaldi: Two Concertos for Two Violins / Two Sonatas for Two Violins and Continuo - Aston Magna Vivaldi: Concerti E Sinfonie - I Solisti Veneti/Claudio Scimone Mahler: Symphony No. 10 - Philadelphia Orchestra / James Levine (2 cassettes) Mahler: Symphony So, 1 - London Philharmonic - Klaus Tennstedt Debussy: 3 Nocturnes Ravel: Pavane & Bolero - Moscow Radio Large Symphony Orchestra / Yevgeni Svetlanov Debussy: La Mer, Nocturnes - Cleveland Orchestra/ Lorin Maazel Rachmaninoff: Symphony No. 2 - Royal Philharmonic Orchestra / Yuri Temirkanov Rachmaninoff: Symphony Mo. 3 Shostakovich: Symphony No. 6 - London Symphony Orchestra / Andre Previn Rachmaninoff: Second Piano Concerto - Balakirev Islamey, Julius Katchen - London Symphony Orchestra / Sir Georg Solti Rachmaninoff: Piano Concerto No. 3 - Vladimir Ashkenazy - The London Symphony / Anatola Fistoulari Rachmaninoff: Piano Concertos 2 & 4 -Vladimir Ashkenazy - Concertgebouw Orchestra / Bernard Haitink Shostakovich: Symphony No. 11 ("1905") - Houston Symphony Orchestra / Leopold Stokowski Shostakovich: Symphony No. 6 / The Age of Gold (Ballet Suite) - Chicago Symphony / Leopold Stokowski Shostakovich: Symphony No. 7 ("Leningrad") - Bournemouth Symphony Orchestra / Paavo Berglund Shostakovich: Symphony No. 10 e minor Op, 93 - Austrian Broadcast Symphony Orchestra / Milan Horvat (2 cassette set) LYNN FREEMAN OLSON REFERENCE COLLECTION OF RECORDED SOUND
    [Show full text]
  • NORTHERN STARS MUSIC from the NORDIC and BALTIC REGIONS NAXOS • MARCO POLO • ONDINE • PROPRIUS • SWEDISH SOCIETY • DACAPO Northern Stars
    NORTHERN STARS MUSIC FROM THE NORDIC AND BALTIC REGIONS NAXOS • MARCO POLO • ONDINE • PROPRIUS • SWEDISH SOCIETY • DACAPO Northern Stars Often inspired by folk tradition, nature, landscape and a potent spirit of independence, the music of Scandinavia, Finland and the Baltic states is distinctive and varied, with each country’s music influenced by its neighbours, yet shaped and coloured by its individual heritage. Traveling composers such as Sweden’s Joseph Kraus introduced 18th and early 19th century classical trends from Germany and Italy, but with national identity gaining increasing importance as Romantic ideals took hold, influential and distinctive creative lines were soon established. The muscular strength of Carl Nielsen’s symphonies grew out of the Danish nationalist vigor shown by Friedrich Kuhlau and Niels Gade, extending to names such as Per Nørgård today. Gade was a teacher of Edvard Grieg, who owes his position as Norway’s leading composer, at least in part, to the country’s traditional folk music and the poignant lyricism of the Hardanger fiddle. The music of Finland is dominated by the rugged symphonies of Jean Sibelius, and his Finlandia ensured his status as an enduring national symbol. Sibelius successfully combined the lessons of Viennese romanticism with a strong Nordic character, and this pragmatic approach has generated numerous contemporary giants such as Aus Sallinen, Einojuhani Rautavaara, Kalevi Aho and Kaija Saariaho. Turbulent history in the Baltic States partially explains a conspicuous individualism amongst the region’s composers, few more so than with Arvo Pärt, whose work distils the strong Estonian vocal tradition into music of striking intensity and crystalline beauty.
    [Show full text]
  • GIORDANO BELLINCAMPI, Direttore
    GIORDANO BELLINCAMPI , direttore Giordano Bellincampi è il direttore musicale della Auckland Philharmonia. Nato in Italia e trasferitosi a Copenaghen in giovane età, ha iniziato la sua carriera come trombonista con la Royal Danish Orchestra prima di fare il suo debutto come direttore d’orchestra nel 1994. In precedenza, è stato direttore principale de’ I Pomeriggi Musicali di Milano, direttore principale della Kristiansand Symphony Orchestra dal 2013 al 2018, direttore generale della musica della Duisburg Philharmonic dal 2012 al 2017, direttore generale della musica della Danish National Opera di Aarhus dal 2005 al 2013, direttore musicale della Copenhagen Philharmonic Orchestra dal 2000 al 2006 e, tra il 1997 e il 2000, anche direttore principale dell'Athelas Sinfonietta di Copenhagen, il principale ensemble contemporaneo in Danimarca. Bellincampi intrattiene relazioni regolari come ospite con molte orchestre in tutto il mondo, in particolare in Scandinavia ed Europa, tra cui le Orchestre Royal Stockholm, Rotterdam e Royal Flemish Philharmonic e la St Petersburg Symphony, ma anche in Nord America, Asia e Australia. Con un enorme repertorio che abbraccia la musica classica, romantica e contemporanea, è particolarmente celebre per la sua ampia conoscenza della musica sinfonica dell'Europa centrale, italiana e scandinava e per le sue interpretazioni di importanti opere corali e vocali. I momenti salienti delle ultime stagioni includono concerti di Aida di Verdi e Mozart di Don Giovanni con la Auckland Philharmonia, e spettacoli di gala della musica lirica e orchestrale di Wagner con la Duisburg Philharmonic in occasione della riapertura della casa dell'orchestra nel Mercatorhalle di Duisburg, nonché una visita acclamata alla leggendaria Concertgebouw Hall di Amsterdam, nel repertorio di Nielsen, Sibelius e Beethoven.
    [Show full text]