Bottesini US 1/15/08 12:03 PM Page 5

Total Page:16

File Type:pdf, Size:1020Kb

Bottesini US 1/15/08 12:03 PM Page 5 557042 bk Bottesini US 1/15/08 12:03 PM Page 5 Harold Hall Robinson 9 Une bouche aimée Beloved lips An internationally acclaimed artist, Harold Hall Robinson is currently the principal Une bouche aimée a dit à mon coeur: Beloved lips said to my heart: contrabassist with the Philadelphia Orchestra. Prior to this he spent ten seasons as principal “Viens, ô mon amour, ô toi, mon seul bonheur. “Come, O my love, O thou, my only joy. BOTTESINI bassist of the National Symphony Orchestra, eight seasons as associate principal of the Viens, ah! viens mon coeur, Come, ah, come, my heart, Houston Symphony Orchestra and three seasons as principal of the New Mexico Symphony ô toi, mon seul bonheur. O thou, my only joy. Orchestra. A prize-winner at the 1982 Isle of Man Solo competition, Harold Hall Robinson has Music for Double Bass and Piano • 2 performed concertos with the Philadelphia Orchestra, the National Symphony, Houston Adieu les tristes automnes. Farewell sad autumns, Symphony, New York Philharmonic, the Rhode Island Philharmonic, American Chamber Voici venir le printemps. Here comes the spring. Orchestra and the Greenville South Carolina Orchestra. In addition he is known for his La terre se couvre de fleurs, The earth is covered with flowers, Concerto No. 2 • Tutto che il mondo serra outstanding recitals and master classes throughout the United States. He is currently on the les rayons dorés ont tari ses pleurs. the golden rays have dried her tears. faculty of the Curtis Institute. Dans la feuille nouvelle In the new foliage Photo: Chris Lee chante la tourterelle. sings the turtle-dove. La sève des bourgeons entr’ouverts The sap of the half-opened buds Joel Quarrington, Double Bass James Campbell du parfum des bois des prés verts fills the air remplit les airs. with the scent of the woods and of the green meadows. Acclaimed by the Toronto Star as “Canada’s pre-eminent clarinetist and wind soloist”, James Andrew Burashko, Piano Campbell has performed solo and chamber music concerts in 25 countries, has been soloist with Mon cher amour, ma vie, My dear love, my life, over sixty orchestras, including the Boston Pops, the London Symphony, the Russian ah! viens, mon seul bonheur, Ah! Come, my only joy, Philharmonic, and the Montreal Symphony and has performed Copland’s Clarinet Concerto mon amour, mon bonheur.” my love, my joy.” five times with Aaron Copland conducting. He has appeared with over thirty string quartets, including the famous Amadeus Quartet when he replaced an ailing Benny Goodman for a tour Beloved lips said to my heart: of California. He has made over forty recordings, including the Debussy Rhapsody with Glenn Une bouche aimée a dit à mon coeur: “Viens, ô mon amour, ô toi, mon seul bonheur. “Come, O my love, O thou, my only joy. Photo: Bruno Schrecker Gould, the Philharmonia Orchestra of London, and the première recording of the Berio arrangement of Brahms’s F minor Sonata with the London Symphony. His recording of Viens, ah! viens mon coeur, Come, ah, come, my heart, Brahms’s Clarinet Quintet was chosen by the BBC and The Times in London as the best ô toi, mon seul bonheur, O thou, my only joy, available. He has been awarded a Juno (Canada’s Grammy), Canada’s Artist of the Year, the mon cher amour, ma vie. Viens mon coeur. my dear love, my life. Come my heart. Queen’s Jubilee Medal, and Canada’s highest honour, the Order of Canada. James Campbell has been Professor of Viens, ô mon seul bonheur, Come, O my only joy, Music at Indiana University since 1988 and Artistic Director of the Festival of the Sound since 1985. Viens.” Come.” 0 Tutto che il mondo serra All that the world holds Monica Whicher Tutto che il mondo serra di più caro per me da me All that the world holds that is dearest to me Monica Whicher has been heard with orchestras and opera companies in Germany, Spain, the s’invola, ah! is slipping away from me, ah! United Kingdom, Asia, the United States and Canada. Her concerts and recitals are broadcast Oggi per sempre ed ogni gaudio perdo e ogni speranza, Today I lose for ever all joy and all hope frequently by CBC radio, and her recordings of Bach, Schubert, Hatzis, Somers and Greer can Che l’amara terra dall’esilio feconda For my troubles serve only to feed be found on Marquis and other labels. Recent performances include the rôle of Dido in Esser non puote se non d’affanno. The bitter land of exile. Purcell’s Dido and Aeneas, the Countess in Mozart’s Le nozze di Figaro, The Governess in Britten’s The Turn of the Screw and the Female Chorus in Britten’s The Rape of Lucretia. Her critically acclaimed performance of Mérope in Lully’s Persée can be seen on the EuroArts English translations by Keith Anderson DVD, and she appears as Telaïre on the Naxos recording of Rameau’s Castor et Pollux Photo: Michael de Sadlier (8.660118-19). 8.557042 5 6 8.557042 557042 bk Bottesini US 1/15/08 12:03 PM Page 2 Giovanni Bottesini (1821-1889) the string at certain points, rather than pressing it to the The Duetto for two basses is probably the earliest Joel Quarrington Music for Double Bass and Piano • 2 fingerboard). Double stops and busy passagework, and most etude-like work on this disc, from a set of staple “tricks” of Dragonetti’s generation, are the three dedicated to Bottesini’s teacher, Luigi Rossi. The Reviewing Joel Quarrington’s début recital for the International Society of Bassists It was a curious twist of fate that produced the examples. He wrote about a dozen operas, from exception rather than the rule here. Concerto No. 2, sometimes referred to as in A minor, or Oklahoma City convention in June 2007, England’s Double Bassist magazine said, “his nineteenth century’s reigning double bass virtuoso. Cristoforo Colombo while resident in Havana in 1846-7, Not surprisingly, the best source for most of in B minor, for complicated reasons arising from old- performance was mesmerizing - his trademark bel canto playing style brought an When a lad of fourteen, Giovanni Bottesini had already to Vinciguerro il bandito which had a run of forty Bottesini’s works is Parma’s Conservatory library. fashioned tuning conventions, is a fully mature work, otherworldly quality to Bottesini’s Elegy in D…he demonstrated impeccable articulation, a greatly developed his musical talents, as a choirboy, a performances in Paris in 1870, and La regina di Nepal When he examined the holdings there, Joel Quarrington from the well proportioned, somewhat laconic first rich tonal palette, absolute control and crystalline clarity. A memorable night…” Reviews violinist, and a timpani player. His father sought a place for Turin in 1880. He also composed eleven string found fair copies in Bottesini’s hand; that is, not movement, through the simply singing second, to the such as this have confirmed his reputation as one of today’s leading double bassists. Born in for him in the Milan Conservatory, but found only two quartets, a genre scarcely noticed in nineteenth-century sketches or composition drafts, but final product, third, driven by a rhythmic figure typical of the Toronto, Joel Quarrington began playing the bass at the age of eleven and is a winner of the were available: for bassoon and for double bass. Double Italy, songs, some sacred music, and a few orchestral perhaps intended to be an authoritative or archival polonaise (and the Cuban bolero). Geneva International Competition. For over thirty years he has served as the Principal bass it was, then. He prepared a successful audition in a works. It was only his music for double bass, however, version. Of course, multiple authoritative versions often Other selections emphasize the essential vocality of Double Bassist of many ensembles, including the Canadian Opera Company, the Toronto matter of weeks, and only four years later, a surprisingly and only some of that, that outlived him. exist: for example, a solo piece with accompaniment for Bottesini’s inspiration, most explicitly in the Bellini Symphony Orchestra and the National Arts Centre Orchestra in Ottawa. Joel Quarrington short time by the standards of the day, still a teenager, As a conductor and music director, Bottesini at one piano, or string quartet, or full orchestra. Since Bottesini Fantasia, but stylistically so in the pairings of bass, teaches at Montreal’s McGill University and in the summers, Mt. Orford Quebec, where his he left with a prize of 300 francs for solo playing. This time or another held major posts at theatres in London, spent most of his career as a touring virtuoso, sometimes always singing, now with clarinet, now with soprano. master-classes have attracted players from around the world. He has performed with many Photo: Fred Cattroll money financed the acquisition of an instrument by Paris, Palermo, Madrid, and Barcelona. Music history, travelling with a partner but even then often The anonymous texts are routine bourgeois expressions of the world’s leading string quartets and is a regular performer with the Pinchas Zukerman Carlo Testore, and a globe-trotting career as “the however, notices most that he conducted the première collaborating with local players as arranged by the of popular Romantic sentiment; but in the case of Tutto Chamber Players. In April 2005 he had the honour of playing the world première of John Harbison’s Concerto for Paganini of the Double Bass” was launched. performance of Aida in Cairo, to commemorate the concert promoter, it was important to be able to work che il mondo the music is very well known - Chopin’s Bass Viol with the Toronto Symphony and Hugh Wolf.
Recommended publications
  • Wednesday Playlist
    September 25, 2019: (Full-page version) Close Window “Art and life are not two separate things.” — Gustav Mahler Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Sibelius The Swan of Tuonela Boston Symphony/Davis Philips 446 160 028944616026 Awake! 00:11 Buy Now! Elgar The Sanguine Fan, Op. 81 London Philharmonic/Boult EMI 63133 077776313320 00:30 Buy Now! Mozart Piano Quartet No. 2 in E flat, K. 493 Bronfman/Zukerman/Marks/Forsyth RCA Red Seal 88697160442 886971604429 01:00 Buy Now! Gershwin Lullaby for Strings Cincinnati Pops/Kunzel Telarc 80503 089408050329 01:10 Buy Now! Bach English Suite No. 4 in F, BWV 809 Glenn Gould Sony 52606 n/a 01:28 Buy Now! Strauss, R. Le Bourgeois Gentilhomme Suite Chicago Symphony/Reiner RCA 5721 07863557212 01:59 Buy Now! Mozart Overture ~ The Magic Flute, K. 620 Academy of St. Martin-in-the-Fields/Marriner EMI 47014 077774701426 Virgin Classics 02:07 Buy Now! Rameau Fourth Concert (for harpsichord and strings) Trio Sonnerie 90749 07567907492 Digital 02:19 Buy Now! Beethoven Piano Concerto No. 5 in E flat, Op. 73 "Emperor" Arrau/Dresden State Orchestra/Davis Philips 416 215 028941621528 03:01 Buy Now! Mascagni Intermezzo ~ Cavalleria rusticana Philadelphia Orchestra/Ormandy Sony 48260 07464482602 03:05 Buy Now! Shostakovich Cello Concerto No. 1 in E flat, Op. 107 Kanneh-Mason/CBSO/Grazinyte-Tyla Decca 483 2948 028948329489 03:38 Buy Now! Telemann Paris Quartet No. 10 Kuijken Bros/Leonhardt Sony 63115 074646311523 03:59 Buy Now! Chopin Scherzo No.
    [Show full text]
  • The Music Room Conversations About Music with Zoë Beyers Episode
    The Music Room Conversations about Music With Zoë Beyers Episode One Kenneth Woods Conductor, Writer, Cellist (First broadcast 19th June 2020) Programme Notes Gustav Mahler Mahler’s Journeyman Songs We begin this episode in the world of Mahler, with the second movement of his song cycle Lieder eines fahrenden Gesellen in Arnold Schoenberg’s 1920 arrangement for small ensemble. This work is not only intensely personal, but also semi-autobiographical. At the time of writing (1884-1885), Mahler was a young, itinerant composer. He was also heartbroken in the wake of a failed romance with the singer Johanna Richter. Ging heut ’Morgen über’s Feld I Walked Across the Fields This Morning Gustav Mahler English translation © Richard Stokes Ging heut ’morgen über’s Feld, I walked across the fields this morning, Tau noch auf den Gräsern hing; Dew still hung on the grass, Sprach zu mir der lust’ge Fink: The merry finch said to me: „Ei du! Gelt? ‘You there, hey - Guten Morgen! Ei, Gelt? Du! Good morning! Hey, you there! Wird’s nicht eine schöne Welt? Isn’t it a lovely world? Zink! Zink! Schön und flink! Tweet! Tweet! Bright and sweet! Wie mir doch die Welt gefällt!“ O how I love the world!’ Auch die Glockenblum ’am Feld And the harebell at the field’s edge, Hat mir lustig, guter Ding’, Merrily and in good spirits, Mit den Glöckchen, klinge, kling, Ding-ding with its tiny bell Ihren Morgengruß geschellt: Rang out its morning greeting: „Wird’s nicht eine schöne Welt? ‘Isn’t it a lovely world? Kling! Kling! Schönes Ding! Ding-ding! Beautiful thing! Wie mir doch die Welt gefällt! O how I love the world!’ Und da fing im Sonnenschein And then in the gleaming sun Gleich die Welt zu funkeln an; The world at once began to sparkle; Alles, alles, Ton und Farbe gewann! All things gained in tone and colour! Im Sonnenschein! In the sunshine! Blum ’und Vogel, groß und klein! Flower and bird, great and small.
    [Show full text]
  • RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KHAIRULLO ABDULAYEV (b. 1930, TAJIKISTAN) Born in Kulyab, Tajikistan. He studied composition at the Moscow Conservatory under Anatol Alexandrov. He has composed orchestral, choral, vocal and instrumental works. Sinfonietta in E minor (1964) Veronica Dudarova/Moscow State Symphony Orchestra ( + Poem to Lenin and Khamdamov: Day on a Collective Farm) MELODIYA S10-16331-2 (LP) (1981) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where he studied under Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. His other Symphonies are Nos. 1 (1962), 3 in B flat minor (1967) and 4 (1969). Symphony No. 2 in E minor (1964) Valentin Katayev/Byelorussian State Symphony Orchestra ( + Vagner: Suite for Symphony Orchestra) MELODIYA D 024909-10 (LP) (1969) VASIF ADIGEZALOV (1935-2006, AZERBAIJAN) Born in Baku, Azerbaijan. He studied under Kara Karayev at the Azerbaijan Conservatory and then joined the staff of that school. His compositional catalgue covers the entire range of genres from opera to film music and works for folk instruments. Among his orchestral works are 4 Symphonies of which the unrecorded ones are Nos. 1 (1958) and 4 "Segah" (1998). Symphony No. 2 (1968) Boris Khaikin/Moscow Radio Symphony Orchestra (rec. 1968) ( + Piano Concertos Nos. 2 and 3, Poem Exaltation for 2 Pianos and Orchestra, Africa Amidst MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies A-G Struggles, Garabagh Shikastasi Oratorio and Land of Fire Oratorio) AZERBAIJAN INTERNATIONAL (3 CDs) (2007) Symphony No.
    [Show full text]
  • CAL PERFORMANCES at UC BERKELEY 2016–17 SEASON #Berkeleyradical
    EMBARGOED FOR RELEASE UNTIL: APRIL 19, 2016 CONTACTS: Louisa Spier Eric Latzky Cal Performances Culture | Communications NY 510-643-6714 212-358-0223 [email protected] [email protected] CAL PERFORMANCES AT UC BERKELEY 2016–17 SEASON #BerkeleyRADICAL MARK MORRIS DANCE GROUP TO OPEN SEASON WITH WORLD PREMIERE of LAYLA AND MAJNUN Major Full-Evening Work with Music Performed by THE SILK ROAD ENSEMBLE Sets and Costumes by HOWARD HODGKIN, Cal Performances Co-Commission September 30–October 2 ESA-PEKKA SALONEN and PHILHARMONIA ORCHESTRA OF LONDON FIVE WORKS by STRAVINSKY October 7–9 • SECOND BERKELEY RADICAL SEASON TO EMBRACE Three Strands of Artistic Exploration – INCLUSION, INNOVATION, IMMERSION INCLUSION THE NILE PROJECT musical communities gathered around shared water; KRONOS QUARTET performs Serbian and Armenian compositions; BLACK ARM BAND’s musical DIRTSONG deals with Aboriginal struggle; Mark Morris’ LAYLA AND MAJNUN explores forbidden love INNOVATION Re-imagination, fresh ideas from established artists, future directions – ROBERT WILSON and MIKHAIL BARYSHNIKOV – LETTER TO A MAN, Cal-Performances Co-Commission and West Coast Premiere; JOHN ADAMS at 70 – AVAILABLE LIGHT restaging with FRANK O. GEHRY and LUCINDA CHILDS, Cal Performances Co-Commission; STEVE REICH at 80 – ENSEMBLE SIGNAL performs the US Premiere of Runner, Cal Performances Co-Commission; KIDD PIVOT and ELECTRIC COMPANY THEATRE: BETROFFENHEIT, Collaboration of CRYSTAL PITE and JONATHON YOUNG Cal Performances 2016–17 Season Announcement IMMERSION Deep explorations
    [Show full text]
  • Timeline: Music Evolved the Universe in 500 Songs
    Timeline: Music Evolved the universe in 500 songs Year Name Artist Composer Album Genre 13.8 bya The Big Bang The Universe feat. John The Sound of the Big Unclassifiable Gleason Cramer Bang (WMAP) ~40,000 Nyangumarta Singing Male Nyangumarta Songs of Aboriginal World BC Singers Australia and Torres Strait ~40,000 Spontaneous Combustion Mark Atkins Dreamtime - Masters of World BC` the Didgeridoo ~5000 Thunder Drum Improvisation Drums of the World Traditional World Drums: African, World BC Samba, Taiko, Chinese and Middle Eastern Music ~5000 Pearls Dropping Onto The Jade Plate Anna Guo Chinese Traditional World BC Yang-Qin Music ~2800 HAt-a m rw nw tA sxmxt-ib aAt Peter Pringle World BC ~1400 Hurrian Hymn to Nikkal Tim Rayborn Qadim World BC ~128 BC First Delphic Hymn to Apollo Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Epitaph of Seikilos Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Magna Mater Synaulia Music from Ancient Classical Rome - Vol. 1 Wind Instruments ~ 30 AD Chahargan: Daramad-e Avval Arshad Tahmasbi Radif of Mirza Abdollah World ~??? Music for the Buma Dance Baka Pygmies Cameroon: Baka Pygmy World Music 100 The Overseer Solomon Siboni Ballads, Wedding Songs, World and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco Timeline: Music Evolved 2 500 AD Deep Singing Monk With Singing Bowl, Buddhist Monks of Maitri Spiritual Music of Tibet World Cymbals and Ganta Vihar Monastery ~500 AD Marilli (Yeji) Ghanian Traditional Ghana Ancient World Singers
    [Show full text]
  • Voyager's Gold Record
    Voyager's Gold Record https://en.wikipedia.org/wiki/Voyager_Golden_Record #14 score, next page. YouTube (Perlman): https://www.youtube.com/watch?v=aVzIfSsskM0 Each Voyager space probe carries a gold-plated audio-visual disc in the event that the spacecraft is ever found by intelligent life forms from other planetary systems.[83] The disc carries photos of the Earth and its lifeforms, a range of scientific information, spoken greetings from people such as the Secretary- General of the United Nations and the President of the United States and a medley, "Sounds of Earth," that includes the sounds of whales, a baby crying, waves breaking on a shore, and a collection of music, including works by Mozart, Blind Willie Johnson, Chuck Berry, and Valya Balkanska. Other Eastern and Western classics are included, as well as various performances of indigenous music from around the world. The record also contains greetings in 55 different languages.[84] Track listing The track listing is as it appears on the 2017 reissue by ozmarecords. No. Title Length "Greeting from Kurt Waldheim, Secretary-General of the United Nations" (by Various 1. 0:44 Artists) 2. "Greetings in 55 Languages" (by Various Artists) 3:46 3. "United Nations Greetings/Whale Songs" (by Various Artists) 4:04 4. "The Sounds of Earth" (by Various Artists) 12:19 "Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Allegro (Johann Sebastian 5. 4:44 Bach)" (by Munich Bach Orchestra/Karl Richter) "Ketawang: Puspåwårnå (Kinds of Flowers)" (by Pura Paku Alaman Palace 6. 4:47 Orchestra/K.R.T. Wasitodipuro) 7.
    [Show full text]
  • Bottesini Enjoyed a Globe-Trotting Career As “The Paganini of the Double Bass” but Was Also an Accomplished and Respected Conductor in Europe
    NAXOS NAXOS Giovanni Bottesini enjoyed a globe-trotting career as “the Paganini of the double bass” but was also an accomplished and respected conductor in Europe. When conducting operas Bottesini would often perform fantasies on the evening’s entertainment during the intermission. Two such fantasies, ‘Lucia di Lammermoor’ and ‘Beatrice di Tenda’, are virtuosic tours de force in which the complex double bass figurations mimic the coloratura vocal writing of the day. In keeping with this vocal 8.570399 BOTTESINI: style, this recording also includes the song Une bouche aimée with double bass obbligato, most likely BOTTESINI: performed on one of Bottesini’s frequent concert tours with various leading sopranos of the day. DDD Giovanni Playing Time BOTTESINI 71:55 (1821-1889) Fantasia ‘Lucia di Lammermoor’ 1 Fantasia ‘Lucia di Lammermoor’ 10:52 Fantasia ‘Lucia di Lammermoor’ 2 Romanza drammatica 8:25 3 Introduzione e bolero 8:50 4 Romanza: Une bouche aimée * 5:12 5 Capriccio di bravura 9:14 6 Elégie in D 5:24 7 Fantasia ‘Beatrice di Tenda’ 11:47 8 Grande Allegro di Concerto 12:11 www.naxos.com Made in Germany Booklet notes in English Kommentar auf Deutsch Naxos Rights International Ltd. ൿ 1992 & Thomas Martin, Double Bass Anthony Halstead, Piano Ꭿ Jacquelyn Fugelle, Soprano * 2008 Includes Free Downloadable Bonus Track available at www.classicsonline.com. Please see inside booklet for full details. The sung text and English translation included 8.570399 These can also be accessed at www.naxos.com/libretti/570399.htm 8.570399 Recorded at CTS Studios, Wembley, London, UK in November 1982 and February 1984 Producer: Chris Hazell Engineer: Dick Lewzey Previously released on ASV CD DCA 626 Booklet notes: Francesca Franchi Cover Picture: Double Bass by Carlo Antonio Testore (1693–1765), Milan 1716 .
    [Show full text]
  • London's Symphony Orchestra
    London Symphony Orchestra Living Music Thursday 26 January 2017 7.30pm Barbican Hall BRAHMS AND STRAUSS Brahms Piano Concerto No 1 INTERVAL Brahms Variations on a Theme by Haydn London’s Symphony Orchestra Strauss Death and Transfiguration Alpesh Chauhan conductor Benjamin Grosvenor piano Concert finishes approx 9.35pm 2 Welcome 26 January 2017 Welcome Living Music Kathryn McDowell In Brief A very warm welcome to tonight’s LSO performance 2017/18 SEASON LAUNCH at the Barbican. This evening we are delighted to be joined by two musicians making their debuts with On 17 January the LSO revealed the full details of the Orchestra: conductor Alpesh Chauhan, who is its 2017/18 Season, the first with Sir Simon Rattle becoming known both in the UK and internationally as Music Director. Booking opens to the public for his work with leading orchestras; and pianist online at 10am on Friday 3 February, and all Benjamin Grosvenor, who has steadily built his of the concert listings can be found on our website. career after winning the Keyboard Final of the 2004 BBC Young Musician of the Year competition at just alwaysmoving.lso.co.uk 11 years old. This evening’s programme explores pivotal works MAHLER SYMPHONY NO 6 LIVE STREAM: from two beloved Romantic composers. We begin NOW ON YOUTUBE with Brahms’ Piano Concerto No 1, before hearing his Variations on a Theme by Haydn – which, although Sir Simon Rattle and the LSO’s performance of composed at the age of 40, was Brahms’ first major Mahler’s Symphony No 6 and Mark-Anthony work for orchestra alone.
    [Show full text]
  • Download the Concert Programme (PDF)
    London Symphony Orchestra Living Music Wednesday 15 February 2017 7.30pm Barbican Hall UK PREMIERE: MARK-ANTHONY TURNAGE London’s Symphony Orchestra Mark-Anthony Turnage Håkan (UK premiere, LSO co-commission) INTERVAL Rachmaninov Symphony No 2 John Wilson conductor Håkan Hardenberger trumpet Concert finishes approx 9.30pm Supported by LSO Patrons 2 Welcome 15 February 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican, THE LSO ON TOUR which features the UK premiere of one of two works by Mark-Anthony Turnage co-commissioned by the This month, the LSO will embark on a landmark LSO this season. Håkan is Mark-Anthony Turnage’s tour of the Far East. On 20 February the Orchestra second work for trumpeter Håkan Hardenberger; will open the UK-Korea Year of Culture in Seoul, regular members of the audience will remember the followed by performances in Beijing, Shanghai and LSO’s performance of the first concerto, From the Macau. To conclude the tour, on 4 March the LSO will Wreckage, in 2013. It is a great pleasure to welcome make history by becoming the first British orchestra this collaboration of composer and soloist once again. to perform in Vietnam, conducted by Elim Chan, winner of the 2014 Donatella Flick LSO Conducting The LSO is very pleased to welcome conductor Competition. A trip of this scale is possible thanks to John Wilson for this evening’s performance, and the support of our tour partners. The LSO is grateful is grateful to him for stepping in to conduct at to Principal Partner Reignwood, China Taiping, short notice.
    [Show full text]
  • Download Booklet
    111248 bk Klemperer EU 1/15/07 11:55 AM Page 4 Great Conductors: Otto Klemperer Ludwig van BEETHOVEN (1770-1827) Symphony No. 5 in C minor, Op. 67 35:00 BEETHOVEN 1 I Allegro con brio 8:04 2 II Andante con moto 10:06 3 III Allegro 5:43 Symphonies Nos. 5 and 7 4 IV Allegro – Presto 11:07 Recorded 6th and 7th October and 17th December, 1955 in Kingsway Hall, London First issued on Columbia 33C 1051 LEM O K PER Symphony No. 7 in A major, Op. 92 38:44 TT ER 5 I Poco sostenuto – Vivace 12:53 O 6 II Allegretto 9:27 7 III Presto – Assai meno presto 8:24 8 IV Allegro con brio 7:58 Recorded 5th and 6th October and 17th December, 1955 in Kingsway Hall, London First issued on Columbia 33CX 1379 Philharmonia Orchestra Otto Klemperer Reissue Producer and Audio Restoration Engineer: Mark Obert-Thorn Producer’s Note When stereo tape recording was first adopted by the major labels in the mid-1950s, it was looked upon as an experimental adjunct to the main monaural recording sessions. The stereo engineer would work from a different 1 s studio than the mono producer and engineer. With EMI and Decca at least, this control room was kept secret 955 Recording from the “artistes” out of fear they might demand to be paid twice for the sessions (once for the mono and again for the stereo taping). The new equipment often malfunctioned, and sometimes not enough was recorded of takes that went well to release.
    [Show full text]
  • Lynn Freeman Olson Collection Cassette
    LYNN FREEMAN OLSON COLLECTION CASSETTE RECORDINGS LIST Beethoven 9 Symphonien Ouverturen (6 tape boxed set)- Karajan Berliner Philharmonikar Vivaldi: Two Concertos for Two Violins / Two Sonatas for Two Violins and Continuo - Aston Magna Vivaldi: Concerti E Sinfonie - I Solisti Veneti/Claudio Scimone Mahler: Symphony No. 10 - Philadelphia Orchestra / James Levine (2 cassettes) Mahler: Symphony So, 1 - London Philharmonic - Klaus Tennstedt Debussy: 3 Nocturnes Ravel: Pavane & Bolero - Moscow Radio Large Symphony Orchestra / Yevgeni Svetlanov Debussy: La Mer, Nocturnes - Cleveland Orchestra/ Lorin Maazel Rachmaninoff: Symphony No. 2 - Royal Philharmonic Orchestra / Yuri Temirkanov Rachmaninoff: Symphony Mo. 3 Shostakovich: Symphony No. 6 - London Symphony Orchestra / Andre Previn Rachmaninoff: Second Piano Concerto - Balakirev Islamey, Julius Katchen - London Symphony Orchestra / Sir Georg Solti Rachmaninoff: Piano Concerto No. 3 - Vladimir Ashkenazy - The London Symphony / Anatola Fistoulari Rachmaninoff: Piano Concertos 2 & 4 -Vladimir Ashkenazy - Concertgebouw Orchestra / Bernard Haitink Shostakovich: Symphony No. 11 ("1905") - Houston Symphony Orchestra / Leopold Stokowski Shostakovich: Symphony No. 6 / The Age of Gold (Ballet Suite) - Chicago Symphony / Leopold Stokowski Shostakovich: Symphony No. 7 ("Leningrad") - Bournemouth Symphony Orchestra / Paavo Berglund Shostakovich: Symphony No. 10 e minor Op, 93 - Austrian Broadcast Symphony Orchestra / Milan Horvat (2 cassette set) LYNN FREEMAN OLSON REFERENCE COLLECTION OF RECORDED SOUND
    [Show full text]
  • The Double Bass Development in China
    THE LITHUANIAN ACADEMY OF MUSIC AND THEATRE FACULTY OF MUSIC STRING DEPARTMENT SHAONAN LI THE DOUBLE BASS DEVELOPMENT IN CHINA Study Program: Music Performance (Double Bass) Master’s Thesis Advisor: assoc. prof., dr. Audra Versekėnaitė (signature)... ...................................... Vilnius, 2020 LIETUVOS MUZIKOS IR TEATRO AKADEMIJA SĄŽININGUMO DEKLARACIJA DĖL TIRIAMOJO RAŠTO DARBO 2020 m. gegužės 21 d. Patvirtinu, kad mano tiriamasis rašto darbas „The double bass development in China“ yra parengtas savarankiškai. 1. Šiame darbe pateikta medžiaga nėra plagijuota, tyrimų duomenys yra autentiški ir nesuklastoti. 2. Tiesiogiai ar netiesiogiai panaudotos kitų šaltinių ir/ar autorių citatos ir/ar kita medžiaga pažymėta literatūros nuorodose arba įvardinta kitais būdais. 3. Su pasekmėmis, nustačius plagijavimo ar duomenų klastojimo atvejus, esu susipažinęs(- usi) ir jas suprantu. Shaonan Li (Parašas) (Vardas, pavardė) 1 Abstract Master thesis “The Double Bass development in China” presents the introduction and development of this musical instrument in China. In the first chapter, the double bass in China, I will describe the efforts of early Chinese double bassists such as Zheng Daren (b. 1927) and Shao Genbao (b. 1930) to help the advancement of the instrument in the country. I will also portray the background of musical education in China at that time (1949–1979), with a focus on Zhengkai Ye (no information available so far), who strove to improve Chinese double bass students’ performance skills. I will also introduce some traditional Chinese folk instruments with similar techniques of playing, such as the erhu, a very beautiful traditional string instrument. Both the double bass and the erhu need a wonderful vibrato and good control of the player’s right hand, and both can be used to play the same repertoire, such as 《二泉映月》 (Two Springs Reflect the Moon), composed by Yanjun Hua (1893–1950) in 1949, or 《梁祝》 (Butterfly Lovers), composed by Zhanhao He (b.
    [Show full text]