CEO Warns on QVM Commerce by Shane Scanlan But, If Allowed, They Would Probably Love the Market to Death
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0195/14 2 Advertiser Cancer Council NSW 3 Product Community Awareness 4 Type of Advertisement / Media TV 5 Date of Determination 11/06/2014 6 DETERMINATION Dismissed
Case Report 1 Case Number 0195/14 2 Advertiser Cancer Council NSW 3 Product Community Awareness 4 Type of Advertisement / media TV 5 Date of Determination 11/06/2014 6 DETERMINATION Dismissed ISSUES RAISED 2.4 - Sex/sexuality/nudity S/S/N - general DESCRIPTION OF THE ADVERTISEMENT The ‘I Touch Myself’ project features 10 iconic Australian female artists, together singing Chrissy Amphlett’s well-known song from the 1990s, ‘I Touch Myself’. The aim of the campaign is to honour Chrissy Amphlett’s memory following her tragic death from breast cancer in 2013, and to transform the song into an anthem for breast cancer awareness. THE COMPLAINT A sample of comments which the complainant/s made regarding this advertisement included the following: I find it offensive. THE ADVERTISER’S RESPONSE Comments which the advertiser made in response to the complainant/s regarding this advertisement include the following: We acknowledge receipt of your letter enclosing a copy of the complaint received by the Advertising Standards Bureau in relation to the #itouchmyself breast cancer awareness campaign (complaint reference number 0195/14). We are deeply disappointed that this campaign has caused offence to a member of the community. In our view, however, the content of the campaign is clearly in line with prevailing community standards, and moreover, it carries an important public health awareness message that may ultimately save lives. It is in this context that we provide the following responses to the ASB’s queries. Comprehensive comments in relation to the complaint (taking into account the need to address all aspects of the advertising codes) Background As noted above, the #itouchmyself campaign carries a serious and important public health message about breast cancer awareness. -
Mixing INXS in Surround Issue 33
Mixing INXS in 5.1 ‘I’m Only Looking’ is a comprehensive package of hits and rare footage that is soon to be released by INXS on DVD. Andy Stewart headed into the studio to hear how Mark Opitz and his ‘Best Seat in the House’ production team pulled together this labour of love. ’ve just come from Studios 301 in Sydney where I’ve been now? What had changed? These were great songs back then sure, listening to some new 5.1 mixes of well-known songs recorded but they had never meant anything to me in the past. In my head Iby one of Australia’s most popular and successful bands, INXS. at least, INXS had always been more of a ‘phenomenon’ than a In my car on the way over I found myself vacillating between group I could ‘relate’ to. the present and the past, wondering what the making of a Greatest It wasn’t the ‘80s fashion palette (which was far more ludicrous Hits DVD collection meant to those involved, but more impor- than I remember it being) that made me feel nostalgic, or the tantly, how any of this work was relevant to fans in 2004. Was this gobsmackingly self-conscious hairdos (which in hindsight should an attempt by the band to reclaim former glory, or was it a labour have seen far more hairdressers jailed), or even the multi-tiered of love motivated by the desire to bring the expansive history of keyboard stands, that made Andrew Farriss look like an aerobics INXS together under one roof, one format? I really had no idea. -
Popular Music, Stars and Stardom
POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona . -
Minutes of Proceedings
1631 LEGISLATIVE COUNCIL MINUTES OF PROCEEDINGS No. 139 WEDNESDAY 1 MAY 2013 Contents 1 Meeting of the House ............................................................................................................................. 1632 2 Message from the Legislative Assembly—Health Legislation Amendment Bill 2013 .......................... 1632 3 Father Superior Antoine Tarabay OLM (Formal Business) ................................................................... 1632 4 Assyrian, Armenian and Greek genocides (Formal Business) ............................................................... 1633 5 Vietnam Sydney Radio (Formal Business) ............................................................................................ 1634 6 Baroness Thatcher (Formal Business) .................................................................................................... 1634 7 Mememe Productions (Formal Business) .............................................................................................. 1635 8 Premier’s Multicultural Community Medals (Formal Business) ........................................................... 1635 9 Order for Papers—Heritage order on “Peroomba”, Warrawee—Further Order (Formal Business) ...... 1636 10 National Festival of Ukrainian Australians (Formal Business) .............................................................. 1636 11 Exhibition of Latvian Australian artists (Formal Business) ................................................................... 1637 12 Joint Standing Committee on Road -
Made in Melbourne! Enjoyed Nationally!
DECEMBER 2009 Made in Melbourne! Enjoyed Nationally! DECEMBER 2009 q comment: PMV 2010 Issue 64 With 2009 coming to a rapid close and MIDSUMMA approaching at lightning speed, now is the time to Publisher & Editor Brett Hayhoe think about Pride March Victoria 2010. Under the +61 (0) 422 632 690 International Theme of One Heart One World One Pride [email protected] participants are encouraged to dress their entry to this theme to add colour and fun to the March. Scheduled Editorial for Sunday the 7th of February, this premier “all of [email protected] community” event on the GLBTi annual calendar is Sales and Marketing also undergoing some significant changes. [email protected] In response to community feeback, Assembly (on the Design corner of Lakeside Drive and Fitzroy Street) will be from Uncle Brett Designs & Graphics midday with the March commencing at 2pm sharp - Contributing Writers travelling down Fitzroy Street to Catani Gardens. All Addam Stobbs, Brett Hayhoe, Evan Davis, relevant forms - including the March registration form Ben Angel, Alan Mayberry, Tasman Anderson, - are available now at www.pridemarch.com.au Chris Gregoriou, Paul Panayi, Marc J Porter, Wally Cowin, Nathan Miller, Melissa Williams The celebrations in Catani Gardens are also Cover picture & Feature Pictures undergoing a re-vamp with entertainment the focus. Tracy Bartram - Anthony Leong, Modform With the Skinovate Karaoke Stage (hosted by Matt Photographers and Damian), the Gaydar.com.au Main Stage (featuring some amazing entertainment and hosted Photographic Contributions Ben Ashe (Peel), Alan Mayberry by the wonderful Linzi) and the new Gasworks (Greyhound), Shane Marquis (Cube) Community Village and Entertainment Stage (featuring Wally Cowin (Sovereign), Leigh a range of acts from children’s through to inovative Klooger (PZR, Lipstix), adult entertainment) there is more for you to see and enjoy than ever before. -
Course Guide Is Made Using 100% Post-Consumer RTO CODE 0109 / ABN 96 082 799 282 Recycled Paper in a Chlorine-Free Environment
COLLARTS COURSE GUIDE collarts.edu.au collarts.edu.au Australian College of the Arts Pty Ltd PROVIDER ID PRV12187 / CRICOS PROVIDER CODE 03392K / RTO CODE 0109 / ABN 96 082 799 282 TABLE OF CONTENTS WELCOME TO COLLARTS 1 INDUSTRY PARTNERSHIPS 3 INTERNATIONAL EXPERIENCE 4 - 5 SCHOOL OF ENTERTAINMENT → Audio Engineering 10 - 11 → Comedy 12 - 13 → Entertainment Management 14 - 15 → Music Performance 16 - 17 → Music Production 20 - 21 → Screen & Media 22 - 23 SCHOOL OF DESIGN → CG Animation & VFX 26 - 27 → Fashion & Sustainability 28 - 29 → Fashion Marketing 30 - 31 → Interior Design 34 - 35 → Photography 36 - 37 SCHOOL OF COMMUNICATION → Advertising 40 - 41 → Creative Writing 42 - 43 → Digital & Social Media 44 - 45 → Entertainment Journalism 46 - 47 → Marketing 48 - 49 CAMPUS CULTURE 50 OUR LEADERS 51 - 54 VISIT US 55 OUR CAMPUSES 56 - 57 FAQ 60 - 61 EXPERIENCE COLLARTS 62 HOW TO APPLY 63 ACKNOWLEDGEMENT OF COUNTRY Collarts acknowledges the Wurundjeri people of the Kulin Nations as the Traditional Custodians of the country we work, study, and create on. We pay our respects to all Aboriginal and Torres Strait Islander people in Yarra, and their Elders past, present and future. As we share our own creativity, knowledge, learning, and teaching practices on our campuses and their surrounds, we also acknowledge that the land in which we meet is a place of age-old ceremonies—of celebration, education and initiation across thousands of years—that continue to have an impact on the life of these lands. DEAN’S WELCOME I would like to warmly welcome you to the Australian College of The Arts, known fondly in the community as Collarts. -
Entertainment Posters, Part 1 Rock Concerts, Film, Theatre & Performance
Entertainment Posters, Part 1 Rock concerts, film, theatre & performance Collectors’ List No. 190, 2017 Online catalogue Josef Lebovic Gallery 103a Anzac Parade (cnr Duke St) Kensington (Sydney) NSW p: (02) 9663 4848 e: [email protected] w: joseflebovicgallery.com 1.| |For The Term Of His Natural Life,| JOSEF LEBOVIC GALLERY 1927.| Colour linocut with letter press, 101.7 x Celebrating 40 Years • Established 1977 76.5cm. Repaired minor creases and stains Member: AA&ADA • A&NZAAB • IVPDA (USA) • AIPAD (USA) • IFPDA (USA) to margins, old folds. Linen-backed.| $1,650| Text includes “All the wealth of a nation! It cost Address: 103a Anzac Parade, Kensington (Sydney), NSW over £60,000 to produce in Australia for the world! Postal: PO Box 93, Kensington NSW 2033, Australia Australia’s peerless scenery was combed to show Phone: +61 2 9663 4848 • Mobile: 0411 755 887 • ABN 15 800 737 094 the world the nation’s natural beauty spots, the company travelling more than 2,000 miles to various Email: [email protected] • Website: joseflebovicgallery.com locations, including picturesque Tasmania. Produced Open: Monday to Saturday from 1 to 6pm by chance or by appointment by the famous international director, Norman Dawn, for Australasian Films Ltd, it is adapted from Marcus Clarke’s world-famous book, of which millions of copies have been sold. “It is the first gigantic effort to place Australia on COLLECTORS’ LIST No. 190, 2017 the movie map. Rich in earnest human appeal this Union-Master-World-Production presents something spectacular, dramatic and historical that will live for all time. Marcus Clarke’s immortal story, produced by Norman Dawn for Australasian Films Ltd. -
The Music Never Stopped Based Upon “The Last Hippie” by Oliver Sacks, M.D
The Music Never Stopped Based upon “The Last Hippie” by Oliver Sacks, M.D. Official website: http://themusicneverstopped-movie.com Publicity Materials: www.roadsideattractionspublicity.com Production Notes Directed by Jim Kohlberg Screenplay by Gwyn Lurie & Gary Marks Produced by Julie W. Noll, Jim Kohlberg, Peter Newman, Greg Johnson Starring: J.K. Simmons Lou Taylor Pucci Cara Seymour Julia Ormond Running Time: 105 minutes Press Contacts: New York Marian Koltai-Levine – [email protected] – 212.373.6130 Nina Baron – [email protected] – 212.373.6150 George Nicholis – [email protected] – 212.373.6113 Lee Meltzer – [email protected] – 212-373-6142 Los Angeles Rachel Aberly – [email protected] - 310.795-0143 Denisse Montfort – [email protected] – 310.854.7242 "THE MUSIC NEVER STOPPED" Essential Pictures presents THE MUSIC NEVER STOPPED Based on a true story Directed by JIM KOHLBERG Screenplay by GWYN LURIE & GARY MARKS Based upon the essay 'The Last Hippie' by OLIVER SACKS Produced by JULIE W. NOLL JIM KOHLBERG PETER NEWMAN GREG JOHNSON Co-Producer GEORGE PAASWELL Executive Producer NEAL MORITZ Executive Producer BRAD LUFF Music Producer SUSAN JACOBS Director of Photography STEPHEN KAZMIERSKI Editor KEITH REAMER Production Designer JENNIFER DEHGHAN Costume Designer JACKI ROACH Original Music by PAUL CANTELON Casting by ANTONIA DAUPHIN, CSA J.K. SIMMONS LOU TAYLOR PUCCI CARA SEYMOUR with JULIA ORMOND TAMMY BLANCHARD MIA MAESTRO SCOTT ADSIT JAMES URBANIAK PEGGY GORMLEY MAX ANTISELL An Essential Pictures Production in association with Peter Newman/InterAL Productions A film by Jim Kohlberg SYNOPSIS “The Music Never Stopped,” based on the case study “The Last Hippie” by Dr. -
T Los Youngs.Indd
SELLO COLECCIÓN FORMATO 15 x 23 cm. Cartoné sin s/cub SERVICIO PRUEBA DIGITAL VÁLIDA COMO PRUEBA DE COLOR EXCEPTO TINTAS DIRECTAS, STAMPINGS, ETC. «AC/DC no hace rock and roll. DISEÑO 1-3-2021 Adrià Ellos son el rock and roll.» EDICIÓN David F / Anabel F Este no es como ningún otro libro de música que hayas leído antes. CARACTERÍSTICAS Con más valoración crítica que pura biografía, cuenta la historia del mítico trío a través de once temas clásicos de la banda y revela algunos de los secretos IMPRESIÓN personales y creativos que intervinieron en su nacimiento y desarrollo. PAPEL Figuras importantes del largo camino de AC/DC hacia el estrellato se sinceran por primera vez, y los héroes olvidados que están tras el éxito de la banda PLASTIFICADO reciben por fin el crédito y el reconocimiento que merecen. Se desafía el relato aceptado de los acontecimientos y emergen nuevos y sensacionales UVI detalles que arrojan una luz distinta a la historia de la banda, especialmente RELIEVE sobre sus primeros años con Atlantic Records en Estados Unidos. Antiguos miembros de AC/DC y músicos de grupos como Guns N’ Roses, BAJORRELIEVE Dropkick Murphys, Airbourne y Rose Tattoo aportan también STAMPING su opinión sobre la magia de los Young. Su música nunca se ha andado con chiquitas. Tampoco lo hace este libro. Después de cuarenta años, FAJA puede que AC/DC tengan por fin el libro que merecen. Jesse Fink (Londres, 1973) ha sido publicado en todo el mundo. Es autor de INSTRUCCIONES ESPECIALES 15 Days in June, Laid Bare, Bon: The Last Highway y Pure Narco. -
The New Hampshire, Vol. 78, No. 36 (Feb. 23, 1988)
• ' f 1 ' I The New Hampshire . H Bulk Rate,US Postaoe P~rr1 ,Vol. 78 No. 36 TUESDAY, F,EBRUARY 23, 1988 (603)862-1490 Durham.N. · Durham I\J H Perm,! s,30 T rllstees change bylaws Vote allows Haaland more power By Chris Pollet president." had gotten aw'ay from the pol The Board of Trustees passed DiBiasio said the change icies_" Holt said the re was a a change in the bylaws on ' wuuld bring closer scrutiny to definite need to clarify roles .February 18th darifying the role . personnel, facility, and financial within the University system . of the -Board and the power of policies at UNH. Ruth Morrell, Chairperson both the chancellor and Uni Governor John Sununu, ·each of the Student Affairs Subcom versity system presidents. president of the University m itte of the board, said the "What the change did was to system, various alumni, and bylaws were written many years clarify the role of the chancellor representatives from all over ago and were quite·wordy. She and the role of the president_ as the state make up the · 24 said the clarification was essen a leader and a manager," said member board which meets tial because the board's. role was . Claire Van Ummerson, Chan three times a year. The Board inconsistent with its original cellor of the University system. has four committees: Executive, intent. Van Ummerson said the change Academic Affairs, Alumni Af Morrell said the job of the, brought more power to the fairs," and Financial Affairs. Each b?ard was "not to settle petty president for everyday policies committee meets on the average differences but to deal with · and let the board deal with more of once a month. -
Aesthetic Cosmopolitan, National and Local Popular Music Heritage in Melbourne's Music Laneways
International Journal of Heritage Studies ISSN: 1352-7258 (Print) 1470-3610 (Online) Journal homepage: http://www.tandfonline.com/loi/rjhs20 Aesthetic cosmopolitan, national and local popular music heritage in Melbourne’s music laneways Catherine Strong, Fabian Cannizzo & Ian Rogers To cite this article: Catherine Strong, Fabian Cannizzo & Ian Rogers (2016): Aesthetic cosmopolitan, national and local popular music heritage in Melbourne’s music laneways, International Journal of Heritage Studies, DOI: 10.1080/13527258.2016.1246466 To link to this article: http://dx.doi.org/10.1080/13527258.2016.1246466 Published online: 24 Oct 2016. Submit your article to this journal Article views: 10 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rjhs20 Download by: [RMIT University Library] Date: 27 October 2016, At: 17:14 INTERNATIONAL JOURNAL OF HERITAGE STUDIES, 2016 http://dx.doi.org/10.1080/13527258.2016.1246466 Aesthetic cosmopolitan, national and local popular music heritage in Melbourne’s music laneways Catherine Stronga, Fabian Cannizzob and Ian Rogersa aSchool of Media and Communication, Royal Melbourne Institute of Technology, Melbourne, Australia; bSchool of Social Sciences, Monash University, Clayton, Australia ABSTRACT ARTICLE HISTORY There are currently few examples of popular music being officially celebrated Received 1 July 2016 as heritage in Australia. Interest in this area is growing, however, and Accepted 24 September 2016 this paper examines how Melbourne, the capital of the state of Victoria, KEYWORDS has recently named three laneways after rock artists, namely, AC/DC Popular music; national Lane, Amphlett Lane and Rowland S. -
The History of Roadrunner (1978-83)
THE HISTORY OF ROADRUNNER (1978-83) By Donald Robertson Synopsis This is the story of how an Adelaide punk fanzine blossomed into a well-loved national music magazine that chronicled the glory days of Australian post-punk and ‘pub rock’ music in the period 1978-83. The do-it-yourself ethos espoused by the UK punk movement in the mid-1970s was strongly felt in Australia and inspired bands to form, play live and record and release their own records. The concurrent expansion of live music venues across the country (mainly pubs) meant more bands could live, work and play. Roadrunner was also very much a product of this do-it-yourself ethos. From the bunch of evangelical music fans and writers who initially came together, some left and others joined and as those involved became more technically proficient the magazine developed and grew. With no financial backing (until the final despairing issue), Roadrunner survived for five years due to the combination of a posse of enthusiastic (and usually unpaid) contributors, a creative and understanding production crew, a sympathetic printer, the support of key music industry personalities and— perhaps most important of all—a small but dedicated readership. In 2017, the University of Wollongong in New South Wales made all 48 issues of Roadrunner available in a digital archive (at http://ro.uow.edu.au/roadrunner/). The History of Roadrunner 1 IntroduCtion When Martin Sharp, the internationally acclaimed Australian artist, died in 2013, I read that the University of Wollongong had created a digital archive of the Sydney and London Oz magazines that he was such a part of.