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Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
The Fearless Leader Fearless the Paul 196
TWO RAINMAKERS PAUL THE FEARLESS LEADER 196 ven back then, I was taking on far too many jobs,” Def Jam Chairman Paul Rosenberg recalls of his early career. As the longtime man- Eager of Eminem, Rosenberg has been a substantial player in the unfolding of the ‘‘ modern era and the dominance of hip-hop in the last two decades. His work in that capacity naturally positioned him to seize the reins at the major label that brought rap to the mainstream. Before he began managing the best- selling rapper of all time, Rosenberg was an attorney, hustling in Detroit and New York but always intimately connected with the Detroit rap scene. Later on, he was a boutique-label owner, film producer and, finally, major-label boss. The success he’s had thus far required savvy and finesse, no question. But it’s been Rosenberg’s fearlessness and commitment to breaking barriers that have secured him this high perch. (And given his imposing height, Rosenberg’s perch is higher than average.) “PAUL HAS Legendary exec and Interscope co-found- er Jimmy Iovine summed up Rosenberg’s INCREDIBLE unique qualifications while simultaneously INSTINCTS assessing the State of the Biz: “Bringing AND A REAL Paul in as an entrepreneur is a good idea, COMMITMENT and they should bring in more—because TO ARTISTRY. in order to get the record business really HE’S SEEN healthy, it’s going to take risks and it’s going to take thinking outside of the box,” he FIRSTHAND told us. “At its height, the business was run THE UNBELIEV- primarily by entrepreneurs who either sold ABLE RESULTS their businesses or stayed—Ahmet Ertegun, THAT COME David Geffen, Jerry Moss and Herb Alpert FROM ALLOW- were all entrepreneurs.” ING ARTISTS He grew up in the Detroit suburb of Farmington Hills, surrounded on all sides TO BE THEM- by music and the arts. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Art. Music. Games. Life. 16 09
ART. MUSIC. GAMES. LIFE. 16 09 03 Editor’s Letter 27 04 Disposed Media Gaming 06 Wishlist 07 BigLime 08 Freeware 09 Sonic Retrospective 10 Alexander Brandon 12 Deus Ex: Invisible War 20 14 Game Reviews Music 16 Kylie Showgirl Tour 18 Kylie Retrospective 20 Varsity Drag 22 Good/Bad: Radio 1 23 Doormat 25 Music Reviews Film & TV 32 27 Dexter 29 Film Reviews Comics 31 Death Of Captain Marvel 32 Blankets 34 Comic Reviews Gallery 36 Andrew Campbell 37 Matthew Plater 38 Laura Copeland 39 Next Issue… Publisher/Production Editor Tim Cheesman Editor Dan Thornton Deputy Editor Ian Moreno-Melgar Art Editor Andrew Campbell Sub Editor/Designer Rachel Wild Contributors Keith Andrew/Dan Gassis/Adam Parker/James Hamilton/Paul Blakeley/Andrew Revell Illustrators James Downing/Laura Copeland Cover Art Matthew Plater [© Disposable Media 2007. // All images and characters are retained by original company holding.] dm6/editor’s letter as some bloke once mumbled. “The times, they are You may have spotted a new name at the bottom of this a-changing” column, as I’ve stepped into the hefty shoes and legacy of former Editor Andrew Revell. But luckily, fans of ‘Rev’ will be happy to know he’s still contributing his prosaic genius, and now he actually gets time to sleep in between issues. If my undeserved promotion wasn’t enough, we’re also happy to announce a new bi-monthly schedule for DM. Natural disasters and Acts of God not withstanding. And if that isn’t enough to rock you to the very foundations of your soul, we’re also putting the finishing touches to a newDisposable Media website. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Aria Hip Hop/R&B Albums Chart Week Commencing 5
CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TW THIS WEEK LW LAST WEEK TI TIMES IN HP HIGH POSITION ARIA HIP HOP/R&B ALBUMS CHART WEEK COMMENCING 5 OCTOBER, 2020 TW LW TI HP TITLE Artist CERTIFIED COMPANY CAT NO. 1 NEW 1 1 NECTAR Joji ADA/WAR 190296839030 2 1 13 1 SHOOT FOR THE STARS AIM FOR THE MOON Pop Smoke UNI/UMA 0745661 3 2 12 1 LEGENDS NEVER DIE Juice WRLD INR/UMA 731673 4 5 56 1 HOLLYWOOD'S BLEEDING Post Malone <P> UNI/UMA B003100102 5 4 10 1 F*CK LOVE The Kid Laroi COL/SME G0100044183579 6 10 610 1 CURTAIN CALL: THE HITS Eminem <P>12 INR/UMA 9887893 7 7 127 1 BEERBONGS & BENTLEYS Post Malone <P>2 UNI/UMA B002821802 8 9 133 1 ? XXXTentacion <P> CAR/UMA 1210673 9 8 113 1 ASTROWORLD Travis Scott <G> SME G0100039717811 10 NEW 1 10 HELLBOY Lil Peep AWAL FAE239 11 11 20 3 THE GOAT Polo G COL/SME G010004389275N 12 12 118 1 SCORPION Drake <P>2 REP/UMA 6787918 13 13 79 4 GOODBYE & GOOD RIDDANCE Juice WRLD <G> INR/UMA 6773156 14 6 3 6 RTJ4 Run The Jewels BMG/WAR 4050538621075 15 14 179 1 STONEY Post Malone <P> UNI/UMA 5726167 16 18 187 2 AMERICAN TEEN Khalid <P> RCA/SME 88985414322 17 16 45 4 HOT PINK Doja Cat RCA/SME G0100041609116 18 17 78 1 FREE SPIRIT Khalid <P> RCA/SME G010004041115L 19 22 395 2 GOOD KID, M.A.A.D CITY Kendrick Lamar <P> INR/UMA 3716232 20 20 19 4 MEET THE WOO 2 Pop Smoke REP/UMA 0879238 21 19 130 1 INVASION OF PRIVACY Cardi B ATL/WAR 075679873682 22 21 81 2 DEATH RACE FOR LOVE Juice WRLD INR/UMA 7756819 23 36 725 1 THE EMINEM SHOW Eminem <D> UMA 4932902 24 25 241 1 DRINKING FROM THE SUN, WALKING UNDER STARS REST… Hilltop Hoods <P> HTH/UMA HTH007 25 24 63 20 GREATEST HITS Pitbull <G> RCA/SME 88985498712 26 32 309 1 GOOD GIRL GONE BAD Rihanna <P>4 DEF/UMA 1771728 27 3 2 3 ALICIA Alicia Keys RCA/SME 19439734112 28 23 215 2 MY BEAUTIFUL DARK TWISTED FANTASY Kanye West <P> DEF/UMA 2754461 29 26 168 1 STARBOY The Weeknd <P> UNI/UMA 5727592 30 31 42 1 HEAVY IS THE HEAD Stormzy ATL/WAR 9029540303 31 33 60 17 COME OVER WHEN YOU'RE SOBER, PT. -
United Arab Emirates
1 COUNTRY PROFILE MARKET PROFILE 08.11.19 United Arab Emirates UAE STATS f Population 9.7m* If an international or Arabic d artist is coming to town, we GDP (purchasing power parity) see that [their streams start] $696bn* booming. The live market was the GDP real growth rate 0.8%* music industry for a long time...” GDP per capita (PPP) $68,600* – Claudius Boller, Spotify h “If you look at Spotify, when they entered Internet users 5.3m this market, there was immediately a Percent of population 90.6%* conversion of people who moved from c whatever international account they As the business hub of the Middle East and North Africa, the UAE belies were using,” said Hussain “Spek” Yoosuf, Broadband connections 1.3m its geographical size. In the case of the music industry, global streaming the founder of Abu Dhabi-based music Broadband subscriptions services have joined record companies in mining its significant potential publishing company PopArabia. “Spotify per 100 inhabitants 21 were able to hit more people right away. he UAE is among the smallest entire MENA region is done out of here,” i That might not have been the case in Yemen countries in the Middle East and said Claudius Boller, the MD for the Middle or even Egypt to some extent. In the Gulf, Total mobile phone North Africa (MENA) but it’s East and Africa at Spotify. “You have lots you’ve got a majority of the population under among the most significant for the of economies of scale when it comes to subscriptions 19.8m 40, some of the highest smartphone and musicT industry. -
Songs Albums
RIAA JULY 2018 GOLD & PLATINUM Janis Joplin | Janis Joplin's Greatest Hits AWARDS ALBUMS Columbia Records Various Artists | Hamilton (Original In July, RIAA certified Broadway Cast Recording) 128 Song Awards and Atlantic Records 25 Album Awards. All RIAA Awards dating back to 1958 are available at riaa. com/gold-platinum! Don’t miss the NEW riaa.com/ goldandplatinum60 site Luke Combs | This One's For You Shawn Mendes | Handwritten Columbia Nashville/River Island Records celebrating 60 years of Gold House Artists & Platinum Awards and many #RIAATopCertified milestones for your favorite artists! SONG ALBUM AWARDS 128 AWARDS 25 Youngboy Never Broke Again | Until Death Call My Name APG/Atlantic Records SONGS Drake | God's Plan Young Money/Cash Money/ Republic Records Taylor Swift | Look What You X Ambassadors | Renegades Dua Lipa | New Rules Migos | Walk It Talk It Ariana Grande | No Tears Made Me Do KidinaKorner/Interscope Warner Bros Records Quality Control Music/Motown Left to Cry Big Machine Records Records Records/Capitol Records Republic Records Jason Aldean | You Make It Easy Morgan Wallen | Up Down Nathaniel Rateliff & the Nicki Minaj | Chun-Li Selena Gomez | Bad Liar Broken Bow Records Big Loud Records Night Sweats | S.O.B. Young Money/Cash Money/ Interscope Records Fantasy/Stax Records Republic Records www.riaa.com // // // GOLD & PLATINUM AWARDS JULY | 7/1/18 - 7/31/18 MULTI PLATINUM SINGLE | 27 Cert Date | Title | Artist | Genre | Label | Plat Level | Release Date | 7/10/2018 That's What I Like Bruno Mars Pop Atlantic Records 11/18/2016 Bruno Mars & 7/10/2018 Pop Atlantic Records 11/18/2016 Finesse Cardi B 7/27/2018 Sorry Not Sorry Demi Lovato Pop Island Records 7/11/2017 R&B/ 7/27/2018 Wild Thoughts (Feat. -
Report Artist Release Tracktitle Streaming 2017 1Wayfrank Ayegirl
Report Artist Release Tracktitle Streaming 2017 1wayfrank Ayegirl - Single Ayegirl Streaming 2017 2 Brothers On the 4th Floor Best of 2 Brothers On the 4th Floor Dreams (Radio Version) Streaming 2017 2 Chainz TrapAvelli Tre El Chapo Jr Streaming 2017 2 Unlimited Get Ready for This - Single Get Ready for This (Yar Rap Edit) Streaming 2017 3LAU Fire (Remixes) - Single Fire (Price & Takis Remix) Streaming 2017 4Pro Smiler Til Fjender - Single Smiler Til Fjender Streaming 2017 666 Supa-Dupa-Fly (Remixes) - EP Supa-Dupa-Fly (Radio Version) Lets Lurk (feat. LD, Dimzy, Asap, Monkey & Streaming 2017 67 Liquez) No Hook (feat. LD, Dimzy, Asap, Monkey & Liquez) Streaming 2017 6LACK Loyal - Single Loyal Streaming 2017 8Ball Julekugler - Single Julekugler Streaming 2017 A & MOX2 Behøver ikk Behøver ikk (feat. Milo) Streaming 2017 A & MOX2 DE VED DET DE VED DET Streaming 2017 A Billion Robots This Is Melbourne - Single This Is Melbourne Streaming 2017 A Day to Remember Homesick (Special Edition) If It Means a Lot to You Streaming 2017 A Day to Remember What Separates Me from You All I Want Streaming 2017 A Flock of Seagulls Wishing: The Very Best Of I Ran Streaming 2017 A.CHAL Welcome to GAZI Round Whippin' Streaming 2017 A2M I Got Bitches - Single I Got Bitches Streaming 2017 Abbaz Hvor Meget Din X Ikk Er Mig - Single Hvor Meget Din X Ikk Er Mig Streaming 2017 Abbaz Harakat (feat. Gio) - Single Harakat (feat. Gio) Streaming 2017 ABRA Rose Fruit Streaming 2017 Abstract Im Good (feat. Roze & Drumma Battalion) Im Good (feat. Blac) Streaming 2017 Abstract Something to Write Home About I Do This (feat. -
Download the Music Market Access Report Canada
CAAMA PRESENTS canada MARKET ACCESS GUIDE PREPARED BY PREPARED FOR Martin Melhuish Canadian Association for the Advancement of Music and the Arts The Canadian Landscape - Market Overview PAGE 03 01 Geography 03 Population 04 Cultural Diversity 04 Canadian Recorded Music Market PAGE 06 02 Canada’s Heritage 06 Canada’s Wide-Open Spaces 07 The 30 Per Cent Solution 08 Music Culture in Canadian Life 08 The Music of Canada’s First Nations 10 The Birth of the Recording Industry – Canada’s Role 10 LIST: SELECT RECORDING STUDIOS 14 The Indies Emerge 30 Interview: Stuart Johnston, President – CIMA 31 List: SELECT Indie Record Companies & Labels 33 List: Multinational Distributors 42 Canada’s Star System: Juno Canadian Music Hall of Fame Inductees 42 List: SELECT Canadian MUSIC Funding Agencies 43 Media: Radio & Television in Canada PAGE 47 03 List: SELECT Radio Stations IN KEY MARKETS 51 Internet Music Sites in Canada 66 State of the canadian industry 67 LIST: SELECT PUBLICITY & PROMOTION SERVICES 68 MUSIC RETAIL PAGE 73 04 List: SELECT RETAIL CHAIN STORES 74 Interview: Paul Tuch, Director, Nielsen Music Canada 84 2017 Billboard Top Canadian Albums Year-End Chart 86 Copyright and Music Publishing in Canada PAGE 87 05 The Collectors – A History 89 Interview: Vince Degiorgio, BOARD, MUSIC PUBLISHERS CANADA 92 List: SELECT Music Publishers / Rights Management Companies 94 List: Artist / Songwriter Showcases 96 List: Licensing, Lyrics 96 LIST: MUSIC SUPERVISORS / MUSIC CLEARANCE 97 INTERVIEW: ERIC BAPTISTE, SOCAN 98 List: Collection Societies, Performing -
Guyana Mayor to Be Grand Marshal
FREE V o l . 29, Is s u e 19 w w .caB r R i Ob b O e K a nL l Y i N f e /S n T e wA s T .co E N m SM L a A y N 11– D M a D y I T17 I , O2018 N GOV ’ T SA S FRA D Former Gu ana finance Caribbean art minister, top official charged A rt from hom e: Curator D onna Mason’ s show supporting Caribbean artists w ill go o n d isp lay at the B ro o klyn W aterfro nt A rtist Co alitio n o n May 12. See story o n P ag e By Bert Wilkinson credible domestic and interna- P h o to by Z o e F reilich Eventually, the main opposi- tional allegations of widespread tion People’s Progressive Party corruption, entrenched links (PPP) which had governed Guy- with the criminal underworld, ana between 1992 and 2015 will including local drug kingpins, allege that the administration and of shaking down both local Gu ana may or to be grand marshalof President David Granger is and international investors for systematically bringing crimi- large sums in exchange for state By Nelson A. King Brooklyn on June 3, 2018. Joseph Harmon; Guyana’s nal corruption charges against contracts and other awards. The Guyana Independence The Committee said on Fri- Attorney General Basil Wil- its former cabinet ministers and The party has vehemently Anniversary Celebration Com- day that the parade is part of liams, and other minis- top executives so as to deliber- denied these allegations which mittee (New York) says Geor- Guyana’s 52nd Independence ters; New York Gov.