February 2006
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Bunyi - an Independent Music Roundtable
BUNYI - AN INDEPENDENT MUSIC ROUNDTABLE Prepared by Kreativekat Resources for CENDANA Cultural Economy Development Agency BUNYI - AN INDEPENDENT MUSIC ROUNDTABLE A report on "BUNYI - An Independent Music Roundtable" organized by CENDANA (Cultural Economy Development Agency) and Kreativekat Resources, to discuss on various issues pertaining to the betterment of the local independent music industry in Malaysia. TABLE OF CONTENT 0 2 A B O U T B U N Y I 0 4 A BOUT THIS REPORT 0 5 INTRODUCTION 0 8 THE NEEDS OF INDEPENDENT MUSIC INDUSTRY PL A YERS 2 0 A N ECOSYSTEM FOR INDEPENDENT MUSIC PR A CTITIONER TO GROW 2 2 CONCLUSION A N D W A Y F O R W A RD 2 5 A PPENDIX BUNYI-THE REPORT 0 2 BUNYI : An Independent Music Roundtable that was held on 24 March 2019 at The Bee, Publika, organised by CENDANA (Cultural Economy Development Agency) in partnership with Kreativekat Resources, is a roundtable discussion aiming to gather representatives from the Malaysian independent music scene. The main focus of this event is to garner the thoughts and ideas of independent music industry players to enhance their capabilities in touring and promotion network for the betterment of the industry. It aims to discuss on building a more sustainable touring and promotion network as well as a stronger support system for independent music practitioners. Musicians, managers, venue owners, live event managers and promoters were invited to the roundtable which consist of three sessions and to generally outline the ABOUT BUNYI current issues pertaining to the independent music scene in Malaysia. -
Memphis Jug Baimi
94, Puller Road, B L U E S Barnet, Herts., EN5 4HD, ~ L I N K U.K. Subscriptions £1.50 for six ( 54 sea mail, 58 air mail). Overseas International Money Orders only please or if by personal cheque please add an extra 50p to cover bank clearance charges. Editorial staff: Mike Black, John Stiff. Frank Sidebottom and Alan Balfour. Issue 2 — October/November 1973. Particular thanks to Valerie Wilmer (photos) and Dave Godby (special artwork). National Giro— 32 733 4002 Cover Photo> Memphis Minnie ( ^ ) Blues-Link 1973 editorial In this short editorial all I have space to mention is that we now have a Giro account and overseas readers may find it easier and cheaper to subscribe this way. Apologies to Kees van Wijngaarden whose name we left off “ The Dutch Blues Scene” in No. 1—red faces all round! Those of you who are still waiting for replies to letters — bear with us as yours truly (Mike) has had a spell in hospital and it’s taking time to get the backlog down. Next issue will be a bumper one for Christmas. CONTENTS PAGE Memphis Shakedown — Chris Smith 4 Leicester Blues Em pire — John Stretton & Bob Fisher 20 Obscure LP’ s— Frank Sidebottom 41 Kokomo Arnold — Leon Terjanian 27 Ragtime In The British Museum — Roger Millington 33 Memphis Minnie Dies in Memphis — Steve LaVere 31 Talkabout — Bob Groom 19 Sidetrackin’ — Frank Sidebottom 26 Book Review 40 Record Reviews 39 Contact Ads 42 £ Memphis Shakedown- The Memphis Jug Band On Record by Chris Smith Much has been written about the members of the Memphis Jug Band, notably by Bengt Olsson in Memphis Blues (Studio Vista 1970); surprisingly little, however has got into print about the music that the band played, beyond general outline. -
1982-12 and 1983-01
AIRWAVES . A Service of Continuing Education and Extension l5i1 University of Minnesota, Duluth Vol. 3 Number 7 December 1982 January 1983 Dick Paske and Leif Brush rehearse Leif Brush Work . to be Broadcast on KUMD 1 I\UMU §taff Station Managtt ... .... Tum Livingston Program Ditt<;tor .......•. John Zi~gltr ,\Ht. Progr~m Dirtt~or .. ... Paul Schmnz •:nginttring .. •. ... .• .•.. Kirk Kint~n fo the LiJener Producn/Outruch ..••.• . Jran Johnson AIRWAVES is the bi-month! y program guide of KUMD, which is the 100,000 watt public radio station at the ..., By Tom. Uvlngeton, Station Manager University of Minnesota-Duluth, broadcasting at 103.3 fm. KUMD is part of University Media Resources, a· Marathon Holly Near Jottings: department of Continuing Education Our fall fundraiser drive fell short of 'The November I 0th concert in Superior Our satellite dish installation will be and Extension at the University of other fall efforts as 350 people pledged by womens musician Holly Near was a complete some time this month, and we Minnesota. KUMD's program philosophy is to provide the highest just under $13,000. Thanks to everyone tremendous success. A near-sellout, the will be adding Jazz Allve and NPR who called! Why did we do less than we concert was a great energy generator for Playhouse at that time. Thanks to quality non-commercial program- hoped? Was it the economy, our new everyone involved, and received rave C.S. Zidek, whose generouse challenge ming, including music, news and programming, or something else? reviews in both Rag Times Magazine match helped the Folk Migrations public affairs, and information Please share your thoughts with us, and and The Duluth News Tribune & program to a total of $1,200 for one programs, K UMD encourages if you didn't renew during the Herald. -
Stærke Melodier Og Rumsterende Guitar-Feedback Fra Respekteret
2014-06-26 10:13 CEST Stærke melodier og rumsterende guitar- feedback fra respekteret americana- sangerinde VEGA præsenterer Stærke melodier og rumsterende guitar-feedback fra respekteret americana- sangerinde Jolie Holland er en Texas-født americana-sangerinde, der har fans blandt anerkendte kunstnere fra flere forskellige genrer. Den 26. september tager hun sit nye, lovpriste album, Wine Dark Sea, med i Lille VEGA til en nærværende koncert. Ros fra prominente musikere Både rockmusikeren Tom Waits og rapperen Sage Francis er store fans af Jolie Holland. Waits nominerede hende til Shortlist Music Prize, mens Francis har udtalt, at Hollands album, Escondida, var det album, han havde lyttet mest til i 2005. Holland har faktisk samarbejdet med netop Francis på to numre, på hans album Human the Death Dance fra 2007. Stjerneregn over nyt album Jolie Holland var et af de stiftende medlemmer af det eksperimenterende canadiske folk-band The Be Good Tanyas, men valgte at forlade bandet for at fokusere på solokarrieren, som hun indledte med debutalbummet Catalpa (2003). Den 19. maj 2014 udgav hun sit seneste album, Wine Dark Sea, der har høstet rosende gloser og en sand stjerneregn fra anmelderne. GAFFA giver fem flotte stjerner og skriver, at “Wine Dark Sea er ren opvisning i skæv og støvet americana fra start til slut med Jolie Holland, der viser, hvor skabet skal stå.” Allmusic.com giver hele 4,5 stjerner ud af 5 og forklarer; ”Holland not only delivers her most intuitively crafted and realized collection to date, but she expands the boundaries and possibilities for American roots music in the process”. -
Strange Brew√ Fresh Insights on Rock Music | Edition 03 of September 30 2006
M i c h a e l W a d d a c o r ‘ s πStrange Brew Fresh insights on rock music | Edition 03 of September 30 2006 L o n g m a y y o u r u n ! A tribute to Neil Young: still burnin‘ at 60 œ part two Forty years ago, in 1966, Neil Young made his Living with War (2006) recording debut as a 20-year-old member of the seminal, West Coast folk-rock band, Buffalo Springfield, with the release of this band’s A damningly fine protest eponymous first album. After more than 35 solo album with good melodies studio albums, The Godfather of Grunge is still on fire, raging against the System, the neocons, Rating: ÆÆÆÆ war, corruption, propaganda, censorship and the demise of human decency. Produced by Neil Young and Niko Bolas (The Volume Dealers) with co-producer L A Johnson. In this second part of an in-depth tribute to the Featured musicians: Neil Young (vocals, guitar, Canadian-born singer-songwriter, Michael harmonica and piano), Rick Bosas (bass guitar), Waddacor reviews Neil Young’s new album, Chad Cromwell (drums) and Tommy Bray explores his guitar playing, re-evaluates the (trumpet) with a choir led by Darrell Brown. overlooked classic album from 1974, On the Beach, and briefly revisits the 1990 grunge Songs: After the Garden / Living with War / The classic, Ragged Glory. This edition also lists the Restless Consumer / Shock and Awe / Families / Neil Young discography, rates his top albums Flags of Freedom / Let’s Impeach the President / and highlights a few pieces of trivia about the Lookin’ for a Leader / Roger and Out / America artist, his associates and his interests. -
HYPE-34-Genesis.Pdf
Exclusive benefits for Students and NSFs FREE Campus/Camp Calls Unlimited SMS Incoming Calls Data Bundle Visit www.singtel.com/youth for details. Copyright © 2012 SingTel Mobile Singapore Pte. Ltd. (CRN : 201012456C) and Telecom Equipment Pte. Ltd. (CRN: 198904636G). Standard SingTel Mobile terms and conditions apply. WHERE TO FIND HYPE COMPLIMENTARY COPIES OF HYPE ARE AVAILABLE AT THE FOLLOWING PLACES Timbre @ The Arts House Island Creamery Swirl Art 1 Old Parliament Lane #01-04 11 King Albert Park #01-02 417 River Valley Road Timbre @ The Substation Serene Centre #01-03 1 Liang Seah Street #01-13/14 45 Armenian Street Holland Village Shopping Mall #01-02 Timbre @ Old School The Reckless Shop 11A Mount Sophia #01-05 Sogurt Orchard Central #02-08/09 617 Bukit Timah Road VivoCity #02-201 Cold Rock Blk 87 Marine Parade Central #01-503 24A Lorong Mambong DEPRESSION 313 Somerset #02-50 Leftfoot Orchard Cineleisure #03-05A 2 Bayfront Avenue #B1-60 Far East Plaza #04-108 Millenia Walk Parco #P2-21 Orchard Cineleisure #02-07A BooksActually The Cathay #01-19 Beer Market No. 9 Yong Siak Street, Tiong Bahru 3B River Valley Road #01-17/02-02 Once Upon a Milkshake St Games Cafe 32 Maxwell Road #01-08 Strictly Pancakes The Cathay #04-18 120 Pasir Ris Central #01-09 44A Prinsep Street Frolick Victoria Jomo Ice Cream Chefs Lot One #B1-23 9 Haji Lane Ocean Park Building, #01-06 Hougang Mall #B1-K11 47 Haji Lane 12 Jalan Kuras (Upper Thomson) 4 Kensington Park Road Tampines 1 #B1-32 VOL.TA Marble Slab 241 Holland Avenue #01-02 The Cathay #02-09 Iluma -
Letterhead in Indesign Pc.Indd
THE OFFICIAL PUBLICATION OF THE LONE STAR REGION PORSCHE CLUB OF AMERICA Lone Star Region-PCA PRSRT STD PO Box 62996 US POSTAGE PAID Houston, TX 77205 HOUSTON, TX PERMIT #553 PORSCHE PERFORMANCE MERCEDES BMW 59 Galleria Gulfton Fournace Full Mechanical Repair Facility Brake, A/C and Diagnostic Specialists 610 Complete Paint/Body and Restoration Bellaire S. Rice High Performance Tuning, Suspension and Turbo Work Factory Required Scheduled, Inspection and Flex Services We work with extended warranties and insurance companies. 713-661-6428 www.eurocarwerk.com 5103 Gulfton at S. Rice | M-F 8am-6pm Sat 9am-1pm | All major credit cards accepted LSR BOARD OF DIRECTORS December 2010 President Lynn Friedman THE OFFICIAL PUBLICATION OF THE LONE STAR REGION PORSCHE CLUB OF AMERICA [email protected] Cover shot: Impromptu Porsche Car Show at the 2010 LSRPCA Swap Meet fStory Page 11……..Photo: Rodger Gay Vice President John Smaardyk [email protected] FEATURES Secretary Cynthia Crawford [email protected] 11......................................... 2010 LSRPCA Swap Meet - R. Quarles Treasurer Tim Westby 13.............................. Magnificat House Message - S.K. Thompson 713-228-8000 14,15,17................................................ Rock & Roll 911 - M. Richey [email protected] 21................................................... My PDS Experience - R. Clingan Member At Large Ken Tubman 22,23............................................................................Porsche News [email protected] Past President Burnell -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
Concert & Dance Listings • Cd Reviews • Free Events
CONCERT & DANCE LISTINGS • CD REVIEWS • FREE EVENTS FREE BI-MONTHLY Volume 4 Number 6 Nov-Dec 2004 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers Music and Poetry Quench the Thirst of Our Soul FESTIVAL IN THE DESERT BY ENRICO DEL ZOTTO usic and poetry rarely cross paths with war. For desert dwellers, poetry has long been another way of making war, just as their sword dances are a choreographic represen- M tation of real conflict. Just as the mastery of insideinside thisthis issue:issue: space and territory has always depended on the control of wells and water resources, words have been constantly fed and nourished with metaphors SomeThe Thoughts Cradle onof and elegies. It’s as if life in this desolate immensity forces you to quench two thirsts rather than one; that of the body and that KoreanCante Folk Flamenco Music of the soul. The Annual Festival in the Desert quenches our thirst of the spirit…Francis Dordor The Los Angeles The annual Festival in the Desert has been held on the edge Put On Your of the Sahara in Mali since January 2001. Based on the tradi- tional gatherings of the Touareg (or Tuareg) people of Mali, KlezmerDancing SceneShoes this 3-day event brings together participants from not only the Tuareg tradition, but from throughout Africa and the world. Past performers have included Habib Koité, Manu Chao, Robert Plant, Ali Farka Toure, and Blackfire, a Navajo band PLUS:PLUS: from Arizona. -
Council File No. /;;2 ~ /3!:J.~ Council District No
COUNCIL FILE NO. /;;2 ~ /3!:J.~ COUNCIL DISTRICT NO. 13 APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _} B. Quitclaim of Easement(s). _ } C. Dedication of Easement(s). _} D. Release of Restriction(s). __K_} E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* Council Office of the District Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date ____ notice and report copy mailed to interested parties advising of Council date for this item. Date ____ scheduled in Council. AFTER COUNCIL ACTION: ____} Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ____} Other: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles California To the Honorable Council AUG 2 8 lfJtZ Of the City of Los Angeles Honorable Members: C. -
Vince Gill Biography
VINCE GILL BIOGRAPHY “Vince Gill is quite simply a living prism refracting all that is good in country music. He uses the crystal planes of his songwriting, his playing, and his singing to give us a musical rainbow that embraces all men and spans all seasons.” - Kyle Young/Country Music Foundation on Vince’s induction into the Country Music Hall of Fame Vincent Grant Gill was born April 12, 1957 in Norman, Okla. His father encouraged him to learn to play guitar and banjo, which he did along with bass, mandolin, dobro and fiddle. While in high school, he performed in the bluegrass band Mountain Smoke, which built a strong local following and opened a concert for Pure Prairie League. After graduating high school in 1975, Gill moved to Louisville, Ky. to be part of the band Bluegrass Alliance. After a brief time in Ricky Skaggs’s Boone Creek band, Gill moved to Los Angeles and joined Sundance, a bluegrass group fronted by fiddler Byron Berline. In 1979, he joined Pure Prairie League as lead singer and recorded three albums with the band, the first of which yielded the Top Ten pop hit “Let Me Love You Tonight” in 1980. Departing the group in 1981, Gill joined Rodney Crowell’s backing band the Cherry Bombs, where he met and worked with Tony Brown and Emory Gordy Jr., both of whom would later produce many of his future solo albums. In 1983, Gill signed with RCA Records and moved with his wife Janis and daughter Jenny to Nashville to pursue his dream of being a Country Music artist. -
AUTHOR's NOTE Writing These Opening Notes Reminds Me
AUTHOR’S NOTE Writing these opening notes reminds me of the prefaces to the American history books that were written during World War II, when the authors, looking back for the meaning of the Revolution or the Civil War or whatever, drew modest but determined parallels between their work and the struggle. They were affirming that their work was part of the struggle; that an attempt to understand America took on a special meaning when America was up for grabs. Those writers were also saying—at least, this is what they now say to me—that to do one’s most personal work in a time of public crisis is an honest, legitimate, paradoxically democratic act of common faith; that one keeps faith with one’s community by offering whatever it is that one has to say. I mean that those writers were exhilarated, thirty years ago, by something we can only call patriotism, and humbled by it too. Well, I feel some kinship with those writers. I began this book in the fall of 1972, and finished it late in the summer of 1974. Inevitably, it reflects, and I hope contains, the peculiar moods of those times, when the country came face-to-face with an obscene perversion of itself that could be neither accepted nor destroyed: moods of rage, excitement, loneliness, fatalism, desire. • • • Like a lot of people who are about thirty years old, I have been listening and living my life to rock ’n’ roll for twenty years, and so behind this book lie twenty years of records and twenty years of talk.