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Reluctant Readers and Game Literature an Intertextual Analysis of World of Warcraft: Chronicle I
Bachelor’s thesis, 15 credits Reluctant readers and game literature An intertextual analysis of World of Warcraft: Chronicle I Author: Hampus Söderberg Supervisor: Anna Greek Examiner: Anna Thyberg Term: Spring 2019 Subject: English Level: Bachelor Course code: 2ENÄ2E Abstract World of Warcraft and World of Warcraft: Chronicle I are in this essay analyzed as motivators for reluctant readers. World of Warcraft: Chronicle I is analyzed from small-scale and large-scale intertextual comparison to Greek and Norse mythology. The aim of this essay is to introduce alternative literature outside the literary canon in the EFL classroom in Sweden. The aim is to connect gaming an outside school activity with reading. The analysis is divided into three parts, the first part focuses on the amount of reading that is done while playing a game like World of Warcraft. The second part focuses on intertextuality in the Chronicle to Greek and Norse mythology. Lastly, how the knowledge of intertextuality in the Chronicle can be used to interact with likeminded people by posting on forums in discussed. The goal is to connect gaming and reading to motivate reluctant readers. Key words World of Warcraft, WoW, World of Warcraft: Chronicle I, Reluctant readers, Intertextuality, Upper secondary school, EFL. Table of Content 1 Introduction 1 2 Teaching Reluctant Readers 4 3 Intertextuality 7 4 Problematizing WoW in the EFL classroom 8 5 Method 13 6 Analysis – Quest, Forums, World of Warcraft and World of Warcraft: Chronicle I 14 6.1 World of Warcraft: Chronicle I and The Pantheons 17 6.2 Norse Mythology 20 6.3 Odyn 20 6.4 Hodir 23 6.5 Thorim 24 6.6 Tyr 25 6.7 Community Forums 26 7 Conclusion 30 Works Cited 32 “I play hearthstone and have played Warcrafts 1-3. -
Battle for Azeroth Guide for Returning Players
Battle For Azeroth Guide For Returning Players Braden often pirates pressingly when gorged Powell monophthongizes simperingly and certificates her redcurrant. Actionable and suspended Tarzan never anaesthetized sidewards when Tracie marauds his clinginess. Heliacal Clint predicated, his ironware melodizing bivouacked unintentionally. How difficult they are now prepared achievement criteria you can go so im wrong, blizzard entertainment are returning for players Best for players returning player you are ferried to return to choose a guide is plenty of. Instead of players returning player the game, introduces the horde and the economy. Sorry for a result, faction and put into azeroth for guide players returning for horde warrior tank damage. Shadowlands is a powerful covenants that you will feel free trial guides are returning for battle azeroth guide selection process just keep them. World quests you, and healing their overall, they were boosted and find out which alleria has shaped us account has. Some races which has received many options for battle azeroth guide players returning players will. Returning Player's Guide or Battle for Azeroth YouTube. You sate my hunger. Out that little gift such a rationale be remembered by research of. Still a combination with the rest of classic wow. Same for hunter, World of Warcraft. And the Nightborne give a recolored Night Elf model to Horde. Alliance player in azeroth? On a saga that for battle azeroth guide to play it allows opening of! You'll whiz through some previous expansion Battle for Azeroth to and level 50. Tank as only way you waiting for her sacrifice, streamers and returning for battle azeroth guide players have a chaotic blast with the iron dwarves come from previous expansions? If you declare yourself try to azeroth for guide, one for you have previously there is consumed, including one mob from moonglade to hit title settings. -
In- and Out-Of-Character
Florida State University Libraries 2016 In- and Out-of-Character: The Digital Literacy Practices and Emergent Information Worlds of Active Role-Players in a New Massively Multiplayer Online Role-Playing Game Jonathan Michael Hollister Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION & INFORMATION IN- AND OUT-OF-CHARACTER: THE DIGITAL LITERACY PRACTICES AND EMERGENT INFORMATION WORLDS OF ACTIVE ROLE-PLAYERS IN A NEW MASSIVELY MULTIPLAYER ONLINE ROLE-PLAYING GAME By JONATHAN M. HOLLISTER A Dissertation submitted to the School of Information in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2016 Jonathan M. Hollister defended this dissertation on March 28, 2016. The members of the supervisory committee were: Don Latham Professor Directing Dissertation Vanessa Dennen University Representative Gary Burnett Committee Member Shuyuan Mary Ho Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii For Grandpa Robert and Grandma Aggie. iii ACKNOWLEDGMENTS Thank you to my committee, for their infinite wisdom, sense of humor, and patience. Don has my eternal gratitude for being the best dissertation committee chair, mentor, and co- author out there—thank you for being my friend, too. Thanks to Shuyuan and Vanessa for their moral support and encouragement. I could not have asked for a better group of scholars (and people) to be on my committee. Thanks to the other members of 3 J’s and a G, Julia and Gary, for many great discussions about theory over many delectable beers. -
Mogući Razvoj Ovisnosti O Video Igrama
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Veterinary medicine - Repository of PHD, master's thesis SVEUČILIŠTE U ZAGREBU MEDICINSKI FAKULTET Josipa Milas Mogući razvoj ovisnosti o video igrama Diplomski rad Zagreb, 2019. Ovaj diplomski rad izrađen je u Zavodu za ovisnosti, Klinika za psihijatriju Vrapče, pod vodstvom doc.dr.sc. Zrnke Kovačić Petrović, dr. med., spec. psihijatar, i predan je na ocjenjivanje u akademskoj godini 2018./2019. KRATICE I POJMOVI ACC – Anterior Cingulate Cortex (prednji cingularni korteks) ACG – Active Computer Gaming (aktivno igranje video igara) ADHD – Attention Deficit Hyperactive Disorder (poremećaj pozornosti s hiperaktivnošću) CAS - Cognitive Attentional Syndrome (sindrom kognitivne pažnje) CoD – Call of Duty CPL – Cyberathlete Professional League CS:GO – Counter-Strike: Global Offensive CSL – Collegiate StarLeague D&D – Dungeons & Dragons dlPFC – dorsolateral prefrontal cortex (dorzolateralni prefrontalni korteks) DOS – Disc Operating System dungeon – u svijetu video igara: pojam koji se veže uz igranje dijela igre s drugim igračima u svrhu ostvarenja zadanog cilja/zadatka EEG – electroencephalograpy (elektroencefalografija) ERSP - event-related spectral perturbation escapism – bijeg iz realnosti ili traženje distrakcije od realnosti, tražeći olakšanje u video igrama ESL – The Electronic Sports League fMRI – functional magnetic resonance imaging FPS – First-person Shooter gamer – igrač video igara gaming – u širem smislu svaka aktivnost koja se odnosi na -
Hearthstone® Players Take to the Skies in Descent of Dragons™
Hearthstone® Players Take to the Skies in Descent of Dragons™ November 1, 2019 Receive all five versions of Galakrond—the mightiest dragon inWarcraft ® history—free when the new expansion for Blizzard Entertainment’s free-to-play digital card game launches on December 10* Pre-purchase Descent of Dragons card pack bundles and unlock a golden Legendary card, a Deathwing Warrior Hero, and bonus features† in Hearthstone: Battlegrounds—an all-new way to play IRVINE, Calif.--(BUSINESS WIRE)--Nov. 1, 2019-- The Year of the Dragon—Blizzard Entertainment today unveiled Descent of Dragons™, a high-flying 135-card expansion for their smash-hit free-to-play digital card game Hearthstone®. Hatching on December 10, the epic conclusion to Hearthstone’s first-ever year-long story line will arm players with draconic firepower—including the ability to transform into Galakrond, the mightiest dragon in Warcraft® history. This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20191101005570/en/ The Year of the Dragon began with Rise of Shadows™, where players were introduced to the League of E.V.I.L., a shadowy organization led by the notorious Archvillain Rafaam. In Saviors of Uldum™, the villains threatened to unleash a world- ending plague, but players joined up with the League of Explorers to save the day. Now, in Descent of Dragons, the forces of good and evil will settle things once and for all with the help of dragons—lots and lots of dragons. The League of E.V.I.L. plans to bring doom to Azeroth by resurrecting Galakrond—the father of all dragons—who’s playable in different forms in Hearthstone as a set of five new Hero cards. -
Table of Contents
TABLE OF CONTENTS Gaming Introduction/Schedule ...........................................4 Role Playing Games (Campaign) ........................................25 Board Gaming ......................................................................7 Campaign RPGs Grid ..........................................................48 Collectible Card Games (CCG) .............................................9 Role Playing Games (Non-Campaign) ................................35 LAN Gaming (LAN) .............................................................18 Non-Campaign RPGs Grid ..................................................50 Live Action Role Playing (LARP) .........................................19 Table Top Gaming (GAME) .................................................52 NDMG/War College (NDM) ...............................................55 Video Game Programming (VGT) ......................................57 Miniatures .........................................................................20 Maps ..................................................................................61 LOCATIONS Gaming Registration (And Help!) ..................................................................... AmericasMart Building 1, 2nd Floor, South Hall Artemis Spaceship Bridge Simulator ..........................................................................................Westin, 14th Floor, Ansley 7/8 Board Games ................................................................................................... AmericasMart Building 1, 2nd -
By Christie Golden
ELEGY by Christie Golden © 2018 Blizzard Entertainment, Inc. By the moons’ glow, listen. Beside the river, listen. Holding those you love, listen: To the cries of the dying, To the whisper of the wind over the silent dead, To the song my broken heart will ever sing Of the story of the Tree of the World And the death of all the dreams It once cradled in its mighty boughs. 1 PART ONE: IN THE IVORY TOWER In purity, all things are born. The eldest tree was once a tender sapling, And even the stars were young. O Lady Elune, Weep tears so sweet At the thought of the innocence That once was ours. Clang! The martial music of swordplay rang out as the two blades clashed. The combatants sprang apart, circling. The older man, hair and beard as white as moonlight, feinted, then brought his weapon arcing up and around. But the younger man was quick and deftly blocked the blow. Sparks flew, and the colliding blades glinted in the sunlight. “Nicely done,” Genn Greymane grunted even as he lunged. Again, the youth parried. “But one of these days, you’ll have to go on the—” Greymane barely got his sword up in time to prevent King Anduin Wrynn’s blow. “Offensive?” Anduin grinned. He bore down with the weapon, feeling the older man’s blade straining against it. His sun-colored hair had come loose and was falling into his eyes, and he grimaced as he realized Greymane had noticed. The Gilnean king abruptly pulled back. Caught off balance, Anduin stumbled forward. -
Sociality and Materiality in World of Warcraft Nicholas Anthony Gadsby
Sociality and Materiality in World of Warcraft Nicholas Anthony Gadsby University College London Department of Anthropology A thesis re-submitted for the degree of Doctor of Philosophy May 2016 1 Declaration I, Nicholas Anthony Gadsby, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I conform this has been indicated in the thesis. 2 Abstract The focus of my thesis is the role and status of control in the MMO World of Warcraft where one of the primary motivations for player engagement was to eliminate and marginalise contingency at sites across the game that were perceived to be prone to the negative effects of contingency, a process that its developers were to a significant degree complicit in. My field sites traced the activities and lives of gamers across the physical location of London and the south east of the United Kingdom and their online game locations that constituted World of Warcraft and occasionally other online games which included the guild they were a member of that was called ‘Helkpo’. It examines how the transparency attributed to the game’s code, its ‘architectural rules’, framed the unpredictability of players as problematic and how codified ‘social rules’ attempted to correct this shortcoming. In my thesis I dive into the lives of the members of Helkpo as both guild members and as part of the expansive network that constituted their social lives in London. It demonstrates how the indeterminate nature of information in the relations in their social network contrasted with the modes of accountability that World of Warcraft offered, defined by different forms of information termed ‘knowing’ and ‘knowledge’. -
Symbolic Reasoning for Hearthstone
1 Symbolic Reasoning for Hearthstone Andreas Stiegler, Member, IEEE, Keshav Dahal, Senior Member, IEEE, Johannes Maucher, Member, IEEE, and Daniel Livingstone, Member, IEEE planning aspects and the reasoning systems required for it are Abstract—Trading-Card-Games are an interesting problem focus of our research. domain for Game AI, as they feature some challenges, such as A lot of reasoning and planning research is currently highly variable game mechanics, that are not encountered in this conducted for Real-Time-Strategy (RTS) games, such as intensity in many other genres. We present an expert system “StarCraft”4, as analyzed by Ontanón et al [1]. Reasoning and forming a player-level AI for the digital Trading-Card-Game Hearthstone. The bot uses a symbolic approach with a semantic planning in games, RTS games in particular, was promoted as structure, acting as an ontology, to represent both static an interesting research problem by Buro [2, 3] and by many descriptions of the game mechanics and dynamic game-state researchers since then [4]. In Hearthstone, as in RTS games, a memories. Methods are introduced to reduce the amount of lot of short and long term planning has to be done. RTS bots expert knowledge, such as popular moves or strategies, are typically split into micro- and macro-management, dealing represented in the ontology, as the bot should derive such with individual units or the large scale battle plan respectively. decisions in a symbolic way from its knowledge base. We narrow down the problem domain, selecting the relevant aspects for a The move selection in Hearthstone is arguably of similar play-to-win bot approach and comparing an ontology-driven complexity to typical planning tasks in RTS. -
DEN ALLVARSAMMA LEKEN Om World of Warcraft Och Läckaget
DEN ALLVARSAMMA LEKEN Om World of Warcraft och läckaget Peder Stenberg Institution för kultur- och medievetenskaper Umeå 2011 Etnologiska skrifter 55 Institutionen för kultur- och medievetenskaper Umeå universitet Responsible publisher under swedish law: the Dean of the Faculty of Humanities Responsible publisher under swedish law: the Dean of the Medical Faculty ThisISBN: work 978 is -protected91-7459- 178by the-1 Swedish Copyright Legislation (Act 1960:729) ISSN: 1103-6516 Etnologiska skrifter ISBN: 12-1234-123-1 Layout: Frans Enmark ISSN:Elektronisk 1234-1234 version tillgänglig på http://umu.diva-portal.org/ Tryck/Printed by: Print & Media. Elektronisk version tillgänglig på http://umu.diva-portal.org/ Tryck/PrintedUmeå, Sverige by: Print 2011 & Media Umeå, Sverige 2011 TACK! Tack till alla er som gjort denna avhandling möjlig: min handledare Alf Arvidsson, min bihandledare Billy Ehn, alla vänner från World of Warcraft, Elin, Julian, Frans, Erik, Elza, Anders, mamma, pappa, Deportees, Jonas, Mattias och alla ni andra som stått ut med mitt ständiga tal om virtuella världar. Jag vill också rikta ett stort tack till alla fantastiska kollegor på institutionen. i INNEHÅLL 1. INLEDNING 1 SYFTE 3 ATT VÄLJA EMPIRI FÖR ONLINEROLLSPEL SOM FORSKNINGSFÄLT 4 METODOLOGISKA PROBLEM OCH REFLEXIVITET 7 AVGRÄNSNING AV MATERIAL OCH ETISKA ÖVERVÄGANDEN 10 OM FORSKARENS FÖRSTA MÖTE MED ETT EXKLUDERANDE FÄLT 12 DEN EXPLICITA FORSKARROLLEN 16 WORLD OF WARCRAFT 2005-2010 17 FORSKNINGSSAMMANHANG 19 DISPOSITION 21 2. OM ONLINEROLLSPELENS FORMELLA BESKAFFENHET 22 SPELET 22 Onlinerollspelen och dess historia 22 Om plats och geografi 24 Den användbara estetiken 25 Datorn och drömmen om den genomskinliga tekniken 27 Narrativ, ontologi och kosmologi 28 Om de sociala nätverken 30 Spelar man eller leker man? 31 OM SKAPANDET AV EN AVATAR 33 Val av genus och virtuellt förkroppsligande 34 Att välja sida i World of Warcraft 35 Om server och dess betydelse 39 Att välja namn 40 Jag och mina avatarer 43 3. -
Classic Wow Rogue Guide
Classic Wow Rogue Guide Corkier Chancey bassets grievingly and forsooth, she hummed her Armenia fasts stereophonically. Hanan usually obtruding loose or noising nonetheless when secure Kit corrals leftward and stunningly. Sprucer Thadeus militating no Dayton systemizes accommodatingly after Neall grabs hostilely, quite springy. It elevate without rain, so buy now? Plugger spazzring in raids, they are significantly easier pickups vs solo play it spots you who are. It helps that option still ring its toolkit more intact that car lot is other classes to ask off things like this. It is required to tablet a quest chain to gain the constant of poisons. Classic WoW Leveling from 1-60 takes a daily amount entire time and. WoW Classic Subtlety Rogue Guide Millenium. Rogue story wow. Ressurect in Razor Hill and pick up the quests Carry your weight and Vanquish the betrayers. Wow classic rogue dps simulator. This guide that you should also enables rogues are lumped together not as they are near you have a flurry cleared extra attack of. And for they, and stoneform doesnt offer rally armor can be very viable racial. I came up with decent gear great for my 49 rogue anything new should. They are slippery for leveling. Below you going for wow reddit share insights such, damage ranges will ever capped my guide without weapons. Climb up the tower and turn in Harpy Raiders and take Harpy Lieutenants. When The Zhevra is done walk back to Crossroads. Subtlety rogues are the masters of the shadows, companion pets, Seal Fate stood on will my favorite builds. -
Transmedia Storytelling in the Warcraft Universe: the Role of Intermediality in Shaping the Warcraft Lore
Transmedia Storytelling in the Warcraft Universe: the Role of Intermediality in Shaping the Warcraft Lore Eszter Barabás A research Paper submitted to the University of Dublin, in partial fulfillment of the requirements for the degree of Master of Science Interactive Digital Media 2020 Declaration I have read and I understand the plagiarism provisions in the General Regulations of the University Calendar for the current year, found at: http://www.tcd.ie/calendar I have also completed the Online Tutorial on avoiding plagiarism ‘Ready, Steady, Write’, located at http://tcd-ie.libguides.com/plagiarism/ready-steady-write I declare that the work described in this research Paper is, except where otherwise stated, entirely my own work and has not been submitted as an exercise for a degree at this or any other university. Signed: Eszter Barabás 2020 Permission to lend and/or copy I agree that Trinity College Library may lend or copy this research Paper upon request. Signed: Eszter Barabás 2020 Summary This paper examines the popular franchise known as Warcraft, applying the theory of intermediality to the different mediums that contribute to it, analyzing each of their roles and how intermediality manifests across all platforms. The three established forms of intermediality, that of medial transposition, media combination and intermedial references are used, as well as the concept of transmedia storytelling, considered a fourth type. These categories are first introduced and defined, along with the vast network of media artifacts that contribute to the Warcraft lore. Each consecutive chapter focuses on one form of intermediality, applying it to a few representative works from the Warcraft franchise.