DOCSLIB.ORG

The Tree That Bears a Million of Blossoms”

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Tree That Bears a Million of Blossoms” UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE LETRAS PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS LITERATURAS DE LÍNGUA INGLESA LINHA DE PESQUISA: LITERATURA, IMAGINÁRIO E HISTÓRIA “The Tree that Bears a Million of Blossoms”: A Revaluation of George Eliot’s Romola A View of Florence from San Miniato on a cloudy, rainy day Tese de doutoramento submetida à Universidade Federal do Rio Grande do Sul para obtenção do grau de Doutor em Letras na ênfase Literaturas de Língua Inglesa Doutoranda: Prof a Ms. Jaqueline Bohn Donada Orientadora: Prof a Dr a Sandra Sirangelo Maggio Porto Alegre Novembro, 2012 2 CIP - Catalogação na Publicação Elaborada pelo Sistema de Geração Automática de Ficha Catalográfica da UFRGS com os dados fornecidos pelo(a) autor(a). Bohn Donada, Jaqueline "The Tree that Bears a Million of Blossoms": A Revaluation of George Eliot's Romola / Jaqueline Bohn Donada. -- 2012. 201 f. Orientadora: Sandra Sirangelo Maggio. Tese (Doutorado) -- Universidade Federal do Rio Grande do Sul, Instituto de Letras, Programa de Pós- Graduação em Letras, Porto Alegre, BR-RS, 2012. 1. Jaqueline Bohn Donada. I. Sirangelo Maggio, Sandra, orient. II. Título. Elaborada pelo Sistema de Geração Automática de Ficha Catalográfica da UFRGS com os dados fornecidos pelo(a) autor(a). 3 aos meus pais, sempre e acima de tudo, pelo carinho, pelo apoio e pelos valores sólidos que me permitem encontrar na obra de George Eliot um eco da minha própria. 4 AGRADECIMENTOS Aos meus pais , em primeiro lugar; À Sandra , minha orientadora querida, que acreditou em mim até quando eu mesma não acreditei; Aos meus amigos, sem os quais eu não saberia meu lugar no mundo, que estiveram comigo durante os anos dessa pesquisa, me apoiaram e me aguentaram, cada um do seu jeito único: ao Valter e à Lu , que acompanharam cada etapa, desde antes do início e, seguramente, até muito depois do fim; ao Claudio , que teve a ousadia de terminar a tese antes de mim, ao Ian , sempre presente nas minhas falas sobre Romola , sempre disposto a discutir e a pensar comigo; ao Jeferson, à Gabi, e ao Carlos (que a distância não afasta), amigos irmãos, desde o início da vida acadêmica e até que a morte nos separe, se é que separará; ao Zaeca , amigo querido de muitas conversas e risadas, pela ajuda inestimável com o parecer do meu artigo; ao Rogério , pela super ajuda com os gráficos apesentados na George Eliot Fellowship, mas, principalmente, pelos anos de uma amizade muito espontânea; à Tati e ao Anderson , que participaram e compartilharam muitas das angústias. Às minhas queridas ex-colegas do IFRS: à Natalia , que começou como colega, virou uma parceira incrível e hoje, tenho orgulho em dizer, é uma grande amiga; à Leniza e à Claudia , que aumentaram sua carga horária para diminuir a minha – compreensão e coleguismo sem igual; à Aline e à Renata pelo bullying e pelas festas. Trabalhar com vocês redimensiona todos os problemas. Aos professores que aceitaram participar da banca de defesa desta tese: ao José Carlos e à Rosalia , que acompanham minha trajetória acadêmica desde o mestrado; à Rita Lenira , com seu atento olhar pós-moderno, à Mara , minha primeira professora de literatura inglesa e a primeira pessoa a ler Romola por meu intermédio. Ao professor Alfredo Stork , pelos livros com os quais me presenteou, pela leitura mais que atenta do meu trabalho, pelas contribuições inestimáveis e pela grande participação na banca do exame de qualificação desta tese. À 5 professora Rita Schmidt , que me indicou a leitura de Romola por entender melhor que eu mesma a incipiente ideia que lhe apresentei há alguns anos. À professora Felicia Bonaparte , provavelmente a maior estudiosa de George Eliot viva, pela sua obra majestosa, pelos longos e-mails nos quais dedicou seu tempo valioso a discutir minhas pobres ideias sobre Romola e sobre George Eliot, pela delicadeza, atenção, respeito e humildade e pela disposição altruísta em compartilhar seu conhecimento: é isso que caracteriza os verdadeiros intelectuais. Ao querido John Burton , presidente da George Eliot Fellowship , de Nuneaton, pelo respeito e interesse demonstrados por este trabalho, embora em nada lhe beneficie. Pela disposição em me receber na terra natal de George Eliot e pelo convite tão carinhoso para minha participação em evento comemorativo dos 150 anos da publicação de Romola . A quem quer que se deva agradecer por ter tantas pessoas queridas para agradecer em um intervalo de tempo tão curto. A todos o meu sincero muito obrigado! 6 “... there is no book of mine about which I more thoroughly feel that I could swear by every sentence as having been written with my best blood, such as it is, and with the most ardent care for veracity that my nature is capable.” George Eliot – Letter to John Blackwood Statue of George Eliot by John Letts in the centre of Nuneaton, her hometown 7 Lithograph from the series “Dalinian Horses”, by Salvador Dali. Private collection. Quite a few things will be missing, of course. But this is not Noah’s ark: it is a collective reflection on the pleasures of story telling, and their interaction – at times, complicity – with social power. Now more than ever, pleasure and critique should not be divided. Franco Moretti, The Novel 8 ABSTRACT Looking back on her own novel several years after its composition, George Eliot said of Romola that it had been the novel she had written with her best blood, thus indicating a predilection for it among her other books. A survey of her critical fortune, even if a quick one, reveals that Romola is the least popular of her novels. Whereas a few contemporary critics, such as Henry James and Robert Browning, have published enthusiastic reviews, the general tone of these opinions is of disappointment. The most common reason presented is that George Eliot’s fourth novel departs too much from the reality the author knew so well and fails to represent truthfully the zeitgeist of Florence and Florentine people at the close of the fifteenth century. The result of such failure would be a novel constructed out of intellectual effort rather than poetic imagination, with an unnecessary flight to the past and foreign setting which produced improbable events and characters. The clash between George Eliot’s appraisal of her book and the general opinion expressed in its critical fortune is noteworthy and provides the initial motivation of this thesis. Summarising the bulk of criticism about Romola , professor Felicia Bonaparte states that George Eliot never disappointed her readers as much as she did with Romola . The goal of this work is to investigate what I consider to be the main reason for this disappointment: that in Romola , more explicitly than in her other novels, George Eliot was experimenting with the form of the novel and stretching its limits to accommodate formal conventions and aesthetic effects until then generally thought to belong almost exclusively to other genres. The immediate effect of this experiment is a reconfiguration of realism and of the interplay between literary genres which looked like an unselective assortment of loose elements. In Romola , we see George Eliot’s writing progressing towards a more modern kind of novel. This work will have been successful if it can coherently argue that, rather than a random mixture of conventions Romola is a harbinger of the modernist novel. The seminal work of Georg Lukács in The Theory of the Novel sheds some light on the potential of Romola for containing most genres within it and Franco Moretti’s collection The Novel provides valuable critical and theoretical support for this thesis at points in which blanks are left by Lukács’s book. Felicia Bonaparte’s work on George Eliot and George Levine’s studies on realism contribute valuably to the interpretation of English nineteenth- century that unfolds in the present work. Key-words: George Eliot, Romola , Novel, Romance, Epic, Realism. 9 RESUMO Ao refletir sobre o seu próprio romance anos depois de tê-lo escrito, George Eliot disse a respeito de Romola que foi esse o romance que ela escreveu com seu melhor sangue, indicando assim uma predileção por esse livro. Uma análise de sua fortuna crítica, ainda que superficial, revela que Romola é o menos conhecido entre os seus romances. Ao passo que alguns poucos críticos contemporâneos, como Henry James e Robert Browning, por exemplo, publicaram elogios entusiasmados, o tom geral das opiniões contemporâneas sobre a obra é de decepção. O motivo mais comumente apresentado para isso é que o quarto romance de Eliot se desvincula da realidade que a autora muito bem conhecia e, por isso, falha ao tentar representar verdadeiramente o estado de espírito de Florença e dos florentinos ao final do século quinze. O resultado de tal fracasso seria a produção de um romance construído a partir de esforço intelectual e não de imaginação poética, com uma fuga desnecessária ao passado e a um cenário estrangeiro que teria produzido personagens e eventos improváveis. O conflito entre a apreciação de Eliot sobre sua própria obra e a opinião geralmente expressa em sua fortuna crítica é notável e prove a motivação inicial do presente trabalho. Ao resumir o foco central da crítica de Romola , a professora Felicia Bonaparte diz que George Eliot jamais desapontou seus leitores tanto quanto o fez em Romola . O objetivo deste trabalho é investigar o que considero ser os principais motivos para tal desapontamento: que, em Romola , mais especificamente do que em seus outros romances, George Eliot estava experimentando com a forma do romance e alargando os seus limites para acomodar convenções formais e efeitos estéticos que, até então, eram entendidos como pertencentes, quase que exclusivamente, a outros gêneros literários que não o romance.
Load more

Recommended publications
  • Ian Watt, the Rise of the Novel: Studies in Defoe, Richardson and Fielding (Chatto & Windus 1957; Rep
    Ian Watt, The Rise of the Novel: Studies in Defoe, Richardson and Fielding (Chatto & Windus 1957; rep. Univ. of California Press 1957). Note: this copy has been made from a PDF version of the 1957 California UP edition. The footnotes in that editon have been transposed to endnotes here and the page-numbers have been omitted. Chapter I: Realism and the Novel Form THERE are still no wholly satisfactory answers to many of the general questions which anyone interested in the early eighteenth-century novelists and their works is likely to ask: Is the novel a new literary form? And if we assume, as is commonly done, that it is, and that it was begun by Defoe, Richardson and Fielding, how does it differ from the prose fiction of the past, from that of Greece, for example, or that of the Middle Ages, or of seventeenth-century France? And is there any reason why these differences appeared when and where they did? Such large questions are never easy to approach, much less to answer, and they are particularly difficult in this case because Defoe, Richardson and Fielding do not in the usual sense constitute a literary school. Indeed their works show so little sign of mutual influence and are so different in nature that at first sight it appears that our curiosity about the rise of the novel is unlikely to find any satisfaction other than the meagre one afforded by the terms ‘genius’ and ‘accident’, the twin faces on the Janus of the dead ends of literary history. We cannot, of course, do without them: on the other hand there is not much we can do with them.
    [Show full text]
  • THE RHETORIC of PROBABILITY from the NEW SCIENCE to COMMON SENSE by Alex Solomon
    THE RHETORIC OF PROBABILITY FROM THE NEW SCIENCE TO COMMON SENSE by Alex Solomon A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Literatures in English Written under the direction of Michael McKeon And approved by __________________________ __________________________ __________________________ __________________________ New Brunswick, New Jersey October 2017 ABSTRACT OF THE DISSERTATION The Rhetoric of Probability from the New Science to Common Sense By ALEX SOLOMON Dissertation Director: Michael McKeon Over the course of the seventeenth and eighteenth centuries, probability, hitherto primarily a quality of rhetoric, expands to become a field of mathematics, a criterion of experimental demonstration, and a guiding principle for the development of the English novel. These applications overlap but are far from coextensive. “The Rhetoric of Probability from the New Science to Common Sense” traces the role of probability, as a fluid concept, in the binding and eventual disassociation of science and fiction during this time. The species of probability generated by fictional narrative is utilized to support empirically indemonstrable hypotheses before and after the rise of experimental culture in the seventeenth century. While the early novel, especially the corpus of Daniel Defoe, has long been spoken of as a fictional imitation of experimental practice, there are significant cases in which fiction is part of the process of experimental demonstration. The exclusively fictional character of the novel later solidifies in the works of Richardson and Fielding as the forms of mathematical and experimental probability developed over the seventeenth and eighteenth centuries are internalized for aesthetic effect.
    [Show full text]
  • Eighteenth-Century Fiction Volume 33, No. 3 (Spring 2021) Articles Reviews/Critiques
    ECF Eighteenth-Century Fiction Volume 33, no. 3 (Spring 2021) Articles Reading Lovelace’s “Rosebud”: Credits, Debits, and Character in Samuel Richardson’s Clarissa Kathryn Blakely 329 Clarissa’s Commerce: Relocations and Relationships in London Elizabeth Porter 349 Mother Gin and the Bad Examples: Figuring a Drug Crisis, 1736–51 Nicholas Allred 369 The Survival of Non-Productive Labour in Mary Shelley’s The Last Man Konstantinos (Kos) Pozoukidis 393 Reflections Are We Global Yet? Africa and the Future of Early Modern Studies Wendy Laura Belcher 413 Reviews/Critiques Ian Watt: The Novel and the Wartime Criticby Marina MacKay Review essay by John Richetti, University of Pennsylvania 447 Enlightened Immunity: Mexico’s Experiments with Disease Prevention in the Age of Reason by Paul Ramírez Review by Travis Chi Wing Lau, Kenyon College 451 Granville Sharp and the Zong Massacre: Sharp’s Uncovered Letter to the British Admiralty, ed. Michelle Faubert Review by Cassander L. Smith, University of Alabama, Tuscaloosa 453 The Wreckage of Intentions: Projects in British Culture, 1660–1730 by David Alff Review by Erin Drew, University of Mississippi 455 ECF 33, no. 3 © 2021 McMaster University ii Systems Failure: The Uses of Disorder in English Literature by Andrew Franta Review by Sean Silver, Rutgers University 458 Bellies, Bowels and Entrails in the Eighteenth Century, ed. Rebecca Anne Barr, Sylvie Kleiman-Lafon, and Sophie Vasset Review by Kelly McGuire, Trent University 461 Reading and the Making of Time in the Eighteenth Century by Christina Lupton Review by Kathleen Lubey, St. John’s University 463 Women’s Domestic Activity in the Romantic-Period Novel, 1770–1820: Dangerous Occupations by Joseph Morrissey Review by Freya Gowrley, University of Derby 466 Maternal Bodies: Redefining Motherhood in Early America by Nora Doyle Review by Andrea Charise, University of Toronto Scarborough 469 Écrire en Europe.
    [Show full text]
  • The Forty-First George Eliot Memorial Lecture, 2012- Romola's Artists
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln The George Eliot Review English, Department of 2013 The Forty-first George Eliot Memorial Lecture, 2012- Romola's Artists Leonee Ormond Follow this and additional works at: https://digitalcommons.unl.edu/ger Part of the Comparative Literature Commons, Literature in English, British Isles Commons, and the Women's Studies Commons Ormond, Leonee, "The Forty-first George Eliot Memorial Lecture, 2012- Romola's Artists" (2013). The George Eliot Review. 632. https://digitalcommons.unl.edu/ger/632 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in The George Eliot Review by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE FORTY· FIRST GEORGE ELIOT MEMORIAL LECTURE, 2012 Delivered by Leonee Orrnond ROMOLA'S ARTISTS 2012-2013 marks the one hundred and fiftieth birthday of Romola. Originally published in the Comhill Magazine from July 1862 to August 1863 , it later appeared in a three volume edition in 1863. An illustrated edition followed in 1865. George Eliot had begun work on the novel in 1861 , when she was forty-one. She had recently published Si/as Mamer, and The Mill on the Floss , preceded by Adam Bede, had come out not long before that. The genesis of Romola came in May 1860 when George Eliot and George Henry Lewes spent two weeks in Florence. Lewes noted that, 'while reading about Savonarola it occurred to me that his life and times afford fine material for an historical romance'.1 The idea appealed to George Eliot and they began on some preliminary research.
    [Show full text]
  • Politics and Pastoral in Silas Marner
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln The George Eliot Review English, Department of 2014 Politics and Pastoral in Silas Marner Barbara Hardy Follow this and additional works at: https://digitalcommons.unl.edu/ger Part of the Comparative Literature Commons, Literature in English, British Isles Commons, and the Women's Studies Commons Hardy, Barbara, "Politics and Pastoral in Silas Marner" (2014). The George Eliot Review. 659. https://digitalcommons.unl.edu/ger/659 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in The George Eliot Review by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. POLITICS AND PASTORAL IN SILAS MARNER By Barbara Hardy When eighteen-year-old sumameless Eppie stands by Silas Mamer and against Godfrey Cass she joins a line of subversive children in Victorianfiction. Charlotte Bronte's Jane Eyre speaks out against her aunt; Dickens's Oliver Twist asks for more gruel; his Paul Dombey asks the capitalist father,'What is money after all?' One child rebels against adult power; one against institutional power; one against the cash nexus. The children are all economic dependants but there is no emphasis on class. Oliver behaves like a little gentleman; Paul is a little gentleman; Jane tells Brocklehurst she would not like to be poor, and goes to a charitable school for children of gentlefolk. Eppie's father is gentry, her mother a barmaid, but she is the only one of these four rebels who is working-class by upbringing, who chooses the working class, and who rejects the upper class.
    [Show full text]
  • "Myth of the River Kwai"
    Portland State University PDXScholar Special Collections: Oregon Public Speakers Special Collections and University Archives 5-16-1979 "Myth of the River Kwai" Ian P. Watt Follow this and additional works at: https://pdxscholar.library.pdx.edu/orspeakers Part of the American Film Studies Commons, American Popular Culture Commons, Comparative Literature Commons, and the Military History Commons Let us know how access to this document benefits ou.y Recommended Citation Watt, Ian P., ""Myth of the River Kwai"" (1979). Special Collections: Oregon Public Speakers. 185. https://pdxscholar.library.pdx.edu/orspeakers/185 This Article is brought to you for free and open access. It has been accepted for inclusion in Special Collections: Oregon Public Speakers by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Ian P. Watt “Myth of the River Kwai” May 16, 1979 Portland State University PSU Library Special Collections and University Archives Oregon Public Speakers Collection http://archives.pdx.edu/ds/psu/11436 Transcribed by Evelyn Birnbaum, June 24 - June 28, 2020 Audited by Carolee Harrison, February 2021 PSU Library Special Collections and University Archives presents these recordings as part of the historical record. They reflect the recollections and opinions of the individual speakers and are not intended to be representative of the views of Portland State University. They may contain language, ideas, or stereotypes that are offensive to others. [static for about fifteen seconds] [recording starts; abruptly stops and starts again] [audience chatting in background] HOST: Hello. Welcome to the 15th annual Nina Mae Kellogg Awards and lecture.
    [Show full text]
  • Middlemarch Ebook
    MIDDLEMARCH PDF, EPUB, EBOOK George Eliot | 736 pages | 01 Jan 1998 | Wordsworth Editions Ltd | 9781853262371 | English | Herts, United Kingdom Middlemarch PDF Book Sign in. Looking for More Great Reads? Previous Intro. Mayor Vincy 7 episodes, Also in Penguin Classics Deluxe Edition. But I missed, more or less completely, the irony in the portrayal of Dorothea, with her righteous aspirations. You must be a registered user to use the IMDb rating plugin. He too brings a warm heart and a sympathetic imagination to his marriage, and he too finds himself subject to his intransigently selfish spouse because of these same admirable qualities. External Sites. An energetic man in his sixties with a soft Midlands accent, he has focussed on encouraging a revival of interest in Eliot among the populace of Nuneaton and Bedworth, a neighboring town where there is an impressive nineteenth-century almshouse, if little else. Powderell 3 episodes, Later, Dorothea comes to see Rosamond and Rosamond explains the misunderstanding, adding that Will loves Dorothea. A few weeks later, I also quit my job. BJ Gallagher, the author who took the quote as the title of her self-help book, lives in Los Angeles. The proposed Reform Bill, the new railroads, and scientific advances are threatening upheaval on every front. In addition to creating a thoroughgoing and rich portrait of the life of a small early 19th-century town, Eliot produced an essentially modern novel, with penetrating psychological insights and moral ambiguity. In what was the front hall and parlor, there are now slot machines and a pool table. Garth 5 episodes, Patrick Malahide See Article History.
    [Show full text]
  • George Eliot on Stage and Screen
    George Eliot on Stage and Screen MARGARET HARRIS* Certain Victorian novelists have a significant 'afterlife' in stage and screen adaptations of their work: the Brontes in numerous film versions of Charlotte's Jane Eyre and of Emily's Wuthering Heights, Dickens in Lionel Bart's musical Oliver!, or the Royal Shakespeare Company's Nicholas Nickleby-and so on.l Let me give a more detailed example. My interest in adaptations of Victorian novels dates from seeing Roman Polanski's film Tess of 1979. I learned in the course of work for a piece on this adaptation of Thomas Hardy's novel Tess of the D'Urbervilles of 1891 that there had been a number of stage adaptations, including one by Hardy himself which had a successful professional production in London in 1925, as well as amateur 'out of town' productions. In Hardy's lifetime (he died in 1928), there was an opera, produced at Covent Garden in 1909; and two film versions, in 1913 and 1924; together with others since.2 Here is an index to or benchmark of the variety and frequency of adaptations of another Victorian novelist than George Eliot. It is striking that George Eliot hardly has an 'afterlife' in such mediations. The question, 'why is this so?', is perplexing to say the least, and one for which I have no satisfactory answer. The classic problem for film adaptations of novels is how to deal with narrative standpoint, focalisation, and authorial commentary, and a reflex answer might hypothesise that George Eliot's narrators pose too great a challenge.
    [Show full text]
  • Japanese Branch Report
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln The George Eliot Review English, Department of 2016 Japanese Branch Report Eri Satoh Follow this and additional works at: https://digitalcommons.unl.edu/ger Part of the Comparative Literature Commons, Literature in English, British Isles Commons, and the Women's Studies Commons Satoh, Eri, "Japanese Branch Report" (2016). The George Eliot Review. 381. https://digitalcommons.unl.edu/ger/381 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in The George Eliot Review by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. JAPANESE BRANCH REPORT By Eri Satoh On Saturday 28 November 2015 , the Nineteenth Annual Convention of The George Eliot Fellowship of Japan was held at Obirin University. The morning session started with an opening address by Maiko Otake (Oborin University). Two papers were presented in the morning session. The first was chaired by Hiroshi Ikezono (Yamaguchi University) and the second by Michiko Kurisu (Daito Bunka University). The first paper by Shinsuke Hori (Nihon University) was entitled 'Romola (1863): The Description of Nature and Social and Private Spaces in five "Recollections"'. He analyzed how Eliot acquired her writing techniques in the early novels as she developed her recognition of nature described in five 'Recollections'. He pointed out that in 'Recollections' she gradually comes to describe landscape in detail and use such detailed description to project her subjectivity. He concluded that this way of writing, for example, likening life to the stream of a river, can be seen in novels like Romola as well as Adam Bede and The Mill on the Floss.
    [Show full text]
  • College of Letters 1
    College of Letters 1 Kari Weil BA, Cornell University; MA, Princeton University; PHD, Princeton University COLLEGE OF LETTERS University Professor of Letters; University Professor, Environmental Studies; The College of Letters (COL) is a three-year interdisciplinary major for the study University Professor, College of the Environment; University Professor, Feminist, of European literature, history, and philosophy, from antiquity to the present. Gender, and Sexuality Studies; Co-Coordinator, Animal Studies During these three years, students participate as a cohort in a series of five colloquia in which they read and discuss (in English) major literary, philosophical, and historical texts and concepts drawn from the three disciplinary fields, and AFFILIATED FACULTY also from monotheistic religious traditions. Majors are invited to think critically about texts in relation to their contexts and influences—both European and non- Ulrich Plass European—and in relation to the disciplines that shape and are shaped by those MA, University of Michigan; PHD, New York University texts. Majors also become proficient in a foreign language and study abroad Professor of German Studies; Professor, Letters to deepen their knowledge of another culture. As a unique college within the University, the COL has its own library and workspace where students can study together, attend talks, and meet informally with their professors, whose offices VISITING FACULTY surround the library. Ryan Fics BA, University of Manitoba; MA, University of Manitoba; PHD, Emory
    [Show full text]
  • The Role of George Henry Lewes in George Eliot's Career
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications -- Department of English English, Department of 2017 The Role of George Henry Lewes in George Eliot’s Career: A Reconsideration Beverley Rilett University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/englishfacpubs Part of the Comparative Literature Commons, English Language and Literature Commons, Modern Literature Commons, Reading and Language Commons, and the Women's Studies Commons Rilett, Beverley, "The Role of George Henry Lewes in George Eliot’s Career: A Reconsideration" (2017). Faculty Publications -- Department of English. 186. http://digitalcommons.unl.edu/englishfacpubs/186 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications -- Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in George Eliot—George Henry Lewes Studies, Vol. 69, No. 1, (2017), pp. 2-34. doi:10.5325/georelioghlstud.69.1.0002 Copyright © 2017 The Pennsylvania State University, University Park, PA. Used by permission. digitalcommons.unl.edudigitalcommons.unl.edu The Role of George Henry Lewes in George Eliot’s Career: A Reconsideration Beverley Park Rilett University of Nebraska–Lincoln Abstract This article examines the “protection” and “encouragement” George Henry Lewes provided to Eliot throughout her fiction-writing career. According to biographers, Lewes showed his selfless devotion to Eliot by encouraging her to begin and continue writing fiction; by foster- ing the mystery of her authorship; by managing her finances; by negotiating her publishing con- tracts; by managing her schedule; by hosting a salon to promote her books; and by staying close by her side for twenty-four years until death parted them.
    [Show full text]
  • NARRATIVE Directions in Econarratology
    ENVIRONMENT New NARRATIVE Directions in Econarratology edited by ERIN JAMES AND ERIC MOREL ENVIRONMENT AND NARRATIVE THEORY AND INTERPRETATION OF NARRATIVE James Phelan and Katra Byram, Series Editors ENVIRONMENT AND NARRATIVE NEW DIRECTIONS IN ECONARRATOLOGY EDITED BY Erin James AND Eric Morel THE OHIO STATE UNIVERSITY PRESS COLUMBUS Copyright © 2020 by The Ohio State University. This edition licensed under a Creative Commons Attribution-NonCommercial-NoDerivs License. Library of Congress Cataloging-in-Publication Data Names: James, Erin, editor. | Morel, Eric, editor. Title: Environment and narrative : new directions in econarratology / edited by Erin James and Eric Morel. Other titles: Theory and interpretation of narrative series. Description: Columbus : The Ohio State University Press, [2020] | Series: Theory and interpretation of narrative | Includes bibliographical references and index. | Summary: “Collection of essays connecting ecocriticism and narrative theory to encourage constructive discourse on narrative’s influence of real-world environmental perspectives and the challenges that necessitate revision to current narrative models”—Provided by publisher. Identifiers: LCCN 2019034865 | ISBN 9780814214206 (cloth) | ISBN 0814214207 (cloth) | ISBN 9780814277546 (ebook) | ISBN 0814277543 (ebook) Subjects: LCSH: Ecocriticism. | Environmental literature. | Narration (Rhetoric) Classification: LCC PN98.E36 E55 2020 | DDC 809/.93355—dc23 LC record available at https://lccn.loc.gov/2019034865 Cover design by Andrew Brozyna Text design by Juliet Williams Type set in Adobe Minion Pro for Ben and Freddie, my favorites From Erin for Grandmaman, an avid reader and early recommender of books From Eric CONTENTS Acknowledgments ix INTRODUCTION Notes Toward New Econarratologies ERIN JAMES AND ERIC MOREL 1 I. NARRATOLOGY AND THE NONHUMAN CHAPTER 1 Unnatural Narratology and Weird Realism in Jeff VanderMeer’s Annihilation JON HEGGLUND 27 CHAPTER 2 Object-Oriented Plotting and Nonhuman Realities in DeLillo’s Underworld and Iñárritu’s Babel MARCO CARACCIOLO 45 II.
    [Show full text]