April Showers (Song) - Wikipedia

Total Page:16

File Type:pdf, Size:1020Kb

April Showers (Song) - Wikipedia April Showers (song) - Wikipedia https://en.wikipedia.org/wiki/April_Showers_(song) April Showers (song) From Wikipedia, the free encyclopedia "April Showers" is a popular song with music written by Louis Silvers and lyrics by B. G. De Sylva. First published in 1921, it is one of many popular songs whose lyrics use a "Bluebird of happiness" as a symbol of cheer. ("So keep on looking for a bluebird, and waiting for his song.") The song was introduced in the 1921 Broadway musical Bombo, where it was performed by Al Jolson. It became a well-known Jolson trademark: the first of his several recordings of the song was on Columbia Records in October 1921. It has also been recorded by many other artists. Spike Jones and Doodles Weaver produced a parody that began with the lyrics: "When April showers, she never closes the curtain..." The British comedians Morecambe and Wise performed a skit Sheet music of "April Showers" featuring the song, which involved a light sprinkling of water drizzling on straight man Ernie Wise whenever he sang it, but a bucket of water being thrown over Eric Morecambe whenever he did the same. Recorded versions Victor Arden John Arpin Chris Barber Les Brown and His Band of Renown (1949) Carol Burnett Cab Calloway Bing Crosby (1956) (Songs I Wish I Had Sung the First Time Around) & (1977) (Seasons) Ruth Etting Arthur Fields (1922) Eddie Fisher Judy Garland - Judy (1956) Eydie Gorme Ernie Hare (1922) Charles Harrison (1922) Ted Heath Woody Herman Joni James Al Jolson (1921 Broadway Production) (Performed by in 1926's A Plantation Act) (1936, in the film The Singing Kid) 1 of 2 4/12/17, 1:04 PM April Showers (song) - Wikipedia https://en.wikipedia.org/wiki/April_Showers_(song) (Re-recorded 1946, for the film The Jolson Story) Teddy Joyce and His Orchestra Teddi King - All The King's Songs (1959) Guy Lombardo and His Royal Canadians (vocal: Don Rodney) (1947) Abe Lyman and his California Orchestra (with vocals by Louis Rapp) Arthur Prysock The Original Rabbit Foot Spasm Band Jimmy Roselli Frank Sinatra Mel Tormé Leslie Uggams Ian Whitcomb Paul Whiteman and his orchestra (instrumental) (1922) Margaret Whiting (1948) Jackie Wilson Kai Winding Isadora's sneakers sing the part of the song in a Sesame Street animation clip Bugs Bunny (voiced by Mel Blanc) in the Warner Bros. Cartoons animated short Wet Hare External links Melody with chords & lyrics (http://www.jbott.com/aprils.html) Song lyric (http://www.lyricsplayground.com/alpha/songs/a/aprilshowers.shtml) Retrieved from "https://en.wikipedia.org/w/index.php?title=April_Showers_(song)&oldid=760545690" Categories: 1921 songs Songs from musicals Songs with lyrics by Buddy DeSylva Al Jolson songs Judy Garland songs Songs with music by Louis Silvers This page was last modified on 17 January 2017, at 17:42. Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization. 2 of 2 4/12/17, 1:04 PM.
Recommended publications
  • Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
    http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music.
    [Show full text]
  • “White Christmas”—Bing Crosby (1942) Added to the National Registry: 2002 Essay by Cary O’Dell
    “White Christmas”—Bing Crosby (1942) Added to the National Registry: 2002 Essay by Cary O’Dell Crosby’s 1945 holiday album Original release label “Holiday Inn” movie poster With the possible exception of “Silent Night,” no other song is more identified with the holiday season than “White Christmas.” And no singer is more identified with it than its originator, Bing Crosby. And, perhaps, rightfully so. Surely no other Christmas tune has ever had the commercial or cultural impact as this song or sold as many copies--50 million by most estimates, making it the best-selling record in history. Irving Berlin wrote “White Christmas” in 1940. Legends differ as to where and how though. Some say he wrote it poolside at the Biltmore Hotel in Phoenix, Arizona, a reasonable theory considering the song’s wishing for wintery weather. Some though say that’s just a good story. Furthermore, some histories say Berlin knew from the beginning that the song was going to be a massive hit but another account says when he brought it to producer-director Mark Sandrich, Berlin unassumingly described it as only “an amusing little number.” Likewise, Bing Crosby himself is said to have found the song only merely adequate at first. Regardless, everyone agrees that it was in 1942, when Sandrich was readying a Christmas- themed motion picture “Holiday Inn,” that the song made its debut. The film starred Fred Astaire and Bing Crosby and it needed a holiday song to be sung by Crosby and his leading lady, Marjorie Reynolds (whose vocals were dubbed). Enter “White Christmas.” Though the film would not be seen for many months, millions of Americans got to hear it on Christmas night, 1941, when Crosby sang it alone on his top-rated radio show “The Kraft Music Hall.” On May 29, 1942, he recorded it during the sessions for the “Holiday Inn” album issued that year.
    [Show full text]
  • 100 Years: a Century of Song 1950S
    100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary
    [Show full text]
  • Meet George Gershwin at the Keyboard: 16 Song Hits Arranged by the Composer Pdf
    FREE MEET GEORGE GERSHWIN AT THE KEYBOARD: 16 SONG HITS ARRANGED BY THE COMPOSER PDF George Gershwin | 44 pages | 20 Jun 2006 | Faber Music Ltd | 9780571526772 | English | London, United Kingdom Meet George Gershwin At The Keyboard by Gershwin. George () | Lyndon Barnes Books View Larger Image. Ask Seller a Question. A Meet George Gershwin at the Keyboard: 16 Song Hits Arranged by the Composer collection of songs by George Gershwin that the composer has arranged as piano solos. Ideal for the intermediate pianist and a great insight into the mind of one America's greatest composers. Visit Seller's Storefront. Visa and Mastercard acceptable but only if ordered with abe who will process the transaction. Please do not send me your credit card details; when ordering please supply abe with your credit card details using their secure service. I will then process your order. If you wish to pay by PayPal please email me first before you order and I will send you an invoice with the correct amount including postage. Thank you. I also accept personal bank cheques made out to Lyndon Barnes to be drawn against a Orders usually ship within 2 business days. Shipping costs are based on books weighing 2. If your book order is heavy or oversize, we may contact you to let you know extra shipping is required. List this Seller's Books. Payment Methods accepted by seller. Home Gershwin. Stock Image. Save for Later. A near fine condition softback. Bookseller Inventory Ask Seller a Question. About this title Synopsis: A terrific collection of songs by George Gershwin that the composer has arranged as piano solos.
    [Show full text]
  • Hello! My Baby Student Guide.Pdf
    Goodspeed’s Student Guide to the Theatre is made possible through the generosity of GOODSPEED MUSICALS GOODSPEED GUIDE TO THE THEATRE Student The Max Showalter Center for Education in Musical Theatre HELLO! MY BABY The Norma Terris Theatre November 3 - 27, 2011 _________ CONCEIVED & WRITTEN BY CHERI STEINKELLNER NEW LYRICS BY CHERI STEINKELLNER Student Guide to the Theatre TABLE OF CONTENTS NEW MUSIC & ARRANGEMENTS BY GEORGIA STITT ABOUT THE SHOW: The Story...................………………………………………….3 LIGHTING DESIGN BY JOHN LASITER ABOUT THE SHOW: The Characters...........................……………………………5 ABOUT THE SHOW: The Writers....................…..…………………………………...6 COSTUME DESIGN BY ROBIN L. McGEE Listen Up: Tin Pan Alley Tunes................………………………………................7 SCENIC DESIGN BY A Few Composers + Lyricists..............................……………………………….....8 MICHAEL SCHWEIKARDT Welcome to the Alley!...............…………………………………………………...10 CHOREOGRAPHED BY Breaking into the Boys Club......…………………………………………………...11 KELLI BARCLAY New York City..............................…………………………………………………...12 DIRECTED BY RAY RODERICK FUN AND GAMES: Word Search........................................................................13 FUN AND GAMES: Crossword Puzzle….……………………………...................14 PRODUCED FOR GOODSPEED MUSICALS BY How To Be An Awesome Audience Member…………………......................15 MICHAEL P. PRICE The Student Guide to the Theatre for Hello! My Baby was prepared by Joshua S. Ritter M.F.A, Education & Library Director and Christine Hopkins,
    [Show full text]
  • Creative Arts Emmy® Awards for Programs and Individual Achievements at the Nokia Theatre L.A
    FOR IMMEDIATE RELEASE August 16, 2014 7:00 PM PT The Television Academy tonight (Saturday, August 16, 2014) presented the 2014 Creative Arts Emmy® Awards for programs and individual achievements at the Nokia Theatre L.A. LIVE in Los Angeles. This first ceremony of the 66th Emmy Awards honored guest performers on television dramas and comedy series, as well as the many talented artists and craftspeople behind the scenes to create television excellence. Produced for the 20th year by Spike Jones, Jr., this year’s Creative Arts Awards featured an array of notable presenters, among them Jane Lynch, Tony Hale, Amy Schumer, Allison Janney, Tim Gunn and Heidi Klum, Comedy Central’s Key & Peele, Fred Armisen and Carrie Brownstein, Morgan Freeman, Tony Goldwyn, Aisha Tyler, Joe Manganiello and Carrie Preston. Highlights included Jon Voight’s moving posthumous presentation of the Academy’s prestigious Governors Award to casting icon, Marion Dougherty. Voight was one of Dougherty’s discoveries. The awards, as tabulated by the independent accounting firm of Ernst & Young LLP, were distributed as follows: Program Individual Total HBO 4 11 15 NBC 1 9 10 PBS 2 6 8 Fox 1 6 7 Netflix - 7 7 CBS 1 5 6 ABC 1 4 5 Discovery Channel 2 2 4 Disney Channel 1 3 4 FOX/NatGeo - 4 4 Showtime 1 3 4 Cartoon Network - 3 3 FX Networks - 3 3 Comedy Central - 2 2 Starz - 2 2 Adult Swim - 1 1 AMC - 1 1 CartoonNetwork.com - 1 1 CNN 1 - 1 comcast.com 1 - 1 ESPN 1 - 1 FunnyOrDie.com 1 - 1 justareflektor.com 1 - 1 Nat Geo WILD - 1 1 National Geographic Channel 1 - 1 pivot.tv 1 - 1 TNT 1 - 1 TELEVISION ACADEMY 2014 CREATIVE ARTS EMMY AWARDS This year’s Creative Arts telecast partner is FXM; a two-hour edited version of the ceremony will air Sunday, August 24 at 8:00 PM ET/PT with an encore at 10:00 PM ET/PT on FXM.
    [Show full text]
  • Community Health Worker Newsletter 6
    Cleveland's Own Community Health Workers Heart, Body & Soul Newsletter Caring for the Caregiver ~ Who's taking care of you? ~ The holiday season is a perfect time to reflect on your blessings and seek out ways to make life better for those around us.~ PSCHYCOLOGICAL SELF-CARE ~Original article from Harvard Medical School Health Blog The holiday season is full of excitement but can also be a time of stress. The stress of travel, the stress of long lines in stores and new for 2020, an ongoing health pandemic. For many, the holiday season also means taking care of others. However, this leaves little time for taking care of oneself. Remember, as the flight attendants say, you need to put on your own oxygen mask first before helping others. Below is a calendar full of ideas on how to practice self-care during this holiday season. So, enjoy the holidays and remember to take time to care for your own needs and keep the ME in MERRY! EMOTIONAL SELF-CARE ~ submitted by P5 Ventures Team Members One way to lift your spirits during the holiday season is through song. Here's a list of some of our favorite holiday season songs. Make a cup of hot cocoa (perfect with this month's recipe) and let the music melt the stress away! Walking in A Winter Wonderland - Dean Martin It's the Most Wonderful Time - Andy Williams Santa Baby - Ertha Kitt The Little Drummer Boy - Bing Crosby Rocking Around the Christmas Tree - Brenda Lee It's Beginning to Look A Lot Like Christmas - Johnny Mathis White Christmas - Bing Crosby Sleigh Ride - The Ronettes The Christmas Song - Nat King Cole All I Want for Christmas is You - Mariah Carey Santa Claus is Coming to Town - The Jackson Five Someday at Christmas - Stevie Wonder Do They Know It's Christmas - Band Aid My Favorite Things - Julie Andrews December is: AIDS Awareness Month World AIDS Day is Dec.
    [Show full text]
  • Pynchon's Sound of Music
    Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage.
    [Show full text]
  • Uptownlive.Song List Copy.Pages
    Uptown Live Sample - Song List Top 40/ Pop 24k Gold - Bruno Mars Adventure of A Lifetime - Coldplay Aint My Fault - Zara Larsson All of Me (John Legend) Another You - Armin Van Buren Bad Romance -Lady Gaga Better Together -Jack Johnson Blame - Calvin Harris Blurred Lines -Robin Thicke Body Moves - DNCE Boom Boom Pow - Black Eyed Peas Cake By The Ocean - DNCE California Girls - Katy Perry Call Me Maybe - Carly Rae Jepsen Can’t Feel My Face - The Weeknd Can’t Stop The Feeling - Justin Timberlake Cheap Thrills - Sia Cheerleader - OMI Clarity - Zedd feat. Foxes Closer - Chainsmokers Closer – Ne-Yo Cold Water - Major Lazer feat. Beiber Crazy - Cee Lo Crazy In Love - Beyoncé Despacito - Luis Fonsi, Daddy Yankee and Beiber DJ Got Us Falling In Love Again - Usher Don’t Know Why - Norah Jones Don’t Let Me Down - Chainsmokers Don’t Wanna Know - Maroon 5 Don’t You Worry Child - Sweedish House Mafia Dynamite - Taio Cruz Edge of Glory - Lady Gaga ET - Katy Perry Everything - Michael Bublé Feel So Close - Calvin Harris Firework - Katy Perry Forget You - Cee Lo FUN- Pitbull/Chris Brown Get Lucky - Daft Punk Girlfriend – Justin Bieber Grow Old With You - Adam Sandler Happy – Pharrel Hey Soul Sister – Train Hideaway - Kiesza Home - Michael Bublé Hot In Here- Nelly Hot n Cold - Katy Perry How Deep Is Your Love - Calvin Harris I Feel It Coming - The Weeknd I Gotta Feelin’ - Black Eyed Peas I Kissed A Girl - Katy Perry I Knew You Were Trouble - Taylor Swift I Want You To Know - Zedd feat. Selena Gomez I’ll Be - Edwin McCain I’m Yours - Jason Mraz In The Name of Love - Martin Garrix Into You - Ariana Grande It Aint Me - Kygo and Selena Gomez Jealous - Nick Jonas Just Dance - Lady Gaga Kids - OneRepublic Last Friday Night - Katy Perry Lean On - Major Lazer feat.
    [Show full text]
  • Starr-Waterman American Popular Music Chapter 4: “I Got Rhythm”: the Golden Age of Tin Pan Alley Song, 1920S and 1930S Student Study Outline
    Starr-Waterman American Popular Music Chapter 4: “I Got Rhythm”: The Golden Age of Tin Pan Alley Song, 1920s and 1930s Student Study Outline I. Influential and Commercially Successful Songs a. Irving Berlin (1888‒1989) b. Richard Rodgers (1902‒1979) c. Cole Porter (1891‒1964) d. George Gershwin (1898‒1938) i. Al Jolson (1886‒1950) II. Tin Pan Alley Song Form a. AABA structure and verse-and-chorus forms b. Verse-refrain form i. Verse ii. Refrain III. Box 4.1: Irving Berlin a. Irving Berlin (1888‒1989) IV. Listening Guide: “’Deed I Do” a. Music by Fred Rose, lyrics by Walter Hirsch; performed by Ruth Etting (1926) i. Tin Pan Alley form: Intro (hook) + Verse + AABA Refrain V. What Were Tin Pan Alley Songs About? a. Popular songs and the musical plays and films in which they appear were designed to help people escape the pressures of daily life 1. Middle-class culture 2. Romantic love a. First-person lyrics b. Crooning VI. Listening Guide: “My Blue Heaven” a. Music by Walter Donaldson, lyrics by George Whiting; published 1924; performed by Gene Austin; recorded 1927 i. Crooners VII. Listening Guide: “April Showers” a. Music by Louis Silvers, lyrics by Buddy DeSylva; published 1921; performed by Al Jolson; recorded 1921 b. Music by Louis Silvers, lyrics by Buddy DeSylva; published 1921; performed by Al Jolson; recorded 1932 VIII. Listening Guide: “How Deep Is the Ocean?” a. Lyrics and music by Irving Berlin; performed by Bing Crosby; recorded 1932 b. Bing Crosby (1904‒1977) c. Minor key to major key IX.
    [Show full text]
  • Broadway and Tin Pan Alley Introductory Essay
    Broadway and Tin Pan Alley Introductory Essay “Way Down Upon the Hudson River: Tin Pan Alley's New York Triumph” Rachel Rubin, Professor of American Studies, University of Massachusetts Broadway in the 1920s was a showcase for the sweeping changes transforming American culture in the early 20th century, including new roles for women, the mixing of social classes in new settings like Prohibition-era speakeasies and creative innovation by African Americans in jazz clubs and music halls. Sons of immigrants from Europe -- including the Gershwins, Irving Berlin, Jerome Kern and Harold Arlen -- made up a large percentage of the new word and music smiths writing for Tin Pan Alley and Broadway’s musical revues. Their syncopated rhythms borrowed from the jazz craze and their lyrics helped create a vibrant, witty new American argot. Tin Pan Alley and Broadway contributed such classic standards as “Alexander’s Ragtime Band” (Berlin), “I Got Rhythm” (Gershwin and Gershwin), “Ol’Man River,” (Kern and Hammerstein), “Stormy Weather” (Arlen and Koehler), “Ain’t Misbehavin’” (Razaf, Waller, Brooks), “Anything Goes” (Porter) and many more. These songs formed the musical backdrop of an era. The production of these songs also became big business. The first major book written about Tin Pan Alley was published in 1930 by Harvard professor Isaac Goldberg, and it was subtitled “A Chronicle of the American Popular Music Racket.” Goldberg’s humorous use of the word “racket” captured something about the origins of the name “Tin Pan Alley” given to the music composed by poorly-paid songwriters banging away in cubicles in downtown New York City on cheap pianos.
    [Show full text]
  • Soundies Research
    Soundies Disc 1 Golden Oldies Opening & © notice Listed in the order they appear on the disc: Del Casino Surrender 1946 Three Suns with Artie Dunn Beyond the Blue Horizon 1944 Emil Coleman with June Barton Gotta Be This or That 1945 Six Hits and a Miss Sweet Sue, Just You 1941 Harry Cool Stardust 1945 Yvonne De Carlo with Spike Jones band Lamp of Memory 1942 Ray Bloch with Carolyn Marsh I Can’t Give You Anything But Love Baby 1941 Seven Sarongs Heaven Help a Sailor 1941 Zarek and Zarina Male Order 1941 3 Car Hops At Your Service 1941 Juvenile Jubilee with Merle Pitt I Don’t Want to Walk W/out You 1942 Thelma White Hollywood Boogie 1946 Andy Iona Orchestra Tropical Swingaroo 1941 Johnny Long and Orchestra Maria Elena 1943 Varios and Vida (dancers) Begin the Beguine 1943 Larry Clinton Semper Fidelis 1943 Johnny Long In a Shanty In Old Shanty Town 1943 Billy MacDonald & His Highlanders Playmates 1944 Jimmy Dorsey Bar Babble 1943 Jimmy Dorsey with Helen O’Connell Man That’s Groovy 1943 Jimmy Dorsey La Rosita 1943 Gene Krupa with Anita O’Day Let Me Off Uptown 1942 Gene Krupa with Anita O’Day Thanks for the Boogie Ride 1942 Al Donahue with Ellen Connor Java Jive 1943 Al Donahue with Phil Brito Lonesome Road 1943 Victor Young Hold That Tiger 1940 Al Donahue Anvil Chorus 1943 Al Donahue with Ellen Connor Jumpin’ at the Juke Box 1943 Will Bradley Boardwalk Boogie 1941 Will Bradley Barnyard Bounce 1941 Johnny Long Boogie Man 1943 Charlie Spivak Hop, Skip and Jump 1942 Johnny Long It Must Be Jelly 1946 Nat King Cole Frim Fram Sauce 1945 Nat King Cole Calypso Girl (?) Mills Brothers Cielito Lindo 1944 Cab Calloway Minnie the Moocher 1942 Soundies Disc 2 All of these are Soundies except the Artie Shaw number from Second Chorus.
    [Show full text]