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Cara 2 30/10/12 12:01 Página 1 cara2 ok.qxp:cara 2 30/10/12 12:01 Página 1 noviembre 2012 Ida Lupino Sede Filmoteca Española: Sala de proyección: C/ Magdalena,10 Cine Doré Premios Goya (II) 28012 Madrid C/ Santa Isabel, 3 Tel.: 91 467 2600 28012 Madrid Centenario de María Montez Fax: 91 467 2611 Tel.: 91 369 1125 (taquilla) [email protected] 91 369 2118 (gerencia) V Muestra de Cine Coreano www.mcu.es/cine/MC/FE/index.html Fax: 91 369 1250 Precio: III Muestra de Cine Palestino Normal: Entrada libre a cafetería 2,50 t por sesión y sala y librería. X Mostra Portuguesa 20,00 t abono de 10 sesiones. Estudiante: Horario de cafetería: La Fundación Japón presenta: Daiei - Desde la Edad de Oro hasta los noventa (1943-1998) (y II) 2,00 t por sesión y sala 16.00 h. - 00.00 h. (del 18 al 30) 15,00 t abono de 10 sesiones. Tel.: 91 369 4923 La Mirada Japonesa: Pensar la guerra (II) Horario de taquilla: Horario de librería: 16.15 h. 17.00 - 22.00 (del 18 al 30) Filmar el exilio desde Francia hasta 15 minutos después del Tel.: 91 369 4673 comienzo de la última sesión. Recuerdo de Dolores Devesa Lunes cerrado Venta anticipada: Recuerdo de Javier Grandes 21.00 h. hasta cierre de la taquilla para las sesiones del día siguiente Sombras recobradas hasta un tercio del aforo. Cine para todos 1 martes 1 miércoles 2 jueves 2 viernes 3 sábado 4 domingo 17.30 Premios Goya 17.30 Cine para todos / Centenario María Montez 17.30 Sala 1 El secreto de los 24 escalones (Santiago Sala 1 Arabian Nights (Las mil y una noches, Sala 1 Miller's Crossing (Muerte entre las flores, Lapeira, 2012). Int.:Maxi Iglesias, Ona John Rawlins, 1942). Int.: Sabu, Jon Hall, Ethan Coen y Joel Coen, 1990). Int.: Gabriel Casamiquela, Aida Flix. España. 86' María Montez. EE UU. VOSE. 86' Byrne, Albert Finney, EE UU. VOSE. 114' Cuatro amigos planean una excursión a unos lagos "Interpretando a la ambiciosa bailarina Scherezade, "Una intriga que se hace cada vez más enrevesada, cercanos pasando primero por casa de Carlos, un María había encontrado el papel idóneo que determi- debido a la voluntad de los Coen por aprovechar su historiador que ha encontrado un pergamino que naría su peculiar identidad cinematográfica. Con su incursión en el cine de gánsteres para dar la vuelta, indica el camino para encontrar el cementerio presencia, algo inexplicable y mágico se producía en como un calcetín, a todos los arquetipos del género maldito de los 24 Escalones… la pantalla. Había nacido una ferviente devoción, una Las sesiones anunciadas pueden sufrir cambios nueva estrella; era, en definitiva, la consagración de hasta hacerlos casi irreconocibles" (A. Santamarina) debido a la diversidad de la procedencia de las pelí- 19.20 DAIEI 1943-1998 María Montez como diosa del Olimpo hollywoodi- 19.45 Sombras recobradas culas programadas. Sala 2 Akumyô / Notorious (Tokuzô Tanaka,1961). ense."(Antonio Pérez Arnay) Sala 1 Il feroce Saladino (Mario Bonnard, 1937). Las copias que se exhiben son las de mejor calidad Int.: Shintaro Katsu, Jiro Tamiya, Tamao Segunda proyección día 7. Int.: Angelo Musco, Rosina Anselmi,Italia. Tamao Nakamura. Japón. VOSI/E*. 94' disponibles. Las duraciones que figuran en el pro- VOSE*. 92' grama son aproximadas. Inspirada en una novela del monje Kon Tôkô (1898- 19.30 V Muestra de Cine Coreano 1977) cuenta la historia del impetuoso Asakichi que Sala 1 Natsul / Daytime Drinking (Noh Young- Diversas peripecias en clave tragicómica del ilu- Los títulos originales de las películas y los de su dis- sionista Pompeo Darly, incluyendo su relación con tribución en España figuran en negrita. Los que apa- desarrolla sus días entre el juego y las peleas. A causa seok, 2008). Int.: Kang Hee-Kim, Sam- de su gran éxito la película fue ampliada hasta 1974 en Dong Song, Sang-Yeop Yuk. Corea del Sur. Digital. la bella Dora, su rivalidad con el músico y actor recen en cursiva corresponden a una traducción lite- una serie de 16 partes. En todas ellas, la superestrella VOSI/E*. 116' Gastone y el montaje de un espectáculo de revista ral del original o a títulos habitualmente utilizados en Katsu Shintarô desempeñaba el papel principal. Segunda proyección y nota día 15. acerca de la figura histórica de Saladino. español. Copia presentada por cortesía del Museo Para las películas cuyo idioma original no es el espa- 19.30 V Muestra de Cine Coreano 20.00 Raúl Ruiz Nazionale del Cinema (Turín) en restauración ñol, se señala mediante siglas la versión de la copia Sala 1 Shik-gaek / Le Grand Chef (Jeon Yun-Su, Sala 2 Le Professeur Taranne (Raúl Ruiz, 1987) Int.: realizada por esta institución en 2006 conjunta- prevista para la proyección. Las siglas VOSE indican 2007). Int.: Kim Gang-Woo, Lee Ha-Na, Jacqueline Bollen, Marie-Luce Bonfanti, Ionna mente con Jaeger Le Coultre, la Bienal de Vene- que la copia está en versión original con subtítulos Lee Min-Ho. Corea del Sur. VOSE. 113' Gkizas, Francia / Bélgica. VOSE*. 52'. Tous les cia, la Provincia de Milán, el Ministero per i Beni e en español. El asterisco (*) significa que éstos son En una rueda de prensa, se presenta al público un nuages sont des horloges (R. Ruiz, 1988) Int.: Jessi- le Attività Culturali, la Fondazione Cineteca Ital- electrónicos. En las copias subtituladas en otra len- cuchillo que perteneció al último jefe de cocina real ca Forde, Alain Sachs. Francia. VOSE*. 57'. Total pro- iana y L'Immagine Ritrovata (Bolonia). grama: 109' gua, se incluye la inicial del idioma correspondiente de la Dinastía Chosun, que afiló sus armas con este Clausura a cargo de Pedro Joaquín del Rey Le professeur Taranne: Invitado a dirigir una curso de seguida de /E* (subtítulos electrónicos en español). cuchillo para mostrar su lealtad al rey. Entonces un dirección de actores, Raúl Ruiz acabó haciendo de eso 20.00 DAIEI 1943-1998 Cuando sea necesario especificar el idioma de la japonés robó y se llevó a Japón este cuchillo. Ahora, una película. Partiendo de la pieza de Adamov El pro- Sala 2 Ja no Michi / Serpent Path (Kiyoshi Kurosa- versión original proyectada, se añade su inicial tras su hijo ha venido a Corea del Sur a devolverlo a alguien que realmente merezca poseerlo y anuncia fesor Taranne, el cineasta y sus alumnos exploraron wa, 1997). Int.: Sho Aikawa, Teruyuki las siglas VO. particularmente el tema de la identidad fluctuante. una competición de cocina para encontrar al mejor Kagawa. Japón. VOSI/E*. 83' Tous les nuages sont des horloges: Una casa de "Esta película sobre la venganza entre víctimas e cocinero para este cuchillo.... campo, por la tarde. Una pareja vuelve a su casa y Siglas utilizadas en este programa: importantes yakuzas, se transforma en un complejo Inauguración de la muestra con la presencia del encuentra dentro de su casa un bedel ocupado en Sr. Embajador de la República de Corea. redactar un estado del inmueble. Adaptación de una asunto familiar en el que la manipulación de las emo- Tanathur (Tawfik Abu Wael, 2011). VOSI/E* Versión original subtitulada en inglés y Segunda proyección día 18. novela de Eiryo Waga (seudónimo de Raúl Ruiz). ciones está muy presente. Es quizás la película más en español electrónico pesimista de su director, donde la estilización de los 21.20 DAIEI 1943-1998 VOSE Versión original subtitulada en español 22.00 DAIEI 1943-1998 movimientos en el hangar es puesta en relación con Sala 2 Man'in densha / Crammed Streetcar (Kon VOSE* Versión original subtitulada en español Sala 1 Kumo no hitomi / Eyes of the Spider (Kiyo- las violencia de las imágenes en video grabadas por electrónico Ichikawa, 1957). Int.: Hiroshi Kawaguchi, shi Kurosawa, 1998). Int.: Sho Aikawa, Danka, los criminales" (Hubert Niogret) VE Versión en Español Chishû Ryû. Japón. VOSI/E*. 99' Ren Ohsugi . Japón. VOSI/E*. 83' "Es una obra excéntrica, que aborda, de una manera "Hermético, frío, calculador, Kiyoshi Kurosawa es un 21.50 V Muestra de Cine Coreano que bordea el absurdo, el problema de la alienación experto arquitecto en lo que se refiere a la construc- Sala 1 Bukchon-Banghyang / The Day He Arrives del hombre por el trabajo. El joven héroe, determina- ción del andamiaje de sus argumentos, de forma (Hong Sangsoo, 2011). Int.: Yu Jun-sang, Kim do a no dejarse atrapar en el engranaje como los otros que sabe cómo conducir sus tramas hasta el clímax Sang-joong, Song Sun-mi, Kim Bok-yung. Corea del asalariados transformados en autómatas, afronta a la creando al mismo tiempo en el espectador un turba- Sur. Digital. VOSI/E*. 79' do estado emocional de absorbente fascinación". sociedad como un caballero valiente, en un mundo Segunda proyección y nota día 6. incomprensible, donde la gente normal parece loca o (Beatriz Martínez) al revés, los locos parecen normales". (Tadao Sato) 6 martes 7 miércoles 8 jueves 9 viernes 10 sábado 11 domingo 17.30 Premios Goya 17.30 Premios Goya 17.30 DAIEI 1943-1998 17.30 Cine para todos / Centenario María Montez 17.30 V Muestra de Cine Coreano Sala 1 El mundo es nuestro (Alfonso Sánchez Fer- Sala 1 Carmina o revienta (Paco León, 2012).Int.: Sala 1 Te o tsunagu kora / Children Hand in Sala 1 Ali Baba and the Forty Thieves (Alí Baba Sala 1 Jo-seon-myeong-tam-jeong:gak-si-tu-gu- nández, 2012). Int.: Alfonso Sánchez, Alber- Carmina Barrios, María León, España. Digi- Hand (Hiroshi Inagaki, 1947). Int.: Chisu y los 40 ladrones, Arthur Lubin, 1944) Int.: kko-chui bi-mil / Detective K : Secret of to López, Olga Martínez.
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