THURSDAY, OCTOBER 20, 2016 DAILYEMERALD.COM ⚙ THURSDAY KOMBUCHA CULTURE THE ANCIENT FERMENTED TEA IS GAINING POPULARITY IN THE PACIFIC NORTHWEST. One UO business graduate has started his own kombucha business while some students attempt to brew their own. 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Audiences have been flocking to or simply destroy him. Even though it’s theaters to see giant monsters since easy to see the silliness in this one 60 the early years of film. From the years after its release (the destroyed stop-motion puppets of the 1930s to buildings look more like models with We make events better. the computer-generated destructive every passing day), it’s worth watching deities of recent years, these gigantic for its meaningful postwar message. beasts never fail to entertain, even if Godzilla vs. Megalon (1973) the monster movie genre has waned Those looking for a laugh should at the American box office in recent check out this madcap monstrosity, years. which features Godzilla teaming up When Japanese film juggernaut with a brightly colored robot named Toho announced a reboot of its Jet Jaguar (an unapologetic Ultraman Godzilla franchise, I could feel a rip-off) to defeat a bug monster. nostalgic tug on my heartstrings. Also included: American actor The concept of a gigantic lizard Robert Dunham as the toga-wearing plowing through billions of dollars emperor of “Seatopia.” This movie in real estate was a concept I held is beyond stupid, and is best known dear throughout my elementary for being mocked on an episode of school days. And while the years have Mystery Science Theater 3000. But broadened my tastes a bit, there is it’s so unintentionally hilarious that never a time when Godzilla doesn’t get excluding it seemed disingenuous. So me a little excited. bad, it’s incredible. So in light of the release of Godzilla: Pacific Rim (2013) Resurgence (as well as a desire to Guillermo del Toro’s love letter express my childlike nerdiness), I’ve to creature features is the highest- prepared a list of the five essential budgeted film on this list, and arguably monster movies out there. For fans of the most entertaining. While the fun, lighthearted camp, these should attempts at character drama fall flat, be required viewing: watching giant robots (Jaegers) fight King Kong (1933) giant monsters (Kaiju) in extravagantly Is it dated? You bet. But it’s also detailed environments has never Small enough to meet your neighbor, Big enough to meet your needs oneIs it dated? You bet. But it’s also been more awesome to look at. This is one of the most influential movies basically Transformers, but it’s actually One of America’s Top 12 GMO-Free Stores! ever made and a great example of good. And there’s already a sequel in – The Organic Consumers Association early Hollywood special effects. More the works. Sign me up. than 80 years later, it comes across Godzilla (2014) as mostly charming. The sight of a Director Gareth Edwards’ take on giant gorilla scaling the Empire State Godzilla’s origin story includes the All Organic: Building is still incredibly striking, best human performances in the genre. and the beast itself makes for a The decision to portray the titular King • Soups compellingly flawed hero. The fact of Monsters as an unstoppable force • Salads that Kong’s pain can be felt through of nature pays huge dividends. Even 24th & Hilyard a puppet’s animated gaze is an if the big guy himself is only onscreen • Hot Entrées achievement unto itself. for around 10 minutes, his presence • Baked Goods 541-343-9142 Godzilla (1954) looms so large over the film’s two open daily 7am-11pm Before Godzilla became just a guy hours that it’s hard to even notice. This • Raw Juice in a rubber suit fighting monsters, is the best monster movie since the • Produce (deli hours 11am-8pm) he was an allegory for the costs of original Godzilla and a great piece of (or wildcrafted) nuclear war in this surprisingly grim popcorn entertainment. Think Jaws, if A Eugene Tradition film from director Ishiro Honda. the shark was the size of a skyscraper. The story follows a group of young Local merchants, Since 1971 scientists as they struggle to decide the heart of our community whether to capture Godzilla for study PAGE 2 | EMERALD | THURSDAY, OCTOBER 20, 2016 EMERALD MEDIA GROUP & David McCosh’s vivid ARTS lithography at JSMA ⚙ CULTURE FRANKLIN LEWIS It is easy to overlook the tiny Morris well with the football-themed “Scrimmage” Graves Gallery, hidden in the halls of the exhibit, which featured a McCosh print and Jordan Schnitzer Museum of Art. Because several other contemporary printmakers. many larger exhibits occupy the long halls Jordan Schnitzer also has a new in the museum, one could easily walk right publication coming out next month by through the Graves Gallery, unaware of independent curator Roger Saydack that its existence. But the gallery houses a new addresses McCosh’s career and highlights hidden gem on campus: an exhibition of two of the exhibit’s prints. the Midwest lithography tradition featuring “It was really the perfect storm of former University of Oregon instructor and research being printed and having other talented printmaker David McCosh. works being shown in the museum,” Knapp Best known for his landscape paintings said. “It was really exciting for me as a of the Northwest, McCosh was also an avid curator to put up McCosh’s work in the lithographer. Born in 1903 in Cedar Rapids, context of other artists’ work — especially Iowa, McCosh earned his undergraduate the contemporary works — because we and graduate degrees from the Art Institute don’t often have a chance to provide that of Chicago, where he also began his component.” teaching career. In the summers between Creating a traditional lithograph in classes, McCosh would travel back to his the 1930s was a laborious undertaking, home state of Iowa to teach classes for the according to the information wall panel for Stone City Art Colony, where he helped the exhibit. To create the prints, the artists establish a Midwestern art tradition. used water-resistant crayons to draw on In 1934, McCosh relocated to Eugene flat limestone. The stone was then washed, to teach UO students art, including applied with ink and pressed onto paper. lithography. When McCosh passed away Because the ink is water-resistant, the ink in 1981, his wife Anne Kutka McCosh will naturally stick to the crayons and be Lithograph by David McCosh entitled “Parade,” 1933. (Courtesy of Jordan Schnitzer arranged for a large portion of his art and repelled by non-drawn areas, creating the Museum of Art) archives to be donated to the UO, which has image seen in the print. become the David John McCosh Memorial The press machine requires a large Collection and Archive. amount of force to crank, and the In the exhibit, McCosh’s unique undertaking could really test the will printmaking skill is put on display. With of the artist. McCosh even caricatured a very fluid, free-flowing style, his vivid the complicated, laborious process in a depictions