DOCSLIB.ORG

Classical World

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Classical World Landscape and Land Use in First Picenum Millennium BC Southeast Italy A Landscape of Ritual and Myth Planting the Seeds of Change By Eleanor Betts By Daphne Lentjes This book explores the sacred landscape of the This book offers a comprehensive overview of region and interprets the evidence for Picene (ca. landscape and land use in southeast Italy in the 900-268 BCE) religion for the first time. The book first millennium BCE. Using the most up-to- explores the relationship between the material date techniques, it combines archaeobotanical evidence (votive deposits of figurines and pottery, and archaeozoological data with information monumentalised inscriptions), the topographical from excavations, field surveys, and ancient landscape and the people who used them. It written texts to place the relationship between considers how the Picenes may have experienced people and landscapes in a broad geographical their environment and given it meaning, with a and chronological framework. It also confronts particular emphasis on sacred sites which have a questions of food habits, the scale and organisation mountain peak, water feature or cave as their cult of agricultural production, the influx of Greek and focus. Roman colonists, and the effects of globalisation on 256p (Routledge 2017) 9781472429575 Hb £105.00 local and regional land use. 306p, col illus (Amsterdam UP 2016) 9789089647948 Hb £70.00 Classical World Women in Antiquity Popular Culture in the Ancient World Real Women across the Ancient World Edited by Lucy Grig Edited by Stephanie Lynn Budin & Jean MacIntosh Traditionally neglected by Turfa classical scholars, popular This volume gathers brand new essays from some culture provides a new of the most respected scholars of ancient history, window through which we archaeology, and physical anthropology to create an can view the ancient world. engaging overview of the lives of women in antiquity. An international group of The book is divided into ten sections covering scholars tackles a fascinating Mesopotamia, Egypt, Anatolia, Cyprus, the Levant, range of subjects and the Aegean, Italy, and Western Europe. Women’s objects – from dice oracles experiences are explored, from ordinary daily life to dressing up, from toys to religious ritual and practice, to motherhood, to theological speculation. childbirth, sex, and building a career. Forensic Diverse comparative and evidence is also treated for the actual bodies of theoretical approaches are used alongside many ancient women. different ancient sources to provide a wide-ranging 1074p (Routledge 2016) 9781138808362 Hb £175.00 and rigorous approach to ancient popular culture. 320p (Cambridge UP 2017) 9781107074897 Hb £75.00 The Amazons The Real Warrior Women of the Ancient World Taste and the Ancient Senses By John Man By Kelli Rudolph Since the time of the ancient Greeks we have Olives, bread, meat and wine: it is deceptively easy been fascinated by accounts of the Amazons, an to evoke ancient Greece and Rome through a few elusive tribe of ruthless, hard-fighting, horse-riding items of food and drink. But how were their tastes female warriors. Drawing on recent archaeological different from ours? How did they understand the discoveries, John Man travels to the grasslands of sense of taste itself, in relation to their own bodies Central Asia, from the edge of the ancient Greek and to other modes of sensory experience? This world to the borderlands of China, to discover volume, the first of its kind to explore the ancient the truth about the warrior women mythologized sense of taste, draws on the literature, philosophy, as Amazons. In this deeply researched, sweeping history and archaeology of Greco-Roman antiquity historical epic, Man redefines our understanding to provide answers to these central questions. of the Amazons and their culture, and examines the 290p, b/w illus (Routledge 2017) 9781844658688 Hb significance of their legend today. £110.00, 9781844658695 Pb £23.99 328p (Transworld Publishers 2017) 9780593077597 Hb £20.00 31 Forthcoming from Oxbow Books The Frame in Classical Art Cityscapes and Monuments of Edited by Verity J. Platt & Michael Squire This book argues for the integral role of framing Remembrance in Asia Minor within Graeco-Roman art. Contributors combine Edited by Eva Mortensen & Birte Poulson close formal analysis with more theoretical The present volume publishes approaches: chapters examine framing devices 25 contributions written by across multiple media (including vase and fresco scholars specializing in the painting, relief and free-standing sculpture, mosaics, history and archaeology of manuscripts and inscriptions), structuring analysis western Asia Minor. New and around the themes of framing pictorial space, well-known material – literary, framing bodies, framing the sacred and framing texts. epigraphical, numismatic, and 734p, b/w illus (Cambridge UP 2017) 9781107162365 Hb archaeological – is presented £105.00 and analyzed through the twin lenses of memory and The Beverley Collection of Gems at identity. The contributions Alnwick Castle cover more than 1000 years of By Diana Scarisbrick, Claudia Wagner & John cultural diversity during changing political systems, Boardman from the Lydian and Persian hegemony in the Archaic The range of objects in the Beverley Collection – period through Athenian supremacy and Persian cameos, intaglios and finger rings of the highest satrapal rule in the Classical period, then autocratic quality – is considerable: Greek, Roman and kingship in Hellenistic times until, finally, more than Etruscan, as well as a notable assemblage of half a millennium of Roman rule. Identities are voiced neoclassical signed gems by British artists. This through several media and visible at many levels book brings the collection to the attention of a wider of the ancient societies. The studies provide new audience. insights into how human beings chose, deliberately or subconsciously, to commemorate their past and 320p, col illus (Philip Wilson Publishers 2016) their ancestors, and how identity was 9781781300442 Hb £40.00 displayed and expressed under Excavating Pilgrimage shifting political rule. Only Archaeological Approaches to Sacred Travel 400p, b/w and colour (Oxbow £45.00 until and Movement in the Ancient World Books 2017) 9781785708367 Hb publication £60.00 Edited by Wiebke Friese & Troels Myrup Kristensen This volume sheds new light on the significance Textiles and Cult in the and meaning of material culture for the study of Ancient Mediterranean pilgrimage in the ancient world. The essays explore Edited by Cecilie Brøns & Marie-Louise Nosch some of the rich archaeological evidence for sacred travel and movement, such as the material footprint Recent scholarship has of different activities undertaken by pilgrims, illustrated how textiles the spatial organization of sanctuaries and the played a large and very wider catchment of pilgrimage sites, as well as the important role in the relationship between architecture, art and ritual. ancient Mediterranean sanctuaries. In Greece, the 306p, b/w illus (Routledge 2017) 9781472453907 Hb so-called temple inventories £115.00 testify to the use of Votive Body Parts in Greek and textiles as votive offerings, in particular to female Roman Religion divinities. Furthermore, in By Jessica Hughes several cults, textiles were This book examines votive offerings in the shape of used to dress the images of different deities, as well parts of the human body. It collects examples from as in the dress of priests and priestesses, and in the four principal areas and time periods: Classical furnishings of the temples. Textiles and Cult in Greece, pre-Roman Italy, Roman Gaul and Roman the Ancient Mediterranean examines the topics of Asia Minor, highlighting differences between these textile production in sanctuaries, the sets of votives, and exploring the implications for use of textiles as votive offerings our understandings of how beliefs about the body changed across classical antiquity. Central themes and ritual dress using epigraphy, Only literary sources, iconography include illness and healing, bodily fragmentation, and the archaeological material £36.00 until human-animal hybridity, transmission and itself. publication reception of traditions, and the mechanics of 320p (Oxbow Books 2017) personal transformation in religious rituals. 9781785706721 Hb £48.00 234p, b/w illus (Cambridge UP 2017) 9781107157835 Hb £75.00 32 Classical World Where Dreams May Come Peace and Reconciliation in Incubation Sanctuaries in the Greco-Roman the Classical World World Edited by E. P. Moloney & Michael Stuart Williams By Gil Renberg These essays stress the importance of ‘peace’ as In this book, Gil H. Renberg examines the ancient a positive concept in the ancient world (and not religious phenomenon of incubation, the ritual of just the absence of, or necessarily even related to, sleeping at a divinity’s sanctuary in order to obtain war), and consider examples of conflict resolution, a prophetic or therapeutic dream. Most prominently conciliation, and concession from Homer to associated with the Panhellenic healing god Augustine. Comparing and contrasting theories and Asklepios, incubation was also practiced at the cult practice across different periods and regions, this sites of numerous other divinities throughout the collection highlights, first, the open and dynamic Greek world, but it is first known from ancient Near nature of peace, and then seeks to review a wide Eastern sources and was established in Pharaonic
Load more

Recommended publications
  • Roman Entertainment
    Roman Entertainment The Emergence of Permanent Entertainment Buildings and its use as Propaganda David van Alten (3374912) [email protected] Bachelor thesis (Research seminar III ‘Urbs Roma’) 13-04-2012 Supervisor: Dr. S.L.M. Stevens Contents Introduction ................................................................................................................................ 3 1: The development of permanent entertainment buildings in Rome ...................................... 9 1.1 Ludi circenses and the circus ............................................................................................ 9 1.2 Ludi scaenici and the theatre ......................................................................................... 11 1.3 Munus gladiatorum and the amphitheatre ................................................................... 16 1.4 Conclusion ...................................................................................................................... 19 2: The uncompleted permanent theatres in Rome during the second century BC ................. 22 2.0 Context ........................................................................................................................... 22 2.1 First attempts in the second century BC ........................................................................ 22 2.2 Resistance to permanent theatres ................................................................................ 24 2.3 Conclusion .....................................................................................................................
    [Show full text]
  • Narcissus the Hunter in the Mosaics of Antioch
    Narcissus the Hunter in the Mosaics of Antioch Elizabeth M. Molacek Among the hundreds of mosaic pavements discovered at as the capital of the Hellenistic Seleucid kingdom in 300 BCE Antioch-on-the-Orontes, a total of five represent Narcissus, and remained a thriving city until the Romans took power in the beautiful youth doomed to fall in love with his own 64 BCE. Antioch became the capital of the Roman province reflection. The predominance of this subject is not entirely of Syria; however, it was captured by the Arabs in 637 CE, surprising since it is one of the most popular subjects in bringing an end to almost a thousand years of occupation.2 Roman visual culture. In his catalogue of the mosaics of While its political history is simple to trace from the Hellenis- ancient Antioch, Doro Levi suggests that Narcissus’ frequent tic founding to the Arab sacking, Antioch’s cultural identity appearance should be attributed to his watery reflection due is less transparent. The city was part of the Roman Empire to the fact that Antioch was a “town so proud of its wealth for over five hundred years, but the inhabitants of Antioch of waters, springs, and baths.”1 The youth’s association with did not immediately consider themselves Roman, identifying water may account for his repeated appearance, but the instead with their Hellenistic heritage. As was standard in the present assessment recognizes a Narcissus that is unique to Greek East, the spoken language remained Greek even after Antioch. In art of the Latin West from the first century BCE Rome established control, and many traditions and social onwards, Narcissus has a highly standardized iconography norms were deeply rooted in the Hellenistic culture.3 Antioch that emphasizes his youthful appearance, the act of seeing was a hybrid of both eastern and western influences due to his reflection, and his fate for eternity.
    [Show full text]
  • Roman North Africa North Roman
    EASTERNSOCIAL WORLDS EUROPEAN OF LATE SCREEN ANTIQUITY CULTURES AND THE EARLY MIDDLE AGES Cilliers Roman North Africa Louise Cilliers Roman North Africa Environment, Society and Medical Contribution Roman North Africa Social Worlds of Late Antiquity and the Early Middle Ages The Late Antiquity experienced profound cultural and social change: the political disintegration of the Roman Empire in the West, contrasted by its continuation and transformation in the East; the arrival of ‘barbarian’ newcomers and the establishment of new polities; a renewed militarization and Christianization of society; as well as crucial changes in Judaism and Christianity, together with the emergence of Islam and the end of classical paganism. This series focuses on the resulting diversity within Late Antique society, emphasizing cultural connections and exchanges; questions of unity and inclusion, alienation and conflict; and the processes of syncretism and change. By drawing upon a number of disciplines and approaches, this series sheds light on the cultural and social history of Late Antiquity and the greater Mediterranean world. Series Editor Carlos Machado, University of St. Andrews Editorial Board Lisa Bailey, University of Auckland Maijastina Kahlos, University of Helsinki Volker Menze, Central European University Ellen Swift, University of Kent Enrico Zanini, University of Siena Roman North Africa Environment, Society and Medical Contribution Louise Cilliers Amsterdam University Press Cover illustration: Ruins of the Antonine Baths in Carthage © Dreamstime Stockphoto’s Cover design: Coördesign, Leiden Typesetting: Crius Group, Hulshout isbn 978 94 6298 990 0 e-isbn 978 90 4854 268 0 doi 10.5117/9789462989900 nur 684 © Louise Cilliers / Amsterdam University Press B.V., Amsterdam 2019 All rights reserved.
    [Show full text]
  • Quantifying the Popularity of Amphitheatre Spectacles In
    QUANTIFYING THE POPULARITY OF AMPHITHEATRE SPECTACLES IN THE ROMAN WEST: DO AMPHITHEATRE SEATING CAPACITIES INDICATE POPULARITY LEVELS? BY JONATHAN LUKE HACKETT A thesis submitted to the University of Birmingham for the degree of MASTERS OF RESEARCH in ANCIENT HISTORY Department of Classics, Ancient History and Archaeology School of History and Cultures College of Arts and Law University of Birmingham September 2019 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis aims to determine whether it is possible to quantify the popularity of amphitheatre spectacles in the Roman West. Traditionally, amphitheatre spectacles have been regarded as having experienced widespread popularity, and there has been little in the way of a proper assessment of contemporary levels of popularity in modern scholarship. This work will attempt to tackle this issue, and the popularity of amphitheatre spectacles will be primarily explored through the comparison of amphitheatre seating capacity estimates with their corresponding urban population estimates. Through a number of case studies, this thesis will argue that, instead of the traditionally accepted widespread popularity of amphitheatre spectacles, contemporary levels of popularity were complex, and could differ greatly, depending on time period and region of the Roman West.
    [Show full text]
  • Tunis, Kairouan & Carthage
    <Sc5tJ^Oft . jti&Sf «P> sgr: wmm—mm f TUMM SKW TSI jEapl^r——* B ,->. a m S&iJ i §■ ;tearr~-^ mmm A y -Ays+A. Digitized by the Internet Archive in 2018 with funding from Getty Research Institute https://archive.org/details/tuniskairouancarOOpetr . A MINOR MOSQUE, KAIROUAN TUNIS KAIROUAN & CARTHAGE DESCRIBED AND ILLUSTRATED WITH FORTY-EIGHT PAINTINGS BY GRAHAM PETRIE, R.I. oe <£ LONDON WILLIAM HEINEMANN 1908 Copyright, London, 1908, by William Heineniann SHE GETTY CEfv'TEP. LIBRARY AUTHOR’S NOTE Among the many books concerning the history of Tunisia which I have consulted, those included in the following list have proved the more interest¬ ing and profitable. To their authors I gratefully acknowledge my indebtedness, and tender my cordial thanks, confidently recommending their pages to readers who would supplement my modest essays with more substantial fare, and bridge the gaps between some scattered fragments from the grim chronicles of Time. “ The Roman History of Appian of Alexandria ” (translated from the Greek by Horace White); “Figures et Recits de Carthage Chretienne ” (Abel Alcais) ; “ Histoire Generate de la Tunisie ” (Abel Clarin de la Rive); “ Carthage and the Carthaginians ” (R. Bos- worth Smith) ; “ L’Afrique Romaine ” (Gaston Boissier); “ Carthage ” (Ernest Babelon) ; “ Carthage of the Phoenicians ” (Mabel Moore). G. P. Arts Club, London. CONTENTS INTRODUCTION _ PAGES Tunis of to-day—Bazaars—Cafes—Biblical types—Exten¬ sive historical interest—The Punic Wars—The Christian Church, its saints and martyrs—French care of classical ruins—Modern ideas and their effect . i—io CHAPTER I A Tale of Two Continents Marseilles—The song of the ship—Sighting Corsica—The first impressions of Monsieur Babelon—Tunis receives our greetings in her night-dress—Arrival .
    [Show full text]
  • Download File
    Distribution Limited WHC-97/CONF.204/3B Paris, 7 May 1997 Original : English/French UNITED NATIONS EDUCATIONAL SCIENTIFIC AND CULTURAL ORGANIZATION CONVENTION CONCERNING THE PROTECTION OF THE WORLD CULTURAL AND NATURAL HERITAGE BUREAU OF THE WORLD HERITAGE COMMITTEE Twenty-first session UNESCO Headquarters, Paris, Room X (Fontenoy) 23 - 28 June 1997 Item 5 of the Provisional Agenda : Examination of Nominations of natural and cultural properties to the World Heritage List and the List of World Heritage in Danger SUMMARY The Bureau examines the nominations and makes its recommendations thereon to the Committee under the following four categories : a) properties which it recommends for inscription without reservation ; b) properties which it does not recommend for inscription ; c) properties that need to be referred back to the nominating State for further information or documentation ; d) properties whose examination should be deferred on the ground that a more in-depth assessment or study is needed. It is usual practice that the working document on Nominations submits proposals for inscription of sites in the same order and employing the same name as ICOMOS and IUCN. In some cases the original names of certain sites have been modified, following the evaluation missions and discussions with the States Parties concerned. States Parties may, at any time, express their views on the change in names of sites. 2 A. Nominations of natural properties to the World Heritage List Identification Name of Property State Party Number having submitted the
    [Show full text]
  • The Colosseum As an Enduring Icon of Rome: a Comparison of the Reception of the Colosseum and the Circus Maximus
    The Colosseum as an Enduring Icon of Rome: A Comparison of the Reception of the Colosseum and the Circus Maximus. “While stands the Coliseum, Rome shall stand; When falls the Coliseum, Rome shall fall; And when Rome falls - the World.”1 The preceding quote by Lord Byron is just one example of how the Colosseum and its spectacles have captivated people for centuries. However, before the Colosseum was constructed, the Circus Maximus served as Rome’s premier entertainment venue. The Circus was home to gladiator matches, animal hunts, and more in addition to the chariot races. When the Colosseum was completed in 80 CE, it became the new center of ancient Roman amusement. In the modern day, thousands of tourists each year visit the ruins of the Colosseum, while the Circus Maximus serves as an open field for joggers, bikers, and other recreational purposes, and is not necessarily an essential stop for tourists. The ancient Circus does not draw nearly the same crowds that the Colosseum does. Through an analysis of the sources, there are several explanations as to why the Colosseum remains a popular icon of Rome while the Circus Maximus has been neglected by many people, despite it being older than and just as popular as the Colosseum in ancient times. Historiography Early scholarship on the Colosseum and other amphitheaters focused on them as sites of death and immorality. Katherine Welch sites L. Friedländer as one who adopted such a view, 1 George Gordon Byron, “Childe Harold's Pilgrimage, canto IV, st. 145,” in The Selected Poetry of Lord Byron, edited by Leslie A.
    [Show full text]
  • Colosseum As a Site of Ancient Roman Entertainment and Where the Different Social Classes of the Ancient Roman Society Sat
    AimAim • I can describe the Colosseum as a site of Ancient Roman entertainment and where the different social classes of the Ancient Roman society sat. SuccessSuccess Criteria • •Statement I can explain 1 Lorem why ipsumAncient dolor Romans sit amet attended, consectetur the Colosseum. adipiscing elit. • •Statement I can explain 2 where the different social classes of the Ancient Roman society• Sub statement sat in the Colosseum. • I can explain the role of the Emperor and the senators in Ancient Roman society. • I can explain who the gladiators were and their role in relation to the Colosseum. A Roman Amphitheatre The Colosseum is a Roman amphitheatre. Its name in Latin was Amphitheatrum Flavium Romae. Latin was the language of the Roman Empire and many European languages spoken today, such as Spanish, French, Portuguese or Italian come from Latin. Attending the Colosseum was part of Ancient Roman life. Can you imagine why? A Place for Entertainment Ancient Romans liked to have fun, but they had a very different concept of fun to the way we amuse ourselves nowadays. For example, they enjoyed watching people fight against lions! They were also amused by watching gladiators fight to death. The Colosseum is the largest amphitheatre ever built. It had seating for 55,000 people! That’s as big as the Anfield Football Stadium in Liverpool. The best place, the Podium, or Tribune, was reserved for the Emperor and his family, as well as for the senators. The Emperor and the Senate The Emperor controlled the Roman Empire and had a very luxurious life with the best of everything.
    [Show full text]
  • The Roman Games: Moving Beyond Gladiator
    The Roman Games: Moving Beyond Gladiator David Posker-Hill St Ignatius’ College, Riverview [email protected] @poska Where are we going? 1) Warm Up Activity 2) Why? a) Should I teach this course? b) What benefits are there for the students? 3) How? a) Class Lessons b) Assessment c) Resources 4) What? a) I know nothing about the Roman Games - HELP! b) A real focus on the origins and representations - you know what a murmillo is! I see, I think, I wonder ... 3 mins, by yourself or with someone next to you. What did you notice? The lower frieze shows the galloping chariots of the funeral games of Patroclus at Troy with the prizes depicted among them. By Cleitias / Kleitias, ca. 570 B.C. Florence, Museo Archeologico, 4209. “The first prize he offered was for the chariot races- a woman skilled in all useful arts, and a three-legged cauldron that had ears for handles, and would hold twenty-two measures. This was for the man who came in first. For the second there was a six- year old mare, unbroken, and in foal to a he-ass; the third was to have a goodly cauldron that had never yet been on the fire; it was still bright as when it left the maker, and would hold four measures. The fourth prize was two talents of gold, and the fifth a two-handled urn as yet unsoiled by smoke.” The Iliad, Book 23. Why? 1. Fond memories of Gladiator? a. One of the key aspects of Ancient Rome that students remember from their Junior studies, is the Games.
    [Show full text]
  • Tunisia the Jewel of North Africa 28Th February to 11Th March 2022 (12 Days)
    Tunisia The Jewel of North Africa 28th February to 11th March 2022 (12 days) El Jem Coliseum by Adam Riley Tunisia, the gem of North Africa, is an isle of tranquillity wedged between the turbulent countries of Algeria and Libya. Due to its strategic position, it has had its fair share of turmoil in times gone by. The Phoenicians, Romans, Arabs, Ottomans and French have all had their impact and contributed to a rich and varied culture. Tunisia is now one of Africa’s most wealthy and developed countries and the epitome of a progressive Arab nation. Upon arrival at Tunis, one is immediately struck by the verdance of the landscape, which teems with birds. Tunisia’s protected areas and agricultural fields support a large population of both resident species and wintering migrants. RBL Tunisia Itinerary 2 On this tour we will visit several spectacular sites, ranging from towering mountains, desert oases and vast tidal saltpans. Some of the highlight species are the endangered White-headed and Marbled Duck, Yelkouan Shearwater, Bonelli’s Eagle, Cream-colored Courser, Greater Hoopoe-Lark and Desert Sparrow. We will also get the opportunity to observe some really endangered North African mammals, including the spectacular Addax, Scimitar-horned Oryx, Dama and Dorcas Gazelle and the hamster-like Gundi. We cannot ignore the archaeological treasures of Tunisia, and we will also visit several world- famous sites, from the Punic City of Carthage, the Roman Empire’s 3rd largest Coliseum and Muslim medinas (walled cities). With comfortable accommodations, great food, friendly people, impressive antiquities and abundant birds, time spent in Tunisia could not be more pleasurable! For the intrepid birder or adventurer, we have added a very short extension into Algeria to find the endemic Algerian Nuthatch.
    [Show full text]
  • Gladiators in Rome and the Western Provinces of the Roman Empire
    Gladiators in Rome and the western provinces of the Roman Empire Advanced Seminar 600. Spring semester 2008. In Rome women dipped a spear into the blood of a killed gladiator and used it to part their hair in preparation for the marriage ceremony. The ritual was supposed to bestow magic and charismatic powers. At least one senatorial woman left her husband and children, and her very elegant life-style, in order to elope to Egypt with her gladiator- lover. According to the writer who reports on this famous scandal, the gladiator had a series of unsightly lesions on his face and in the middle of his nose a massive wart. It was not beauty that women fell in love with but the cold steel. In legal terms, however, gladiators in Roman society were regarded as the lowest of the lowest. They were usually slaves, and when they were not slaves when they became gladiators they had to swear an oath that technically made them the equivalent of slaves. Gladiators were excluded from the most prestigious positions in society. This paradox will be the key theme of this seminar, but we will also look into a number of other topics, such as recruitment, training, different types of gladiators, fan clubs, family life, emperors as gladiators. Lecture room: Greek and Latin Reading Room (Memorial Library, 4th floor). In order to access the room you need a key. You need to pay a deposit of $10.00 on the third floor of Memorial Library. Time: Wednesday 11:00 AM-1:00 PM. Instructor: Marc Kleijwegt, Humanities 5219; tel.: 263 2528; email: [email protected] Required books: Eckart Köhne and Cornelia Ewigleben (eds.), Gladiators and Caesars: The Power of Spectacle in Ancient Rome, trans.
    [Show full text]
  • The Urbanization of Roman Municipia: Urban Development and Romanization in Umbrian Cities During the First Century BCE
    The Urbanization of Roman Municipia: Urban Development and Romanization in Umbrian Cities During the First Century BCE Sarah M. Lippai A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts University of Washington 2017 Committee: Sarah Levin-Richardson Stuart Lingo Kathryn Topper Program Authorized to Offer Degree: Art History © Copyright 2017 Sarah M. Lippai University of Washington Abstract The Urbanization of Roman Municipia: Urban Development and Romanization in Umbrian Cities During the First Century BCE Sarah M. Lippai Chair of the Supervisory Committee: Assistant Professor Sarah Levin-Richardson Classics This thesis examines the urban development of the Roman urbs during the first century BCE. The cities of southern Umbria provide a case study of a wider phenomenon occurring throughout Italy following the municipalization of the peninsula after the Social War. Using archaeology and contemporary cultural analysis, I examine the development of their fora, theaters, and amphitheaters through the century. These public spaces and buildings demonstrate the concept of recirculation that occurs when architectural design ideas flow between Italian cities and Rome, informing one another until refined into a standard form. The canonical form of these Roman buildings, while set in Rome, are indebted to the contributions made in these cities. The development of the Roman urbs and these urban features into a standardized form demonstrate a confluence of culture, innovation, and mimicry under Roman power and are a visual demonstration of the unification of Italy under Rome. Acknowledgements I would like to thank my committee, Stuart Lingo and Kathryn Topper, for their insight and encouragement and especially to my committee chair, Sarah Levin-Richardson, for her enthusiasm as I neared completion.
    [Show full text]