MARK DEAN VECA 1963 Born in Shreveport, LA
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Press Release
For Press and Publicity Inquiries Please Contact: Andrew Hosner Cell: 310.403.8549 [email protected] Thinkspace presents: ‘Love Conquers All: Art for Equality’ group show Main Gallery Seth Armstrong ‘Well There You Are’ Project Room Both exhibits on view: August 7th – August 28th Opening Reception: Sat, August 7th 7-10PM *The Crepe N' Around Food Truck will be out for the opening, so please be sure to bring your appetite. 20% of the proceeds will be donated to Equality California (http://www.eqca.org/) Los Angeles, CA (July 13th, 2010) - Thinkspace is pleased to present Love Conquers All: Art For Equality, a special exhibition supporting the fight for equality which aims to raise awareness for the LGBT (Lesbian, Gay, Bisexual & Transgender) struggle in the process. This special exhibition features the work of over 50 international artists and promises to open eyes and encourage dialogue. Also showing concurrently in our project room will be Well There You Are, an exhibition of new works from Oakland based artist Seth Armstrong, in what will be his debut solo exhibition with our gallery following numerous group show appearances including taking part in last December’s Aqua Art Miami during Art Basel. So, why are we fighting for civil rights? As of July 2010 multiple states have laws on the books that ban gay marriage by explicitly saying that marriage is a union between “a man and a woman.” In addition, at the Federal level, LGBT individuals have over 1,000 rights that aren’t afforded to them because of their sexual orientation or gender identity. -
AMANDA CHURCH 337 WEST 14Th STREET NEW YORK, NY 10014 Phone/Fax: 212-989-6353; Cell: 646.354.8753
AMANDA CHURCH 337 WEST 14th STREET NEW YORK, NY 10014 Phone/fax: 212-989-6353; cell: 646.354.8753 E-mail: [email protected] www.amandachurch.blogspot.com EDUCATION Bennington College, B.A. Painting and Drawing New York Studio School, New York City SOLO EXHIBITIONS 2015 Galerie du Tableau, Marseille, France 2012 Hollywoodland, Land of Tomorrow, Louisville, KY 2009 Vernon Fine Art, Prague, Czech Republic “Lovely, Dark, and Deep,” Michael Steinberg Fine Art 2008 If Six Were Mine, Jancar Gallery, Los Angeles. California Traveling Without Moving, Julie Chae Gallery, Boston, MA Galerie du Tableau, Marseille, France 2006 Michael Steinberg Fine Art, NY 2003 Deep Pucci, Artek Contemporaries LLC, NY 2001 Art Resources Transfer, Inc., NY 2000 Galerie du Tableau, Marseille, France 1999 Clifford Smith Gallery, Boston, MA 1997 Galerie du Tableau, Marseille, France SELECTED GROUP EXHIBITIONS 2014 Le Show des Amis, Showroom Gallery, Brooklyn, NY Living and Sustaining a Creative Life, Aberson Exhibits, Tulsa, Oklahoma Treasure Island, curated by Julie Chae, The Lower East Side Printshop, NY, NY The Last Brucennial, organized by the Bruce High Quality Foundation, NY, NY Color Me Badd, curated by Chris Bors, The Nars Foundation, Brooklyn, NY Minimal Baroque, curated by Courtney J. Martin, Julie Sass, and Bodil Neilssen, Ronnebaeksholm, Copenhagen, Denmark Hotels Innovate Project, curated by Brian Morris, Miami FL Two-person show, The George Gallery, Laguna Beach, CA Paperazzi, Janet Kurnatowski Gallery, Brooklyn, NY 2013 The Moby Project, curated -
Press Release
20 Years Under the Influence of Juxtapoz Guest Curators: Andrew Hosner (Thinkspace) & Gary Pressman (Copro Gallery) February 22nd - April 19th, 2015 Invitation Only Reception: Saturday, February 21st from 6-11PM *RSVP TO: [email protected] Public First View: Sunday, February 22nd 2-5PM On view: Sunday, February 22nd – April 19th, 2015 Gallery Hours 12-5PM, Thursday – Sunday ADDITIONAL PROGRAMMING: Saturday, March 14th 2PM: Curator / Juxtapoz Talk (with Andrew Hosner, Gary Pressman, Greg Escalante, Robert Williams, Suzanne Williams, Gwynn Vitello, Evan Pricco, and Jeff Soto) (Los Angeles) - The Los Angeles Municipal Art Gallery and Juxtapoz magazine are pleased to present 20 Years Under the Influence of Juxtapoz, a group exhibition to commemorate two decades of the magazine’s influential contribution to contemporary art and culture. On view at the Los Angeles Municipal Art Gallery, and curated by Andrew Hosner of Thinkspace Gallery and Gary Pressman of Copro Gallery, the exhibition features close to one hundred artists who have graced the publication’s pages and website, and showcases the diversity and breadth of the New Contemporary movement Juxtapoz has championed and helped to uphold. In 1994 in San Francisco, Robert Williams, Craig Stecyk, Greg Escalante, Eric Swenson and Fausto Vitello founded Juxtapoz with the intent of fostering the art and culture of the underground. Providing an alternative voice and narrative as a counterpart to the dominant New York-centric discourse of contemporary art, it featured artists who straddled “high” and “low” culture. Aligning itself with the aesthetics of contemporary street culture, figurative art, California car culture, gig posters, tattoos, graphics, psychedelia and comics, the publication became a conduit and forum for an entirely new generation of artists who were latching on to the visual vernacular of powerfully populist themes. -
FOR IMMEDIATE RELEASE Mark Dean Veca
1543 A Wazee Street Media Contact: Denver, CO 80202 Nicole Schwager | Associate Director 303.893.4234 [email protected] www.davidbsmithgallery.com FOR IMMEDIATE RELEASE Mark Dean Veca: Le Poppy Den March 14 – April 12, 2014 Mark Dean Veca, Le Poppy Den, 2014, acrylic paint, bean bags chairs, carpet, 10 x 10 x 14 feet, installed at David B. Smith Gallery Denver, March 2014 Le Poppy Den, a site-specific project from acclaimed artist Mark Dean Veca, combines oppressive, yet energizing spectacle, with the circuitous and anatomical melee of Veca’s signature style. The red walls, a color known to inspire hunger and consumerism in humans, here invite the viewer to enter while simultaneously agitating their sensibilities. The beanbag chairs, a component Veca has employed on and off in his immersive installations for over fifteen years, hint at a somewhat comical and kitsch historical life, while offering a deceptively comfortable, and malleable seat from which to observe the chaos. The title references both the name of the paint, the size of the room, and the sneakily cozy carpet; Le Poppy Den seduces while it repels and exemplifies the high-low play so celebrated in Veca’s work. About Mark Dean Veca Known for his unique style, which straddles the edges of pop art and the graphic conventions of the 20th and 21st centuries, much of Mark Dean Veca’s work touches on the impacts of pervasive branding in visual culture, as well as the possibility to subvert these meanings via pointed low-culture strategies. Veca’s practice is divided between paintings and immersive site- specific installations. -
Marketing Urban Art: a Case Analysis of the Exchange Project
Marketing Urban Art: A Case Analysis of the Exchange Project Submitted in partial fulfillment of the Master of Science degree in Arts Administration Philip Asbury Candidate for Master’s in Arts Administration Drexel University June 2009 i Table of Contents Section Page Abstract i Problem Statement 1 Literature and Background 3 Definitions 7 Procedure 10 Limitations 10 Body-Marketing Urban Art: The Exchange Project 12 Figure1: List of Participating Artists 18 Case Study: The Exchange Project and Tour 19 Summary 29 Conclusion 33 Bibliography 36 ii Abstract The Exchange is an interactive project that promotes a sharing of stylistic influences amongst a select group of urban artists. The project is web-based but it also mounted a four city tour in 2007. As scholarly research is very limited in the genre, this study was an attempt to gather the few existing sources, general information, and first hand knowledge of the author, a participant in the Exchange. The result is a look at the best practices in marketing urban art. The financial details of the Exchange were unable to be included. The author recommends that urban artists partner with organizations that share a similar mission and to focus on viral marketing. i Problem Statement Urban art is a new genre of art that is still in its developing stages. Though the market for urban art is growing rapidly, how to market urban art work has largely gone unstudied and undocumented. This study will document the Exchange, a collaborative visual art project involving 13 international “urban artists”. In this process, special attention will be focused on the marketing tools and strategies employed by the Exchange as well as their effectiveness. -
Kiel Johnson-Resume-2019
Kiel Johnson b. 1975, Kansas City, MO Lives and works in Los Angeles, CA Website www.kieljohnson.com Education 2001 MFA, Drawing & Painting, California State University Long Beach, CA 1998 BFA, Sculpture & Drawing, University of Kansas, Lawrence, KS Solo Exhibitions 2018 Prepping for the Edge, Paul Kopeikin Gallery, Culver City, CA 2017 Laser Focus, Lunder Art Center, Cambridge, MA South Island Field Notes, Christchurch Art Museum, Christchurch, NZ NASA Star Fleet, Houston Space Center, Houston, TX 2016 Garden Variety, Orange County Fair Arts Pavilion Featured Artist, Costa Mesa, CA 2014 Walldayallday, Mark Moore Gallery, Culver City, CA 2011 One Thing Leads to Another, Taubman Museum of Art, Roanoke, VA 2010 New Work, Davidson Contemporary, New York, NY 2009 Publish or Perish, Mark Moore Gallery, Santa Monica, CA 2008 New Work, Mark Moore Gallery, Santa Monica, CA The Awesomist Tomorrow, Nancy Margolis Gallery, New York, NY The Awesomist Tomorrow, POVevolving Gallery, Los Angeles, CA 2007 Friction Ainʼt Fiction, Irvine Fine Art Center, Irvine, CA 2006 LO-FI, Raid Projects, Los Angeles, CA Two Person Exhibitions 2018 Pairings w/ Andrew Shoultz, Denk Gallery, Los Angles, CA 2016 Big Idea: New Work by Kiel Johnson & Abel Alejandro, Doyle Art Center, Costa Mesa CA Kiel Johnson & Mark Dean Veca: New Works, Jaus Gallery, Santa Monica 2011 Kiel Johnson & Cordy Ryman: Construct, Mark Moore Gallery, Culver City, CA Selected Group Exhibitions 2019 Hand-job, Lava Projects, Alhambra, CA 2018 Earthly Delights, Studio Channel Islands, Camarillo, CA -
Review: a Modern Silk Road Passes Through OCMA's Pacific Rim Show
Review: A modern Silk Road passes through OCMA's Pacific Rim show ... http://www.latimes.com/entertainment/arts/culture/la-et-cm-knight-trienn... latimes.com/entertainment/arts/culture/la-et-cm-knight-triennial-review-20130705,0,7327198.story Asia powerfully interacts with the Americas, rather than just Europe, in the Orange County Museum of Art's triennial show. By Christopher Knight, Los Angeles Times Art Critic 6:00 AM PDT, July 5, 2013 More than 2,000 years ago, the Silk Road emerged as a advertisement network of flourishing trade routes between Asia and Europe, as well as parts of North and East Africa. Cultures crossfertilized. Civilizations prospered, others flamed out. Art recorded the complex new entanglements. For the next 4½ months, a modern Silk Road is passing through Southern California. This superhighway runs through the Orange County Museum of Art, where the 2013 California-Pacific Triennial is now on view. A prime difference from its ancient predecessor is that Asia's trading partners here focus on the Americas, not Europe. Enlarging the geographic purview to encompass artists working in countries around the vast Pacific Rim, OCMA has changed its old biennial format, which looked exclusively at California artists. PHOTOS: Arts and culture in pictures by The Times The organization period necessarily grew from two years to three. As OCMA curator Dan Cameron notes in the show's catalog, the Pacific Ocean is by far the largest single geographic entity on the planet. It dwarfs continents, even making the sky look rather small. So one difficulty in shifting from a California focus is that the vast Pacific Rim geography can make the happily ambitious show feel thin. -
Print Layout 1
ol.2 2006 V 25 Years Design of Fashion 25 Years Otis College of Art and Design Magazine Otis College of Art and Design Otis College of Art and Design 9045 Lincoln Blvd. Non-Profit Org Los Angeles, CA 90045 U.S. Postage PAID Permit No. 427 Los Angeles, CA IN THIS ISSUE: A Green Room Grows in South Central • 200 Happy Meals Make a Misfit Diet What is iTunes U? • Life Beyond the Fifth Ring • “Living Design” in Dar es Salaam www.otis.edu 02 20 24 28 Excellence and Diversity At recent alumni gatherings in Los Angeles, New York, and San Francisco, I spoke Otis prepares diverse students of art and design to enrich with Otis graduates from no fewer than seven decades. It was gratifying to hear our world through their creativity, their skill, and their vision. their consensus that the rigorous studies at Otis prepared them well for life after college. The vastly different journeys they have taken since Otis were also impres- Founded in 1918, Otis is L.A.’s first independent professional school of art. Otis' 1100 sive. Indeed, excellence and diversity, two defining values of Otis College of Art and students pursue degrees in architecture/landscape/ interiors, communication arts, digi- Design, are reflected throughout this issue of OMAG. tal media, fashion design, fine arts, interactive product design, public practice, toy Educational excellence at Otis is amply demonstrated by our renowned Fashion design, and writing. Alumni shape contemporary visual culture—from fine arts to the Design Program, which has just celebrated its 25th anniversary. -
Directory of Artists' Fellows & Finalists
NEW YORK FOUNDATION FOR THE ARTS Directory of Artists’ Fellows & Finalists 19 85 Liliana Porter Sorrel Doris Hays Architecture Crafts Film Susan Shatter Lee Hyla Elizabeth Diller Deborah Aguado Alan Berliner Elizabeth Yamin Oliver Lake Laurie Hawkinson John Dodd Bill Brand Meredith Monk David Heymann Lorelei Hamm Ayoka Chenzira Benny Powell John Margolies Wayne Higby Abigail Child Ned Rothenberg Michael Sorkin Patricia Kinsella Kenneth Fink Inter-Arts Pril Smiley Allan Wexler* Graham Marks George Griffin Mary K. Buchen Andrew Thomas Ellen Wexler* Robert Meadow Barbara Kopple William Buchen Judith Moonelis Cinque Lee Dieter Froese Louisa Mueller Christine Noschese Julia Heyward Robert Natalini Rachel Reichman Candace Hill-Montgomery Painting Choreography Douglas Navarra Kathe Sandler James Perry Hoberman Milet Andrejevic John Bernd Betty Woodman Richard Schmiechen Tehching Hsieh Luis Cruz Azaceta Trisha Brown Spike Lee Brenda Hutchinson William Bailey Yoshiko Chuma Patrick Irwin Ross Bleckner Blondell Cummings Barbara Kruger Eugene Brodsky Caren Canier Kathy Duncan Fiction Christian Marclay Karen Andes Martha Diamond Ishmael Houston-Jones Graphics M. Jon Rubin Michael Blaine Humberto Aquino Stephen Ellis Lisa Kraus William Stephens Magda Bogin Barbara Asch Mimi Gross Ralph Lemon Fiona Templeton Ray Federman Nancy Berlin Stewart Hitch Victoria Marks David Humphrey Arthur Flowers Enid Blechman Susan Marshall Yvonne Jacquette Wendy Perron Ralph Lombreglia Rimer Cardillo David Lowe Stephen Petronio Mary Morris Lloyd Goldsmith Music Medrie MacPhee -
Otis: Nine Decades of Los Angeles Art, That Sur- Debra Ballard, Otis’ Liberal Arts and Our World Through Their Creativity, Their Skill, and Their Vision
ol.1 ISSUE 2006 V PREMIERE Barnsdall Municipal Art Gallery of Los Angeles Art Otis: Nine Decades Otis College of Art and Design Magazine Otis College of Art and Design Otis College of Art and Design 9045 Lincoln Blvd. Non-Profit Los Angeles, CA 90045 U.S. Postage PAID Permit No. 427 Los Angeles, CA IN THIS ISSUE: “Rabbit in a Hat” in Appalachia • Four Fish Tacos and a Step into Liquid What is a Wiki? • Motorbike Diary: “Bharat Parikrama” www.otis.edu 02 12 28 32 Otis Approaching 90: Onward and Upward Otis College of Art and Design will turn 90 in 2008. Anniversary festivities began in Contributors Otis prepares diverse students of art and design to enrich 2006 with a large-scale exhibition, Otis: Nine Decades of Los Angeles Art, that sur- Debra Ballard, Otis’ Liberal Arts and our world through their creativity, their skill, and their vision. veyed the art legacy of the College (see p. 4 – 11). Included in upcoming anniversary Sciences Chair, is an educator who has celebrations will be a documentation of the impact of its successful curricular extensive curriculum design experience. expansion into design in recent decades. As the first independant professional Carol Branch, Liberal Arts and Sciences school of art in Southern California, Otis has played an important role in shaping faculty member, holds a PhD from UCLA 2006 Vol.1 In This Issue: the city’s culture. Nimble and entrepreneurial, the College’s curriculum has evolved in folklore and mythology, and specializes in African-American performance art. over time. As Otis responds to the needs of its students and changing conditions, Dave Hickey, 2004-2006 Distinguished 02 Otis: Nine Decades 12 ODG @ 20 it nurtures an ever-widening community of creative professionals. -
The Art of Gris Grimly
SCB DISTRIBUTORS IS Arrested Publications PROUD TO INTRODUCE Buenaventura Press Channel Trade Books Flesk Publications Hungry? City Guides Jet Books Koa Books Stark House Press Suspect Tots Wavefinder Limited Wisdom Tree Publishers SCB: TRULY INDEPENDENT Cover & Catalog Design by Rama Crouch-Wong Cover design from a painting, Reading Nick Cave, by David Anderle Courtesy of the artist and Billy Shire Fine Arts Layout by Dan Nolte Dark Friday By Jeffrey Leever “A new talent to be reckoned with.” – Midwest Book Review “Quick, tight, fast, and frightening…” – Phillip Tomasso III, Third Ring, Adverse Impact, Johnny Blade A masked killer is loose in a small Indiana town: five high-school students are dead, one’s in critical condition, and the Chief of Police is wounded. A local high school boy is quickly arrested, but the Chief can’t shake his nagging feeling that another explanation lurks in the shadows of his quiet little town. Joining forces with a once-respected investigative journalist, they start digging beneath the surface. They find that the deep motivation for these awful crimes is more disturbing than they ever could have imagined – and to uncover the truth, they’ll have to convince high school friends to turn against each other and In Cold Blood meets Columbine put their own lives on the line. Jeffrey Leever writes plays and novels, and is a marketing writer as well as a political and sports journalist: he writes the college football column The Scarlet Commentary. With a degree in English, he is a member of Rocky Mountain Fiction Writers and Pikes Peak Dark Friday Writers. -
Jean-Noel Archive.Qxp.Qxp
THE JEAN-NOËL HERLIN ARCHIVE PROJECT Jean-Noël Herlin New York City 2005 Table of Contents Introduction i Individual artists and performers, collaborators, and groups 1 Individual artists and performers, collaborators, and groups. Selections A-D 77 Group events and clippings by title 109 Group events without title / Organizations 129 Periodicals 149 Introduction In the context of my activity as an antiquarian bookseller I began in 1973 to acquire exhibition invitations/announcements and poster/mailers on painting, sculpture, drawing and prints, performance, and video. I was motivated by the quasi-neglect in which these ephemeral primary sources in art history were held by American commercial channels, and the project to create a database towards the bibliographic recording of largely ignored material. Documentary value and thinness were my only criteria of inclusion. Sources of material were random. Material was acquired as funds could be diverted from my bookshop. With the rapid increase in number and diversity of sources, my initial concept evolved from a documentary to a study archive project on international visual and performing arts, reflecting the appearance of new media and art making/producing practices, globalization, the blurring of lines between high and low, and the challenges to originality and quality as authoritative criteria of classification and appreciation. In addition to painting, sculpture, drawing and prints, performance and video, the Jean-Noël Herlin Archive Project includes material on architecture, design, caricature, comics, animation, mail art, music, dance, theater, photography, film, textiles and the arts of fire. It also contains material on galleries, collectors, museums, foundations, alternative spaces, and clubs.