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February 2008
21ST CENTURY MUSIC FEBRUARY 2008 INFORMATION FOR SUBSCRIBERS 21ST-CENTURY MUSIC is published monthly by 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. ISSN 1534-3219. Subscription rates in the U.S. are $84.00 per year; subscribers elsewhere should add $36.00 for postage. Single copies of the current volume and back issues are $10.00. Large back orders must be ordered by volume and be pre-paid. Please allow one month for receipt of first issue. Domestic claims for non-receipt of issues should be made within 90 days of the month of publication, overseas claims within 180 days. Thereafter, the regular back issue rate will be charged for replacement. Overseas delivery is not guaranteed. Send orders to 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. email: [email protected]. Typeset in Times New Roman. Copyright 2008 by 21ST-CENTURY MUSIC. This journal is printed on recycled paper. Copyright notice: Authorization to photocopy items for internal or personal use is granted by 21ST-CENTURY MUSIC. INFORMATION FOR CONTRIBUTORS 21ST-CENTURY MUSIC invites pertinent contributions in analysis, composition, criticism, interdisciplinary studies, musicology, and performance practice; and welcomes reviews of books, concerts, music, recordings, and videos. The journal also seeks items of interest for its calendar, chronicle, comment, communications, opportunities, publications, recordings, and videos sections. Typescripts should be double-spaced on 8 1/2 x 11 -inch paper, with ample margins. Authors with access to IBM compatible word-processing systems are encouraged to submit a floppy disk, or e-mail, in addition to hard copy. -
Boston Symphony Orchestra Concert Programs, Season 121, 2001-2002, Subscription, Volume 02
ZOOI-2002 SEASON - BOSTON SYMPHONY ORCHESTRA Saluting Seiji Ozawa in his farewell season SEIJI OZAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST ONDUCTOR Bring your Steinway: W/f/i floor plans from 2,300 Phase One of this magnificent to over 5,000 square feet, property is 100% sold and you can bring your Concert occupied. Phase Two is now Grand to Longyear. being offered by Sotheby's Enjoy full-service, single- International Realty and floor condominium living at its Hammond Residential Real absolute finest, all harmoniously Estate. Priced from $1,500,000. located on an extraordinary eight-acre Call Hammond Real Estate at gated community atop prestigious (617) 731-4644, ext. 410. Fisher Hill LONGYEAH a/ C^isJier jffiff BROOKLINE DwiqSCOMPANY Sellers & Collectors of Beautiful Jewelry 232 Boylston Street, Chestnut Hill, MA 02467 617-969-6262 1-800-DAVIDCO 617-969-3434 FAX www.davidandcompany.com Always purchasing diamonds andfinejewelryfrom thz public. Every car has its moment. This one has thousands per second. -«.. ^ |§§?Jr 4 .• ..-;. :.;. : ..,.-;.. The new 3 Series. Pure drive, The New BMW 3 Series From $27,745* v»^r% Test drive The Ultimate Driving Machine" bmwusa.com The Ultimate Machine' at your authorized BMW center 1-800-334-4BMW Driving Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twenty-first Season, 2001-02 SALUTING SELJI OZAWA IN HIS FAREWELL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Deborah Davis Berman, Vice-Chairman Vincent M. O'Reilly, Treasurer Julian Cohen, Vice-Chairman Ray Stata, Vice-Chairman Nina L. -
Repertoire and Performance History Virginia Opera Repertoire 1974-2020
Repertoire and Performance History Virginia Opera Repertoire 1974-2020 1974–1975 Initial Projects LA BOHÈME – January 1975 N LA TRAVIATA – June 1975 N 1975–1976 Inaugural Subscription Season TOSCA – October/November 1975 N LUCIA DI LAMMERMOOR – January 1976 N THE BARBER OF SEVILLE – March/April 1976 N 1976–1977 RIGOLETTO – October/November 1976 N IL TROVATORE – January 1977 N THE IMPRESARIO/I PAGLIACCI – March/April 1977 N 1977–1978 MADAMA BUTTERFLY – October/November 1977 N COSÌ FAN TUTTE – January/February 1978 N MARY, QUEEN OF SCOTS – American Premiere– April 1978 N 1978–1979 CARMEN – October/November 1978 N THE DAUGHTER OF THE REGIMENT – January 1979 N DON GIOVANNI – March/April 1979 N 1979–1980 LA BOHÈME – October/November 1979 N A CHRISTMAS CAROL – World Premiere – December 1979 N DON PASQUALE – January/February 1980 N THE TALES OF HOFFMAN – March 1980 N 1980–1981 PORGY AND BESS – October/November 1980 N, R HANSEL AND GRETEL – December 1980 N WERTHER – January/February 1981 N I CAPULETI E I MONTECCHI – March/April 1981 N 1981–1982 FAUST – October/November 1981 N CINDERELLA – December 1981 N LA TRAVIATA – January 1982 N THE MAGIC FLUTE – March 1982 N 1982–1983 DIE FLEDERMAUS – October/November 1982 N, R AMAHAL AND THE NIGHT VISITORS – December 1982 N MACBETH – January 1983 N THE ELIXIR OF LOVE – March 1983 N 1983–1984–Inaugural Subscription Season Richmond NORMA – October 1983 R GIANNI SCHICCHI/SUOR ANGELICA – December 1983 R RIGOLETTO – January 1984 N, R THE GIRL OF THE GOLDEN WEST – February/March 1984 N 1984–1985 THE MARRIAGE -
Boston Symphony Orchestra Concert Programs, Season 115, 1995-1996
BOSTON %y%- SYMPHONY ORCHESTRA *i f The security of a trust, Fidelity investment expertise, A CLw4ic Composition Fidelity * Just as a Beethoven score is at its best when performed by a world- Personal class symphony — so, too, should your trust assets be managed by Trust i a financial company recognized Service globally for its investment expertise. Fidelity Investments. Xhat's why Fidelity now offers a naged trust or personalized estment management account or your portfolio of $400,000 or more/ For more information, visit "Fidelity Investor Center or call Fidelity Pergonal Triut Service** at 1-800-854-2829. Visit a Fidelity Investor Center Near You: Boston - Back Bay • Boston - Financial District Braintree, MA • Burlington, MA Fidelity ^J-% Investments SERVICES OFFERED ONLY THROUGH AUTHORIZED TRUST COMPANIES. TRUST SERVICES VARY BY STATE. FIDELITY BROKERAGE SERVICES, INC., MEMBER NYSE, SIPC. Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Fifteenth Season, 1995-96 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barge r, Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice- Chairman Harvey Chet Krentzman, Vice-Chairman Mrs. Edith L. Dabney, Vice-chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. Robert B. Newman James F. Cleary Deborah B. Davis Allen Z. Kluchman Robert P. O'Block John E. Cogan, Jr. Nina L. Doggett George Krupp Peter C. Read Julian Cohen Avram J. Goldberg R. Willis Leith, Jr. Carol Scheifele-Holmes Chairman-elect William F. Connell Thelma E. Goldberg Richard A. -
The Girl of the Golden West Performer Biographies
THE GIRL OF THE GOLDEN WEST PERFORMER BIOGRAPHIES Deborah Voight (Minnie) Deborah Voigt is hailed by the worldʼs critics and audiences as todayʼs foremost dramatic soprano. The former Adler Fellow and Merola Opera Program alumna made her main stage debut in Don Carlos and has since returned to the Company in nine subsequent productions, most recently as Amelia Anckarström in Un Ballo in Maschera (2006). In addition to the role of Amelia in the 1990 production of Un Ballo in Maschera, her other performances at San Francisco Opera include Anna (Nabucco), Elisabeth (Tannhäuser), the title role of Ariadne auf Naxos, and Sieglinde (Die Walküre); these performances in La Fanciulla del West mark her role debut as Minnie. Voigt is a regular artist at the Metropolitan Opera—recent appearances there include the roles of Chrysothemis (Elektra), Senta (Der Fliegende Holländer), Isolde (Tristan und Isolde), Leonora (La Forza del Destino), the Empress (Die Frau ohne Schatten), Sieglinde, and the title roles of Tosca, Aida, Die Ägyptische Helena, and La Gioconda. She also performs regularly with Vienna State Opera (Tosca, the title roles of Salome and Ariadne auf Naxos, the Marschallin in Der Rosenkavalier, Isolde, Brünnhilde in Siegfried); Paris Opera (Senta, Lady Macbeth in Macbeth); the Royal Opera, Covent Garden (Ariadne, the Empress in Die Frau ohne Schatten, and the title role of Die Ägyptische Helena); Lyric Opera of Chicago (Salome, Isolde, Sieglinde, Tosca), Barcelonaʼs Gran Teatre del Liceu (Maddalena in Andrea Chénier, the title role of La Gioconda, Isolde) and the Salzburg Festival (the title role of Die Liebe der Danae). The Illinois native was a gold medalist in the 1990 Tchaikovsky Competition and received first prize in Italyʼs Verdi Competition. -
Lyric Opera of Kansas City 2015-16 Season to Conclude with Bizet's
FOR IMMEDIATE RELEASE Contact: Ellen McDonald (816) 444-0052 Or (816) 213-4355 (c) [email protected] For Tickets: kcopera.org or 816.471.7344 Lyric Opera of Kansas City 2015-16 Season to Conclude with Bizet’s Carmen Jose Maria Condemi, Zanda Švēde, Corey Crider and Janai Brugger Winner of 2016 Marian Anderson Vocal Award Making Lyric Opera Debuts Rafael Davila and Jeffrey Beruan Return April 23- May 1 at the Kauffman Center for the Performing Arts Kansas City, MO (March 25, 2016) – Lyric Opera of Kansas City concludes its dynamic 58th season with Georges Bizet’s Carmen April 23, 27, 29 and May 1 at the Kauffman Center for the Performing Arts. Bizet’s sweeping masterpiece of seduction and betrayal, complete with flaming dress and fighting bull, will be sung in French with English titles. High res production and artists’ photos can be downloaded here. Georges Bizet’s Carmen is one of the most famous operas of all time. Bizet’s score is seductive, alluring and perfectly matched to Carmen’s conquest of bullfighters, soldiers and smugglers. The fiery gypsy sings the signature “Habanera” as she sets her sights on local corporal Don José. He quickly falls under her spell, only to be cast aside and humiliated. The music follows his descent from soldier and lover to desperate murderer as he sends Carmen to her doom against the roar and cry of the bullring. This production is appropriate for children 13+. General Director and CEO Deborah Sandler stated, “We are thrilled to close our season with perhaps the most popular and charismatic opera of them all- Carmen. -
Boston Symphony Orchestra Concert Programs, Season 122, 2002-2003
2009 W03 SEASON JAMES LEVINE BERNARD HAITINK SEN I OZAWA MUSIC DIRECTOR LAUREATE OR M Bring your Steinway: With floor plans from 2,300 Phase One of this magnificent to over 5,000 square feet, property is 100% sold and you can bring your Concert occupied. Phase Two is now Grand to Longyear. being offered by Sotheby's Enjoy full-service, single- International Realty and floor condominium living at its Hammond Residential Real absolute finest, all harmoniously Estate. Priced from $1,500,000. located on an extraordinary eight-acre Call Hammond Real Estate at gated community atop prestigious (617) 731-4644, ext. 410. Fisher Hill LONGYEAR a/ Ijrisner Jiill BROOKLINE CORTLANlf SOTHEBY'S mmami PROPERTIES ENC International Realty E A L ESTATE -.?« .4 Rarely does a residential building combine this level of architecture, service, and location, in one of Boston's most vibrant neighborhoods. Even rarer still is the opportunity to be a part of it. Street, Atelier is Located at 505 Tremont Street at the corner of Berkeley | 505 a limited edition of luxury condominiums by The Druker Company, Ltd., developer of the award-winning The Heritage On The Garden. Opening pricing from $550,000 - $3,000,000. Sales Center now open. For appointment and preview call 617.451.5050 www.Atelier505.com ?dfar £ BOSTON \ James Leviiie, Music Director Designate SYMPHONY i } Bernard Haitink, Principal Guest Conductor \UK.L.rit,MKA/ o ••• Ozawa, Music Director Laureate 122nd Season, 2002-2003 ^flfcfcfljjff^^^^5 Trustees of the Boston Symphony Orchestra , Inc. Peter A. Brooke, Chairman Julian Cohen, Vice-Cha irman Robert P. -
Lyric Opera of Kansas City 2016-17 Season Continues with Lyric
FOR IMMEDIATE RELEASE Contact: Ellen McDonald (816) 444-0052 Or (816) 213-4355 (c) [email protected] For Tickets: kcopera.org or 816.471.7344 Lyric Opera of Kansas City 2016-17 Season Continues with Lyric Opera debut co-production of The Marriage of Figaro ALL NEW Co-Production with Opera Philadelphia, San Diego Opera and Palm Beach Opera Kansas City, MO (October 11, 2016) – Lyric Opera of Kansas City continues its 59th season with the Lyric Opera debut co-production of Mozart’s masterpiece The Marriage of Figaro November 5, 9, 11 and 13 at the Kauffman Center for the Performing Arts. Joining the Lyric Opera as co- producers are Opera Philadelphia, San Diego Opera and Palm Beach Opera. The production will be sung in Italian with English titles. High res production and artists’ photos can be downloaded here. Considered by many to be the most perfect opera ever written, The Marriage of Figaro is a comedy of class warfare and love, lost and found. After a day of chaos and confusion, love is restored, families are reunited and Figaro finally gets his bride. Acclaimed director Stephen Lawless will make his Lyric Opera of Kansas City debut as he brings his talents to the Muriel Kauffman Theatre stage to direct this opera buffa. Edward Parks comes to Kansas City for his Lyric Opera debut to play the philandering husband Count Almaviva and Katie Van Kooten returns to Lyric Opera to reprise her acclaimed role as Countess Almaviva. Finally, also making their Lyric Opera of Kansas City debuts are Adam Lau, in the role of Figaro, Margaret Gawrysiak as Marcellina and Steven Cole in the roles of Don Basilio and Don Curzio. -
Boston Symphony Orchestra Concert Programs, Season 115, 1995-1996, Subscription, Volume 01
•J%*\ - 'i^ ORCHESTRA v SEIJI Mm OZAWA MUSIC DIRECTOR ~)m WV.... O N The security of a trust, Fidelity investment expertise. A Clxusic Composition Fidelity Just as a Beethoven score is at its best when performed by a world- Pergonal class symphony — so, too, should Trudt your trust assets be managed by a financial company recognized Servicer globally for its investment expertise. Fidelity Investments. That's why"Fidelity now offers a managed trust or personalized PC«* investment management account for your portfolio of $400,000 or rnore; For more information, visit -*a Fidelity Investor Center or call Fidelity Pergonal Triut Serviced at 1-800-854-2829. Visit a Fidelity Investor Center Near You: Boston - Back Bay • Boston - Financial District Braintree, MA • Burlington, MA Fidelity Investments SERVICES OFFERED ONLY THROUGH AUTHORIZED TRUST COMPANIES. TRUST SERVICES VARY BY STATE. FIDELITY BROKERAGE SERVICES, INC., MEMBER NYSE, SIPC. V Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Fifteenth Season, 1995-96 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. Robert B. Newman James F. Cleary Deborah B. Davis Allen Z. Kluchman Robert P. O'Block John E. Cogan, Jr. Nina L. Doggett George Krupp Peter C. Read Julian Cohen Avram J. Goldberg R. Willis Leith, Jr. Carol Scheifele-Holmes Chairman-elect William F. -
LP RECORDS 12” UNLESS OTHERWISE INDICATED All LP Records and Jackets Are in 1-2 Condition Unless Otherwise Described
LP RECORDS 12” UNLESS OTHERWISE INDICATED All LP records and jackets are in 1-2 condition unless otherwise described. Some may have minor cover index marks (numbers) top left rear corner. "Few lt. rubs" indicate superficial marks, usually related to early mono issues which were not originally issued with internal sleeves. "Factory sealed" indicates unopened copy. Mono unless described as Stereo. Most autographed records are in mint condition, and possibly never played. A few of the older LPs (not autographed) may have a bit of a musty odor, having been housed in a basement (not mine!) for a number of years. If at all offensive, the jackets can be left in the sun for a few hours (without the records enclosed!) and the odor should disappear. All autographs (signatures) here and elsewhere in this catalogue are guaranteed to be genuine. If you have any specific questions, please don’t hesitate to ask (as soon as is possible). ALL LP RECORDS CAN BE ASSUMED IN 1-2 CONDITION UNLESS OTHERWISE DESCRIBED. COVERS ARE AT LEAST 2. ANY DAMAGE DESCRIBED. LP - VOCAL COLLECTIONS and RECITALS 4243. MAURA MORIERA [c], assisted by EDITH MATHIS [s], CHRISTA LEHNERT [s], MARGARETE WITTE-WALDBAUER [c], ROBERT TITZE [bs], INNSBRUCH SYMP. ORCH. & CHO. dir. ROBERT WAGNER. WESENDONCK LIEDER (Wagner); RÜCKERT LIEDER (Mahler); REQUIEM FOR MIGNON (Schumann); ALTO RHAPSODY (Brahms). Vox PL 12.320. Minor cover rub. $10.00. 4263. DOROTHY KIRSTEN [s], JAMES MC CRACKEN [t], JULIE ANDREWS [s], VIC DAMONE [singer]. FIRESTONE’S “YOUR FAVORITE CHRISTMAS MUSIC”. Vol. 4. Orch. dir. Irwin Kostal. Cover signed by Kirsten and McCracken. -
Spoleto Festival Usa Program History 2013–1977
SPOLETO FESTIVAL USA PROGRAM HISTORY 2013–1977 Spoleto Festival USA Program History Page 2 2013 Opera *Matsukaze, music by Toshio Hosokawa; libretto by Hannah Dübgen; conductor, John Kennedy; director, Chen Shi-Zheng; set designer, Chris Barreca; costume designer, Elizabeth Caitlin Ward; lighting designer, Scott Zielinski; video designer, Olivier Roset; Cast: Gary Simpson, Thomas Meglioranza, Pureum Jo, Jihee Kim; Dock Street Theatre Mese Mariano/Le Villi; Mese Mariano, music by Umberto Giordano; libretto by Salvatore Giacomo; Le Villi, music by Giacomo Puccini, libretto by Ferdinando Fontana; conductor, Maurizio Barbacini; director, Stefano Vizioli; set designer, Neil Patel; costume designer, Roberta Guidi di Bagno; lighting designer, Matt Frey; choreographer, Pierluigi Vanelli; Cast Mese Mariano: Linda Roark-Strummer, Ann McMahon Quintero, Jennifer Rowley, Yanzelmalee Rivera, Allison Faulkner, Nicole Fregala, Shari Perman, Anne Marie Stanley, Justin Su’esu’e; Cast Le Villi: Levi Hernandez, Jennifer Rowley, Dinyar Vania; Sottile Theatre Dance Jared Grimes; dancers, Jared Grimes, Robyn Baltzer, Dewitt Fleming Jr, Karida Griffith, Tony Mayes; Emmett Robinson Theatre Compagnie Käfig; artistic director and main choreographer, Mourad Merzouki; programs, Correria and Agwa; TD Arena Ballet Flamenco de Andalucía; artistic director and choreographer, Rubén Olmo; guest soloist, Pastora Galván; program, Noche Andaluza; TD Arena Lucky Plush Productions, creators/directors, Leslie Buxbaum Danzig and Julia Rhoads; original script, Leslie Buxbaum Danzig, -
Lyric Opera of Kansas City Kicks Off 60Th Anniversary 2017-2018 Season with NEW PRODUCTION of Eugene Onegin
FOR IMMEDIATE RELEASE Contact: Ellen McDonald (816) 444-0052 Or (816) 213-4355 (c) [email protected] For Tickets: kcopera.org or 816.471.7344 Lyric Opera of Kansas City Kicks Off 60th Anniversary 2017-2018 Season with NEW PRODUCTION of Eugene Onegin Built at Lyric Opera of Kansas City, production will debut at Kauffman Center Sept. 30 through Oct. 8 as part of co-production with Hawaii Opera Theatre, Michigan Opera Theatre, Atlanta Opera and Seattle Opera Lyric Opera debuts include Bass-Baritone Paul Whelan, Baritone Morgan Smith and Conductor Ari Pelto Soprano Joyce El-Khoury and Mezzo- Soprano Megan Marino and Tenor Jonathan Johnson return to Lyric Opera Kansas City, MO (August 17, 2017) – Lyric Opera of Kansas City opens its 60th Anniversary season with Tchaikovsky’s compelling masterpiece, Eugene Onegin (oh-nyeh-gin with hard ‘g’) Sept. 30, Oct. 4, 6 and 8 at the Kauffman Center for the Performing Arts. The production will be sung in Russian with English subtitles. In one of the greatest of all musical adaptations of a literary classic, Pyotr Ilyich Tchaikovsky turned Alexander Pushkin’s Russian “novel in verse” into one of the world’s most beloved operas. Awash in aristocratic formality and extravagance, Onegin’s youthful disillusionment snowballs into a tragic love story saturated with drama, reversal of affections, betrayal of friendship, and death. Pushkin’s profoundly human, ultimately devastating story, elevated by Tchaikovsky’s richly layered and unabashedly expressive music, make Eugene Onegin perhaps the most universally beloved of all Russian operas. General Director and CEO Deborah Sandler said, “Our 60th season is designed to give our audiences an experience like no other, with its compelling combination of operas.