Wesmontgomerydiscography.Pdf Discography

Total Page:16

File Type:pdf, Size:1020Kb

Wesmontgomerydiscography.Pdf Discography January 28, 1949 LIONEL HAMPTON [H1140.10]Lionel Hampton and his Orchestra : Teddy Buckner, Wendell Culley, Leo Shepherd, Duke Garrette, Jimmy Nottingham (tp) Britt Woodman, Jimmy Wormick, Sonny Craven (tb) Ben Kynard, Bobby Plater (as) Billy Williams, Johnny Sparrow (ts) Charlie Fowlkes (bar) Lionel Hampton (vib,ldr) Milt Buckner (p) Wes Montgomery (g) Charles Mingus (b) poss. Charles Harris (b) Earl Walker (d) Herman McCoy (vcl) Lester Bass (bass-tp) Broadcast, Fairmont, WV, prob. June 29, 1948 Always Doctor Jazz (Du)DJ-012 [CD] Don't blame me (hm vcl) - How high the moon - Adam blew his hat Cicala (It)BLJ8015, WK Records (G)12-1, Alamac QSR2419, Forlane UCD19008 [CD], Doctor Jazz (Du)DJ-012 [CD] [H1142] Billie Holiday (vcl) Wynonie Harris (vcl) Bobby Tucker (p-1) added Broadcast, Geneva, N.Y., July 7, 1948 I cover the waterfront (bh vcl,1) WK Records (G)12-1, Lady Day Box (It)LDB04, JUTB (It)3036 [CD], Sound Hills (Jap)SSCD8005/16 [CD], Masters of Jazz (F)MJCD184 [CD] Good rockin' tonight (wh vcl) Cicala (It)BLJ8015 [H1143] Billie Holiday, Wynonie Harris, Bobby Tucker out, Johnny Board (as) added Broadcast, Geneva, N.Y., July 21, 1948 Brant Inn boogie Cicala (It)BLJ8015, WK Records (G)12-1, Alamac QRS2419, Forlane UCD19008 [CD] [H1144] Leo Sheppard, Duke Garrette, Jimmy Nottingham, Wendell Culley, Teddy Buckner (tp) Lester Bass (tp,b-tp) Sonny Craven, James Wormick (tb) Bobby Plater, Ben Kynard, Johnny Board (as) Billy Williams, Johnny Sparrow (ts) Charlie Fowlkes (bar) Lionel Hampton (vib) Milt Buckner (p) Wes Montgomery (g) Roy Johnson (b) Charles Mingus (b,arr) Earl Walker (d) Broadcast, Peoria, Illinois, August 4, 1948 Body and soul Cicala (It)BLJ8015, WK Records (G)12-1, Alamac QRS2419, JDS JDS12-1, Properbox (E)77 [CD] Note: Personnel from Properbox (E)77 [CD]. This session is not listed in the Milt Buckner discography. [H1145] similar pers Broadcast, Denver, Columbia, August 11, 1948 Satchmo's blues Cicala (It)BLJ8015, WK Records (G)12-1, Alamac QRS2419, Forlane UCD19008 [CD] [H1146] Lionel Hampton And His Orchestra : Walter Williams, Benny Bailey, Duke Garrette, Wendell Culley, Leo Shepherd (tp) Al Grey, Lester Bass, Jimmy Wormick (tb) Johnny Board, Bobby Plater (as) Billy Williams, Johnny Sparrow (ts) Ben Kynard (bar) Lionel Hampton (vib,p,d,vcl) Milt Buckner (p) Wes Montgomery (g) Roy Johnson (b) Earl Walker (d) Broadcast, Little Rock, Arkansas, October 15, 1948 Dues in blues Cicala (It)BLJ8015, Alamac QRS2419, WK Records (G)12-1, Forlane UCD19008 [CD] [H1147] same pers with (Lorraine) Betty Carter (vcl) added Broadcast, unknown location 1948 Beulah's boogie (*) Cicala (It)BLJ8015, Alamac QRS2419 Calling Dr. Mancuso - - Jay Bird (bc vcl) - - Re-bop - - Note: All titles on Cicala (It)BLJ8015 also on Jazz Live BLJ8015, Alamac QRS2419, Alamac 180048. All titles, except (*), also on Forlance UCD19008 [CD]. All above titles also on WK Records (G)12-1. [H1148] Lionel Hampton And His Sextet : Benny Bailey, Duke Garrette (tp) Johnny Board (as) Gene Morris (ts) Lionel Hampton (vib,p,vcl,arr) Albert Ammons (p) John Leslie (g) [pseud. for Wes Montgomery (g) ] Roy Johnson (b) Earl Walker (d) Sonny Parker, Betty Carter (vcl) New York, January 27, 1949 74727 Chicken shack boogie (lh vcl,arr) De 24574, MCA (F)510103, MCA 1331, Properbox (E)12 [CD], Decca GRD-2-652 [CD] 74728 New Central Avenue breakdown De 24607, DL74296, MCA (F)510103, MCA 2-4075, (F)510112, Decca DL34313, GRD-2-652 [CD] 74729 Benson boogie (sp,bc vcl) De 24574, MCA (F)510103, 510112, Properbox (E)12 [CD] Note: All above titles also on Coral (G)6.22181. All above titles also on Classics (F)1161 [CD] titled "Lionel Hampton and his Orchestra, 1949-1950"; see flwg sessions to January 25, 1950 for rest of CD. [H1149] Lionel Hampton And His Orchestra : Wendell Culley, Leo Shepherd, Walter Williams, Benny Bailey, Duke Garrette (tp) Lester Bass, Al Grey, Benny Powell, Jimmy Wormick (tb) Johnny Board, Bobby Plater (as) Johnny Sparrow, Billy Williams, Gene Morris (ts) Ben Kynard (bar) Lionel Hampton (vib,p,vcl) Albert Ammons (p) Wes Montgomery (g) Roy Johnson (b) Earl Walker (d) Sonny Parker, Rick Brown (vcl) New York, January 28, 1949 74730 Hamp's boogie no 2 De 24607, MCA (F)510112, Coral (G)6.22181, Affinity (E)AFS1000, Jazz Roots (Eu)CD56014 [CD], Saga Jazz (F)981063-3 [CD] 74731 Hamp's gumbo (sp vcl,*) MCA 1351, (F)510.140, MCA/Coral PCO7503, Coral (G)6.22181 74732 Beulah's sister's boogie (lh,rb vcl) De 24699, MCA/Coral PCO7503, Coral (G)6.22421, MCA (F)510112, Affinity (E)AFS1000, Jazz Roots (Eu)CD56014 [CD] 74733 Wee Albert De 24699, MCA (F)510103, Coral (G)6.22421, MCA 1331, Affinity (E)AFS1037 Note: All titles, except (*), also on Properbox (E)12 [CD]. All above titles also on Classics (F)1161 [CD] THE JAZZ DISCOGRAPHY - Wes Montgomery Name Discography, April 3, 2015 Page 1 April 26, 1949 [H1150] Lionel Hampton Orchestra And Quartet : Douglas Duke (p) replaces Albert Ammons, rest same New York, April 26, 1949 74853 What's happening baby (sp vcl) De 24642, MCA (F)510117, Blue Moon (It)BMCD6003 [CD], Decca GRD-2-652 [CD] 74854 Drinkin' wine, spo-dee-o-dee (sp vcl) De 24642, MCA (F)510117, Blue Moon (It)BMCD6003 [CD], Properbox (E)12 [CD], Decca GRD-2-652 [CD] 74855 Moonglow (ww,lh,rj,ew only) MCA (F)510181, Coral PCO8225, Affinity (E)AFS1037, Properbox (E)12 [CD], Decca GRD-2-652 [CD] Note: All above titles also on Coral (G)6.22421, Classics (F)1161 [CD]. [H1151] Lionel Hampton Orchestra : Wendell Culley, Leo Shepherd, Walter Williams, Ed Mullens (tp) Lester Bass, Al Grey, Alfred "Chippy" Outcalt, Jimmy Wormick (tb) Johnny Board, Bobby Plater (as) Johnny Sparrow, Billy Williams, Gene Morris (ts) Ben Kynard (bar) Lionel Hampton (vib,p,vcl) France Gadison (p) Doug Duke (org-1) Wes Montgomery (g) Roy Johnson (b) Earl Walker (d) Betty Carter, Joe James, Sonny Parker, The Hamp-Tones (vcl) : John Wilson, Fred Hamilton, Raymond Johnson, Richard Palmer (vcl) New York, May 10, 1949 74897 The hucklebuck (bc vcl) De 24652, MCA (F)510117, Time-Life STBB-24, Properbox (E)12 [CD], Decca GRD-2-652 [CD] 74898 Baby, you're great (tht vcl) Br (G/F)82619LPBM 74899 Lavender coffin (1,lh,jj vcl) De 24652, MCA 1331, (F)510103, Affinity (E)AFS1037, Properbox (E)12 [CD], Decca GRD-2-652 [CD] Note: (1) Culley, Morris, Kynard, Doug Duke (org), Montgomery, Johnson, Walker and Hampton only. All above titles also on Classics (F)1161 [CD]. [H1152] Similar pers New York, autumn 1949 Bopology Jazz Soc AA544, Jazz Club LP121 Hampology - - Flying home (pt 1) AA561 - Flying home (pt 2) - - Beulah's boogie (pt 1) AA588 - Beulah's boogie (pt 2) - - Jingle boogie AA587 - Drumology - - GENE MORRIS [M10901] Gene Morris Band : Gene Morris (ts) Douglas Duke (p) Wes Montgomery (g) prob Ray Johnson (b) Ellis Bartee (d) Sonny Parker (vcl) Los Angeles, c. September 1949 King trotter Spire 11-003 Rocking with G.H. (sp vcl) - , Blue Moon (It)BMCD6003 [CD] Carlena's blues (sp vcl) 11-004, Blue Moon (It)BMCD6003 [CD] Smooth evening - SONNY PARKER [P1126] Sonny Parker And His All Stars : Sonny Parker (vcl) acc by Walter Williams (tp) Al Gray (tb) Johnny Board (as) Gene Morris (ts) Floyd Dixon (p) Wes Montgomery (g) Ray Johnson (b) Ellis Bartee (d) Los Angeles, September 7, 1949 RR800-4 Hamp's gumbo Aladdin 3033, Riverboat (F)900263 RR801-3 Pretty baby - RR802-1 Sonny's blues (unissued) RR803-3 Sad feeling Aladdin 3062, Riverboat (F)900263 RR804-2 I want a little girl - - Note: "Hamp's Gumbo" issued as "Rocking with G.H.". One more title from Riverboat (F)900263 by Lionel Hampton. All issued titles also on Blue Moon (It)BMCD6003 [CD]. LIONEL HAMPTON [H1153] Lionel Hampton And His Orchestra : Walter Williams, Benny Bailey, Ed Mullens, Duke Garrette, Leo Shepherd (tp) Al Grey, Benny Powell, Paul Lee (tb) [R.N. Paul Higaki (tb) ] Jimmy Wormick (tb) Bobby Plater, Jerome Richardson (as) Curtis Lowe, Johnny Board, Billy Williams (ts) Lonnie Shaw (bar) Lionel Hampton (vib) Douglas Duke (p,org) Wes Montgomery (g) Roy Johnson (b) Ellis Bartee (d) Sonny Parker (vcl) unknown female (vcl-1) The Hamp-Tones (vcl) New York, December 29, 1949 75636 Rag mop (tht vcl) De 24855, MCA (F)510103, Coral (G)6.22421, MCA 1331, Affinity (E)AFS1000, Time-Life STBB-24, Properbox (E)12 [CD], Decca GRD-2-652 [CD] 75637 For you my love (sp vcl) De 24855, MCA (F)510117, Coral (G)6.22421, Blue Moon (It)BMCD6003 [CD] 75638 Sky blue (1) Coral/MCA PCO8225, Coral (G)6.22421, Affinity (E) AFS1037 Note: All above titles also on Classics (F)1161 [CD]. [H1154] Lionel Hampton And His Orchestra : prob pers of the period "Bop City", New York, December 1949 & January 1950 Mary had a little lamb (1) Alto AL708 Hamp's basement (2) - Shadows in the night - Hamp's spectacle (3) - Symphony in jazz - Flying home - Jingle boogie - Hampology - Page 2 THE JAZZ DISCOGRAPHY - Wes Montgomery Name Discography, April 3, 2015 1957 Bopology - Note: (1) unknown female vcl added, (2) Hampton plays (p), (3) Hampton plays (d) acc by (b) only. [H1155] Little Jimmy Scott (vcl) added, [aka Jimmy Scott (vcl) ] rest same New York, January 5, 1950 75664 I've been a fool (ljs vcl,*) De 24864, Coral 6.22421, Affinity (E)AFS1037 75665 How you sound (sp vcl) 24911, Coral 6.22421 75666 I almost lost my mind (sp vcl) 24864, Coral 6.22421, MCA (Jap)3527 Note: All above titles also on Classics (F)1161 [CD].
Recommended publications
  • Duke Ellington Kyle Etges Signature Recordings Cottontail
    Duke Ellington Kyle Etges Signature Recordings Cottontail. Cottontail stands as a fine example of Ellington’s “Blanton-Webster” years, where the ​ band was at its peak in performance and popularity. The “Blanton-Webster” moniker refers to bassist Jimmy Blanton and tenor saxophonist Ben Webster, who recorded Cottontail on May 4th, 1940 alongside Johnny Hodges, Barney Bigard, Chauncey Haughton, and Harry Carney on saxophone; Cootie Williams, Wallace Jones, and Ray Nance on trumpet; Rex Stewart on cornet; Juan Tizol, Joe Nanton, and Lawrence Brown on trombone; Fred Guy on guitar, Duke on piano, and Sonny Greer on drums. John Hasse, author of The Life and Genius of Duke ​ Ellington, states that Cottontail “opened a window on the future, predicting elements to come in ​ jazz.” Indeed, Jimmy Blanton’s driving quarter-note feel throughout the piece predicts a collective gravitation away from the traditional two feel amongst modern bassists. Webster’s solo on this record is so iconic that audiences would insist on note-for-note renditions of it in live performances. Even now, it stands as a testament to Webster’s mastery of expression, predicting techniques and patterns that John Coltrane would use decades later. Ellington also shows off his Harlem stride credentials in a quick solo before going into an orchestrated sax soli, one of the first of its kind. After a blaring shout chorus, the piece recalls the A section before Harry Carney caps everything off with the droning tonic. Diminuendo & Crescendo in Blue. This piece is remarkable for two reasons: Diminuendo & ​ ​ Crescendo in Blue exemplifies Duke’s classical influence, and his desire to write more ​ grandiose pieces with more extended forms.
    [Show full text]
  • Londonjazz: LP REVIEW: Hubert Laws – Afro Classic
    0 Mehr Nächster Blog» Blog erstellen Anmelden Diese Website verwendet Cookies von Google, um ihre Dienste bereitzustellen, Anzeigen zu personalisieren und Zugriffe zu analysieren. Informationen darüber, wie Sie die Website verwenden, werden an Google weitergegeben. Durch die Nutzung dieser Website erklären Sie sich damit einverstanden, dass sie Cookies verwendet. WEITERE INFORMATIONEN OK Home Venues Can We Help? Team London Latin Jazz Fest LP REVIEW: Hubert Laws – LondonJazz - Facebook Afro Classic Tweets Follow LondonJazz 48m Jeff Herr News @LondonJazz CD REVIEW: Lizz Wright - Freedom and Surrender londonjazznews.com/2015/09/cd-rev Expand LondonJazz 1h News @LondonJazz Does anyone know if this report on Wilton Felder passing away is true or false? Hubert Laws – Afro Classic houstonpress.com/music/legendar (Speakers Corner/CTI 6006. LP review by Andrew Cartmel) Show Summary LondonJazz Another classic from the CTI (Creed Taylor Incorporated) catalogue, revived on state 2h Broadbent Mancio Songbook News of the art vinyl by Speakers Corner. These are beautiful, lucid recordings engineered @LondonJazz by the great Rudy Van Gelder in December 1970, featuring flautist Hubert Laws as Newsweek feature about leader. Laws had begun recording his own albums at Atlantic (also the home of @gregoryporter Herbie Mann, the other leading exponent of jazz flute) before being lured away by newsweek.com/2015/10/09/rb- Creed Taylor. Laws’s jazz credentials are flawless, but he also had a considerable Show Summary presence in the world of classical music — having studied at Juilliard before playing orphy 9h with the New York Philharmonic and Metropolitan Opera orchestras. The ‘Classic’ in @Orphyvibes the title alludes to Laws’s interest in classical music, and in this pursuit he’s aided Magic Science Quartet - signifcantly by Don Sebesky, one of CTI’s cornerstone arrangers.
    [Show full text]
  • Read Full Article in PDF Version
    The Subversive Songs of Bossa Nova: Tom Jobim in the Era of Censorship Irna Priore and Chris Stover OSSA nova flourished in Brazil at the end of the 1950s. This was a time of rapid Bdevelopment and economic prosperity in the country, following President Jucelino Kubitschek’s 1956 proclamation of “fifty years of progress in five,” but after the 1964 coup d’état, when General Humberto Castello Branco’s military regime took control of Brazil, the positive energy of the bossa nova era quickly dissipated.1 Soon after the 1964 coup the atmosphere changed: civil rights were suppressed, political dissent was silenced, and many outspoken singer-songwriters, authors and playwrights, journalists, and academics were censored, arrested, and imprisoned. First-generation bossa nova artists, however, were able to avoid such persecution because their music was generally perceived as apolitical.2 This essay challenges this perception by analyzing the ways in which iconic bossa nova composer Antônio Carlos (“Tom”) Jobim inscribed subversive political thought through musical syntax and lyrical allegory in several of his post-1964 songs. We begin by providing a brief overview of the socio-political history of 1960s Brazil, considering some general features of the Brazilian protest song (canção engajada) before focusing on Chico Buarque’s anthemic “Roda viva” as an exemplar of that style. We then move to a detailed examination of the Jobim compositions “Sabiá” and “Ligia,” the lyrics to both of which speak of love, longing, and saudade in the manner of many bossa nova songs, but within which can be found incisive (if carefully coded) critiques of the Castello Branco government.
    [Show full text]
  • Guide to Ella Fitzgerald Papers
    Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
    [Show full text]
  • Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 11/09/2011 04:57 Pm
    Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 11/09/2011 04:57 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 11/02/2011 to 11/08/2011 Last Period (TP) = 10/25/2011 to 11/01/2011 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 2 Jeff McLaughlin Quartet Blocks Owl Studios 2011 11 12 -1 2 27 Christian McBride Big The Good Feeling Mack Avenue 2011 9 3 6 Band 3 308 Pat Martino Undeniable: Live At Blues HighNote 2011 8 0 8 Alley 4 4 Dr. Michael White Adventures In New Basin Street 2011 7 9 -2 Orleans Jazz Pt. 1 4 8 Stefon Harris, David Ninety Miles Concord Picante 2011 7 8 -1 Sanchez, Christian Scott 4 14 Warren Wolf Warren Wolf Mack Avenue 2011 7 6 1 4 308 Houston Person So Nice HighNote 2011 7 0 7 8 4 Jay Ashby & Steve Davis Mistaken Identity MCG Jazz 2011 6 9 -3 8 10 Orrin Evans Freedom Posi-Tone 2011 6 7 -1 10 1 Roy Haynes Roy-Alty Dreyfus 2011 5 13 -8 10 3 Cedar Walton The Bouncer High Note 2011 5 10 -5 10 8 Afro Bop Alliance Una Mas OA2 2011 5 8 -3 10 20 Alan Leatherman Detour Ahead AJL 2011 5 4 1 10 20 Dave Valentin Pure Imagination HighNote 2011 5 4 1 10 43 Sir Roland Hanna Colors From A Giant's Kit IPO 2011 5 2 3 10 43 Denise Donatelli What Lies Within Savant 2008 5 2 3 17 4 Bill O'Connell Triple Play Plus Three Zoho 2011 4 9 -5 17 10 John Stein Hi Fly Whaling City Sound 2011 4 7 -3 17 18 Gerald Beckett Standard Flute Summit 2011 4 5 -1 17 20 Denise Donatelli When Lights Are Low Savant 2010 4 4 0 17 27 Sammy Figueroa Urban Nature
    [Show full text]
  • Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter
    Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey In partial fulfillment of the requirements for the degree of Master of Jazz History and Research Graduate Program in Arts written under the direction of Dr. Lewis Porter and Dr. Henry Martin And approved by Newark, New Jersey May 2016 ©2016 Zachary Streeter ALL RIGHT RESERVED ABSTRACT Jimmy Raney Thesis: Blurring the Barlines By: Zach Streeter Thesis Director: Dr. Lewis Porter Despite the institutionalization of jazz music, and the large output of academic activity surrounding the music’s history, one is hard pressed to discover any information on the late jazz guitarist Jimmy Raney or the legacy Jimmy Raney left on the instrument. Guitar, often times, in the history of jazz has been regulated to the role of the rhythm section, if the guitar is involved at all. While the scope of the guitar throughout the history of jazz is not the subject matter of this thesis, the aim is to present, or bring to light Jimmy Raney, a jazz guitarist who I believe, while not the first, may have been among the first to pioneer and challenge these conventions. I have researched Jimmy Raney’s background, and interviewed two people who knew Jimmy Raney: his son, Jon Raney, and record producer Don Schlitten. These two individuals provide a beneficial contrast as one knew Jimmy Raney quite personally, and the other knew Jimmy Raney from a business perspective, creating a greater frame of reference when attempting to piece together Jimmy Raney.
    [Show full text]
  • Vut 20140303 – Big Bands
    JAMU 20140305 – BIG BANDS (2) 10. Chicago Serenade (Eddie Harris) 3:55 Lalo Schifrin Orchestra: Ernie Royal, Bernie Glow, Jimmy Maxwell, Marky Markowitz, Snooky Young, Thad Jones-tp; Billy Byers, Jimmy Cleveland, Urbie Green-tb; Tony Studd-btb; Ray Alonge, Jim Buffington, Earl Chapin, Bill Correa-h; Don Butterfield-tu; Jimmy Smith-org; Kenny Burrell-g; George Duvivier-b; Grady Tate-dr; Phil Kraus-perc; Lalo Schifrin-arr,cond. Englewood Cliffs, NJ, April 27/29, 1964. Verve V6-8587. 11. A Genuine Tong Funeral – The Opening (Carla Bley) 2:14 Gary Burton Quartet with Orchestra: Gary Burton-vib; Larry Coryell-g; Steve Swallow-b; Bobby Moses-dr; Mike Mantler-tp; Jimmy Knepper-tb,btb; Howard Johnson-tu,bs; Leandro “Gato” Barbieri-ts; Steve Lacy-ss; Carla Bley-p,org,cond. New York, July 1967. RCA Victor LSP 3901. 12. Escalator Over the Hill (Carla Bley) 4:57 Michael Mantler-tp; Sam Burtis, Jimmy Knepper, Roswell Rudd-tb; Jack Jeffers-btb; Bob Carlisle, Sharon Freeman-h; John Buckingham-tu; Jimmy Lyons-as; Gato Barbieri-ts; Chris Woods-bs; Perry Robinson-cl; Nancy Newton-vla; Charlie Haden-b; Paul Motian-dr; Tod Papageorge, Bob Stewart, Rosalind Hupp, Karen Mantler, Jack Jeffers, Howard Johnson, Timothy Marquand, Jane Blackstone, Sheila Jordan, Phyllis Schneider, Pat Stewart-voc; Bill Leonard, Don Preston, Viva, Carla Bley- narrators. November 1968-June 1971, various places. JCOA 839310-2. 13. Adventures in Time – 3x3x2x2x2=72 (Johnny Richards) 4:29 Stan Kenton Orchestra: Dalton Smith, Bob Behrendt, Marvin Stamm, Keith Lamotte, Gary Slavo- tp; Bob Fitzpatrick, Bud Parker, Tom Ringo-tb; Jim Amlotte-btb; Ray Starlihg, Dwight Carver, Lou Gasca, Joe Burnett-mell; Dave Wheeler-tu,btb; Gabe Baltazar-as, Don Menza, Ray Florian-ts; Allan Beutler-bs; Joel Kaye-bass,bs; Stan Kenton-p; Bucky Calabrese-b; Dee Barton-dr; Steve Dweck- tympani,perc.
    [Show full text]
  • Journal of the American Viola Society Volume 4 No. 1, Spring 1988
    :.. Chaj)ter of THE INTERNATioNAL VIO~A SOCIETY Association for the Pro motion ofViolaPerforrnance and Research :' Vol. 4 No, 1 .- -. 3 Teaching: Questioning, Imagery and Exploration KathrynPlummer ' 7 Writing for the Viola "·· Alan' Shulman ' .' II ' The Story of Viol~ World .Robert Mandell" (5 William Magers Rosemary Glyde " . ... .", ~ <. ..... .; ~ . The Journal of th e American V iola Society is a public ati on of th at organi zatio n. and is produced at Br igh am You ng U nive rsi ty. w 1985, ISSN 0898-5987. The Jou rn al welcom es letters and art icles fr om its read ers. Editorial off ice : BYU M usic , Ha rr is Fine Arts Ce nte r, Pro vo , UT 84602, (80 1) 378-3083 Editor: David Dalt on Assi stant Ed itor: David Day Advertising off ice : Ha rold K lalZ, 1024 Maple Ave nue , Evanst on , IL 60202, (3 1: ) 869 ­ 2972. Dead lin es ar e March J, Ju ne I , and October 1 fo r th e th ree ann ua l issues. Inquir ies can be made to Mr. K latz. Co py and art work sho uld be se nt to th e ed ito r ial office . R ates: $75 full pa ge , 560 two- thi rd s pa ge , 540 half page , 533 o ne- third page , $25 o ne ­ fo urth page. Fo r c lassified s: 510 for 30 wor ds in cl uding ad d ress; $20 for 3 1 to 60 wor d s. Payment to "Arner ica n V iola Soc ie ty" c/o Rose ma ry Gl yde , tr easurer , P.O .
    [Show full text]
  • Music Copying
    Philip Mantione 505-204-6027(cell) [email protected] www.philipmantione.com Music Preparation and Copying Experience MUSIC PREPARATION SERVICE EMPLOYERS NYC (1997 - 2010) • Emily Grishman Music Preparation • Katharine Edmonds Music • Chelsea Music Los Angeles (1996-97) • Suzie Katayama at Sony Music • Eric Stonerook Music SKILL SET • Highly proficient Finale user (16 years of experience). • Experience using Sibelius • Experience copying for musical theatre, film, TV, recording sessions, industrials and concerts. • Experience creating Piano Conductor parts from full score. • Experience copying Piano Vocals and Full Scores. • Experience with Proofreading and Music Librarian work. EDUCATION 1996 - M.M. - Composition - CSULA 1988 - Muscians' Institute - GIT - Honors Graduate 1982 - B.S. - State University of New York at Buffalo (SUNYAB) AFM DUAL-MEMBERSHIP • Local 802 - NYC (1997 - present) • Local 47 - Los Angeles (1996-97, 2010 - present) CREDITS SELECTED MUSICAL THEATRE PRODUCTIONS: BROADWAY AND OFF-BROADWAY Allegro A Tree Grows in Brooklyn Bounce Death Takes a Holiday Dessa Rose Dirty Rotten Scoundrels Side Show Spamalot Witches of Eastwick Never Gonnna Dance A Little Night Music Annie Get Your Gun Wild Party Frog and Toad Marie Christine Everything's Ducky Fiddler on the Roof The Full Monty It Ain't Nothin' But The Blues Tony Awards Parade Seussical Follies Bat Boy Thoroughly Modern Millie The Rocky Horror Show Best Little Whorehouse in Texas Nine to Five Urinetown Swing Radio City Music Hall Christmas Little Fish Brooklyn Into
    [Show full text]
  • Joanna Cochenet USA + 1 (402).917.0827 [email protected] Conductor, Clinician, Music Educator Silver Spring, MD 20904
    USA + 1 (402).917.0827 JoAnna Cochenet [email protected] Conductor, Clinician, www.joannacochenet.com Music Educator Silver Spring, MD 20904 ORCHESTRAS/ENSEMBLES CONDUCTED IN PERFORMANCE, AUDITION, WORKSHOP, ETC. College, Conservatory, and University Orchestras Bard College Conducting Institute Orchestra (NY) Coe College Concert Band (IA) Coe College Concert Choir (IA) Coe College Pit Orchestra: The Threepenny Opera (IA) Coe College Symphony Orchestra (IA) Coe College Women's Chorale (IA) Levine Music Guitar Orchestra and LA Guitar Quartet (MD) Omaha Conservatory of Music: Baroque Camerata (NE) Omaha Conservatory of Music: Chamber and Pre-Chamber Strings (NE) Omaha Conservatory of Music: Faculty-Student Orchestra (NE) Omaha Premier Lab Orchestra (NE) University of Wisconsin-Milwaukee Community Orchestra (WI) University of Wisconsin-Milwaukee String Orchestra (WI) University of Wisconsin-Milwaukee Symphony Orchestra (WI) Washington Conservatory Orchestra (MD) Professional Orchestras Allentown Symphony Small Ensemble (PA) Baltimore Chamber Orchestra (MD) Norwalk Symphony and Pizazz Music (CT) Omaha Symphony Orchestra (NE) Smoky Mountain International Conducting Institute Orchestra (NC) All-City, All-County, Honors, and Youth Orchestras Council Bluffs All-City High School Orchestra (IA) Monroe County Junior High All-County Festival Symphony Orchestra (NY) Northeast String Orchestra (NY) Northeast String Orchestra Advanced Ensemble (NY) Northeast String Orchestra Prelude Strings (NY) Omaha Area Youth Orchestras Prelude Strings (NE) Omaha
    [Show full text]
  • Trumpeter Scotty Barnhart Appointed New Director of the Count Basie Orchestra
    September 23, 2013 To: Listings/Critics/Features From: Jazz Promo Services Press Contact: Jim Eigo, [email protected] www.jazzpromoservices.com Trumpeter Scotty Barnhart Appointed New Director of The Count Basie Orchestra For Immediate Release The Count Basie Orchestra and All That Music Productions, LLC, is pleased to announce the appointment of Scotty Barnhart as the new Director of The Legendary Count Basie Orchestra. He follows Thad Jones, Frank Foster, Grover Mitchell, Bill Hughes, and Dennis Mackrel in leading one of the greatest and most important jazz orchestras in history. Founded in 1935 by pianist William James Basie (1904-1984), the orchestra still tours the world today and is presently ending a two-week tour in Japan. The orchestra has released hundreds of recordings, won every respected jazz poll in the world at least once, has appeared in movies, television shows and commercials, Presidential Inaugurals, and has won 18 Grammy Awards, the most for any jazz orchestra. Many of its former members are some of the most important soloists, vocalists, composers, and arrangers in jazz history. That list includes Lester Young, Billie Holiday, Harry “Sweets” Edison, Jo Jones, Frank Foster, Frank Wess, Thad Jones, Joe Williams, Sonny Payne, Snooky Young, Al Grey, John Clayton, Dennis Mackrel and others. Mr. Barnhart, born in 1964, is a native of Atlanta, Georgia. He discovered his passion for music at an early age while being raised in Atlanta's historic Ebenezer Baptist Church where he was christened by Dr. Martin Luther King, Jr.He has been a featured trumpet soloist with the Count Basie Orchestra for the last 20 years, and has also performed and recorded with such artists as Wynton Marsalis, Marcus Roberts, Frank Sinatra, Diana Krall, Clark Terry, Freddie Hubbard, The Duke Ellington Orchestra, Nat Adderley, Quincy Jones, Barbara Streisand, Natalie Cole, Joe Williams, and many others.
    [Show full text]
  • COMPLETE CATALOG with All Information
    Available Pat Martino transcription books: PM #1 € 9,95/$ 15,95 Pat Martino: Solos 1968-1974 Bebop & Beyond: Sideman Years I (40 pages) PM #2 € 9,95/$ 15,95 Pat Martino: Solos 1963-1964 Swing To Bop: Sideman Years II (42 pages) PM #3 € 9,95/$ 15,95 Pat Martino: Solos 1964/1965 More Swing To Bop: Sideman Years III (38 pages) PM #4 € 9,95/$ 15,95 Pat Martino: Solos 1965 - 1967 Organ Standards: Sideman Years IV (41 pages) PM #5 € 9,95/$ 15,95 Pat Martino: Solos 1973-1977 In The Seventies: Sideman Years V (43 pages) PM #6 € 9,95/$ 15,95 Pat Martino: EL HOMBRE [1967] (34 pages) PM #7 € 9,95/$ 15,95 Pat Martino: STRINGS! [1967] (27 pages) PM #8 € 9,95/$ 15,95 Pat Martino: EAST! [1968] (35 pages) PM #9 € 9,95/$ 15,95 Pat Martino: FOOTPRINTS [1972] (36 pages) PM #10 € 9,95/$ 15,95 Pat Martino: LIVE! [1972] (29 pages) PM #11 € 9,95/$ 15,95 Pat Martino: CONSCIOUSNESS [1974] (38 pages) PM #12 € 9,95/$ 15,95 Pat Martino: WE'LL BE TOGETHER AGAIN [1976] (34 pages) PM #13 € 9,95/$ 15,95 Pat Martino: JOYOUS LAKE [1976] (32 pages) PM #14 € 14,95/$ 22,95 Pat Martino: THE RETURN [1987] (58 pages) PM #15 € 5,95/$ 8,95 P.M.'s solos on Bob Kenmotsu's BRONX TALE [1994] (17 pages) PM #16 € 9,95/$ 15,95 Pat Martino: INTERCHANGE [1994] (44 pages) PM #17 € 9,95/$ 15,95 Pat Martino: NIGHTWINGS [1994] (32 pages) PM #18 € 9,95/$ 15,95 Pat Martino: THE MAKER [1994] (32 pages) PM #19 € 9,95/$ 15,95 Pat Martino: STONE BLUE [1998] (36 pages) PM #20 € 9,95/$ 15,95 Pat Martino: EXIT [1976] (35 pages) PM #21 € 19,95/$30,95 Pat Martino: LIVE AT YOSHI's [2000] (70 pages) PM
    [Show full text]