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Unobtainium-Vol-1.Pdf
Unobtainium [noun] - that which cannot be obtained through the usual channels of commerce Boo-Hooray is proud to present Unobtainium, Vol. 1. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Please contact us for complete inventories for any and all collections. The Flash, 5 Issues Charles Gatewood, ed. New York and Woodstock: The Flash, 1976-1979. Sizes vary slightly, all at or under 11 ¼ x 16 in. folio. Unpaginated. Each issue in very good condition, minor edgewear. Issues include Vol. 1 no. 1 [not numbered], Vol. 1 no. 4 [not numbered], Vol. 1 Issue 5, Vol. 2 no. 1. and Vol. 2 no. 2. Five issues of underground photographer and artist Charles Gatewood’s irregularly published photography paper. Issues feature work by the Lower East Side counterculture crowd Gatewood associated with, including George W. Gardner, Elaine Mayes, Ramon Muxter, Marcia Resnick, Toby Old, tattooist Spider Webb, author Marco Vassi, and more. -
Joe-Thinking Sideways Is Not Brought to You by Crawfish Boxing. Instead, It Is Supported by the Generous Contributions of People Like You, Our Listeners, on Patreon
Joe-Thinking Sideways is not brought to you by crawfish boxing. Instead, it is supported by the generous contributions of people like you, our listeners, on Patreon. Visit patreon dot com slash thinking sideways to learn more. [Intro] Steve-Why, hey there! And welcome again to another episode of Thinking Sideways. As always, I'm Steve, joined, of course, by... Devin-Devin... J-And Joe. S-And once again, we've got a mystery. D-What? J-Uh huh. S-Yeah. We do. J-It's a pretty scary one, too. S-It, well, no it isn't, but you know what the thing is? I had so much fun last week, or not last week, last time that I hosted doing a wrestling episode, that I decided we'd do another one. D-It seems like it's been a million years since that, we did that episode. S-It really does. D-Yeah. S-Cause in our world, it's been a month. D-At least, at least. J-Uh huh. D and S-Yeah. J-Three weeks. S-Ok, well we're not actually going to do a wrestling story. D-Well, a little bit. S-Kinda. It's kind of, kind of a wrestling story. D-Yeah. S-We are, this week, for anyone for who, as Devin would say, didn't read the episode title, going to be talking about Mr. Andy Kaufman. J-Yeah. S-And you might say, “Well, why?” Well, the mystery is is Andy Kaufman really dead or not? D-Dun dun dun! S-Cause he's one of those people who has had sightings of him for years. -
APPEAL US Don't Know! Conference on Artistic Research - 2021-10-02
APPEAL US www.open-frames.net/appeal_us don't know! conference on artistic research - 2021-10-02 15 principles of Black Market International, Michaël La Chance 2 ou 3 chose que je sais d'elle, Jean-Luc Godard 30 minuten, Arjen Ederveen 55 stars, tattooman 56 stars, tattooman 8 1/2, Federico Fellini A Buttle of Coca-Cola, Interview with John Cage A la recherche du temps perdu, Marcel Proust A Voice And Nothing More, Mladen Dolar Accuracy & Aesthetics, Deborah MacPherson Ademkristal, Paul Celan Against Method, Paul Feyerabend Aliens & Anorexia, Chris Kraus All Movies, by Toni Queeckers ALTERMODERN, Nicolas Bourriaud An Anthology of Optimism, Peter de Buysser & Jacob Wren Apparatus for the Distillation of Vague Intuitions, Eve Andree Laramee APPEAL US , all contributors Apur Sansar, Satyajit Ray Arm en Rijk , prof. Davis S. Landes At Land, Maya Deren Bin Jip / 3-Iron (movie), Kim Ki-duk Black Mass, John Gray Body Pressure, Bruce Nauman (1974) Calimero, C in China Call of Cthulhu, HP Lovecraft Canopus in Argos : Archives, Doris Lessing Case Study Homes, Peter Bialobrzeski Catalogue of Strategies, Mieke Gerritzen ea Cheap lecture, Jonathan Burrows Clara et la pénombre , José Carlos Somoza Cornered (1988) , Adrian Piper De man zonder eigenschappen, Robert Musil De Princes Op De Erwt, Hans Christian Andersen Dear Wendy, Thomas Vinterberg / Lars von Trier Decreation, William Forsythe / Anne Carson Deep Democracy of Open Forums, Arnold Mindell Der Mann Ohne Eigenschaften, Robert Musil Der Spiegel im Spiegel, Michael Ende DIAL H–I–S–T–0–R–Y (1997), Johan Grimonprez Die Gesellschaft der Gesellschaft (2 vols), Niklas Luhmann Disfigured Study, Meg Stuart APPEAL US - http://www.open-frames.net/appeal_us_II/ - Page 1/4 Dodes'kaden ( 1970), Akira Kurosawa Don't Stop Me Now, Queens Don't Stop Me Now , Worldclock Environmental Health Clinic, Natalie Jeremijenko Erotism: Death and Sensuality, Georges Bataille Espèces d'espaces, Georges Perec Flight of the Conchords, HBO series Francis Alys (Contemporary Artists), Francis Alys Franny and Zooey, J.D. -
Vincent Honoré, Dora García: Interview 17.02.2009
VINCENT HONORÉ, DORA GARCÍA: INTERVIEW 17.02.2009 Vincent Honoré: I wanted to ask about the main background of the exhibition at galerie Michel Rein, its points of departure. Dora García: … In 2008, I realized a series of performances, heirs of The Beggar’s Opera of 2007 in Münster Sculpture Projects1, where the main focus was on the very delicate equilibrium and fine tuning that must exist between an author and his/her public, between an actor and his/her audience, and between an artist and his/her spectators. This issue had been addressed in works such as The Sphinx, Letters to Other Planets, and The Messenger2, but now, after The Beggar, it was ready to assume a greater narrative weight. A very clear and permanent model has always been Dan Graham’s performance performer/audience/mirror (1977)3… VH: Why this work by Dan Graham? DG: This work has always haunted me, meaning different things as time passed by. Right now, two things in it are especially important for me: the notion of real-time narrative (to describe an action as it is happening, with description and action mutually unsettling each other) and the idea of making the audience the object of the work, not the recipient. There is nothing more than artist and audience (art object is therefore eliminated). A third thing, too: the artist forces the audience to abandon the position of spectator through sheer embarrassment… VH: Often, to start with, your work is rooted in extensive research, an archaeology of its context, an investigation of the situation the work will address, or where it will be realised. -
Services Combine Open Houses
HAWAII Voluntary MARINE payment for delivery to MCAS housing/$i per four week period. VOL. 1 1. NO. 19 KANEOHE BAY, HAWAII. MAY 12, 1982 .1'WEINTY t :-; Medical guidelines established for Agent Orange examinations HQMC - Vietnam veterans on adversely effect the skin, and Procedures active duty who for the special are concerned possibly the liver and nervous medical exam were recently about possible exposure to system. In animal studies, the outlined in a Herbicide (Agent) memorandum from Orange can herbicide acted in some cases as a the Assistant Secretary of Defense now more easily take a special promoter or of cancer and for Health Affairs. medical exam and Marines be included in congenital defects. To date, these should contact the local medical the Veterans Administration effects have not been confirmed Agent in facility for the exam and Orange Registry. humans. information about the Registry. The herbicide was used as a defoliant to improve visibility in Administration dense jungles and to deny cover forms new office and crops to the enemy. Used The Veterans Administration has formed a new office to deal extensively in Vietnam from 1965- exclusively with matters involving Agent Orange, and its possible effects 70, the herbicidewas believed to be on Vietnam veterans. Agent Orange was a herbicide used in Vietnam to harmless to humans. In acute kill unwanted vegetation and to defoliate trees which otherwise would doses, such as a result of an have provided cover from which the enemy could attack American industrial manufacturing personnel. The VA is leading the way in resolving the Agent Orange accident, the herbicide can question through medical and scientific research projects. -
Untitled (I T's Almost a One-Liner
THE NEW GA UNTITLED (I LLERY PRESS T’S ALMOST A / 2014 ONE-LINER) / SARAH BECK AND SHLOMI GREENSPAN Untitled (It’s almost a one-liner) © 2014 The New Gallery Press Printed in Canada Designed and edited by Steven Cottingham, featuring contributions from Sarah Beck, Shlomi Greenspan, and Sky Goodden. All photos courtesy the artists, the gallery, and the internet. ISBN 978-1-895284-21-8 208 Centre St S, Calgary, AB, T2G 2B6 thenewgallery.org/ PAGE TWO PAGE THREE Sarah Beck uses her art practice to address contem- INFO Canada from 2011 to 2014, and regularly writes porary issues, engaging the audience with humour and for Modern Painters, Art + Auction, Canadian Art, and common signifiers. Her studio practice favors accessibil- C Magazine, among others. She was the 2010 Editorial ity and moves between mediums. Beck is a Saskatche- Resident at Canadian Art, and holds an MFA in Criticism wan artist currently based in Toronto. She has won var- and Curatorial Practice from OCAD University. ious awards, including the Canada Council for the Art’s Joseph S. Stauffer Prize. She was featured at Toronto Untitled (It’s almost a one-liner) by Sarah Beck and City Hall’s Museum for the End of the World during Nuit Shlomi Greenspan was on view at The New Gallery’s Blanche 2012, and at the 2010 Winter Olympic Cultural Main Space (208 Centre St SE) from November 21 to Olympiad. Beck completed her Interdisciplinary Master’s December 20, 2014. of Art, Media & Design at the Ontario College of Art and Design University’s (OCADU) in 2010. -
Alexander Hamilton the Glenfinlas Cyanotypes 10352 4Pp Cover 28.07:Layout 1 29/7/08 15:06 Page 3 10352 12Pp Revise 28.07:Layout 1 30/7/08 09:49 Page 1
10352 4pp cover 28.07:Layout 1 29/7/08 15:06 Page 2 Alexander Hamilton The Glenfinlas Cyanotypes 10352 4pp cover 28.07:Layout 1 29/7/08 15:06 Page 3 10352 12pp revise 28.07:Layout 1 30/7/08 09:49 Page 1 Alexander Hamilton The Glenfinlas Cyanotypes 10352 12pp revise 28.07:Layout 1 30/7/08 09:49 Page 2 The Site at Glenfinlas ‘The place is of great importance in the history of British landscape painting for it was here that the first major example of Ruskinian Pre-Raphaelitism was created.’ (Alastair Grieve, Ruskin’s Artists , Ashgate 2000) 10352 12pp revise 28.07:Layout 1 30/7/08 09:49 Page 3 The Site at Glenfinlas I was introduced to Ruskin at art college although by this stage his ideas had been pushed out of the teaching programme. Somehow, however, a fleeting Glenfinlas Burn is situated in a gorge a short way beneath the Glenfinlas slide image in art appreciation class of the English critic poised on a lump of dam, near Brig o’Turk in the Trossachs. It is a rich landscape, with complex Scottish rock left an impression on me. My curiosity encouraged me in later movements of water and a striking variety of rock formations, plants and years to return to the Trossachs and Brig o’Turk. The house where Ruskin had trees. It is here that the critic John Ruskin and John Everett Millais, the stayed - the school master’s cottage - was still to be seen, but the location celebrated founding member of the Pre-Raphaelite Brotherhood, spent several of the painting was, apparently, long since lost. -
JOHN RUSKIN and the HILLSIDE CLUB Tim Holton It’S Not by Mere Chance That the Berkeley Hillside Club Maybeck
Issue 13 (2013) <www.guildofstgeorge.org.uk> WHAT WOULD RUSKIN SAY? Stuart Eagles As a student of Ruskin’s worldwide reach, it is tempting State, religion and politics, would surely have chimed to see him lurking in every shadow. One must with his perpetual challenge to hypocrisy, especially in necessarily be sensible and cautious. Yet one does find its Establishment form. In this case, the head of the him in unlikely places. Among the joys of the past year, Church where the protest took place is a former KGB and of every year, has been the making of new friends. spy, appointed by his old colleague, Putin. Putin was One, Ksenia, who lives in Minsk in Belarus, told me then the ex-President and current Prime Minister that she read Ruskin’s Crown of Wild Olive at school. She seeking re-election and utilising the Orthodox Church is now a student of Arabic, and has opened to me some for his own political propaganda. One can only imagine sources of interest in Ruskin in the Arab world. There what scorn Ruskin would have poured on that. And on are a surprising number of translations of Ruskin in Putin’s successful re-election as President! Chinese, at least one in Romanian, many in Czech, and So, too, the noble words of an Archbishop of many more in dozens of other languages. Ruskin’s Canterbury, taking on the forces of Usury in the twenty- writing continues to have impact all around the world, first century. Ruskin could not fail to join in this chorus, and this issue of The Companion reflects that, with pieces nor to miss the opportunity to berate the Church itself by Russian, Italian and five different American writers, for its more than embarrassing investment in the as well as a review of a French translation. -
The Unbelievable Andy Kaufman E Book Free Download for Mobile TID:Veiqja
%K6nM@ - Free Download Is This Guy For Real?: The Unbelievable Andy Kaufman e book free download for mobile TID:veiqja *** Multiple Devices Supported *** >>> Read or Download Now! >>> Read or Download Now! Hey all My name is Clara Mccarty and i'm here to express my opinions on this wonderful book written Is This Guy For Real?: The Unbelievable Andy Kaufman called Is This Guy For Real?: The Unbelievable Andy Kaufman. With a lot of fake Is This Guy For Real?: The Unbelievable Andy Kaufman reviews written on the internet lots of users find it troublesome looking for trusted information while browsing Google for 'where to download Is This Guy For Real?: The Unbelievable Andy Kaufman PDF free', or perhaps 'where to download Is This Guy For Real?: The Unbelievable Andy Kaufman torrent'. I understand that this has to be a difficult task when making a decision if one ought to buy Is This Guy For Real?: The Unbelievable Andy Kaufman ebook for ereader, or virtually any popular device in which the reader wants to read their digital books. Then again, by checking out this review internet users can be assured that Is This Guy For Real?: The Unbelievable Andy Kaufman is a great book as explained. Is This Guy for Real? (Paperback) | Chicago Public Library ... Why Would You Even Bring That Up? ... Box Browns new biography of Kaufman, Is This Guy For Real? The Unbelievable Andy Kaufman is careful ... Is This Guy For ... Process Party Episode 71 Box Brown! | Study Group Comic ... Is This Guy For Real? The Unbelievable Andy Kaufman. -
Art & Architecture Design Cultural Studies
ART & ARCHITECTURE DESIGN CULTURAL STUDIES NEW AND RECENT TITLES THE MIT PRESS Muriel Cooper David Reinfurt and Robert Wiesenberger Foreword by Lisa Strausfeld Afterword by Nicholas Negroponte Muriel Cooper (1925–1994) was the pioneering designer who created the iconic MIT Press colophon (or logo)— seven bars that represent the lowercase letters “mitp” as abstracted books on a shelf. She designed a modernist monument, the encyclopedic volume The Bauhaus (1969), and the graphically dazzling and controversial first edition of Learning from Las Vegas (1972). She used an offset press as an artistic tool, worked with a large-format Polaroid camera, and had an early vision of e-books. Cooper was the first design director of the MIT Press, the cofounder of the Vis- ible Language Workshop at MIT, and the first woman to be granted tenure at MIT’s Media Lab, where she developed software interfaces and taught a new generation of design- ers. She began her four-decade career at MIT by designing vibrant printed flyers for the Office of Publications; her final projects were digital. This lavishly illustrated volume documents Cooper’s career in abundant detail, with prints, sketches, book covers, posters, mechanicals, student projects, and photographs, from her work in design, teaching, and research at MIT. A humanist among scientists, Cooper embraced dynamism, simultaneity, transparency, and expressiveness across all the media she worked in. More than two decades after her career came to a premature end, Muriel Cooper’s legacy is still unfolding. This beautiful slip-cased volume, designed by Yasuyo Iguchi, looks back at a body of work that is as contemporary now as it was when Cooper was experimenting with IBM Selectric typewriters. -
6 X 10 Long.P65
Cambridge University Press 0521574145 - Ruskin’s God Michael Wheeler Frontmatter More information Michael Wheeler challenges critical orthodoxy by arguing that John Ruskin’s writing is underpinned by a sustained trust in divine wisdom, a trust nurtured by his imaginative engagement with King Solomon and the temple in Jerusalem, and with the wisdom litera- ture of the Old Testament. In Modern Painters, The Seven Lamps of Architecture and The Stones of Venice, belief in the wisdom of God the Father informed Ruskin’s Evangelical natural theology and his celebration of Turner’s land- scape painting, while the wisdom of God the Son lay at the heart of his Christian aesthetics. Whereas ‘the author of Modern Painters’ sought to teach his readers how to see architecture, paintings and landscapes, the ‘Victorian Solomon’ whose religious life was trou- bled, and who created various forms of modern wisdom literature in works such as Unto this Last, The Queen of the Air and Fors Clavigera, wished to teach them how to live. Michael Wheeler is Director of Chawton House Library, Hampshire, and Professor of English Literature at the University of Southampton. While writing this book he was Professor of English Literature, and Director of the Ruskin Programme and Ruskin Collection Project, Lancaster University. His main publica- tions include The Art of Allusion in Victorian Fiction (1979), English Fiction of the Victorian Period, 1830–1890 (1985), Death and the Future Life in Victorian Literature and Theology (1990; winner of the Conference on Christianity and Literature Award, USA, 1991–2); and its paper- back abridgement Heaven, Hell and the Victorians (1994). -
Course Schedule
Printed on: Apr 8, 2020 at 1:54 PM Course Schedule Undergraduate : Spring 2016 : Art and Technology Course Schedule AT-100-01 Introduction to Art and Technology Credits: 3 Lasse Scherffig Tu Th 9:00AM - 11:45AM Room: 25 This course is an introduction to the practices and theoretical approaches used to produce the content and structure of art and technology; the relations between space, place and identity, as well as the ways in which these relations and their practices are produced in a range of media. Students explore the forces that shape the authority of technology in society from concepts of identity, democracy, and privacy, to the impact of technology on entertainment, economics and politics. Student projects include creative and critical project-based forms of practice completed at staged skill and conceptual levels of a gradually increased complexity. FALL ONLY. Prerequisite: none Satisfies: Introduction to Art &Technology I, Art &Technology Elective, Studio Elective, Media Breadth AT-109-01 Concepts and Tools for Artful Apps Intervention With Everyday Things Credits: 3 Chris Kubick M W 4:15PM - 7:00PM Room: 25 M W 4:15PM - 7:00PM Room: DMS2 As smartphones and tablets have become ubiquitous, these portable, location-aware, touch-screen multimedia devices and their applications are changing the way we consume, create, explore, and experience art. What's more, these apps are changing the way we live, by accelerating social interaction, challenging accepted notions of public vs. private space, informing and enabling political activism, and giving us new means to document and share our lives. As these new ways of life become more and more mundane, artists step into the breach, asking us to re-imagine the possibilities presented by these digital devices and their apps.