Ailsa Dixon a Musical Revival
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Focus 2020 Pioneering Women Composers of the 20Th Century
Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers. -
MS Mus. 1738. Music Manuscripts of the Composer Robert Simpson (B.1921; D.1997); 1942-1997, N.D. Manuscripts Are Autograph Except Where Specified Otherwise
THE ROBERT SIMPSON COLLECTION AT THE BRITISH LIBRARY MS Mus. 1738. Music manuscripts of the composer Robert Simpson (b.1921; d.1997); 1942-1997, n.d. Manuscripts are autograph except where specified otherwise. Presented by Angela Simpson on 9 June 2000, with additional material subsequently received from the archives of the Robert Simpson Society (formerly housed at Royal Holloway, University of London), and from individual donors. See also MS Mus. 94, the autograph manuscript of Simpson’s String Quartet no. 7. The collection is arranged as follows: MS Mus. 1738/1 Symphonies MS Mus. 1738/2 Concertos MS Mus. 1738/3 Other orchestral music MS Mus. 1738/4 Incidental music MS Mus. 1738/5 Music for brass band MS Mus. 1738/6 Vocal music MS Mus. 1738/7 String quartets MS Mus. 1738/8 Other chamber music MS Mus. 1738/9 Keyboard music MS Mus. 1738/10 Arrangement MS Mus. 1738/11 Miscellaneous sketches MS Mus. 1738/1. SYMPHONIES MS Mus. 1738/1/1. Robert Simpson: Symphony no. 1; 1951. Score, in green ink, with various ink and pencil annotations. Dated at the end ‘21. vii. 1951 at Muswell Hill’. Submitted by the composer for his doctorate at the University of Durham in 1951. First performed in Copenhagen on 11 June 1953. Published by Alfred Lengnick & Co, 1956. Presented by the Robert Simpson Society in 2006. ff. i + 73. Green buckram binding. MS Mus. 1738/1/2. Robert Simpson: Symphony no. 2; 1955-1956. Score, in ink, with numerous ink and pencil annotations. Dedicated to Anthony and Mary Bernard. Published by Alfred Lengnick & Co., 1976. -
Passion and Intellect in the Music of Elizabeth Maconchy DBE (1907–1994)
Passion and Intellect in the Music of Elizabeth Maconchy DBE (1907–1994) Ailie Blunnie Thesis submitted to the National University of Ireland, Maynooth for the degree of Master of Literature in Music Department of Music National University of Ireland, Maynooth Maynooth Co. Kildare July 2010 Head of Department: Professor Fiona Palmer Supervisor: Dr Martin O’Leary Contents Acknowledgements i List of Abbreviations iii List of Illustrations iv Preface ix Chapter 1 Introduction 1 Chapter 2 Part 1: The Early Years (1907–1939): Life and Historical Context 8 Early Education 10 Royal College of Music 11 Octavia Scholarship and Promenade Concert 17 New Beginnings: Leaving College 19 Macnaghten–Lemare Concerts 22 Contracting Tuberculosis 26 Part 2: Music of the Early Years 31 National Trends 34 Maconchy’s Approach to Composition 36 Overview of Works of this Period 40 The Land: Introduction 44 The Land: Movement I: ‘Winter’ 48 The Land: Movement II: ‘Spring’ 52 The Land: Movement III: ‘Summer’ 55 The Land: Movement IV: ‘Autumn’ 57 The Land: Summary 59 The String Quartet in Context 61 Maconchy’s String Quartets of the Period 63 String Quartet No. 1: Introduction 69 String Quartet No. 1: Compositional Procedures 74 String Quartet No. 1: Summary 80 String Quartet No. 2: Introduction 81 String Quartet No. 2: Movement I 83 String Quartet No. 2: Movement II 88 String Quartet No. 2: Movement III 91 String Quartet No. 2: Movement IV 94 Part 2: Summary 97 Chapter 3 Part 1: The Middle Years (1940–1969): Life and Historical Context 100 World War II 101 After the War 104 Accomplishments of this Period 107 Creative Dissatisfaction 113 Part 2: Music of the Middle Years 115 National Trends 117 Overview of Works of this Period 117 The String Quartet in Context 121 Maconchy’s String Quartets of this Period 122 String Quartet No. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
THE GUIDE 98.7Wfmt the Member Magazine Wfmt.Com for WTTW and WFMT
wttw11 wttw Prime wttw Create wttw World wttw PBS Kids wttw.com THE GUIDE 98.7wfmt The Member Magazine wfmt.com for WTTW and WFMT A CULTURAL AND CULINARY JOURNEY ACROSS AMERICA TUNE IN OR STREAM FRI DEC 20 9 PM December 2019 ALSO INSIDE WFMT will present a new special, Whole Notes: Music of Healing and Peace, in response to America’s gun violence epidemic and related to WTTW’s FIRSTHAND: Gun Violence initiative. From the President & CEO The Guide Dear Member, The Member Magazine for WTTW and WFMT Renowned chef, restaurateur, and author Marcus Samuelsson is passionate about Renée Crown Public Media Center the cuisine of America’s diverse immigrant cultures. This month, he returns with 5400 North Saint Louis Avenue Chicago, Illinois 60625 a new season of No Passport Required, where home cooks and professional chefs around the country share how important food can be in bringing us together around the table. Join us at 9:00 pm on December 20 for Marcus’s first stop, as he explores Main Switchboard (773) 583-5000 Seattle’s Filipino culinary traditions. And, in December, WTTW will be hosting a related Member and Viewer Services food tour event and creating digital content for you to feast on. The tour event and (773) 509-1111 x 6 stories will focus on a remarkably diverse half-mile stretch of a single Chicago street (Lawrence Avenue between Western and California) with a selection of restaurants Websites owned and run by immigrants, representing a variety of cuisines: Filipino, Vietnamese, wttw.com wfmt.com Bosnian and Serbian, Venezuelan, Korean, and Greek. -
Pioneering Conductor Odaline De La Martinez Co-Curates Trailblazing Juilliard Focus Festival Acknowledging Early 20Th-Century Women Composers
Pioneering conductor Odaline de la Martinez co-curates trailblazing Juilliard Focus Festival acknowledging early 20th-century women composers Marking the centenary of women’s suffrage in the USA Friday 24 January – Friday 31 January Trailblazers – Pioneering Women Composers of the 20th Century Peter Jay Sharp Theater & Alice Tully Hall Lincoln Center, New York Featuring music by 32 women composers from 15 countries on five continents “The exact worth of my music will probably not be known till nought remains of the writer but sexless dots and lines on ruled paper.” Ethel Smyth (1858-1944) Highlighting the pioneering writing of 20th-century women composers, composer- conductor Odaline de la Martinez co-curates Trailblazers — Pioneering Women Composers of the 20th Century – a Festival she leads alongside Festival Founder Joel Sachs. The Juilliard Focus 2020 Festival celebrates the centenary of women’s suffrage in the USA, with the Nineteenth Amendment first giving women the vote in 1920. Under co-curator Martinez, the Festival will this year advocate expressly on behalf of historical women composers to overcome the magnified problems they faced in establishing themselves as professional composers in the twentieth century and paving the way for those who followed. Inadequate archives mean many have been almost entirely neglected following their deaths; others, such as Rebecca Clarke (1886-1979), gave up composing upon marriage: “There’s nothing in the world more thrilling, or practically nothing. But you can’t do it – at least I can’t, maybe that’s where a woman’s different – unless it’s the first thing I think of every morning when I wake and the last thing I think of every night before I got to sleep.” – Rebecca Clarke Decades after composition, many pieces will be given American or New York premieres and performed for the first time in the young Juilliard performers’ lifetimes. -
SRCD 2345 Book
British Piano Concertos Stanford • Vaughan Williams Hoddinott • Williamson Finzi • Foulds • Bridge Rawsthorne • Ireland Busch • Moeran Berkeley • Scott 1 DISC ONE 77’20” The following Scherzo falls into four parts: a fluent and ascending melody; an oppressive dance in 10/6; a return to the first section and finally the culmination of the movement where SIR CHARLES VILLIERS STANFORD (1852-1924) all the previous material collides and reaches a violent apotheosis. Of considerable metrical 1-3 intricacy, this movement derives harmonically and melodically from a four-note motif. 1st Movement: Allegro moderato 15’39” Marked , the slow movement is a set of variations which unfolds in a 2nd Movement: Adagio molto 11’32” flowing 3/2 time. Inward-looking, this is the concerto’s emotional core, its wistful opening 3rd Movement: Allegro molto 10’19” for piano establishing a mood of restrained lamentation whilst the shattering brass Malcolm Binns, piano motifs introduce a more agonized form of grief, close to raging despair. The cadenza brings London Symphony Orchestra, conducted by Nicholas Braithwaite some measure of peace. In the extrovert Finale, the first movement’s orchestration and metres are From SRCD219 ADD c 1985 recalled and the soloist goads the orchestra, with its ebullience restored, towards ever-greater feats of rhythmical dexterity. This typically exultant finale, in modified rondo form, re- GERALD FINZI (1901-1956) affirms the concerto’s tonal centre of E flat. 4 Though technically brilliant, it is the concerto’s unabashed lyricism -
Raphael Wallfisch
EDITOR’S LUNCH: Raphael Wallfisch His warm, powerful sound and generous-spirited musicianship make him a favourite soloist the world over. His restoration of repertoire rarities is a vibrant legacy. And he’s a great guy, too. Jessica Duchen gets Raphael Wallfisch to put his cello in the cloakroom and sample some of London’s best Italian cuisine… by Jessica Duchen, 11 May 2015 When Raphael Wallfisch suggests that we go Italian for our Amati lunch date, I suspect he’s thinking about a good bowl of spag bol. I’m planning, though, to give him more than he bargained for. Theo Randall at the Intercontinental has been named Best Italian Restaurant of The Year by the London Restaurant Awards and was the highest ranked Italian on the Sunday Times Food List 2013. Opened in November 2006 by the chef who had spent 17 years at the River Café, its ambience is of the chromy, understated, upmarket type – but nouvelle cuisine this ain’t. Instead it’s the sort of phenomenal-quality, home-cooked comfort food you might be served to help you settle in on your first day in heaven. Tucking into a lavish helping of controfilletto di manzo – beef with a glory of mixed vegetables in aged balsamic vinegar – with a glass of nearly ebony-hued Barolo wine to match, Wallfisch, 62, seems a happy man. He is a suitably beefy cellist, with a generous, enveloping sound and a straightforward, to-the-point musicality that powers him through anything from the Bach suites to the inspiring quantity of rare repertoire that he has helped to bring to wider note. -
Raphael Wallfisch
ALSO AVAILABLE BY RAPHAEL WALLFISCH ON NIMBUS Raphael Wallfisch NI 5763 Edward Elgar, Cello Concerto; Frank Bridge, Oration; Gustav Holst, Invocation Northern Chamber Orchestra Royal Liverpool Philharmonic Orchestra, Richard Dickins conductor NI 5764/5 Dmitri Shostakovich, Complete works for cello BBC Symphony Orchestra, Martyn Brabbins conductor. John York piano NI 5471 Nicholas Maw, Sonata Notturna English String Orchestra, William Boughton conductor NI 5746 John Metcalf, Cello Symphony English Symphony Orchestra, William Boughton conductor NI 5741/2 Ludwig van Beethoven, Complete Sonatas and Variations for cello and piano John York piano NI 5806 Zemlinsky, Cello Sonata (1894); Sonatas by Korngold & Goldmark John York piano NI 5815 20th Century works for Cello and Strings Lutoslawski, Maconchy, Hindemith, Patterson, Kopytman Südwestdeutsches Kammerorchester Pforzheim, William Boughton conductor NI 5816 Serge Prokofiev, Concertino & Cinq Mélodies; Rodion Shchedrin, Parabola Concertante Southbank Sinfonia, Simon Over conductor Weber NI 5831 Rodion Shchedrin, Music for Cello and Piano Grand pot-pourri Rodion Shchedrin piano NI 5848 C.P.E Bach, Concertos for violoncello strings and basso continuo Spohr Scottish Ensemble, Jonathan Morton artistic director Concerto in A minor NI 5862 Frédéric Chopin, Cello Sonata; Sonatas by Simon Laks & Karol Szymanowski John York piano Reicha Concerto in A major 8 NI 5868 NI 5868 1 Raphael Wallfisch, cello Northern Chamber Orchestra Artistic Director and Leader, Nicholas Ward Louis Spohr (1784-1859) Violin Concerto no.8, in A minor Op.47 (1816) 22.40 ‘in modo di scena cantante’ arranged for cello by Friedrich Grützmacher Northern Chamber Orchestra 1 Allegro molto (recit.) 4.07 Artistic Director and Leader, Nicholas Ward 2 - Adagio—Andante 8.21 3 Allegro moderato 10.12 Formed in 1967, the Northern Chamber Orchestra, based in Manchester, has established itself as one of England’s finest chamber orchestras giving concerts and appearing throughout the British Franz Danzi (1763-1826) Isles. -
Raphael Wallfisch Performs the Elgar Cello Concerto at the Royal Festival Hall with the London Philharmonic Orchestra and Osmo Vänskä
Raphael Wallfisch performs the Elgar Cello Concerto at the Royal Festival Hall with the London Philharmonic Orchestra and Osmo Vänskä 26 October 2016, 7.30pm Darkness and Light: Royal Festival Hall Elgar Cello Concerto in E minor Sibelius Symphony No. 4 in A minor Sibelius Symphony No. 5 in E flat Raphael Wallfisch, cello Osmo Vänskä conductor London Philharmonic Orchestra Cellist Raphael Wallfisch is to perform a concert of Sibelius and Elgar with Osmo Vanska and the London Philharmonic Orchestra at the Royal Festival Hall on 26 October. Firmly positioned at the forefront of championing British composers of the last century, Wallfisch has performed numerous works by British composers including Elgar and Finzi. This concert titled ‘Darkness and Light’ sees Wallfisch perform Elgar’s music again. This is the third of a series of four concerts where Vänskä conducts all of Sibelius’s symphonies. Raphael Wallfisch’s contribution to the recording of British music has been celebrated previously in the release of a box set of cello concertos recorded by Chandos. This compilation CD along with a concert performance of Gerald Finzi’s Cello Concerto in A minor firmly puts Wallfisch as a promoter of British composers. As Wallfisch explains: “I have had the opportunity during the course of my career, to explore and rediscover real gems of our repertoire by over 40 British composers.” Raphael Wallfisch has previously recorded Elgar’s Cello Concerto in E minor with the Royal Liverpool Philharmonic Orchestra and Richard Dickins in 2006 alongside other concertos by Holst and Bridge. This concert sees Raphael perform Elgar’s milestone work as part of the London Philharmonic Orchestra’s 2016/17 season. -
Odaline De La Martinez Champions Opera, the Boatswain's Mate, By
Odaline de la Martinez champions opera, The Boatswain’s Mate, by suffragette composer Ethel Smyth in debut recording with Retrospect Opera The Boatswain’s Mate Out Now Ethel Smyth: The Boatswain’s Mate Nadine Benjamin Mrs Waters Edward Lee Harry Benn Jeremy Huw Williams Ned Travers Simon Wilding Policeman Ted Schmitz The Man Rebecca Louise Dale Mary Ann Mark Nathan Chorus Odaline de la Martinez conductor Lontano Ensemble Odaline de la Martinez champions suffragette composer Ethel Smyth’s opera The Boatswain’s Mate in debut recording with Retrospect Opera. This period comedy written by British composer and suffragette Smyth was completed in 1914 and first performed in January 1916. Smyth joined the Women's Social and Political Union in 1910. Her work, The March of the Women, became the anthem of the women's suffrage movement. When the WSPU's leader, Emmeline Pankhurst, called on members to break a window in the house of any politician who opposed votes for women, Smyth was one of the 109 members who took part. She served two months in Holloway Prison for it as a result. It is thought that when her friend Thomas Beecham, who was a great champion of her music, went to visit her there he found suffragettes marching in the quadrangle and singing, as Smyth leaned out a window conducting the song with a toothbrush. The Boatswain’s Mate is a one-act opera, set to her own libretto, based on a story by W.W. Jacobs, that tells the story of feisty widow Mrs. Waters who owns an inn. -
Schu CD Booklet
An music for oboe and strings classicsOboe English inspired by Léon Goossens CC2009 Renaissance Recording the Bliss Quintet at St Michael’s Church, Highgate, London, January 27th 2004. L to R: Simon Blendis, David Adams, George Caird, Jane Salmon, Louise Williams. Inset: Alison Dods (violin 2 in Maconchy, Gow). George Caird (oboe) and friends An English Renaissance Bliss • Britten • Gow • Maconchy • Moeran Elizabeth Maconchy (1907-94): Dorothy Gow (1893-1982): An music for oboe and strings Quintet for Oboe and Strings (1932) Oboe Quintet in one movement (1936) English inspired by Léon Goossens 1 Moderato 4:59 8 Moderato – 2 Poco sostenuto 3:40 Andante tranquillo – Renaissance 3 Allegro non troppo 3:42 Scherzando – Tempo primo 14:00 George Caird (oboe) Simon Blendis (violin), Louise Williams (viola), Jane Salmon (cello), Arthur Bliss (1891-1975): Alison Dods (violin 2 in Maconchy, Gow), David Adams (violin 2 in Bliss) Quintet for Oboe and String Quartet E J Moeran (1894-1950): (1926) Fantasy Quartet (1946) 4 Recorded at St Michael’s Church, Highgate, London, Jan 27-29 and March 1 2004 Assai sostenuto 7:56 9 Allegro moderato – Producer: Paul Spicer 5 Andante con moto 7:44 Tempo moderato – Engineering, Editing and Mastering: Tony Wass, Ninth Wave Audio 6 Vivace 5:46 Andante – Oboe by Püchner Lento – Cover Picture: Duncan Grant, Dancers (c1910-11) © Tate, London 2004 Oboe image courtesy Howarth of London Tempo primo – Benjamin Britten (1913-76): Photos of George Caird by Phil Hitchman; Session photos by Jeremy Polmear Molto affrettando – CD design by STEAM Phantasy Quartet for Oboe and French translation by Pierre Béguin Strings (1933) Cadenza – German translation by Ulrike Salter-Kipp 7 Allegro con brio 13:27 Music publishers: Boosey and Hawkes (Britten); Chester Music (Maconchy, Moeran); OUP (Bliss).