The Rock 'N' Roll Life of Survivor's Founding Member Online
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January 2019
NTRAL CO H CE LLE RT GE NO WENTZ CONCERT HALL & FINE ARTS CENTER Celebrating 10 Yea An Evening with Jazz Vibraphonist Brad Stirtz An Evening of Big Band "We Shall Overcome" The Prince Experience A Celebration of MLK The Four C Notes Revenge of the Rhythm Section Featuring Jack Mouse and Kelly Sill These programs are partially supported by a grant from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. welcome to North Central College elcome! We are so glad you Prince is an artist who left the world have chosen to join us. As I of music too soon. We feel it is fitting W review the talented artists during our anniversary season to taking our stages for February bring an artist who not only sounds and March, I am awestruck. These like Prince but resembles him as well. two months offer such a variety Gabriel Sanchez presents “The Prince of different types of music. There Experience” on March 9. If you are a truly is something for everyone! fan of the music of Prince, you need to be here. Gabriel Sanchez brings am To those of you joining us for astonishingly accurate representation of “Pinkalicious, the Musical,” you this amazing artist. are certainly in for a treat! This is a wonderful tale of young Pinkalicious If you like the music of Franki Valli, who turns pink after eating far too then you need to see The Four C Notes. many pink cupcakes, despite her parents’ John Michael Coppola has assembled an warnings—a story I’m sure we all can incredible group of men who take you on relate to. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot. -
Survivor Greatest Hits Mp3, Flac, Wma
Survivor Greatest Hits mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Greatest Hits Country: US Released: 1993 Style: Soft Rock, Hard Rock, Pop Rock MP3 version RAR size: 1821 mb FLAC version RAR size: 1468 mb WMA version RAR size: 1523 mb Rating: 4.7 Votes: 245 Other Formats: ADX DXD MPC TTA MMF AA AIFF Tracklist Hide Credits 1 Eye Of The Tiger 4:03 2 High On You 4:07 3 I Can't Hold Back 3:57 4 Is This Love 3:41 5 Poor Man's Son 3:19 6 Burning Heart 3:50 7 The Search Is Over 4:11 Desperate Dreams 8 4:46 Producer [Associate] – Jim Peterik 9 How Much Love 3:57 Man Against The World 10 3:34 Producer [Associate] – Jim PeterikWritten-By – Jimi Jamison Companies, etc. Manufactured For – BMG Direct Ltd. – D 106675 Credits Artwork By [Design] – Heather Van Haaften Mastered By – David Mitson, Joe Gastwirt Producer – Frankie Sullivan (tracks: 1, 4, 6, 8 to 10), Jim Peterik (tracks: 1, 5, 6), Ron Nevison (tracks: 2 to 4, 7, 9, 10) Written-By – Frankie Sullivan, Jim Peterik Other versions Category Artist Title (Format) Label Category Country Year Greatest Hits (CD, Scotti Bros. 512 026-2 Survivor 512 026-2 Europe 1990 Comp) Records Survivor's Greatest Scotti Bros. PCCY 00052 Survivor Hits (Cass, Comp, PCCY 00052 Philippines 1993 Records Sup) Scotti Bros. ZK 45433, Greatest Hits (Cass, ZK 45433, Survivor Records, Yonca Turkey 1992 512026-4 Comp) 512026-4 Plak Ve Kaset Greatest Hits (CD, Scotti Bros. 512 026-2 Survivor 512 026-2 Bulgaria 1997 Comp, RP, Unofficial) Records Greatest Hits (CD, Scotti Bros. -
Capturing That Solid-Gold Nugget
Chapter 1 Capturing That Solid-Gold Nugget In This Chapter ▶ Gathering song ideas from anywhere ▶ Organizing and tracking your thoughts and inspirations ▶ Documenting your ideas his book is for everyone who shares the dream of harnessing the song- Twriting power we all have within. You’ve come to the right place if your heart keeps telling you to write a song, but your mind is uncertain as to the process of the craft or what’s required to create a really good song. You bought the right book if you’re wondering how to collect and organize your ideas. You have found the right resource if you have pieces of songs lying in notebooks and on countless cassettes but can’t seem to put the pieces together. This book is for you if you have racks of finished song demos but don’t know what to do next to get them heard. When you know the elements that make up a great song and how the pros go about writing one, you can get on the right path to creating one of your own. Unless you’re lucky enough to have fully finished songs come to you in your deepest dreams, or to somehow take dictation from the ghosts of Tin Pan Alley (the publishing area located in New York City in the 1930s and 1940s), most of us need to summon the forces, sources, reasons, and seasons that give us the necessary motivation to draw a song from our heart of hearts. Given that initial spark, you then need the best means of gathering those ideas, organizing them, putting them into form, and documenting them as they roll COPYRIGHTEDin — before it’s too late and they MATERIAL roll right out again! Have you ever noticed how you can remember a powerful dream just after you’ve awakened only for it to vanish into thin air in the light of day? Song ideas can be just as illusive. -
JIMI JAMISON CELEBRITY DIRECT ENTERTAINMENT Cord G
JIMI JAMISON CELEBRITY DIRECT ENTERTAINMENT Cord G. Coslor - agent former lead singer PO BOX 494314 Port Charlotte, FL 33949 of Survivor 941.624.2254 * [email protected] www.Celebritydirect.net JIMI JAMISON PO Box 494314 Port Charlotte, FL 33949 former lead singer of Survivor 941.624.2254 * [email protected] JIMI JAMISON CELEBRITY DIRECT ENTERTAINMENT Cord G. Coslor - agent former lead singer PO BOX 494314 Port Charlotte, FL 33949 of Survivor 941.624.2254 * [email protected] www.Celebritydirect.net JIMI JAMISON CELEBRITY DIRECT ENTERTAINMENT Cord G. Coslor - agent former lead singer PO BOX 494314 Port Charlotte, FL 33949 of Survivor 941.624.2254 * [email protected] www.Celebritydirect.net JIMI JAMISON BIOGRAPHY Jimi Jamison best known as the lead singer for the band Survivor from 1984-1989 and again from 2000-2006. Born in rural Mississippi, Jamison moved with his mother to Memphis, Tennessee, at a very young age, and he considers himself a Memphis native. In addition to honing his vocal abilities, Jamison dabbled in guitar growing up. By middle school, he was playing in a band. He would later sing for the bands Target and Cobra and provided background vocals for other bands including ZZ Top. After the demise of Cobra in 1983/84, he was invited to audition for Survivor. Although he was initially not adamant about fronting what he considered more of a "pop rock" band, which would contrast signifi- cantly with the heavy metal stylings of Cobra to which he had become accustomed, Jamison ulti- mately got the job and became Survivor's new frontman, and is today the most recognizable and best known of the group. -
The Ides of March, Featuring Jim Pe
Bond County Bicentennial Committee Bond County Historical Society PO Box 376 Greenville, IL 62246 The Ides of March Featuring Jim Peterik to Headline Day Two of the Bond County Bicentennial! The Ides of March, featuring Jim Peterik, one of the most successful song writers of the 1980’s, will headline day two of the Bond County Bicentennial Sunday, July 2, 2017 in downtown Greenville, on the Bradford National Bank Main Stage. Bicentennial entertainment chairman Randy Alderman said, “While the names may be foreign to some, the songs certainly are not. Jim Peterik, who formed the Ides of March way back when, took a little break in the 1980’s to form Survivor, co-writing and performing many of their smash hits, including the 1982 Grammy winning Eye of the Tiger , as well as penning many hits for .38 Special and for other bands such as Sammy Hagar and The Beach Boys. The two hour Ides of March set will be familiar music, performed in part by the guy who wrote the songs.” He added, “This band, which features the original four members, and the music they perform, will certainly be a highlight of the year for those attending this free concert.” John Coleman, Bicentennial Chairman, said, “It’s an honor to have this legendary band perform for our Bicentennial celebration. Their high-energy show filled with songs we all know and love will delight and entertain everyone.” This isn’t a sedate “oldies” act-much the opposite actually. In concert, the Ides of March remain a vital, powerhouse rock and roll band whose typical 90-minute concert usually lasts two hours, and the encores are always the strongest songs of the night. -
Jim Peterik Has Been a Rock Star for Decades, and He’S Not About to Change Now
Jim Peterik has been a rock star for decades, and he’s not about to change now [30 August 2010] By Christopher Borrelli Chicago Tribune (MCT) CHICAGO — He’s a friendly stranger in a black sedan. Won’t you hop inside his car? He’s got pictures, he’s got candy, he’s a lovable man. He’ll take you to the nearest star. He’s your vehicle, baby. He’ll take you anywhere you want to go. He’s your vehicle, woman. By now I’m sure you know ... who I’m talking about. If you grew up in the late ‘60s to early ‘70s, with a radio pressed to your ear, then certainly you know. That’s when Jim Peterik and the Ides of March, the pride of Berwyn, Ill., roamed the earth. Until they split up in 1973; then most of the band, having socked away some cash, went to college and started families, became upholsterers and property managers. They were in their 20s. But a funny thing happened: Jim Peterik didn’t grow up. He traded in his black sedan for a Lamborghini. And radio ubiquity? For him, it never dried up, and he never went away, or left Chicago. Indeed, if I had a nickel for every time I heard him recently sing “Vehicle,” the Ides’ biggest hit, which reached No. 2 on the Billboard Top 40 charts, and was impossible to avoid in the summer of 1970 and now sounds like the marching band anthem it is — if I had a nickel for every time I heard him simply reference those lyrics (“Well, I’m a friendly stranger/In a black sedan/Oh, won’t you hop inside my car?”) — I would be wealthy. -
Spider Saloff Chicago Sinfonietta Jim Peterik & World Stage Mitch Paliga
Jim Peterik & World Stage “Sinatra Forever: Salute to Frank Sinatra” Spider Saloff Mitch Paliga Chicago Sinfonietta welcome to North Central College o, is everybody all refreshed and renewed? and the community. Your gift enables us to bring in Are you ready to face the New Year as a the great artists that we do. When I do an on-stage S chance to begin again? Or, are you looking announcement, I mention all of our sponsors, but with longing at the fading memories of the holiday we can never thank you enough. Thanks to BMO season as those ever-anticipated holiday bills Harris Bank, Marquette Properties, Nicor Gas, begin to rear their ugly heads? The choice is really Ryan Hill Realty, Advanced Data Technologies, yours. This is the classic glass half-full, half-empty Savant Capital Management, USG Corporation, the conundrum and frankly, I feel the former choice is Naperville Special Event and Cultural Amenities the way to go. Instead of cursing the cold and the Fund, the Illinois Arts Council and DuPage snow (unless El Niño really did make as strong an Foundation. Thank you for understanding that the entry as the weather men all predicted) why not arts are important, that the arts are vital for any enjoy the freshness and crispness of each beautiful great community to thrive. Together we are making day? Naperville and the surrounding community a better place to live. But you are here! You have joined us for another wonderful performance at North Central College. So, anybody want to see a performance? After all, Glass half-full time? I would say so! We continue that is why you are here, correct? It is, indeed, to strive to bring you the best to make it more our pleasure to serve you at the greatest fine arts than worth your while to join us here at the venues in the area. -
BARRARAANN Words and Muslc by FRED FASSERT Aranged by JOHN Hlcclns
BARRARAANN Words and Muslc by FRED FASSERT Aranged by JOHN HlcclNS @ t 96l, 1985 ADAM R. t-E\ry & FATHER ENt, tNC. & COU9NS M6tC, tNC Att RjghB Rerred 7') LR. iVi.IO - HEYI Ttsumpet 3 arr. Scott L. Taube Theme from ROCKY lll EYE OF THE TIGER \yordsandMusicby FRANKIE SULLIVAN lll and JIM PETERIK 3rd Bb TRUMPET Arranged by JOHN HIGGINS and PAUL TAVENDER Mod.Rock o.ffi"< I 26-050 I 0 OI982 wB MUsIc CORP, EASY AffION MUSIC, HOLY MOEY MUSIC & RUD€ MUSIC Thts Arangement or 983 WB MUSIC CORP, mSY ACTION MUSIC HOLY MOEY MUSIC & RUDE MUSIC All Rights on behalfof FASY AcTloN MUSIC administered by lYB MUSIC coRP All Rights Reserved Wotdt and tllslc bY 3rd Bb TRUMPET FIITIAL COUilTDOWil JOEY TEI'IPEST Ananged byJOHN HIGGINS *H$Rq"ffi #?mEffil1*l$#Rffiftd:ff,n*****t O AIRANGERS' ruBLISHING COMPANY ' ' ' 3po (ptrnPor HEY! BABY! ll/ords & Muic by MARGARET COBB & BRUCE CHANNEL Amnged by TOM WALLACE tilaoa0}i€ Rocl ):tu --t G)' s,le - 6 ,,o tlAtnbrlt z,Janrt U!' ^-,-------t-\ ^ 1 I uiiA tAoL) tf todtL 8€ nf eRL- @ tst E ELLMUSIC,pO rcX iltr2,rcRTWORniry n! Ar.lF.ni @ lS7 t/ L < Muric lnkm.6.l@hrd M&inU.S.A AttSti6R# . ARRANGERS'. PUELISHING. COMPANY' 3qo (sinpL{ I CAN'T TURN YOU LOOSE by OTIS REDDING Arranged by TOM WALLACE Fesr Roc( i=t0o vn! ceesc, Poco A Poo tr> > > r> > 01965, I968 & 1973 EAST/MEMPHIS MUSIC CORP. & TIME MUSIC CoDvriqht Assisned to IRVING MUSIC, INC. (BMD 1982 tnt€rir;ri;nal o Seiured Made in U.S.A. -
The Eye of the Tiger Free
FREE THE EYE OF THE TIGER PDF Wilbur Smith | 336 pages | 07 Oct 2011 | Pan MacMillan | 9780330537254 | English | London, United Kingdom Survivor: how we made Eye of the Tiger | Pop and rock | The Guardian It was released as a single from their third album of the same name and was also the theme song for the film Rocky IIIwhich was released a day before the single. The film version also contained tiger growls, which did not appear on the album version. It features original Survivor singer Dave Bickler on lead vocals. It gained tremendous MTV and radio airplay and topped charts The Eye of the Tiger during In the United States, it held No. It spent fifteen consecutive weeks in the top ten, the second-longest run ofbehind " Hurts So Good " by John Cougar The Eye of the Tiger was prevented from reaching The Eye of the Tiger top of the Hot by "Eye of the Tiger". This top ten run is tied with the aforementioned "Another One Bites the Dust" as well as "Physical" as the longest run in the top ten for a number one song during the entire s decade. The song had sold over 4. In an interview with Songfacts, co-writer Jim Peterikwho shared writing credit with Frankie Sullivanexplained the song's title. The Eye of the Tiger first, we wondered if calling it "Eye of the Tiger" was too obvious. The Eye of the Tiger initial draft of the song, we started with "It's the eye of the tiger, it's the thrill of the fight, rising up to the spirit of our rival, and the last known survivor stalks his prey in the night, and it all comes down to survival. -
Model Musician Sounds Provided By: Jim Matthews Who Are YOUR
Model Musician Sounds Provided by: Jim Matthews Who are YOUR models for music? Which performing artists do YOU listen to? Who do you play for your students as a STANDARD - model of excellence? This certainly is NOT a complete list as there are many models which are not listed. This is simply a start. Flute - Emmanuel Pahud, Andreas Blau, Sharon Bezaly, Julius Baker, Jean-Pierre Rampal, James Galway, Ian Clarke, Thomas Robertello, Mimi Stillman, Aurele Nicolet, Jasmine Choi, Paula Robison, Andrea Griminelli, Jane Rutter, Jeanne Baxtresser, Sefika Kutluer, Jazz: Hubert Laws, Nestor Torres, Greg Patillo (beatbox), Ian Anderson (Jethro Tull), Herbie Mann, Dave Valentine, Oboe - Albrecht Mayer, Marcel Tabuteau, John Mack, Joe Robinson, Alex Klein, Eugene Izotov, Heinz Holliger, Elaine Douvas, John de Lancie, Andreas Whitteman, Richard Woodhams, Ralph Gomberg, Katherine Needleman, Marc Lifschey, David Weiss, Liang Wang, Francios Leleux, Bassoon - David McGill, Arthur Grossman, Klaus Thunemann, Dag Jensen, Joseph Polisi, Frank Morrelli, Judith LeClair, Breaking Winds Bassoon Quartet, Albrecht Holder, Milan Turkovic, Gustavo Nunez, Antoine Bullant, Bill Douglas, Julie Price, Asger Svendsen, Carl Almenrader, Karen Geoghegan, Clarinet - Sabine Meyer, Julian Bliss, Andrew Mariner, Martin Frost, Larry Combs, Stanley Drucker, Alessandro Carbonare, John Manasse, Sharon Kam, Karl Leister, Ricardo Morales, Jack Brymer, Yehuda Gilad, Harold Wright, Robert Marcellus, Richard Stoltzman, Jazz: Benny Goodman, Artie Shaw, Paquito D’Rivera, Eddie Daniels, Pete -
1 BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.