DOCSLIB.ORG

Franghiz Ali-Zadeh Turns 65

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Franghiz Ali-Zadeh Turns 65 101207_sik0111_engl_k5_Layout 1 Kopie 08.12.10 16:02 Seite 1 01/11 SIKORSKI MUSIC PUBLISHERS • WWW.SIKORSKI.DE • [email protected] magazine MODERN BALLET AND BALLET MUSIC 70th Birthday of John Neumeier and 80th Birthday of Rodion Shchedrin Music Is (Also) Mathematics – the Complex Oeuvre of Claus-Steffen Mahnkopf Franghiz Ali-Zadeh Turns 65 BIRTHDAYS AND COMMEMORATION DAYS 2012 101207_sik0111_engl_k5_Layout 1 Kopie 08.12.10 16:02 Seite 2 editorial Dear Reader, According to the Duden etymological dictionary, composition is nothing but the construction and design of a work of art. Regarded in this way, choreographers are exactly like composers who organise and form tones - more or less composers of sequences of movement. From numerous choreographies of works from our catalogues, we have experi- enced how close the relationship bet- ween genuine composers and compo- 03 Modern Ballet and Ballet Music sing choreographers is. 70th Birthday of John Neumeier The cooperation of the American cho- and 80th Birthday of Rodion Shchedrin reographer and ballet director John 06 Music Is (Also) Mathematics – Neumeier, who has lived in Hamburg the Complex Oeuvre of Claus-Steffen Mahnkopf for decades, with composers such as 07 Not Only for Azerbaijan Lera Auerbach, Alfred Schnittke and a Reason to Celebrate: Arvo Pärt, is outstanding. Franghiz Ali-Zadeh Turns 65 The great avant-gardist Claus-Steffen Mahnkopf, who structures and organi- ses his complex scores like a mathema- tician, thereby discovering the most fascinating sound worlds, will be cele- brating a round birthday in 2012. There NEWS is a striking accumulation of round CONTENTS Ruzicka’s “EINSCHREIBUNG” birthdays in the Scandinavian countries, in Memory of Mahler moreover, where we are privileged to The music of Gustav Mahler and its interpretation through the philosopher Theodor W. Adorno are central subjects in represent a number of composers. the work of the conductor and composer Peter Ruzicka. The contradictions and darkest depths of the soul in Mahler’s music were, already for the young Ruzicka, Discover with us the variety of this a point of departure for his own aesthetic. “Large late- music and its creators! romantic string gestures in which Mahler’s tone shimmers through stand as a sign of utopia for Ruzicka to the present day. Ruzicka has now composed his latest work ‘EINSCHREIBUNG’ in response to a commission from the Dagmar Sikorski NDR Hamburg,” the NDR announces the anxiously awaited Dr. Axel Sikorski world premiere of “EINSCHREIBUNG,” Six Pieces for Large Orchestra by Peter Ruzicka on 10 February 2011 at the Laeiszhalle in Hamburg. Christoph Eschenbach will direct the NDR Symphony Orchestra in this concert. 2|SIKORSKI magazine 101207_sik0111_engl_k5_Layout 1 Kopie 08.12.10 16:02 Seite 3 COVER Modern Ballet and Ballet Music 70th Birthday of John Neumeier and 80th Birthday of Rodion Shchedrin THE PREMATURELY DECEASED CHOREOGRAPHER AND DIRECTOR OF THE LEIPZIG BALLET COMPANY, UWE SCHOLZ, ONCE SAID: “THE DIFFICULT THING ABOUT DANCING IS SHOWING WHAT IS BEAUTIFUL ABOUT DANCING SO THAT WHAT IS BEAUTIFUL DOES NOT LOOK DIFFICULT.” ust as difficult as dancing itself – the dancing great classical works of music hips are built up, questions are asked J direct expression of spiritual states such as Gustav Mahler’s Third Symphony which frequently remain open. through movement and a controlled or Bach’s “St. Matthew Passion.” Choreography and music ultimately bodily position – is finding the appro- Neumeier already formed a close con- allow a kaleidoscope-like structure to priate music for free or subject-bound nection to Alfred Schnittke during the arise in which the listener and spectator choreographies. Beyond full-length bal- 1980s, and during recent years he also gain impressions and can take their lets such as Sergei Prokofiev’s “Romeo formed a close relationship with the own positions. and Juliet ” or “ Cinderella,” or Aram Russian-American composer Lera Khachaturian’s “Gayaneh,” many cho- Auerbach during the course of several ”A Streetcar Named Desire” reographers tend to compile their own sensational productions. Most choreo- based on Alfred Schnittke works out of many heterogeneous musi- graphers feel magically attracted to The Hamburg Ballet opened its guest cal sections with which to underpin their the strong radiance of the music of season 2010-2011 in autumn 2010 with choreographies. Schnittke. It creates associations which, the Baden-Baden premiere of von One of the greatest choreographers of among other things, have their origin in “A Streetcar Named Desire .” John the present day is unquestionably John the variety of overlapping and combina- Neumeier’s company gave seven guest Neumeier. He will be celebrating his tion of stylistic elements. It is known that performances at the Festspielhaus. 70th birthday on 24 February 2012, and the Polish modernist composer Witold Alongside the already legendary choreo- we can be sure that new choreographies Lutoslawski, who died in 1994, did not graphy based on Tennessee Williams’ and a number of excerpts from his ear- want his music to be used for ballet pro- theatre classic, they had a ballet work- lier gigantic production, in many cases ductions. For him, the scenic events shop as well as a “Hommage aux bound with composers of our publishing were a distraction from the musical Ballets Russes” in their baggage. company, will be seen to celebrate this substance; the listening experience was John Neumeier had already adapted occasion. his primary concern. Schnittke was com- Tennessee Williams’ famous drama “A John Neumeier has been the ballet pletely different: his music already at Streetcar named Desire” for a ballet in director and head choreographer of the times contains images within itself and Stuttgart in 1983; Marcia Haydée and Hamburg Ballet since 1973. He was born at least allows for a visualisation of the Richard Cragun danced the leading in Milwaukee, Wisconsin in 1942, recei- texture of relationships, if it doesn’t roles. The Hamburg premiere of ved his dance training in Copenhagen expressly require it. “Streetcar” then took place in 1987 with and later at the Royal Ballet School in Neumeier’s ambitions are clearly related Colleen Scott and Ivan Liška. London and was engaged by John to the musical concerns of Alfred In April and May 2010, the Norwegian Cranko for his Stuttgart Ballet in 1963. Schnittke. A story, whether the realisati- National Ballet presented it at the Oslo From 1969 until 1973, Neumeier was on of Shakespeare’s often retold Othello Opera House. In “Streetcar Named ballet director in Frankfurt am Main. In or the tale of Cinderella, is never a rigid Desire,” Neumeier uses the Symphony his choreographic works, he is concer- structure for him, with a framework No. 1 by Alfred Schnittke and the ned with finding contemporary forms for that must not be broken. The subject is “Visions fugitives ” Op. 22 by Sergei traditional ballet classics, but also for considerably expanded, new relations- Prokofiev. SIKORSKI magazine|3 101207_sik0111_engl_k5_Layout 1 Kopie 08.12.10 16:02 Seite 4 70th Birthday of John Neumeier and 80th Birthday of Rodion Shchedrin Schnittke’s and Neumeier’s for Neumeier, which was premiered with “Peer Gynt great success on 15 April 2005. After “A Streetcar Named Desire” and Concerning her collaboration with John “Othello,” which was based on Neumeier on this work, Lera Auerbach Schnittke’s Concerto grosso No. 1 , once said: “The peculiar quality of thea- among other works, it was above all the tre music is that there are extra-musical first full-length ballet music based on frames to work with. One needs to find Henrik Ibsen’s “ Peer Gynt ” that was to a balance between achieving what you manifest John Neumeier’s and Alfred intend to create artistically and yet Schnittke’s artistic collaboration and make it work organically together with attract international attention. all the dramatic requirements of the Neumeier admitted that he had dreamt of theatre. If music becomes only a servant WORKS CHOREOGRAPHED IN a collaboration like that between Mikhail of the dance, as happened with many BALLETS OF JOHN NEUMEIER Fokine and Igor Stravinsky, and he wrote 19th century ballets, then it is a pro- Lera Auerbach: to Schnittke: “Later, when I worked on the blem. The other difficulty is the length. 24 Preludes for Violoncello and Piano ballet ‘Peer Gynt’ with you, Alfred, this With the Little Mermaid we have full (in “Préludes CV”) dream came true for me (...).” Neumeier three acts - and to sustain your best 24 Preludes for Violin and Piano (in has repeatedly stated how strongly quality within the span of a three-hour “Préludes CV”) Schnittke’s music inspired him to create production where the overall architec- “The Little Mermaid.” Ballet based on choreographic scenes. Schnittke, for his ture needs to hold the structure toget- H.C. Andersen part, designated the choreography of her is definitely a challenge.” “Eugene Onegin.” Ballet, premiere Neumeier as “something completely June 2012 novel, that in its multi-dimensionality has “Nijinsky” according never before existed.” And he asked to Shostakovich Gustav Mahler: Neumeier to be allowed to dedicate the The production “ Nijinsky” by John Symphony No. 10 (Mahler/Cooke) score of “Peer Gynt” to him – “if it Neumeier received its premiere on 2 26.06.2011 Premiere: Ballet at the Hamburg somehow corresponds to the meaning July 2000 at the Hamburg State Opera. State Opera of what you have created.” “Peer Gynt” The choreography is, according to t he Hamburg ballet director, not a dance-like was the first ballet that Neumeier desi- Arvo Pärt: gned in direct collaboration with a living sketch of the life of the great dancer and “Perpetuum mobile” (“Seven Haikus composer. However, this type of shared star of the Ballets russes, but a biogra- of the Moon”) work was new for Schnittke as well: “it phy of the soul, the feelings and conditi- (“Seven Haikus of the Moon”) stimulates me,” he said before the pre- ons of this artist who became so serious- miere on 22 January 1989.
Load more

Recommended publications
  • O Brasil Descobre a Dança Descobre O Brasil
    O TALHO NA CMESMIE Os milênios pertencem a ordenações soberanas. Conversas de fim de século geralmente tratam de momentos críticos e decisões irrevogáveis. As de agora, sopram prováveis e variados holocaustos, mas também diversas possibilidades de redenção. Clamam por urgências ecológicas, pela atenção com a saúde pessoal e do planeta; redimensionam questões nacionais, uma vez que as novas tecnologias de informação estão desenhando um mundo por conhecer. Qual o figurino indicado para uma troca de milênio? O motor do ato, aqui, se impele dos traços nascidos nos últimos anos deste 1900, mas não marcha nas hostes milenaristas (como se comportar perante os três zeros das datas que serão cabeçalhos de nossa futura correspondência? Zero-pai, zero-filho, zero-espírito santo, como diz Peter Sloterdijk?). Nem se abriga nas dobras amigáveis de uma historiografia oficial, cronológica na sua seqüência linear. Primeiro, porque ela não está sequer escrita. E depois, singrar outras faces em paisagens conhecidas é o que abre o breu. Na ausência de pernas, cavalgaremos com a ciência. Ciência: do que se desprende o nosso cotidiano. Às vezes, nem atentamos para sua presença. Distraídos, continuamos pensando que se trata de exclusividade de laboratório de cientista. Mas não. Escolher uma hipótese (por que uma, aquela, e não qualquer outra?), testá-la indutivamente e, em seguida, elaborar uma dedução a respeito das conclusões obtidas é o que cada um de nós faz a cada dia quando, por exemplo, abre a janela e escolhe com que roupa vai sair de casa. O ponto de partida, a idéia básica do trabalho, se centra num fenômeno tipicamente brasileiro conhecido por Ballet Stagium.
    [Show full text]
  • Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
    CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music.
    [Show full text]
  • CATALOGUE 2018 This Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 CATALOGUE 2018 Plus New Additions to the Catalogue
    CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 CATALOGUE 2018 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany WORLD SALES CEO: Jan Mojto C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager All information is not contractual and subject to change without prior notice. [email protected] & Marketing [email protected] All trademarks used herein are the property of their respective owners. [email protected] Date of Print: February 2018 © UNITEL 2018 All rights reserved Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet [email protected] [email protected] ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES AVAILABLE FOR THE FIRST TIME FOR GLOBAL DISTRIBUTION LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music.
    [Show full text]
  • BEETHOVEN-BALLETS Hans Van Manen / Mauro Bigonzetti 3 Aufbruch!
    Triple Bill BEETHOVEN-BALLETS Hans van Manen / Mauro Bigonzetti 3 Aufbruch! Triple Bill BEETHOVEN- BALLETS Hans van Manen / Mauro Bigonzetti Presented by Adagio Hammerklavier Einssein Große Fuge 3 Aufbruch! Triple Bill BEETHOVEN- BALLETS Hans van Manen / Mauro Bigonzetti Presented by Adagio Hammerklavier Einssein Große Fuge 4 5 Ta Ta Taaaa – Dance! Ta Ta Taaaa – Dance! TA TA TAAAA – DANCE! Beethoven and ballet, it was said for a long time, are a bad fit. The choreographers Mauro Bigonzetti and Hans van Manen prove the opposite with their highly individual works set to the music of this acclaimed genius. There are statements which develop a life Olympus of Viennese classical music, Haydn of their own. Such is the case with this sen- and Mozart – rejected appointments at prin- tence by the great choreographer George cely courts in order to be free and subjective Balanchine: “Dance should leave Beethoven in his art. The consummate, ultimate artist well alone – there’s no choreographing to to whom nothing need be added – not even his music.” It would seem that these words the dance. The Ta ta taaaa of his Fifth Sym- have been echoing between stages and phony or the beginning of his piano piece studios for decades, for indeed: there are Für Elise have become acoustic knowledge far fewer pieces to Beethoven than to the world-wide. Which is exactly what George music of other composers. John Cranko, for Balanchine was referring to: “While listening example, did not choreograph a single ballet to composers like Beethoven and Brahms, to Beethoven, John Neumeier did not stage every listener has his own ideas, paints his his first full-length Beethoven ballet until own picture of what the music represents … fifty years after his debut.
    [Show full text]
  • A Tale of Two Birds: Lighting Design and Implementation of Anton Chekhov's the Seagull and Aaron Posner's Stupid Fucking
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 3-23-2018 A Tale of Two Birds: Lighting Design and Implementation of Anton Chekhov's The eS agull and Aaron Posner's Stupid Fucking Bird Running in Repertory at Swine Palace Theatre Chelsea G. Touchet Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Touchet, Chelsea G., "A Tale of Two Birds: Lighting Design and Implementation of Anton Chekhov's The eS agull and Aaron Posner's Stupid Fucking Bird Running in Repertory at Swine Palace Theatre" (2018). LSU Master's Theses. 4632. https://digitalcommons.lsu.edu/gradschool_theses/4632 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. A TALE OF TWO BIRDS: LIGHTING DESIGN AND IMPLEMENTATION OF ANTON CHEKHOV’S THE SEAGULL AND AARON POSNER’S STUPID FUCKING BIRD RUNNING IN REPERTORY AT SWINE PALACE THEATRE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and College of Music and Dramatic Arts in partial fulfillment of the requirements for the degree of Master of Fine Arts in The School of Theatre by Chelsea Gabrielle Touchet B.S., University of Evansville, 2011 May 2018 ACKNOWLEDGMENTS Many people contributed to the success and completion of these two productions.
    [Show full text]
  • Glen Tetley: Contributions to the Development of Modern
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with with permission permission of the of copyright the copyright owner. owner.Further reproductionFurther reproduction prohibited without prohibited permission. without permission. GLEN TETLEY: CONTRIBUTIONS TO THE DEVELOPMENT OF MODERN DANCE IN EUROPE 1962-1983 by Alyson R. Brokenshire submitted to the Faculty of the College of Arts and Sciences Of American University In Partial Fulfillment of The Requirements for the Degree Of Masters of Arts In Dance Dr.
    [Show full text]
  • Ballet Notes Cover: Greta Hodgkinson and Guillaume Côté (2005)
    The Taming of the Shrew March 2007 Ballet Notes Cover: Greta Hodgkinson and Guillaume Côté (2005). This page: John Cranko with Stuttgart Ballet’s Marcia Haydée and Richard Cragun in rehearsal (c.1969). The Taming of the Shrew A ballet in two acts after William Shakespeare Choreography: John Cranko Copyright: Dieter Graefe Produced and Staged by: Reid Anderson Originally Reproduced from the Benesh Notation by: Jane Bourne Music: Domenico Scarlatti, arranged by Kurt-Heinz Stolze, published by Edition Modern AG Set and Costume Design: Susan Benson Lighting Design: Robert Thomson Assistant to Miss Benson: Marjory Fielding This production entered the repertoire of The National Ballet of Canada on February 13, 1992; Walter Carsen, O.C. totally underwrote the original production and generously sponsored the 2006 refurbishment. Presenting Sponsor: 3 Synopsis Baptista, a rich gentleman of Padua, has two Scene 4: A street daughters. The elder, Katherina, an intelligent, All the neighbours gather to attend Katherina’s outspoken woman, is thought to be a shrew by wedding. They find it hysterical that she has the townsfolk. What Katherina really resents is the agreed to marry such a man. Bianca’s suitors preferential attention paid to her silly, vain sister, gleefully join them in a playful, silly dance. Bianca, by everyone. Despite her objections, Scene 5: Baptista’s house Katherina is married to Petruchio. Petruchio mar- Katherina is dragged to her wedding kicking and ries Katherina for her money and sets out to bully screaming by her father. Petruchio arrives late her into submission. But who tames whom, the and behaves outrageously.
    [Show full text]
  • (With) Shakespeare (/783437/Show) (Pdf) Elizabeth (/783437/Pdf) Klett
    11/19/2019 Borrowers and Lenders: The Journal of Shakespeare and Appropriation ISSN 1554-6985 V O L U M E X · N U M B E R 2 (/current) S P R I N G 2 0 1 7 (/previous) S h a k e s p e a r e a n d D a n c e E D I T E D B Y (/about) E l i z a b e t h K l e t t (/archive) C O N T E N T S Introduction: Dancing (With) Shakespeare (/783437/show) (pdf) Elizabeth (/783437/pdf) Klett "We'll measure them a measure, and be gone": Renaissance Dance Emily Practices and Shakespeare’s Romeo and Juliet (/783478/show) (pdf) Winerock (/783478/pdf) Creation Myths: Inspiration, Collaboration, and the Genesis of Amy Romeo and Juliet (/783458/show) (pdf) (/783458/pdf) Rodgers "A hall, a hall! Give room, and foot it, girls": Realizing the Dance Linda Scene in Romeo and Juliet on Film (/783440/show) (pdf) McJannet (/783440/pdf) Prokofiev’s Romeo and Juliet: Some Consequences of the “Happy Nona Ending” (/783442/show) (pdf) (/783442/pdf) Monahin Scotch Jig or Rope Dance? Choreographic Dramaturgy and Much Emma Ado About Nothing (/783439/show) (pdf) (/783439/pdf) Atwood A "Merry War": Synetic's Much Ado About Nothing and American Sheila T. Post-war Iconography (/783480/show) (pdf) (/783480/pdf) Cavanagh "Light your Cigarette with my Heart's Fire, My Love": Raunchy Madhavi Dances and a Golden-hearted Prostitute in Bhardwaj's Omkara Biswas (2006) (/783482/show) (pdf) (/783482/pdf) www.borrowers.uga.edu/7165/toc 1/2 11/19/2019 Borrowers and Lenders: The Journal of Shakespeare and Appropriation The Concord of This Discord: Adapting the Late Romances for Elizabeth the
    [Show full text]
  • Ballet Notes the Seagull March 21 – 25, 2012
    Ballet Notes The SeagUll March 21 – 25, 2012 Aleksandar Antonijevic and Sonia Rodriguez as Trigorin and Nina. Photo by Cylla von Tiedemann. Orchestra Violins Trumpets Benjamin Bowman Richard Sandals, Principal Concertmaster Mark Dharmaratnam Lynn KUo, Robert WeymoUth Assistant Concertmaster Trombones DominiqUe Laplante, David Archer, Principal Principal Second Violin Robert FergUson James Aylesworth David Pell, Bass Trombone Jennie Baccante Csaba Ko czó Tuba Sheldon Grabke Sasha Johnson, Principal Xiao Grabke • Nancy Kershaw Harp Sonia Klimasko-LeheniUk LUcie Parent, Principal Celia Franca, C.C., FoUnder Yakov Lerner Timpany George Crum, MUsic Director EmeritUs Jayne Maddison Michael Perry, Principal Ron Mah Karen Kain, C.C. Kevin Garland Aya Miyagawa Percussion Mark MazUr, Acting Artistic Director ExecUtive Director Wendy Rogers Filip Tomov Principal David Briskin Rex Harrington, O.C. Joanna Zabrowarna Kristofer Maddigan MUsic Director and Artist-in-Residence PaUl ZevenhUizen Orchestra Personnel Principal CondUctor Violas Manager and Music Magdalena Popa Lindsay Fischer Angela RUdden, Principal Administrator Principal Artistic Coach Artistic Director, • Theresa RUdolph Koczó, Jean Verch YOU dance / Ballet Master Assistant Principal Assistant Orchestra Valerie KUinka Peter Ottmann Mandy-Jayne Personnel Manager Johann Lotter Raymond Tizzard Senior Ballet Master Richardson Beverley Spotton Senior Ballet Mistress • Larry Toman Librarian LUcie Parent Aleksandar Antonijevic, GUillaUme Côté, Cellos Greta Hodgkinson, Jiˇrí Jelinek, Zdenek Konvalina*,
    [Show full text]
  • The Seagull Reader: Literature Literature 1St Edition Pdf, Epub, Ebook
    THE SEAGULL READER: LITERATURE LITERATURE 1ST EDITION PDF, EPUB, EBOOK Joseph Kelly | 9780393926774 | | | | | The Seagull Reader: Literature Literature 1st edition PDF Book This comprehensive Seagull Reader: Literature reader includes the full contents of the three separate Seagull Reader: Plays, Poems, and Stories readers, in one portable volume. Available online at Project Gutenberg. Wikimedia Commons. To see what your friends thought of this book, please sign up. The play was also adapted as the Russian film The Seagull in Act I also sets up the play's various romantic triangles. Between acts Konstantin attempted suicide by shooting himself in the head, but the bullet only grazed his skull. Despondent, Konstantin spends two minutes silently tearing up his manuscripts before leaving the study. Anton Chekhov 's The Seagull Trigorin leaves to continue packing. He returns and takes Trigorin aside. Brooks rated it really liked it Jul 06, It also featured Chiwetel Ejiofor and Art Malik. Untamed by Glennon Doyle. After she has left the room, Nina comes to say her final goodbye to Trigorin and to inform him that she is running away to become an actress, against her parents' wishes. For teachers who wants to have a solid collection at their disposal, I would recommend looking into this book. Alexandrinsky Theatre , St. I am writing it not without pleasure, though I swear fearfully at the conventions of the stage. Chekhov's unwillingness to explain or expand on the script forced Stanislavski to dig beneath the surface of the text in ways that were new in theatre. The Independent. Readers also enjoyed.
    [Show full text]
  • AN INTERVIEW with RODION SHCHEDRIN by John Stuhr-Rommereim
    · ........................................................................ AN INTERVIEW WITH RODION SHCHEDRIN by John Stuhr-Rommereim ORN IN MOSCOW, SHCHEDRIN GREW He has received many prestigious commissions, up in a musical family; his father was a including a request from the New York composer and teacher of music theory. Philharmonic in 1968 in honor of the orchestra's Shchedrin studied at the Moscow Choral 125th anniversary. He continues to receive frequent School and graduated from the Moscow commissions from all over the globe. Conservatory in 1955 where he studied Shchedrin succeeded Dmitri Shostakovich as head composition and piano. He began composing of the Union of Russian Composers. Shostakovich large works while in his early 20s, often using founded the union in 1948 as an alternative to the traditional Russian tales as his subject. Shchedrin has official Union of Soviet Composers. Shchedrin taken many classics from Russian literature and resigned in 1988, believing that it was no longer given them life on the musical necessary to have the two stage: his opera, The Dead unions. "We needed to do Souls, is taken from Gogol; away with them. The whole his ballet, Anna Karenina, is structure was thought up from the well-known novel by under Stalin, and it was Tolstoy; and he used the basically a way to make sure writings of Chekhov for his everybody stayed within the ballets The Seagull and The approved limits . We Lady with the Lapdog. don't need that anymore." Shchedrin's wife, the ballerina The career of composer Maya Plisetskaya, has danced Rodion Shchedrin reflects the the lead in many of his recent changes in the Soviet ballets.
    [Show full text]
  • The Sea Gull Is Set in Russia in 1893
    The School of Theatre’s production of The Sea Gull is set in Russia in 1893. Growing up Chekhov Anton Pavlovich Chekhov was born on Find out what was happening around the world at the time! January 17, 1860 in Taganrog, a small town in the Sea of Azov in southern Russia. His April 8 - The first recorded college basketball game occurs father led a strict household, with the in Beaver Falls, Pennsylvania between the Geneva College children’s time divided among school, Covenanters and the New Brighton YMCA. working in his grocery store, and strict daily observance of Russian Orthodox Church May 5 - Panic of 1893: The New York Stock Exchange worship. crashed, leading to an economic depression in America. The Chekhov attended school at the local Depression of 1893 was one of the worst in American history with the gymnazija (which is a government middle and high school). When his father’s unemployment rate exceeding ten percent for half a decade. grocery store business failed, his family moved to Moscow, leaving Anton behind to finish school. He supported himself for July 1 - U.S. President Grover Cleveland is secretly oper- several years by tutoring other students. ated on to avoid further panic that might worsen the financial In 1879 Anton joined his family in Russia depression. Under the guise of a vacation cruise, Dr. Joseph Did you know? and enrolled in Medical School at Moscow Bryant removed parts of his upper left jaw and hard palate. The The Russian name of the play actually translates into State University.
    [Show full text]