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A Peter White Christmas with Rick Braun and Mindi Abair Brings the Sounds of the Season to Parker Playhouse
November 20, 2015 Media Contact: Savannah Whaley Pierson Grant Public Relations 954-776-1999 ext. 225 Jan Goodheart, Broward Center 954-765-5814 A PETER WHITE CHRISTMAS WITH RICK BRAUN AND MINDI ABAIR BRINGS THE SOUNDS OF THE SEASON TO PARKER PLAYHOUSE FORT LAUDERDALE – Celebrate the holidays with A Peter White Christmas with Rick Braun and Mindi Abair at Parker Playhouse on Saturday, December 12 at 8 p.m. One of the most versatile and prolific acoustic guitarists, White leads the contemporary jazz lineup in this seasonal concert combining smooth jazz cheer with traditional Christmas classics such as “White Christmas” and “Silent Night,” plus a few surprises along the way. White launched his career as a keyboardist touring with Al Stewart and worked with him in the studio on the classic album Year of the Cat. The tour and that album marked the beginning of a 20-year association with Stewart. During that time, the two musicians co-wrote numerous songs, including Stewart’s 1978 hit, “Time Passages.” After years as a backup musician and a session player, White launched his solo recording career and his annual Christmas tour is fueled by the success of his two highly regarded holiday albums, Songs of the Season (1997) and A Peter White Christmas (2007). Braun adds his stylistically eclectic trumpeting to the mix. A consistent chart-topper who has amassed a catalogue of #1 Billboard Contemporary Jazz Chart and radio hits throughout his solo career, Braun has also produced #1 hits for David Benoit, Marc Antoine and former Rod Stewart band sidekick Jeff Golub. -
A Conversation with Petra Haden by Frank Goodman (Puremusic.Com, 1/2009)
A Conversation with Petra Haden by Frank Goodman (Puremusic.com, 1/2009) A short while back, we interviewed a fascinating accordionist, music-oriented photographer, and image and scene maker in Portland named Alicia J. Rose, aka Miss Murgatroid. She'd taken very compelling photos of several bands we'd covered (Sophe Lux and Boy Eats Drum Machine come to mind), and then we stumbled on to her signature accordion work, which often involved multiple effects pedals. Her best known CD was one she'd woven with her friend and musical partner Petra Haden. Although you might know Petra as a member of the Decemberists, or as one of Charlie Haden's daughters (the legendary jazz bassist), or the guest soloist in any of many bands (including the recent Foo Fighters tour), she is still and deservedly best known for her a capella version of the entire Sell Out record by The Who. (She later cut a record with Bill Frisell that happens to be rather divine, called simply Petra Haden and Bill Frisell.) But the Petra project that ignited our conversation was Hearts and Daggers, the long awaited and satisfying reunion with Miss Murgatroid. Some sounds are best heard before described, and you'll find the customary links to those audio clips along the way. We're sure you'll find Petra's words interesting, as we certainly did. And thanks to Miss Murgatroid, aka Alicia J. Rose, who led us here. Puremusic: Let's talk first about this recent release with Miss Murgatroid, Hearts and Daggers. We like that a lot. -
ROVA Saxophone Quartet
FOR IMMEDIATE RELEASE Contact: Glenn Siegel, 413-320-1089 [email protected] Pioneer Valley Jazz Shares presents: ROVA Saxophone Quartet Pioneer Valley Jazz Shares continues its 4th season with a performance by ROVA Saxophone Quartet: Larry Ochs, tenor and sopranino sax; Bruce Ackley, soprano and tenor sax; Jon Raskin, baritone, alto and sopranino sax; Steve Adams, alto and sopranino sax on Tuesday, January 26, 2016 at 7:30pm at 121 Club, Eastworks , 116 Pleasant St, Easthampton, MA 01027. Single tickets ($15) available at www.jazzshares.org and at the door. Rova Saxophone Quartet explores the synthesis of composition and collective improvisation, creating exciting, genre-bending music that challenges and inspires. One of the longest-standing groups in the music, Rova has its roots in post-bop, free jazz, avant-rock, and 20th century new music, and draws inspiration from the visual arts and from the traditional and popular music styles of Africa, Asia, Europe and the United States. In noting Rova’s innovative role in developing the all-saxophone ensemble as “a regular and conceptually wide- ranging unit,” The Penguin Guide to Jazz calls its music “a teeming cosmos of saxophone sounds” created by “deliberately eschewing conventional notions about swing [and] prodding at the boundaries of sound and space…” Likewise Jazz: The Rough Guide notes, “Highly inventive, eclectic and willing to experiment, Rova [is] arguably the most exciting of the saxophone quartets to emerge in the format’s late ’70s boom.” Inspired by a broad spectrum of musical influences – from Charles Ives, Edgard Varese, Olivier Messiaen, Iannis Xenakis and Morton Feldman to The Art Ensemble of Chicago, John Coltrane, Anthony Braxton, Steve Lacy, Cecil Taylor, Sun Ra and Ornette Coleman – Rova began in 1978, writing new material, touring, and recording. -
Henry J. Kaiser (1882-1967) by Ray Atkeson, Photographer This Photograph Shows Henry J
Henry J. Kaiser (1882-1967) By Ray Atkeson, Photographer This photograph shows Henry J. Kaiser (back seat left) with Governor Charles Sprague (back seat right) and President Franklin D. Roosevelt (front seat right) during a presidential visit to Kaiser’s Portland Shipyards in 1942. Though he rarely visited Oregon, Henry Kaiser was an influential industrialist whose successful ventures in manufacturing and health care significantly impacted the state. Kaiser was born in Sprout Brook, New York, in 1882, and moved to Spokane, Washington, in 1906. In 1914, with his wife Bess Fosburg Kaiser, he founded the Henry J. Kaiser Company, which specialized in road paving. He expanded his industrial empire over the years and, by the time of Franklin D. Roosevelt's administration in the 1930s, it was one of the “Six Companies" that attracted lucrative federal contracts including those for the Boulder (now Hoover), Bonneville, and Grand Coulee dams. During World War II, Kaiser owned three shipyards in Portland and Vancouver, Washington, through his firm Kaiser Industries. At their peak, these shipyards employed more than 130,000 workers in the Portland area. This photograph shows Henry J. Kaiser (back seat left) with Governor Charles Sprague (back seat right) and President Franklin D. Roosevelt (front seat right) during a presidential visit to Kaiser’s Portland Shipyards in 1942. Labor shortages in the region prompted Kaiser to recruit workers from around the country. Since local officials did not want to build housing for these newcomers, many of whom were African American, in 1942 Kaiser purchased and developed land in the Colombia River floodplain at the far northern edge of Portland. -
The New York City Jazz Record
BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 THE NEW YORK CITY JAZZ RECORD BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 ALBUMS OF THE YEAR CONCERTS OF THE YEAR MISCELLANEOUS CATEGORIES OF THE YEAR ANTHONY BRAXTON—Solo (Victoriaville) 2017 (Victo) BILL CHARLAP WITH CAROL SLOANE DARCY JAMES ARGUE’S SECRET SOCIETY PHILIPP GERSCHLAUER/DAVID FIUCZYNSKI— January 11th, Jazz Standard Dave Pietro, Rob Wilkerson, Chris Speed, John Ellis, UNEARTHED GEMS BOXED SETS TRIBUTES Mikrojazz: Neue Expressionistische Musik (RareNoise) Carl Maraghi, Seneca Black, Jonathan Powell, Matt Holman, ELLA FITZGERALD—Ella at Zardi’s (Verve) WILLEM BREUKER KOLLEKTIEF— TONY ALLEN—A Tribute to Art Blakey REGGIE NICHOLSON BRASS CONCEPT Nadje Noordhuis, Ingrid Jensen, Mike Fahie, Ryan Keberle, Out of the Box (BVHaast) and The Jazz Messengers (Blue Note) CHARLES LLOYD NEW QUARTET— Vincent Chancey, Nabate Isles, Jose Davila, Stafford Hunter Jacob Garchik, George Flynn, Sebastian Noelle, TUBBY HAYES QUINTET—Modes and Blues Passin’ Thru (Blue Note) February 4th, Sistas’ Place Carmen Staaf, Matt Clohesy, Jon Wikan (8th February 1964): Live at Ronnie Scott’s (Gearbox) ORNETTE COLEMAN—Celebrate Ornette (Song X) KIRK KNUFFKE—Cherryco (SteepleChase) THE NECKS—Unfold (Ideological Organ) January 6th, Winter Jazzfest, SubCulture STEVE LACY—Free For A Minute (Emanem) WILD BILL DAVISON— WADADA LEO SMITH— SAM NEWSOME/JEAN-MICHEL PILC— ED NEUMEISTER SOLO MIN XIAO-FEN/SATOSHI TAKEISHI THELONIOUS MONK— The Danish Sessions: -
Kaiser, Garfield, and Permanente
PAPER Kaiser, Garfield, and Permanente Geoffrey C. Nunes, MD enry J. Kaiser developed an extensive and complex industrial empire. During the con- struction of the Grand Coulee Dam in Washington, he began an association with Sid- ney Garfield, MD, that resulted in the prototype of the modern health maintenance organization. Kaiser Permanente, directed by Garfield, survived a confrontation with Horganized medicine in the postwar years and then expanded rapidly in the 1950s and 1960s. At the same time, an internal struggle for control and responsibility of Kaiser Permanente led to a successful reorganization of its health care system. Today, Kaiser Permanente is Henry Kaiser’s most enduring legacy. Arch Surg. 2002;137:1034-1036 Ted O’Connell is the first president of the thus was able to marry Bess. He then built Pacific Coast Surgical Association (PCSA) a fine new home at a site now overlook- to be affiliated with Kaiser Permanente. ing Sacred Heart Medical Center, where Although health maintenance organiza- their first son, Edgar, was born in 1908. tions (HMOs) currently play a major role After considering the popularity of in American health care, many people are automobiles and the awful state of the unaware of how these organizations be- roads, Kaiser went into the road-paving gan and Kaiser’s role in this process. Thus, business in Washington and British Co- it is appropriate to look at the career of lumbia. By 1921 he was established in Henry Kaiser and the origins of HMOs. We northern California, with headquarters in may also wonder, who was Garfield, and Oakland. -
Antelope Valley Fair Association Announces the 2Nd Annual Jazz
FOR IMMEDIATE RELEASE Contact: Wendy Bozigian March 11, 2014 Marketing Manager 661-948-6060, ext. 132 Antelope Valley Fair Association Announces the 2nd Annual Jazz Festival Artists include: Jazz Attack (featuring Rick Braun, Euge Groove & Peter White), Jessy J, John West and local artists, The Herbie Kae & Tony Capko Band LANCASTER, CA – Officials for the Antelope Valley Fair Association announced the return of the 2nd annual Lancaster Jazz Festival scheduled for June 14, 2014. Entertainment includes Jazz Attack (featuring Rick Braun, Euge Groove and Peter White), Jessy J, John West and local art- ists, The Herbie Kae and Tony Capko Band. Tickets go on sale Tuesday, March 18th at 10am at avfair.com for $30 (general admission) and $60 and $40 (reserved seating). Parking is $5.00. The festival will open at 4pm on Saturday, June 14th, in the outdoor Cantina of the A.V. Fairgrounds and feature multiple BBQ concessions to choose from, wine tasting and other food offering unique gastronomical delights. JAZZ ATTACK - RICK BRAUN - Braun began playing music in elementary school, ultimate- ly winding up at the prestigious Eastman School of Music. Braun’s first big break came when he composed “Here With Me,” a Top 20 hit for REO Speedwagon. He's been a highly regarded pop sideman, touring and recording with the likes of Rod Stewart, War, Sade, Tina Turner, Natalie Cole, and Tom Petty. His records have ranked in the Top 10 of Billboard’s Contemporary Jazz on the R&R NAC/Smooth Jazz album charts. Braun is also an in-demand producer and has de- livered #1 radio hits with artists including David Benoit, Marc Antoine and Jeff Golub. -
Twenty-One Love Poems"
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1998 "Cleft of light"| the divided female subject in Adrienne Rich's "Twenty-one love poems" Sheila Fiona Black The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Black, Sheila Fiona, ""Cleft of light"| the divided female subject in Adrienne Rich's "Twenty-one love poems"" (1998). Graduate Student Theses, Dissertations, & Professional Papers. 1412. https://scholarworks.umt.edu/etd/1412 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University ofIVIONTANA Permission is granted by the author to reproduce tliis material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature** Yes, I grant permission /K, No, I do not grant permission_____ Author's Signature Date c ■ ^ Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. "A Cleft of Light": The Divided Female Subject In Adrienne Rich's "Twenty-One Love Poems" by Sheila Fiona Black B.A. Barnard College, Columibia University 1983 presented in partial fulfillment of the reguirements for the degree of Master of Arts The University of Montana 1998 Approved by: Chairperson Dean, Graduate School Date UMI Number: EP35603 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
FOR IMMEDIATE RELEASE Contact Truly Render, 734-647-4020 [email protected]
FOR IMMEDIATE RELEASE Contact Truly Render, 734-647-4020 [email protected] www.ums.org/news UNIVERSITY MUSICAL SOCIETY ANNOUNCES MARCH 2015 EVENTS ANN ARBOR, MI (January 19, 2015) –The University Musical Society (UMS) heads into spring of its 2014-2015 season with an eclectic March line-up. The month of performances begins with jazz guitarist Bill Frisell performing a rare and intimate solo-guitar concert (Thursday, March 12), followed by a performance by Bill Frisell and his band When You Wish Upon a Star, featuring Petra Haden, Eyvind Kang, Thomas Morgan, and Rudy Royston (Friday, March 13). Also that week, 2013 MacArthur Fellow Kyle Abraham and his dance company Abraham.In.Motion perform two companion pieces that explore race, identity, and the global aspiration for freedom: The Watershed (Friday, March 13) and When the Wolves Came In (Saturday, March 14). The following week, UMS and the Michigan Theater present a Live HD Screening of the Royal Shakespeare Company’s production of Love’s Labour’s Lost, set in the period leading up to World War I (Sunday, March 15). The month continues with the Chicago Symphony Winds, whose program features two beloved Mozart serenades in Rackham Auditorium (Sunday, March 22). Later in the week, the Academy of St. Martin in the Fields and pianist Jeremy Denk perform works by J.S. Bach and Igor Stravinsky in historic Hill Auditorium (Wednesday, March 25), bringing an exciting month with UMS to a close. Tickets to All Events on Sale Now How to Order: www.ums.org 734-764-2538 In person: Michigan League (911 North University Avenue) At the performance venue: beginning 90 minutes before performance start time Hours: Monday-Friday 9 a.m. -
Rich Love Knows Nought of ‘Thine That Is Not Mine;’ Both Have the Strength and Both the Length Thereof, Both of Us, of the Love Which Makes Us One
Rich love knows nought of ‘thine that is not mine;’ Both have the strength and both the length thereof, Both of us, of the love which makes us one. ― Christina Rossetti Bev emptied her champagne glass and looked up to see Nick staring at her, his green eyes sparkling in the candlelight, and his mouth turned up in a wry twist. “What?” He lifted the bottle of Dom from its sterling bucket at their tableside and refilled her glass. She watched the pale liquid bubble up the crystal. That would be her third glass. With Carina nursing, she rarely drank at all, so she was really feeling the two glasses she’d already had. For his part, Nick had had one glass with her and then returned to his habitual scotch, leaving the rest of the Dom for her. It was like he was trying to get her drunk. And doing a damn fine job of it. She smirked back at him. “As of tonight, we’ve been married six years, Don Pagano. You swept me off to the Waldorf Astoria for the whole weekend. You don’t have to get me drunk on champagne to have your way with me. You can have me any way you’d like.” With that same look in his eyes and on his face, he shook his head. “Oh, I will. I will have you several ways I like. Right now, I like to see you relaxed and happy.” He reached across their secluded little table and lifted her hand. “My sun hasn’t been so bright lately, bella.” Bev tried to draw her hand back, but he held on, his thumb moving over her wedding and engagement rings. -
The Antarctic Sun, December 30, 2001
www.polar.org/antsun The December 30, 2001 PublishedAntarctic during the austral summer at McMurdo Station, Antarctica, Sun for the United States Antarctic Program Flying TIGER: Scientific balloon ride By Mark Sabbatini Sun staff In the cosmic scheme of things, this balloon might actually make a difference. Astrophysicists are hoping a 5,000-pound high-altitude bal- loon carrying a data recorder half the size of a ping-pong table will be the first to orbit Antarctica twice, collecting new information about matter outside the solar sys- tem during its voyage. The recorder is sampling galactic cos- mic rays, which may provide clues to the galaxy's history and composition. The rays travel at nearly the speed of light and are the only matter - other than interstellar meteorite dust - from outside the solar system that can be directly sampled. Among the goals of researchers is collecting samples Photo by Melanie Conner/The Antarctic Sun After hours of delay, the winds shifted enough to launch the Long Duration Balloon at 12:30 a.m. on Dec. 21. See Balloon page 13 Visit to Italy's ‘new land,’ McMurdo’s good neighbor By Kristan Sabbatini The bay is indeed beautiful. The blue and station. "The food, the base, the facilities Sun staff orange station sits on the beginning of a inside. It's all our culture." Though wind and snow battered small peninsula surrounded by granite hills. Posters of Roma, Bologna, Napoli and McMurdo Station Dec. 13, a couple hun- Time and nature rounded and carved the other Italian tourist attractions decorate the dred miles north in Terra Nova Bay it was granite into smooth shapes and sculptures, hallways. -
Joe Walsh There Goes the Neighborhood Mp3, Flac, Wma
Joe Walsh There Goes The Neighborhood mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: There Goes The Neighborhood Country: Japan Released: 1981 Style: Classic Rock MP3 version RAR size: 1289 mb FLAC version RAR size: 1962 mb WMA version RAR size: 1157 mb Rating: 4.6 Votes: 124 Other Formats: WAV VOX RA VQF APE MPC TTA Tracklist Hide Credits Things A1 Backing Vocals – Joe Vitale, Timothy B. SchmitBacking Vocals, Bass – George (Chocolate) Perry*Piano, Synthesizer – Joe Walsh Made Your Mind Up A2 Backing Vocals – Joe VitaleBass – George (Chocolate) Perry*Keyboards – Joe Walsh Down On The Farm A3 Bass – George (Chocolate) Perry*Percussion [Jawbone] – Joe WalshTriangle – Russ KunkelViolin – David Lindley Rivers (Of The Hidden Funk) A4 Backing Vocals – Jody BoyerBass – George (Chocolate) Perry*Guitar, Talkbox, Written-By – Don FelderOrgan – Joe WalshTambourine – Joe VitaleTwelve-String Guitar – Bobby Mayo* A Life Of Illusion B1 Organ – Tom StephensonWritten-By, Trumpet, Bass [Guitarone] – Kenny Passarelli Bones B2 Backing Vocals – Jody BoyerBass – George (Chocolate) Perry*Violin, Backing Vocals – David LindleyWritten-By, Piano – Joe Vitale Rockets B3 Backing Vocals – Joe VitaleBass, Percussion – George (Chocolate) Perry*Other [Misc. Noises] – Joe Walsh You Never Know B4 Backing Vocals – Jody BoyerBass – George (Chocolate) Perry*Guitar – Don FelderPercussion – Victor Feldman Companies, etc. Manufactured By – Warner-Pioneer Corporation Phonographic Copyright (p) – Elektra/Asylum Records Recorded At – Santa Barbara Sound Recording