The Palace Museum Palace the 2013 Report Annual the Forbidden City Publishing House City Publishing the Forbidden

Total Page:16

File Type:pdf, Size:1020Kb

The Palace Museum Palace the 2013 Report Annual the Forbidden City Publishing House City Publishing the Forbidden The Palace Museum The Palace The Palace Museum Annual Report 2013 The Forbidden City Publishing House Annual Report Annual 2013 The Forbidden City Publishing House City Publishing The Forbidden 定价: 86.00元 The Palace Museum Annual Report 2013 The Palace Museum Annual Report 2013 Director: Shan Jixiang Executive Deputy Director: Li Ji Deputy Directors: Ji Tianbin, Wang Yamin, Chen Lihua, Song Jirong, Feng Nai’en, Lou Wei ※Address: No. 4 Jingshan qianjie, Beijing ※Postal code: 100009 ※Website: http://www.dpm.org.cn Contents Work in the Year 2013 8 ‘Safe Palace Museum’ Project 12 Collection Management and Preservation of Ancient Architecture 20 Exhibitions 28 Academic Research and Publications 46 Education and Publicity 58 The Digital Palace Museum 68 Cooperation and Exchanges 74 Financial Statement 84 Work in the Year 2013 he year 2013 marked the approval and implementation of the ‘Safe We implemented new visitor policies which included closing the Pal- TPalace Museum’ project. While carrying out our routine work, the ace Museum every Monday afternoon and prohibiting cars, smoking and Palace Museum also applied a high level of cultural awareness to this project fire. and its museum construction work, ensuring the sustainable development of cultural heritage conservation. In 2013, the Palace Museum received a total The ICOM International Training Centre for Museum Studies, the of 14.56 million visitors, with ticket revenue reaching RMB 690 million. Palace Museum Academy, and the Palace Museum Institute were established. The ‘Safe Palace Museum’ project was approved and implemented in The Palace Museums in Beijing and Taipei reached a consensus on April. deepening cooperation. The Inventory of the Palace Museum Collection, the result of the fifth in- The Forbidden City Publishing House obtained approval for publish- ventory checking of the collection, was released to the public on the official ing audio-visual and electronic products. website for the first time. Postscript by Zhang Dashan of the Yuan Dynasty (1271-1368) to Ode to an Expedition by an anonymous artist of the Sui Dynasty (581-618) entered the museum collection, bringing the scroll and the postscript to- gether. Work began on several projects: conserving the Wild-goose-wing- shaped Tower (Yanchi lou) heritage building complex at the Meridian Gate (Wu men), rebuilding the carriage warehouse at the Imperial Stables (Shangsi yuan), and building the house for cultural heritage protection and manage- ment at South Grand Storage. 10 The Palace Museum Annual Report 2013 Work in the Year 2013 11 ‘SAFE PALACE MUSEUM’ PROJECT 12 The Palace Museum Annual Report 2013 13 and protect the Palace Museum’s heritage buildings. In 2013, we submitted the plan for the project and conducted a review of the project proposal. III. Redevelopment of Infrastructure With the aim of ensuring the absolute safety of cultural heritage and heritage buildings, we sought to redevelop the museum’s infrastructure in order to carry out seamless monitoring, eliminate safety hazards, prevent theft, damage and fire, and strengthen the effective preservation and man- Aerial view of the northern part of the Palace Museum Exterior of the greenhouse agement of cultural heritage and heritage buildings. In 2013, we compiled and reviewed the project proposal for phase 1 of the maintenance and rede- velopment of infrastructure. fter Vice Premier Liu Yandong presided over the meeting to launch Athe ‘Safe Palace Museum’ project at the Palace Museum’s Xiyuhe Base on April 16, the seven parts of the project made varying degrees of progress IV. Monitoring of World Cultural Heritage thanks to the leadership and coordination of the Ministry of Culture. These The Palace Museum World Cultural Heritage Monitoring Centre parts were launched in succession and the results achieved in stages. conducted monitoring work as planned. Monitoring projects fell into two categories: firstly, projects which were approved in 2013, including publish- ing The Palace Museum World Cultural Heritage Monitoring Report (2012) and I. Construction of the Northern Part of the Palace monitoring the dynamic visitor flow, termite and lightning proofing. Sec- Museum ondly, projects which were approved before 2013 and conducted in 2013, Projects in the northern part of the Palace Museum aimed to solve including collection of basic information on outdoor displays. two problems: furniture, carpets and other large artefacts in the collection of the Palace Museum could not be conserved appropriately, and artefact displays suffered from limited space. We also sought to give the public a view of traditional artefact restoration techniques. In 2013 we focused on researching and compiling proposals for these projects. We also finished the construction of the greenhouse at Xiyuhe Multi-purpose Base, and com- menced the garden and landscaping project for the Palace Museum’s Court Gardening Research Centre. II. Redevelopment of the Underground Artefact Storerooms The redevelopment of the underground storerooms sought to elimi- nate potential safety hazards, increase the area used for storage, and vacate The Palace Museum World Cultural Heri- Monitoring temperature and humidity in exhibition hall tage Monitoring Report 14 The Palace Museum Annual Report 2013 ‘Safe Palace Museum’ Project 15 V. New Palace Museum Security System Security and fire fighting systems were redeveloped, and the wire- less intercom system put into use. Projects for redeveloping the fire fighting system and constructing security facilities were conducted at the same time, and 70% of these projects were completed by the year’s end. We started technological R&D and review of the Access Control System, and made plans to conduct localised tests. We installed security sprayers in some key areas for testing. The redevelopment project for the security system in the Gate of Correct Deportment (Duan men) entered the system debugging stage. 3D data collection on outdoor objects Survey of heritage buildings The new central control room for security at the Gate of Correct Deportment 16 The Palace Museum Annual Report 2013 ‘Safe Palace Museum’ Project 17 VI. Seismic Protection for the Palace Museum VII. Rescue Conservation and Restoration of the Collection Palace Museum Collection Phase 1 of the cultural heritage seismic protection evaluation was The Palace Museum conducted a cultural heritage restoration project completed. Staff conducted simulated tests of the anti-earthquake capability in collaboration with Dongcheng District People’s Government. In 2013, of movable rack samples and object containers, and carried out a prelimi- we restored ten wooden artefacts, restored a silk tapestry with supplemen- nary survey for Phase 2 of the seismic protection evaluation, testing the tary material, and completed preliminary surveys and experiments for the museum’s capacity to handle emergencies. restoration of the Goryeo knife. In December we held the launch ceremony for a project aimed at building an integrated space for cultural heritage con- servation, including a cultural heritage restoration workshop, cultural herit- age warehouse, laboratory, and photography workshop. Testing for earthquake resistance of structure and cultural artefacts at the Belvedere of Raining Flowers (Yuhua ge) Launch ceremony for the project to construct an integrated space for cultural heritage conservation 18 The Palace Museum Annual Report 2013 ‘Safe Palace Museum’ Project 19 COLLECTION MANAGEMENT AND PRESERVATION OF ANCIENT ARCHITECTURE 20 The Palace Museum Annual Report 2013 21 Pasting tieluo reproduction in the Hall of Mental Cultivation (Yangxin dian) Collection inventory released on the Palace Museum website n 2013, the Palace Museum released The Inventory of the Palace Museum categories. We restored 207 artefacts, the movable type edition of the Com- ICollection to the public, with the aim of fully performing our function of mentaries on the Spring and Autumn Annals (Chunqiu shili) (14 volumes) from serving society, promoting culture and being receptive to public supervision. the Hall of Martial Valour (Wuying dian) and the Jiaxing Edition of the Tripi- The Palace Museum was the first large multi-purpose museum in China taka (Jiaxing zang) (12 volumes). to do so, marking the first step in making information about the museum The following items from the collection were included in the fourth collection public. Over the same period, the museum steadily continued its batch of the National Rare Books of China: the Jianning Prefecture edition of follow-up work on inventory checking of its collection and facilitated con- Four Commentaries on the Spring and Autumn Annals (Chunqiu sizhuan) (38 servation, restoration, and acquisition. chapters), together with ‘Outline’, ‘Abstract’, ‘Dongpo’s Commentaries on the States’, ‘Chronicles of Twenty States in the Spring and Autumn Period’ and ‘On the Rise and Decline of States’, published in the eleventh year of I. Collection Management the Jiajing reign (1522-1566) during the Ming Dynasty (1368-1644); Po- Museum staff carried out the inventorying and protection of original ems of Previous Ages Selected by the Emperor (Yu xuan lidai shi yu) (120 chap- tieluo (affixed hangings) in the palace buildings. Following collection man- ters), the imperial edition from the 46th year in Kangxi reign (1662-1722); agement requirements, we successfully transferred 461 international gifts. the Nine Scholars’ Collections of and Commentaries on Du Fu’s Poems (Jiu jia ji With the fifth inventory checking
Recommended publications
  • New Publications Latest Acquisitions
    HANSHAN TANG BOOKS • L IST 141 NEW PUBLICATIONS LATEST ACQUISITIONS H ANSHAN TANG B OOKS LTD Unit 3, Ashburton Centre 276 Cortis Road London SW 15 3 AY UK Tel (020) 8788 4464 Fax (020) 8780 1565 Int’l (+44 20) [email protected] www.hanshan.com C ONTENTS N EW & R ECENT P UBLICATIONS / 3 F ROM O UR S TOCK / 11 S UBJECT I NDEX / 60 T ERMS The books advertised in this list are antiquarian, second-hand or new publications. All books listed are in mint or good condition unless otherwise stated. If an out-of-print book listed here has already been sold, we will keep a record of your order and, when we acquire another copy, we will offer it to you. If a book is in print but not immediately available, it will be sent when new stock arrives. We will inform you when a book is not available. Prices take account of condition; they are net and exclude postage. Please note that we have occasional problems with publishers increasing the prices of books on the actual date of publication or supply. For secondhand items, we set the prices in this list. However, for new books we must reluctantly reserve the right to alter our advertised prices in line with any suppliers’ increases. P OSTAL C HARGES & D ISPATCH United Kingdom: For books weighing over 700 grams, minimum postage within the UK is GB £6.50. If books are lighter and we are able to charge less for delivery, we will do so. Dispatch is usually by a trackable three working day courier service.
    [Show full text]
  • Annual Report 2010 Report Annual Museum the Palace of the Forbidden City Publishing House City Publishing the Forbidden
    Annual Report Annual Annual Report 2010 of The Palace Museum The Forbidden City Publishing House 2010 of The Palace Museum The Palace of The Forbidden City Publishing House City Publishing The Forbidden 定价: 68.00元 Annual Report 2010 of The Palace Museum Annual Report 2010 of The Palace Museum Director: Zheng Xinmiao Executive Deputy Director: Li Ji Deputy Directors: Li Wenru, Ji Tianbin, Wang Yamin, Chen Lihua, Song Jirong, Feng Nai’en ※Address: No. 4 Jingshan qianjie, Beijing ※Postal code: 100009 ※Website: http://www.dpm.org.cn Contents Work in the Year 2010 8 Collection Management and Conservation of Ancient Buildings 12 Exhibitions 24 Academic Research and Publication 42 Education and Public Outreach 54 The Digital Palace Museum 62 Cooperation and Exchange 68 Financial Statements 82 Work in the Year 2010 n 2010, the Palace Museum took advantage of the occasions of celebrat- Iing the 85th anniversary of the founding of the Palace Museum and the 590th anniversary of the construction of the Forbidden City, involved itself in such undertakings as public security and services, preservation of col- lection and ancient buildings, exhibition and display, academic research & publication, information system construction, overseas exchange and coop- eration, and made more contributions to the sustainable development of its cultural heritage. Held activities to celebrate the 85th anniversary of the Palace Mu- seum and the 590th anniversary of the construction of the Forbidden City; Received 12.83 million visitors and took measures to ensure their
    [Show full text]
  • Arts & Culture
    ARTS & CULTURE ART P42 ART P48 IN PRINT P52 CINEMA P56 STAGE that’smags www.thebeijinger.com Novemberwww. 200 thatsbj.com8 / the Beijinger Sept. 200541 Hovering Child by American artist Fran Forman. See Preview, p46; photo courtesy of Common Ground All event listings are accurate at time of press and subject to change For venue details, see directories, p43 Send events to [email protected] by Nov 10 Nov 8-30 its over 150 art pieces of contem- porary art around the world from Wang Jie the 1960s to the present day. The By eliminating human figures in curatorial approach of the show is rt his paintings, Wang Jie’s emphasis basically chronological, showing is on clothes – our “second skin.” the historical development of the New Age Gallery (5978 9282) world of contemporary art that A Nov 8-Dec 21 parallels the trajectory of the Swiss Chinese Contemporary Art Awards bank’s tastes throughout the dec- ades. Expect big names including ART 2008 Founded in 1997 by Uli Siggs, CCAA Damien Hirst, Andy Warhol, Lucien has awarded Liu Wei this year as Freud, Jasper Johns, as well as its pick for “Best Artist” and Tseng emerging Chinese artists including Yu-chin as “Best Young Artist” (see Cao Fei, Qiu Anxiong and Xu Zhen. Feature, p44). Ai Weiwei has also National Art Museum of China been given a lifetime achievement (6401 2252/7076) award. The works of these three Until Nov 12 artists will be exhibited at the larg- Coats! est art space in 798. Ullens Center Until Jan 10: Edward Burtynsky’s China Beijing is the third stop – after for Contemporary Art (6438 6576) Berlin and Tokyo – for this exhibi- A fresh take on manufacturing art.
    [Show full text]
  • Marketing Strategy Analysis of the Palace Museum
    Journal of Finance Research | Volume 03 | Issue 02 | October 2019 Journal of Finance Research https://ojs.s-p.sg/index.php/jfr ARTICLE Marketing Strategy Analysis of the Palace Museum Qi Wang1* Huan Liu1 Kaiyi Liu2 1. School of management, Shandong University of Technology, Zibo, Shandong, 255000, China 2. Shandong University of Science and Technology, Qingdao, Shandong, 266000, China ARTICLE INFO ABSTRACT Article history The development of cultural innovation is benecial for museums to give Received: 8 August 2019 full play to their cultural advantages and improve their economic benets, accordingly forming a virtuous circle. This paper analyzes the cultural Revised: 13 August 2019 and creative brand marketing environment and strategy of the Palace Mu- Accepted: 24 October 2019 seum, hoping to provide some references for other museums through the Published Online: 31 October 2019 analysis and summary of cultural and creative brand marketing strategy of the Palace Museum. Keywords: The Palace Museum Cultural and creative industries SWOT analysis Non-prot organizations 1. Overview of the Palace Museum vantages, seize the opportunity of cultural and creative de- velopment, actively explore ways of cultural and creative ith the continuous development of the econo- innovation, and enhance the resonance between people my, people’s consumption types have changed and museums, so as to meet the growing spiritual and cul- Wgreatly. As the material life has been basically tural needs of the people and better inherit the excellent satised, the proportion of material consumption has been traditional culture. The cultural innovation of museums increasing; people pay more and more attention to spiri- faces great opportunities for development.
    [Show full text]
  • Journal of Current Chinese Affairs
    China Data Supplement May 2007 J People’s Republic of China J Hong Kong SAR J Macau SAR J Taiwan ISSN 0943-7533 China aktuell Data Supplement – PRC, Hong Kong SAR, Macau SAR, Taiwan 1 Contents The Main National Leadership of the PRC .......................................................................... 2 LIU Jen-Kai The Main Provincial Leadership of the PRC ..................................................................... 30 LIU Jen-Kai Data on Changes in PRC Main Leadership ...................................................................... 37 LIU Jen-Kai PRC Agreements with Foreign Countries ......................................................................... 42 LIU Jen-Kai PRC Laws and Regulations .............................................................................................. 44 LIU Jen-Kai Hong Kong SAR ................................................................................................................ 45 LIU Jen-Kai Macau SAR ....................................................................................................................... 52 LIU Jen-Kai Taiwan .............................................................................................................................. 56 LIU Jen-Kai ISSN 0943-7533 All information given here is derived from generally accessible sources. Publisher/Distributor: GIGA Institute of Asian Studies Rothenbaumchaussee 32 20148 Hamburg Germany Phone: +49 (0 40) 42 88 74-0 Fax: +49 (040) 4107945 2 May 2007 The Main National Leadership of the PRC
    [Show full text]
  • Research Report for Museum Professional Development Skills Project Name and Higher Education Needs in China
    RESEARCH REPORT FOR MUSEUM PROFESSIONAL DEVELOPMENT SKILLS AND HIGHER EDUCATION NEEDS IN CHINA AUGUST, 2016 Research Report For Museum Professional Development Skills Project Name and Higher Education Needs in China Project Delivery Period August Commissioned by The British Council China Museology Department of the Minzu University of China, Researcher Research Centre for Multi-Culture 1 1 | P a g e CONTENTS 1. Research Methodologies, Relevant concepts , terminologies and explanations .......................................................................................................... 3 2. An Overview of the Development of Museums in China: Facts and Analysis ................................................................................................................. 6 3. Relevant policies, the environment and institutional setting ................. 10 A) The overall trend ........................................................................................... 10 B) Analysis on the industry’s top priorities, strategy and investment trends .............................................................................................................................. 11 C) Current issues and deficiencies in museum construction and development ....................................................................................................... 16 D) The analysis of the museum’s development strategies and trend ....... 17 4.Analysis on the Demand for Higher Education in Museology and Related Disciplines ...........................................................................................
    [Show full text]
  • Lecture Notes, by James Cahill
    Lecture Notes, by James Cahill Note: The image numbers in these lecture notes do not exactly coincide with the images onscreen but are meant to be reference points in the lectures’ progression. Lecture: Addendum 1A: Freer Medal Acceptance Address On November 18, 2010, I was in Washington DC at the Freer Gallery of Art, where I started out my career as a Chinese art specialist sixty years ago. This time it was to receive the Charles Lang Freer Medal, which is given intermittently since 1956 to honor notable scholars of Asian art. Photo: James Cahill and Julian Raby, director of the Freer I will be the twelfth recipient, the sixth for Chinese art. The ones in Chinese art before me begin with Osvald Siren, someone I have a great admiration for. But the others are my teachers and my heroes: Laurence Sickman, Max Loehr, Alexander Soper, and Sherman Lee. Photos: front and back of bronze Freer Medal, designed by Paul Manship [Begins reading lecture] If this prose sounds familiar, it is because I wrote the English version of Yukio Yashiro’s 1965 acceptance speech. He was the third recipient of the Freer Medal. 1950 (exactly 60 years ago): had finished a B.A. in Oriental Languages at UC Berkeley and, on the advice of my teacher, Edward Schafer, applied for and received the Louise Wallace Hackney Scholarship for cataloguing Chinese paintings at the Freer. I worked with Archibald Wenley, the director of the Freer at the time. 1951–1953: M.A. program at University of Michigan, studied under Max Loehr.
    [Show full text]
  • A Developed Business Model of the Palace Museum and the China Time-Honored Brands
    A Developed business model of The Palace Museum and the China Time-honored Brands: The future of the Intellectual Property franchising Huimian Wang 797871 MGMT90234 Contents Executive Summary 2 1. Situational analysis 2 1.1 Environmental background and the “IP-Era” in China 2 1.2 The development of the cultural IP of the Palace Museum 3 1.3 Overall situation of the “China Time-honored brands" 6 2. Value propositions 7 3. Consumer analysis 8 3.1 Customer segmentation 8 3.2 Customer relationship 10 4. Infrastructure 12 4.1 Resources 12 4.2 Processes 14 5. Cost construction 14 6. Revenue model 15 7. Challenges 17 8. Opportunities 17 9. Conclusion 18 References 19 Appendixes 22 1 Executive Summary This paper will illustrate a hypothetical business model based on the revitalisation of traditional cultural businesses and a representative business model of the Palace Museum (also known as the Forbidden City) in China. This developed business model is inspired by the i Intellectual Property (IP) business model; the cross- industry business partnerships that are present in it and in Chinese cultural and creative industries. It will firstly analyse the current macroscopic societal environment of the relevant industry and shed light on the IP business model in China; and then interpret the value propositions of the Palace Museum IP, the China Time-honored business, and the combinative business model. The cost structure and the revenue model will be explained after the customer analysis. Finally, this assignment will also examine both the opportunities and the challenges regarding this developed business model.
    [Show full text]
  • Revive the Spirit of the Forbidden City by VR Technology
    Revive the Spirit of the Forbidden City by VR Technology Su Yi VR section of Information Department, The Palace Museum, 4 Jingshan Qianjie Beijing 100009, China [email protected] Abstract. As the most famous heritage site of China, the Forbidden City not only represent masterpieces in the development imperial palace architecture, but also carry profound cultural information and evidence to the living traditions and the customs of Han and Manchu, which was considered as the spirit of the place. But today the historic and cultural information of the Forbidden City has lost a lot due to the deteriorated environment. In recent years, the excessive tourism with approximately 10 million visitors per year has obviously threatened the historic buildings and the landscape too. In order to preserving the site, people have to be kept away from some buildings, thus the true spirit of the place could not be understood well. This paper intent to introduce what we have done with virtual reality technology, discussing whether we could help people to access and understand the heritage sites much better by VR without any destruction. 1. What is the spirit of the Forbidden City? 1.1 THE SPIRIT COMES FROM THE NATURE In ancient China, there was a momentous conception called the “Harmony between the Heaven and Human”. It showed respect to the nature. People thought everything should be done in the light of the “Rules” of the nature. Therefore the imperial palace also built according to some “Rules” of the nature, reflecting the theory of “Harmony between the Heaven and Human”.
    [Show full text]
  • QIU DESHU Selected Solo Exhibitions
    QIU DESHU (b. 1948) 1948 Born in Shanghai, China 1979 Founded the Grass Painting Society (Cao Cao She), a group of twelve artists dedicated to the promotion of artistic originality 1985–86 Invited to be artist-in-residence at Tufts University, Medford, USA Present Lives and works in Shanghai, China Selected Solo Exhibitions 2017 Qiu Deshu, Pearl Lam Galleries, Shanghai, China 2015 Art of Fissuring, Pearl Lam Galleries, Singapore Night and Day: The Art of Qiu Deshu—1979 and After, Pearl Lam Galleries, Hong Kong, China Qiu Deshu, NanHai Art, Millbrae, USA Liebian/Fissure: The Art of Qiu Deshu, NanHai Art, Singapore 2013 The Fissuring World of Qiu Deshu, Pudong Airport Terminal 2, Shanghai, China 2012 Qiu Deshu, Ink Painting from 1980 to 2012, Michael Goedhuis Gallery, London, UK B-Cities: Solo Exhibition of Chinese New Painting by Qiu Deshu and Lin Jiabing, Tian Ren He Yi Art Center, Hangzhou, China 2011 New Works by Fissuring, Shanghai Grand Theater Gallery, Shanghai, China 2010 Fissuring—Buildings & Courtyard, Latest works from Qiu Deshu, Wu Chang Shuo Museum, Shanghai, China 2008 Fissuring—Qiu Deshu Contemporary Water-Ink Exhibition, Shanghai Art Museum, Shanghai, China Crack of Dawn—Qiu Deshu Exhibition, Zee Stone Gallery, Hong Kong, China Fissuring—Qiu Deshu, SMYH Gallery, Beijing, China 2007 Fissuring—Landscape, New Works from Qiu Deshu, Leda Fletcher Gallery, Geneva, Switzerland; Shanghai, China Qiu Deshu—Ten Years after the Grass Painting Society, Shanghai Duolun Contemporary Art Museum, Shanghai, China 2006 Chinese Contemporary
    [Show full text]
  • Zhang Fangbai ______
    ZHANG FANGBAI ____________________ 1991 Bachelor of Fine Arts of the No.4 Studio, Department of Oil Printing, China Central Academy of Fine Arts 1991—1995 Teaching in Hengyang Normal University 1995—2001 Teaching in Oil Department of Tianjin Academic of Fine Arts 2000—present Living in Beijing and teaching in the Department of Artistic and Design, Beijing Youth Politics College Solo Exhibitions 2015 “Square white ink”, Astor art, The Swedish Double 2014 “Square white and charlotte library silks”, H gallery, Munich, Germany 2014 “Square white 19 edition of exhibition Library silks”, Gallery Beijing, China 2014 “Square white solo Library silks”, H Gallery Stuttgart, Stuttgart, Germany 2014 “Square white solo exhibition”, Gallery Philine Cremer, Dusseldorf, Germany 2013 “Standpoint” - Zhang Fangbai’s Work Exhibition, Meilun Art Gallery, Changsha, China 2013 Zhang Fangbai Oil Painting Exhibition, Galerie Philine Cremer, Dusseldorf, Germany 2011 “Standing Alone” - Zhang Fangbai’s Solo Exhibition, Asia Art Center, Beijing, China 2010 Zhang Fangbai Ink Painting and Printmaking Exhibition, East West Gallery, Beijing, China 2008 Zhang Fangbai Art Exhibition, J. Bastien Art Gallery, Brussels, Belgium 2007 “China – The World of Zhang Fangbai”, Sara Hildén Art Museum, Tampere, Finland 2005 “Image of the Eagle” – Zhang Fangbai Oil Painting Exhibition, Gallery Astley, Uttersberg, Sweden 2004 “Horizon” – Zhang Fangbai’s Oil Painting Exhibition, Pickled Art Center, Beijing, China 1991 Zhang Fangbai Oil Painting Exhibition, CAFA Art Museum, Beijing, China
    [Show full text]
  • Red Scarf Girl
    A Facing History and Ourselves Study Guide Teaching RED SCARF GIRL Created to Accompany the Memoir Red Scarf Girl, by Ji-li Jiang A Facing History and Ourselves Study Guide Teaching RED SCARF GIRL Created to Accompany the Memoir Red Scarf Girl, by Ji-li Jiang Facing History and Ourselves is an international educational and professional development organization whose mission is to engage students of diverse backgrounds in an examination of racism, prejudice, and antisemitism in order to promote the development of a more humane and informed citizenry. By studying the historical development of the Holocaust and other examples of genocide, students make the essential connection between history and the moral choices they confront in their own lives. For more information about Facing History and Ourselves, please visit our website at www.facinghistory.org. The front cover illustration is a section from a propaganda poster created during the beginning of the Cultural Revolution (1966–1968), the same years Ji-li describes in her memoir. Since the founding of the People’s Republic of China 1949, government and party officials used mass- produced posters as a way to promote nationalism and convey the values of the Communist Party. Propaganda posters were especially important during the Cultural Revolution, and this poster represents many dominant themes of this media: the glorification of Mao, the color red symbolizing China and the Chinese Communist Party, and the depiction of youth as foot-soldiers for the revolution. The slogan on the poster expresses a popular anthem of the era: Chairman Mao is the Reddest Reddest Red Sun in Our Hearts.
    [Show full text]