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San Francisco • Inspiration • January 14–15, 2017
San Francisco • Inspiration • January 14–15, 2017 TICKETS ON SALE SEPTEMBER 6 SATURDAY PROGRAM PAGE 2 SUNDAY PROGRAM PAGE 6 ABOUT THE PRESENTERS PAGE 10 LOCATION Poets & Writers Live: Inspiration 2017 will be held at the San Francisco Art Institute, 800 Chestnut Street, in San Francisco’s the Russian Hill neighborhood. MEALS & ACCOMMODATIONS Coffee and pastries will be provided on both Saturday and Sunday mornings. Attendees are responsible for all meals. Nearby restaurants and delis offer a range of options within easy walking distance. If you will be traveling to San Francisco from out of town, Pier 2620, a hotel within walking distance of the Art Institute, has a limited number of rooms available at the special rate of $179 per night plus tax. To reserve online, go to at.pw.org/sflive20172620 and enter the Group Code 1701POETS. To reserve by telephone, call (415) 268-5893 and identify yourself as a Poets & Writers Live attendee. CITY LIGHTS WINE RECEPTION FRIDAY, JANUARY 13, FROM 6 TO 8PM Join us for a glass of wine and browse the stacks in the Poetry Room of the legendary City Lights Bookstore, founded by Lawrence Ferlinghetti in 1953. Poets & Writers staff will be on hand to welcome you. City Lights is located at 261 Columbus Avenue. San Francisco • Inspiration • January 14, 2017 MAIN OPTIONAL OPTIONAL NETWORKING THEATER BREAKOUT 1 BREAKOUT 2 EVENTS 9:00-10:00 Check-in, Coffee-up 10:00-10:45 Juan Felipe Herrera: Poetry Keynote 10:45-11:30 The Poet in the World: Juan Felipe Hererra and Jane Hirshfield 11:45-12:30 Inspired Editors: Jane Hirshfield: Publishing as Creative Generative Collaboration Energies 12:30-2:00 LUNCH Small Press and Lit Mag 2:00-2:45 Grant Faulkner: Benjamin Percy: Rusty Morrison: Fair The Power of Writing Set Pieces Courting the With Abandon Emergent 3:00-3:45 Benjamin Percy: The Art of Suspense 4:00-4:45 Joyce Lee: Poetry Slam and Exquisite Corpse 5:00-6:00 Inspiration Experiment: Susan Orlean, Ben Arthur, et al. -
2019 AWP Conference Schedule
2019 AWP Conference Schedule Wednesday, March 27, 2019 12:00 pm to 7:00 pm W101. Conference Registration, Sponsored by Butler University MFA in Creative Writing Registration Area, Exhibit Hall A, Oregon Convention Center, Level 1 Attendees who have registered in advance, or who have yet to purchase a registration, may secure their registration materials in AWP’s registration area located in Exhibit Hall A of the Oregon Convention Center, Level 1. Please consult the bookfair map in the conference planner for location details. Students must present a valid student ID to check-in or register at our student rate. Seniors must present a valid ID to register at our senior rate. A $50 fee will be charged for all replacement registrations. 3:00 pm to 8:00 pm The Festival of Language 2505 SE 11th Ave, Portland, OR 97202 Cost: Free Url: https://www.facebook.com/events/2074858549271806/ The Festival of Language will feature over fifty rapid-fire readings of original creative works by as many authors. This event will also include reading experiments. Check out Festival of Language on Facebook for a complete list of readers. 7:00 pm to 9:00 pm Poets of Finishing Line Press Black Hat Books, 2831 NE Martin Luther King Jr. Blvd, Portland, OR 97212 Cost: Free Url: https://www.facebook.com/events/2291340177589625/ Fourteen poets recently published by Finishing Line Press and living in the Pacific Northwest will read snippets of their work. There will be wine and snacks. Readers include Heidi Seaborn, Douglas Cole, Kristin Berger, Julene T. Weaver, Don Colburn, Suzanne Sigafoos, Brittney Corrigan, Dawn Marar, Joe Soldati, Dianne Stepp, Judith Montgomery, MaryAnn L. -
MAKING SENSE of CZESLAW MILOSZ: a POET's FORMATIVE DIALOGUE with HIS TRANSNATIONAL AUDIENCES by Joanna Mazurska
MAKING SENSE OF CZESLAW MILOSZ: A POET’S FORMATIVE DIALOGUE WITH HIS TRANSNATIONAL AUDIENCES By Joanna Mazurska Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in History August, 2013 Nashville, Tennessee Approved: Professor Michael Bess Professor Marci Shore Professor Helmut W. Smith Professor Frank Wcislo Professor Meike Werner To my parents, Grazyna and Piotr Mazurscy II ACKNOWLEDGEMENTS I would like to express my gratitude to the members of my Dissertation Committee: Michael Bess, Marci Shore, Helmut Smith, Frank Wcislo, and Meike Werner. Each of them has contributed enormously to my project through providing professional guidance and encouragement. It is with immense gratitude that I acknowledge the support of my mentor Professor Michael Bess, who has been for me a constant source of intellectual inspiration, and whose generosity and sense of humor has brightened my academic path from the very first day in graduate school. My thesis would have remained a dream had it not been for the institutional and financial support of my academic home - the Vanderbilt Department of History. I am grateful for the support from the Vanderbilt Graduate School Summer Research Fund, the George J. Graham Jr. Fellowship at the Robert Penn Warren Center for the Humanities, the Max Kade Center Graduate Student Research Grant, the National Program for the Development of the Humanities Grant from the Polish Ministry of Science and Higher Education, and the New York University Remarque Institute Visiting Fellowship. I wish to thank to my friends at the Vanderbilt Department of History who have kept me company on this journey with Milosz. -
Fall 2019 Newsletter
NEWS | FALL 2019 YA lit from Yaddo authors, plus fiction, art books and more GUESS WHAT– WE’RE “AT THE NERVE CENTER OF THE ART WORLD” New Rules – a few things have changed since the early ’30s Pulitzers, Grammys, and then some! Shhhh… why silence truly matters Origins of Retreat Then vs. Now IN 1900, Yaddo began with a clear idea of why and for whom it mattered. The Trasks established a “permanent Home” for creatives engaged in a “brave fight to guard and augment the Sacred Fire within and meantime earn their bread by labors prosaic and oppressive,” they wrote. Some 120 years later, crucial resources like silence, time, nature, space and financial support are in even shorter supply. World population has soared, from 1.6 billion in 1900 to 7.7 billion today. We are bombarded with noise and are losing access to nature. Of protected lands in the U.S., 63% are inundated with sounds from cars, etc. One football field of forest is lost every second. Sound-related health threats impact heart disease, high blood pressure and cognitive issues that From monasticism to the military and the arts, Cathleen Medwick arise from being too distracted to focus. ruminates on silence, solitude, and the power of refuge Financial support for artists is dwindling: The median salary for full-time writers is $20,300, reflecting a 42 percent drop since 2009. For visual artists, the ot many warriors go to battle in gauzy white gowns. But Katrina cacaphony of early twentieth-century life. Like the bells that summoned “The Last Supper,” summer residents (from left) Christine Lavin, Faith Shearin, Miguel Calderón, Jason average salary is about $20 to $30 Trask did. -
For the Fiscal Year Ending September 30, 2003 Annu Al Repor T of the Librarian of Congress
ANNUAL REPORT OF THE LIBRARIAN OF CONGRESS 2003 FOR THE FISCAL YEAR ENDING SEPTEMBER 30, 2003 ANNU AL REPOR T OF THE LIBRARIAN OF CONGRESS T OF THE LIBRARIAN www.loc.gov ANNUAL REPORT OF THE LIBRARIAN OF CONGRESS FOR THE FISCAL YEAR ENDING SEPTEMBER 30, 2003 Library of Congress Photo Credits CONTENTS Independence Avenue, SE Photographs by Architect of the Capitol Washington, DC (inside front and back covers; page ); Anne Day (front and back covers; pages , , , For the Library of Congress and ); Jim Higgins (page ); and Carol on the World Wide Web, visit Highsmith (page xiv). <www.loc.gov>. Photo Images A Letter from the Librarian of Congress v (of the Thomas Jefferson Building) The annual report is published through Library of Congress Officers and Consultants ix the Publishing Office, Front cover: Marble staircase with bronze Organization Chart x Library Services, Library of Congress, female figure by Philip Martiny, Great Hall. Washington, DC -, Inside front cover: Mosaic “History” by Library of Congress Committees xii and the Public Affairs Office, Frederick Dielman, above fireplace, south Office of the Librarian, Library of Congress, end, Members of Congress Reading Room. - Page xiv: Stucco tripod, vestibule of main Highlights of Washington, DC . Telephone () - (Publishing) entrance. Congressional Research Service or () - (Public Affairs). Page : Bronze door titled “Writing” by Olin Levi Warner; left panel “Truth” and right Copyright Office panel “Research.” Page : Clock, youths reading, and winged Managing Editor: Audrey Fischer Law Library of Congress Father Time by John Flanagan, entrance, Main Reading Room. Library Services Page : Trade mark, or printer’s mark, Copyediting: Publications Professionals LLC for firm of Valentin Kobian on wall that Office of the Librarian Indexer: Kate Mertes displays printers’ marks, south corridor. -
( Except Where Noted Eliza
POET BIOGRAPHIES as of May 17, 2016 All biographies from the Academy of American Poets (www.poets.org) except where noted Elizabeth Alexander Elizabeth Alexander was born on May 30, 1962, in Harlem, New York, and grew up in Washington, D.C. She received a BA from Yale University, an MA from Boston University (where she studied with Derek Walcott), and a PhD in English from the University of Pennsylvania. Her collections of poetry include Crave Radiance: New and Selected Poems 1990-2010 (Graywolf Press, 2010); American Sublime (Graywolf Press, 2005), which was a finalist for the Pulitzer Prize; Antebellum Dream Book (Graywolf Press, 2001); Body of Life (Tia Chucha Press, 1996); and The Venus Hottentot (University Press of Virginia, 1990). Her memoir, The Light of the World (Grand Central Publishing, 2015), was a finalist for the Pulitzer Prize. Alexander’s critical work appears in her essay collection, The Black Interior (Graywolf Press, 2004). She also edited The Essential Gwendolyn Brooks (Graywolf Press, 2005) and Love’s Instruments: Poems by Melvin Dixon (University of Michigan Press, 1995). Her poems, short stories, and critical writing have been widely published in such journals and periodicals as The Paris Review, American Poetry Review, The Kenyon Review, The Southern Review, Prairie Schooner, Callaloo, The Village Voice, The Women’s Review of Books, and The Washington Post. Her work has been anthologized in over twenty collections, and in May of 1996, her verse play, Diva Studies, premiered at the Yale School of Drama. About Alexander’s poetry, Rita Dove writes that “the poems bristle with the irresistible quality of a world seen fresh," and Clarence Major notes Alexander’s “instinct for turning her profound cultural vision into one that illuminates universal experience.” In 2007, Alexander was selected by Lucille Clifton, Stephen Dunn, and Jane Hirshfield to receive the Jackson Poetry Prize from Poets & Writers.