How to Bewitch an Earl by Ally Broadfield
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Contents 32 58 06 16 Wildest dream 22 Out of the shadows 06 Eating with the fishes A new single-malt whisky. Made of In case you missed it the first time A truly in-your-face seafood experience, seawater. On an island in the Arctic round – a new take on classic courtesy of one of the world’s leading Circle. What could go wrong? Scandinavian furniture design. architecture studios. 24 Stellar cuisine 39 Hide and chic 08 Big idea Heidi Bjerkan’s Stockholm restaurant Hand-crafted, traditional and tanned They don’t get bigger – a state-of-the- had a vintage 2019 – the Michelin star in the old way – beautiful leather art research ship that is also the world’s was only half the story. accessories from England. largest megayacht. 32 Infinite variety 44 Jensen's lasting legacy 60 Staying current There is nowhere on earth quite like it Of all the great names associated with At last, a clean conscience for you and – is Argentina the ultimate adventure Scandinavian jewellery design, one rises a bright green future for your beloved travel destination? above all others. classic automobile. 50 This crazy thing 58 Boats that sink Things are changing among Swiss Craftsman, artist, sculptor, visionary alpine resorts, thanks to an injection – Bertil Vallien is a glassmaker who MONTIS NORDIC AS· T: +47 33 12 50 00 MONTIS NORDIC AS· T: of Middle Eastern cash. transcends description. 14 Scream factory An imposing new home for the work of expressionist Edvard Munch, Oslo’s most famous son. 26 Out of the box News from the 67 It’s 50 years since his first studio date, world of Windy but he did start young – a profile of the guitarist Earl Klugh. -
Slugmag.Com 1 2 Saltlakeunderground Slugmag.Com 3 Saltlakeunderground • Vol
slugmag.com 1 2 SaltLakeUnderGround slugmag.com 3 SaltLakeUnderGround • Vol. 25 • Issue #305 • May 2014 • slugmag.com @SLUGMag youtube.com/user/SLUGMagazine Publisher: Eighteen Percent Gray Marketing Team: Ischa B., Sabrina Costello, Editor: Angela H. Brown Kristina Sandi, Nicole Roccanova, Raffi Shahin- Managing Editor: Alexander Ortega ian, Victoria Loveless, Zac Freeman, Cassie Junior Editor: Genevieve Smith Anderson, Cassie Loveless, Shley Kinser, Robin Office Coordinator:Gavin Sheehan Sessions, Carl Acheson, Rachel Roller, Janie Digital Content Coordinator: Greenberg, Hilary Packham, Alex Topolewski, Christian Schultz Kendal Gillett Fact Checker: Henry Glasheen Social Media Coordinator: Catie Weimer Copy Editing Team: Alexander Ortega, Mary Distribution Manager: Eric Granato E. Duncan, Cody Kirkland, John Ford, Alex Distro: Eric Granato, Tommy Dolph, Tony Cragun, Liz Phillips, Allison Shephard, Shawn Bassett, Nancy Burkhart, Adam Okeefe, Ryan Soward, Traci Grant, Maria Valenzuela, Julia Worwood, John Ford, Phil Cannon, Tim Kronen- Sachs, Christian Schultz, Henry Glasheen berg, Justin Nelson-Carruth, Xkot Toxsik, Nancy Content Consultants: Matt Hoenes, Perkins, Nate Abbott Jon Christiansen Senior Staff Writers: Mariah Mann-Mellus, Cover Illustration: Thy Doan James Orme, Bryer Wharton, Peter Fryer, James Lead Designer: Joshua Joye Bennett, Rebecca Vernon, Mike Brown, Jimmy Design Team: Eleanor Scholz, Lenny Riccardi, Martin, Ben Trentelman, Princess Kennedy, Chad Pinckney, Mason Rodrickc Sean Zimmerman-Wall, Cody Hudson, Shawn Ad Designers: -
Harmolodic Programmes, Vol. 2012
***harmolodic programmes is an ongoing collaborative project ***about and a testament to harmolodic experience/expression ***********************in sound <> music <> vibration and life ********published in hard copy (sold for cost) and online (free). ************************we have an open call for submissions *********************of any and all relevant texts and images ********************************from anyone on the planet. ******past volumes under the title the harmolodic manifesto *************are available for download at zinelibrary.info. *******please send submissions, comments and suggestions to: ********************************[email protected]. peace <3 put forth by jean-paul larosee & billy conde goldman a f r e e s p i r i t c a n o n l y e x i s t i n a f r e e d b o d y --duncan school banner Bottlecap Press has no ownership of writings/images. all rights are reserved for the creators. 2012 B o t t l e c a p P r e s s 2 Table of Contents Cover painting by Bob Lordan and jean-paul larosee explanatory knote, the editors ************************************ page 5 o delicate vibratories…, Leroi Jones (Amiri Baraka) ***************** page 6 editoreal : the harmolodic now, jean-paul larosee ****************** page 7 Black Wadada, Jeff Schlanger, musicWitness® ********************* page 10 My Approach to Playing Music, Bill Cole ************************** page 11 Music was his life…, Harry Chapin ******************************* page 21 sounds and visions, Ben Kelley and billy conde goldman ************ page 22 free-form -
Het Zachte Akoestische Gitaargeluid Van Earl Klugh
HET ZACHTE AKOESTISCHE GITAARGELUID VAN EARL KLUGH Heel wat mensen in jazz vinden dat smooth jazz het label jazz niet waardig is. Het zou volgens hen meer een vorm van (meestal) instrumentale jazzmuziek zijn, waarbij een leuke melodie de hoofdbrok vormt en er geen ruimte over is voor improvisatie. Artiesten in dit segment hebben daar uiteraard onder te lijden, en dat is ook het geval voor de Amerikaanse gitarist Earl Klugh. Tussen 1972 en 1979 kwam er uit jazzfusion en meer pop- en urban gerichte stijl voort. Dat was voor een groot deel te danken aan Creed Taylor’s CTI label. Grover Washington’s ‘Mr. Magic’ en Bob James’ cover van ‘Feel Like Making Love’ uit 1974 zijn twee voorbeelden van wat toen eigentijdse jazz genoemd werd. Verschillende radiostations begonnen een show met die muziek te voorzien, zoals ‘Jazz Flavors’ van Russ Davis uit Altanta. Uiteindelijk werd op Valentijnsdag in 1987 in L.A. KTWV ‘The Wave’ gelanceerd als smooth jazz radiostation. Earl Klugh had echter in 1976 zijn debuut voor Blue Note Records uitgebracht, met zijn eigen instrumentale sound. Hij gebruikte elementen uit pop, country, soul en Latin en jazz en speelde die op akoestische gitaar. Niemand die toen dacht dat Earl’s muziek later als smooth jazz, instrumentale pop, eigentijdse jazz of fusion zou omschreven worden. Earl werd geboren in Detroit op 16/9/1954. Hij studeerde piano op driejarige leeftijd en pakte al op zijn tiende de elektrische gitaar beet. Later ging hij werken in een lokale muziekwinkel en bezocht samen met zijn moeder de Baker’s Keyboard Lounge. -
Earl Klugh Before This He Wasn’T Playing Much More Than Six Instrument.” and He Was Right
ISSUE #32 MMUSICMAG.COM ISSUE #32 MMUSICMAG.COM MUSICIAN Feel like a one-man band playing solo? on Bonanza—not the theme music but the ESSENTIAL KLUGH That’s exactly it. I started doing that after I Spanish guitar. I looked at that and said, graduated high school, while I was playing “This is something different.” in lounges and clubs around Detroit. During Finger Paintings, 1978 my earlier years I got a Bill Evans album, and Chet Atkins was your main influence. Klugh came into his own that really opened my eyes. I said, “He’s When I first heard Chet’s records it was on this early session doing pretty much the same thing I’m doing eye-opening. Chet was an artist who was released on Blue Note except on piano.” I had a chance before he very versatile, and an amazing player. He Records. Fusion-lite, it died to have a conversation with him. was really fun to watch and learn from. I features several notable must have bought a dozen Chet Atkins contributors—Lee Ritenour, Dave Grusin—and, How do you transpose to guitar? albums over the summer one year, and I’d while characteristically sweet and silky, it’s a In my mind I visualize it as left hand and stay in the house and practice. I was only a tad more aggressive and experimental than right hand. Of course it’s really not that, but fair student in school so I figured I’d better Klugh’s later output. it’s what I’m trying to do. -
Reviews – Raison D'être and Side Projects Prospectus I CD Cold Meat
Reviews – raison d’être and side projects raison d'être ....................................................................................................................................................... 3 Prospectus I CD Cold Meat Industry 1993 ................................................................................................... 3 Enthraled by the Wind of Lonelienes CD Cold Meat Industry 1994 ............................................................ 3 Within the Depths of Silence and Phormations CD CMI 1995 .................................................................... 4 In Sadness, Silence and solitude CD Cold Meat Industry 1997 ................................................................... 5 Reflections from the Time of Opening CD Bloodless Creations 1997 ......................................................... 7 Lost Fragments CD Yantra Atmospheres 1999 ............................................................................................. 7 Collective Archives 2CD Cold Meat Industry 1999 ..................................................................................... 7 The Empty Hollow Unfolds CD Cold Meat Industry 2000 .......................................................................... 8 Requiem for Abandoned Souls CD Cold Meat Industry 2003 ................................................................... 13 Reflections from the Time of Opening CD Cold Meat Ind. 2005 .............................................................. 19 Metamorphyses CD Cold Meat Ind. 2006 ................................................................................................. -
Earl Klugh Midnight in San Juan Mp3, Flac, Wma
Earl Klugh Midnight In San Juan mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Midnight In San Juan Country: US Released: 1991 Style: Smooth Jazz MP3 version RAR size: 1622 mb FLAC version RAR size: 1195 mb WMA version RAR size: 1680 mb Rating: 4.6 Votes: 798 Other Formats: AUD AA DXD MMF MPC VQF AU Tracklist 1 Midnight In San Juan 5:53 2 Every Moment With You 3:57 3 Kissin' On The Beach 6:07 4 She Never Said Why 4:32 5 Mobimientos Del Alma 4:40 6 Jamaican Winds 3:44 7 Theme For A Rainy Day 5:26 8 Take You There 7:06 Companies, etc. Manufactured By – Columbia House – W2-26293 Pressed By – Specialty Records Corporation Notes Manufactured by Columbia House under license. Made in USA. Barcode and Other Identifiers Barcode: 0 20831-4167-2 76 Matrix / Runout: 1 26293-2 SRC+02 Other versions Category Artist Title (Format) Label Category Country Year Midnight In San Juan Warner Bros. W1-26293 Earl Klugh W1-26293 US 1991 (LP, Album, Club) Records Midnight In San Juan Warner Bros. WPCP-4197 Earl Klugh WPCP-4197 Japan 1991 (CD, Album) Records Midnight In San Juan Warner Bros. 7599-26293-2 Earl Klugh 7599-26293-2 Germany 1991 (CD, Album) Records Midnight In San Juan Warner Bros. 7599-26293-1 Earl Klugh 7599-26293-1 Germany 1991 (LP) Records Midnight In San Juan Warner Bros. W2-26293 Earl Klugh W2-26293 US 1991 (CD, Album) Records Related Music albums to Midnight In San Juan by Earl Klugh Bob James & Earl Klugh - Kari / Mallorca Earl Klugh - Soda Fountain Shuffle The Earl Klugh Trio, The Royal Philharmonic Orchestra - Sounds And Visions Vol. -
2018-Programme(1)
Music for a While Tenth Anniversary Season 12 - 25 August 2018 North York Moors Chamber Music Festival www.northyorkmoorsfestival.com North York Moors Chamber Music Festival Finalist for a White Rose Award 2018 Contents Programme 2 North York Moors 4 Visitor Information 5 Pickering 6 Lastingham 10 Helmsley 14 Boosbeck 18 Egton Bridge 22 Danby 28 Fylingdales 32 Sneaton Castle, Whitby 36 Lythe 42 Westcliff, Whitby 46 Biographies 51 Façade screen 64 Lyrics 65 Acknowledgements 72 It is the frst time the overture to orientalism and stark modernism, and Introduction that opera has been heard in the even the French school (Debussy in same village since then and the particular). What riches there are! It gives me great pleasure to unfolding story, unearthed by Paul We hope you enjoy the journey welcome you, on our tenth festival Ingram, led us to devise a programme we’ve devised for you - it is important anniversary. It seems incredible that which championed not just under- in this landmark festival year that our we have come this far, developing represented British composers but musical statement has strong defnition, with such a unique identity - this is so too their less known works, which yet is imbued with variety, quality and something we’ve all achieved together. need to be heard but often aren’t. It substance. Let us look no further than When the festival launched back in is also why we felt the importance of the British Isles and cherish the legacy 2009 I was simply responding to the including St Aidan’s, Boosbeck, as an we have and continue to build upon warmth of our audiences, sensing the appropriate new venue in the festival it.