Wevoteforeurope Is Supported By

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#WeVoteForEurope is supported by: A Greener Festival (UK) Mosaïque Festival (GER) A38 (HUN) Music Drives Change (intl.) Aarhus Festuge (DK) Nature One (GER) All Buy One (GER) Nouvelle Prague (CZ) Arbeitskreis Festival Kombinat der LiveKomm (GER) Nova Rock (A) Artlake Festival (GER) Off Festival (POL) Artmania Festival (ROM) OpenAir St.Gallen (CH) Awake (ROM) Open Flair (GER) Azimuth Productions (FRA) Open'er Festival (POL) Balaton Sound (HUN) Orange Warsaw Festival (POL) Beatpatrol Festival (A) Pinkpop (NL) Bergfestival (A) Pohoda Festival (SLK) Blaj Alive (ROM) Pol’and’Rock (POL) Colours Of Ostrawa (CZ) Positivus Festival (LVA) Conrad Sohm Kultursommer‐Festival (A) Printemps de Bourges (FRA) Continental Drifts (UK) Provinssi (FIN) Contra Promotion (GER) Pukkelpop (BE) Das Fest (GER) Queer Festival (GER) Deichbrand Festival (GER) Reeperbahn Festival (GER) East European Music Conference (ROM) Revolution Festival (ROM) Electro Magnetic (GER) Rocco Del Schlacko (GER) ESNS – Eurosonic Noorderslag (NL) Rock En Seine (FRA) EXIT Festival (SER) Rock For People (CZ) Fête de la Musique Berlin (GER) Rocken Am Brocken (GER) Feel Festival (GER) Roskilde Festival (DK) FM4 Frequency Festival (A) Ruhr In Love (GER) Full Force Festival (GER) Ruisrock (FIN) Full Metal Cruise (GER) Splash! Festival (GER) Full Metal Holiday (GER) SoundCzech (CZ) The Green Gathering Festival (UK) Southside Festival (GER) Green Music Initiative (intl.) Summer Breeze (GER) GO Group (intl.) SummerDays Festival (CH) Haldern Pop (GER) SummerSound Festival (GER) Happiness Festival (GER) Szene Open Air (A) Highfield Festival (GER) Sziget (HUN) Höme ‐ das Magazin für Festivalkultur (GER) Take A Stand (intl.) Hurricane Festival (GER) Taksirat Festival (MAC) IBIT GmbH (GER) Taubertal Festival (GER) IFF ‐ International Festival Forum (UK) Volume (DK) ILMC ‐ International Live Music Conference (UK) Volt Fesztival (HUN) Immergut Festival (GER) Wacken Open Air (GER) IQ Magazine (UK) Wacken Winter Nights (GER) Juicy Beats (GER) Way Out West (SWE) JUMP ‐ European Music Market Accelerator (intl.) We Love Green (FRA) Kokopelli (BE) Yourope – the European Festival Association (intl.) Kosmonaut Festival (GER) Zeitraum Festival (GER) Kraków Live Festival (POL) Zeltfestival Ruhr (GER) Lollapalooza Berlin (GER) MaiNoi (ROM) MaMa Festival & Convention (FRA) Melt (GER) www.WeVoteForEurope.eu .

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Open'er Festival
SHORTLISTED NOMINEES FOR THE EUROPEAN FESTIVAL AWARDS 2019 UNVEILED GET YOUR TICKET NOW With the 11th edition of the European Festival Awards set to take place on January 15th in Groningen, The Netherlands, we’re announcing the shortlists for 14 of the ceremony’s categories. Over 350’000 votes have been cast for the 2019 European Festival Awards in the main public categories. We’d like to extend a huge thank you to all of those who applied, voted, and otherwise participated in the Awards this year. Tickets for the Award Ceremony at De Oosterpoort in Groningen, The Netherlands are already going fast. There are two different ticket options: Premium tickets are priced at €100, and include: • Access to the cocktail hour with drinks from 06.00pm – 06.45pm • Three-course sit down Dinner with drinks at 07.00pm – 09.00pm • A seat at a table at the EFA awards show at 09.30pm – 11.15pm • Access to the after-show party at 00.00am – 02.00am – Venue TBD Tribune tickets are priced at €30 and include access to the EFA awards show at 09.30pm – 11.15pm (no meal or extras included). Buy Tickets Now without further ado, here are the shortlists: The Brand Activation Award Presented by: EMAC Lowlands (The Netherlands) & Rabobank (Brasserie 2050) Open’er Festival (Poland) & Netflix (Stranger Things) Øya Festivalen (Norway) & Fortum (The Green Rider) Sziget Festival (Hungary) & IBIS (IBIS Music) Untold (Romania) & KFC (Haunted Camping) We Love Green (France) & Back Market (Back Market x We Love Green Circular) European Festival Awards, c/o YOUROPE, Heiligkreuzstr.
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Discoursing Finnish Rock. Articulations of Identities in the Saimaa-Ilmiö Rock Documentary Jyväskylä: University of Jyväskylä, 2010, 229 P
JYVÄSKYLÄ STUDIES IN HUMANITIES 140 Terhi Skaniakos Discoursing Finnish Rock Articulations of Identities in the Saimaa-ilmiö Rock Documentary JYVÄSKYLÄ STUDIES IN HUMANITIES 140 Terhi Skaniakos Discoursing Finnish Rock Articulations of Identities in the Saimaa-ilmiö Rock Documentary Esitetään Jyväskylän yliopiston humanistisen tiedekunnan suostumuksella julkisesti tarkastettavaksi yliopiston vanhassa juhlasalissa S210 toukokuun 14. päivänä 2010 kello 12. Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities of the University of Jyväskylä, in Auditorium S210, on May 14, 2010 at 12 o'clock noon. UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2010 Discoursing Finnish Rock Articulations of Identities in the Saimaa-ilmiö Rock Documentary JYVÄSKYLÄ STUDIES IN HUMANITIES 140 Terhi Skaniakos Discoursing Finnish Rock Articulations of Identities in the Saimaa-ilmiö Rock Documentary UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2010 Editor Erkki Vainikkala Department of Art and Culture Studies, University of Jyväskylä Pekka Olsbo Publishing Unit, University Library of Jyväskylä Jyväskylä Studies in Humanities Editorial Board Editor in Chief Heikki Hanka, Department of Art and Culture Studies, University of Jyväskylä Petri Karonen, Department of History and Ethnology, University of Jyväskylä Paula Kalaja, Department of Languages, University of Jyväskylä Petri Toiviainen, Department of Music, University of Jyväskylä Tarja Nikula, Centre for Applied Language Studies, University of Jyväskylä Raimo Salokangas, Department of Communication, University of Jyväskylä Cover picture by Marika Tamminen, Museum Centre Vapriikki collections URN:ISBN:978-951-39-3887-1 ISBN 978-951-39-3887-1 (PDF) ISBN 978-951-39-3877-2 (nid.) ISSN 1459-4331 Copyright © 2010 , by University of Jyväskylä Jyväskylä University Printing House, Jyväskylä 2010 ABSTRACT Skaniakos, Terhi Discoursing Finnish Rock.
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Participation and Formation in Europe
4th issue May-October 2009 PROEUROPE1 1 4th issue May-October 2009 Index 4 WHAT IS PROEUROPE1? 5 PARTICIPATION AND FORMATION IN EUROPE ● Participate in the Hemispheres project 7 WORK AND COOPERATE IN EUROPE ● Working in the European Parliament 12 DISCOVERINGS Seinajoki‟s Finnish city Schwedt, Germany city 18 CULTURAL EUROPE ● The house of word 21 EUROCALENDAR ● Look for all the funny, exotic and special festivals, traditions and festivities all over Europe 33 WE BUILD EUROPE ● The clash of “civilizations”or the intercultural dialogue? 37 YOU TALK ● European Youth Parliament of Macedonia and PROEUROPE1 2 4th issue May-October 2009 training of Hemispheres project 40 A LOOK AT THE WORLD ●The artistic and cultural Morelia PROEUROPE1 3 4th issue May-October 2009 We build Europe In the new magazine‟s issue Proeurope1 we have a new section for you. The section, we build Europe, conduced by Martina Braggion, informs to youths about decrees, treaties, agreements, finally, about policies being carried out at European level. As a European citizens, that all of us, we must Know events are held. Despite the doubts that we have about the usefulness of the EU and we are missing of European identity, all affects us, the Bolonya Process, the crisis, etc. Europe is the future. Is important young people can build it, but just we can do it, if we know well their social, cultural and political issues, if we want to be active youths and we participate in the spaces that we have, one of them is the European Parliament elections, next June; Europe is the culmination of the diversity and progress.
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1. CROSS-BORDER REGION „KRŠ “ (Introductory Remarks)
KRSH Preparation for implementation of the Area Based Development (ABD) Approach in the Western Balkans BASELINE STUDY AND STRATEGIC PLAN FOR DEVELOPMENT OF THE CROSS-BORDER REGION “KRŠ” BASELINE STUDY AND STRATEGIC PLAN FOR DEVELOPMENT OF THE CROSS-BORDER REGION KRŠ “This document has been produced with the financial assistance of the European Union. The contents of this document are the sole responsibility of the Regional Rural Development Standing Working Group in South Eastern Europe (SEE) and can under no circumstances be regarded as reflecting the position of the European Union.” This document is output of the IPA II Multi-country action programme 2014 Project ”Fostering regional cooperation and balanced territorial development of Western Balkan countries in the process towards EU integration – Support to the Regional Rural Development Standing Working Group (SWG) in South-East Europe” 2 BASELINE STUDY AND STRATEGIC PLAN FOR DEVELOPMENT OF THE CROSS-BORDER REGION KRŠ Published by: Regional Rural Development Standing Working Group in SEE (SWG) Blvd. Goce Delcev 18, MRTV Building, 12th floor, 1000 Skopje, Macedonia Preparation for implementation of the Area Based Development (ABD) Approach in the Western Balkans Baseline Study and Strategic Plan for development of the cross-border region “Krš” On behalf of SWG: Boban Ilić Authors: Suzana Djordjević Milošević, Ivica Sivrić, Irena Djimrevska, in cooperation with stakeholders from the region “Krš” Editor: Damjan Surlevski Proofreading: Ana Vasileva Design: Filip Filipović Photos: SWG Head Office/Secretariat and Ivica Sivrić CIP - Каталогизација во публикација Национална и универзитетска библиотека "Св. Климент Охридски", Скопје 352(497) DJORDJEVIĆ Milošević, Suzana Preparation for implementation of the area based development (ABD) approach in the Western Balkans : Baseline study and strategic plan for development of the cross-border region "KRŠ" / [authors Suzana Djordjević Milošević, Ivica Sivrić, Irena Djimrevska].
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OTTO X Hurricane the CHALLENGE OTTO Is a Long Established Company
OTTO x Hurricane THE CHALLENGE OTTO is a long established company. But even though OTTO has a high profile, it is still perceived as a very traditional brand. Nowadays though, OTTO inspires people through credible optimism. This mindset is what lead them to their motto - “we celebrate”. This optimism for life and the future lives within the company and its new positioning. OTTO is like an approachable friend who inspires people to explore new things with curiosity, ideas and experience. And this year OTTO hit a new milestone: 70 years of existence, seven decades of experience and progress. Something truly special and the best opportunity to spin the message of celebrating life even further. An occasion to spread the spirit into the world in major style, both in the online and offline world. THE OBJECTIVE We’re celebrating a birthday, but not just any birthday - it’s 70 YEARS OTTO! 70 YEAH! A play on words that aims the Generation Y and additionally symbolizes OTTO’s successful transformation from a former offline mail order business to a leading online shop. But OTTO is not celebrating itself, it’s about the consumer - loyal ones, new ones, first timers, it’s simply about people. We wanted to fill the audience with enthusiasm by spreading a never ending party mood. The goal was to set a motto that has a contagious and cheerful vibe - an invitation to celebrate the variety of the little things in life. Especially a younger audience was targeted to explore the full performance dimension of OTTO in a playful and approachable way.
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JAHRESBERICHT 2012 Mai 2013 LEITBILD WIR LIEBEN MUSIK UND SIND DIE PROFESSIONELLEN PARTNERINNEN DER ÖSTERREICHISCHEN TALENTE
JAHRESBERICHT 2012 Mai 2013 LEITBILD WIR LIEBEN MUSIK UND SIND DIE PROFESSIONELLEN PARTNERINNEN DER ÖSTERREICHISCHEN TALENTE. WIR NEHMEN UNS ZEIT, MUSIK ZU HÖREN UND UNSEREN KUNDINNEN ZUZUHÖREN. WIR ERKENNEN IHRE BEDÜRFNISSE UND SETZEN UNS DAFÜR EIN. DURCH UNSER ENGAGEMENT VERSTÄRKEN WIR IHRE WELTWEITE SICHTBARKEIT UND ANERKENNUNG. ALS EXPERTINNEN FORSCHEN UND INFORMIEREN WIR UMFASSEND ÜBER DIE ÖSTERREICHISCHE MUSIK UND IHR INTERNATIONALES UMFELD. 2 LEITBILD .............................................................................................................................2 1. ZUSAMMENFASSUNG UND VORWORT ...................................................................4 2. AKTIVITÄTEN UND PROJEKTE VON MICA – MUSIC AUSTRIA 2012 ...............8 2.1. PROMOTION ...........................................................................................................9 2.1.1. MUSIKDATENBANK ......................................................................................9 2.1.2. WEBSITE-MAGAZIN ..................................................................................10 2.1.3. NEWSLETTER ............................................................................................11 2.1.4. SHOP ...........................................................................................................12 2.1.5. BIBLIOTHEK UND ARCHIV ........................................................................12 2.2. SERVICES FÜR ÖSTERREICHISCHE MUSIKSCHAFFENDE ..........................14 2.2.1. SERVICESTELLE SALZBURG ...................................................................15
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The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people.
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Families Celebrate the Beginning of Springtime News
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LET THERE BE ROCK! Vorwort 1. DER HIMMEL VOLLER GEIGEN
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Audizione Fondazione Arezzo Wave Italia 7° Commissisone Del Senato Della Repubblica Giovedi 26 Febbraio 2015 (Ore 14)
Audizione Fondazione Arezzo Wave Italia 7° Commissisone del Senato della Repubblica Giovedi 26 Febbraio 2015 (ore 14) Offerta culturale nel settore musicale, al fine di identificare delle strategie in grado di mantenere vivo l’immenso repertorio italiano e di attivare processi virtuosi di creazione e innovazione musicale, permettendo l’accesso e il confronto con la realtà internazionale (atto 409). Chi Siamo “Lo scrittore belga Paul Carvel ha scritto che la musica meriterebbe di essere la seconda lingua obbligatoria in tutte le scuole del mondo. È in effetti un lingiaggio universale e che detiene un posto privilegiato nella vita culturale dell’Europa, il che ne fa un argomento fondamentale della cooperazione culturale europea da più di dieci anni.” Cit. di Harald Hartung, capo dell’Unità della Curlura Europea presso la Direzione Generale Educazione e Cultura, Commissione Europea, in occasione dell’evento organizzato dalla Fondazione Arezzo Wave Italia “Musica per tutti”, Arezzo, 25 Febbraio 2005 La Fondazione Arezzo Wave Italia (FAWI) nasce il 18 aprile 2002 come ente no profit, diretta erede dellʼesperienza e della rete di relazioni nazionali ed internazionali di Arezzo Wave Love Festival, il principale evento musicale estivo nel campo delle musiche attuali italiane ed internazionali. La Fondazione Arezzo Wave Italia si presenta come una struttura unica in Italia per la costante ricerca e valorizzazione dei nuovi talenti delle scene musicali oltre che per la promozione, valorizzazione e comunicazione della cultura contemporanea. La FAWI è inoltre l'unico rappresentante italiano all’interno di ETEP, il progetto di esportazione musicale finanziato dalla Commissione Europea, e membro di YOUROPE, l’associazione di tutti i festival rock d’Europa.
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Festival Partner Hamburg on Tour 2018.Pdf.Pdf
Festival partner Millerntor Gallery The international art, music and culture festival is initiated by Viva con Agua de Sankt Pauli e.V. and FC Sankt Pauli. In keeping with the motto „Art Creates Water“ they transform art into water and inspire visitors to become socially active themselves by using the universal languages of art, music and sports. Every year, the Millerntor Stadium in Hamburg turns into an open platform for dialogue and exchange on a local, international and transcultural level. Artworks of various genres as well as a diverse musical, cultural and educational program reflect the different ways in which everyone can positively change the world. Different interaction possibilities turn the visitors into active participants in processes of social change. The Millerntor Gallery is a platform for discourse and connections. It brings together people and initiatives. Collective aesthetic experiences create unsuspected forces. We draw potential like water. Even in places where we least expect it. We consciously and unconsciously create, transform and aestheticize. Millerntor Gallery is a source of inspiration and sets impulses for a world full of joy. With open arms and water for all! Wacken Open Air https://www.wacken.com/en/ ELBJAZZ At the ELBJAZZ festival the Hamburg harbour will be the scene for a unique music event: Since 2010 thousands of guests have been thrilled by one of the largest European jazz festivals where the unmistakable maritime flair of the hanseatic city of Hamburg meets spectacular venues and musical diversity. The various indoor and outdoor stages are grouped around two festival centres: The impressive concert hall with the adjacent HafenCity area and the Blohm+Voss shipyard area.
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