Those Underground Rainbow Days

Total Page:16

File Type:pdf, Size:1020Kb

Those Underground Rainbow Days guest article Those UndergrounD Rainbow Days ... A Memoir by Sridhar Rangayan Can you imagine a time when there was no Internet, WhatsApp chats, you can’t even imagine how anxiously no mobile phones, and not even computers? Can you we used to wait to receive a response to a letter we had imagine such a dark age? And in that age, can you imagine written to an unknown gay guy, sometimes in the same how a lonely person would have felt if they thought they city. It took weeks of waiting before one got a reply, and were different from others? months before one could actually meet the other person. Imagine all of this in today’s age of speed dating! That’s exactly how I felt when I was growing up in the 70s and 80s, during and post my teenage years. I couldn’t Perhaps that’s all the more reason why we valued our find any validation anywhere for what I was feeling from flings and friendships. We kept them for a long time. Not within—my attraction towards other men. The only just friends, but also the alternate family we formed—a mention of homosexuality was in the medical books, that group of gay men who bonded closely in the 90s. We too in a derogatory manner. The only solace I could find are still very close to each other, even though many have was in furtive sexual encounters in the dark—unnamed moved to other cities and countries. At a time when there and unspoken. was no validation for our existence, we huddled together as a family, caring for each other and being there for each When I came to Mumbai to study at IIT Bombay, I met other—in both good and bad times. Suhail who was my classmate. Little did I know that four years later I would come out to him, and I would be drawn Every weekend, we would go to Gokul’s on Saturday, into the whirlpool of the emerging gay movement! which was then the only bar that welcomed gay men. We partied till late at the bar, hung out at ‘The Walls’ As soon as I came out, I joined the team of ‘Bombay Dost,’ next to Gateway of India, and took the last train we which was India’s first gay magazine founded in 1990. I called ‘The Maharani Express’, where we would sing and came on board from its second edition onwards to design dance along with our drag queen friends. On Sunday and edit some of the editions. It was an eye-opener for evening we would go to Maheshwari Gardens in Sion me—my personal had become my political. to meet other gay men from the working class, and also Of course, everything was hush-hush even then. No one to distribute condoms and safe-sex pamphlets. Come spoke about homosexuality in the open. You would only Monday, we would all go back into our closets, and be be able to meet another gay man in one of the house typical employees in typical companies, except for those parties, or accidentally while cruising. Cruising at public in creative fields who got to flaunt their sexuality a wee parks, railway stations, bus stands, and public toilets was bit more openly. the norm but it was also very dangerous as you never knew In 1994, Suhail and myself, along with Ashok Row whom you would meet. There have been encounters with Kavi founded ‘The Humsafar Trust’—India’s first gay homophobic policemen and blackmailers, where people organization. Soon after, we organized India’s first gay have not only lost a lot of money but their lives were put conference along with Naz Foundation in December in danger as well. Fear of exposure to one’s family or at 1994. Meeting gay men from across India, and also the work place was a constant threat. Indians from outside the country, was a very powerful Bombay Dost came as a huge relief to me. Apart from experience. It was not only a joyful union, but also offered feature articles and news, there was also a pen-pal catharsis for many, for all the bottled up emotions from column called ‘Khush Khat’ where people could write having lived lonely lives in far corners of India. letters to each other. In today’s day of dating apps and Forming networks was really important for us those 1 days—it helped us stay connected and also helped us When I look from the stage of KASHISH every year at stay sane. It also offered us friends in cities we travelled the 1200 people gathered in the grand art deco Liberty to. I find myself very lucky because if I need a home to Cinema, where we speak openly about LGBT rights stay wherever I travel to, I always have one. The LGBT and desires, my eyes usually well up—with a sense of community was really close knit then. With Internet and fulfillment in knowing that we have come such a long way social media today, I feel people have dispersed further from those underground days when even whispering the instead of coming closer. The close bonding we felt is no word ‘homosexual’ was a taboo, and living an open life more. Earlier if we visited a city, our local friend there as a gay man a dream. Now that dream is a reality where would gather a bunch of gay men to chat up with us, and I celebrate 25 years of togetherness filled with love and we would immediately feel at home. fulfillment with my partner Saagar. Thus, dreams do come true if you wish them to. In fact, our own home has welcomed lots of visitors from India and abroad. My partner Saagar Gupta and I have Yours Queerfully, played host to countless parties and sleep-ins. Our home Sridhar Rangayan was the maika for the alternate family. They could feel free and be themselves at our place. Our home was where gay men got ‘married’ and drag queens performed with beautiful adaas. All that is a thing of the past now. Our alternate family hardly meets, and even though we are in touch regularly and care for each other just as much, we don’t meet a lot anymore. It’s rather sad that both real and virtual distances separate us now. However, I have been lucky to see changes happen in my lifetime. I have seen the LGBT community come out of the closet; I have seen the law change from a hopeful judgment in 2009, to a reversal in 2013, to finally being read down in 2018. I have seen the youth of today feeling freer than ever before, unshackled by the law, and more understanding families who are also networked through news on the cell phones. However, the situation in Tier 2 & 3 cities and small towns is still complicated for LGBT persons to live their life with dignity and without fear. My film Evening Shadows, which is now on Netflix, highlights the issue about mothers being disempowered because of patriarchy, which makes it challenging for them to accept their children’s sexuality. There are so many organizations, groups and events in the cities today where the LGBT community comes together. There are huge Pride Marches in almost all the big cities and also in most Tier 2 & Tier 3 cities. Spaces like KASHISH Mumbai International Queer Film Festival, which I founded in 2010 along with Saagar Gupta and other friends, and which celebrated its 10th anniversary this year, offers a safe space to the LGBT community to express their sexuality in the open. It also offers an opportunity to the mainstream society to mingle with the LGBT community without any prejudice. The festival uses cinema as a medium to sensitize the larger civil society. 2.
Recommended publications
  • Introduction 1
    Notes Introduction 1. Abha Dawesar, Babyji (New Delhi: Penguin, 2005), p. 1. 2. There are pitfalls when using terms like “gay,” “lesbian,” or “homosexual” in India, unless they are consonant with “local” identifications. The prob- lem of naming has been central in the “sexuality debates,” as will shortly be delineated. 3. Hoshang Merchant, Forbidden Sex, Forbidden Texts: New India’s Gay Poets (London: Routledge, 2009), p. 62. 4. Fire, dir. by Deepa Mehta (Trial by Fire Films, 1996) [on DVD]. 5. Geeta Patel, “On Fire: Sexuality and Its Incitements,” in Queering India, ed. by Ruth Vanita (London: Routledge, 2002), pp. 222–233; Jacqueline Levitin, “An Introduction to Deepa Mehta,” in Women Filmmakers: Refocusing, ed. by Jacqueline Levitin, Judith Plessis, and Valerie Raoul (Vancouver: UBC Press, 2002), pp. 273–283. 6. A Lotus of Another Color, ed. by Rakesh Ratti (Boston: Alyson Publi- cations, 1993); Queering India, ed. by Ruth Vanita; Seminal Sites and Seminal Attitudes—Sexualities, Masculinities and Culture in South Asia, ed. by Sanjay Srivastava (New Delhi: Sage Publications, 2004); Because I Have a Voice: Queer Politics in India, ed. by Arvind Narrain and Gautam Bhan (New Delhi: Yoda Press, 2005); Sexualities, ed. by Nivedita Menon (New Delhi: Women Unlimited, 2007); The Phobic and the Erotic: The Politics of Sexualities in Contemporary India, ed. by Brinda Bose and Suhabrata Bhattacharyya (King’s Lynn: Seagull Books, 2007). 7. Walter Jost and Wendy Olmsted, “Introduction,” in A Companion to Rhetoric and Rhetorical Criticism, ed. by Walter Jost and Wendy Olmsted (Oxford: Blackwell, 2004), pp. xv–xvi (p. xv). 8. Quest/Thaang, dir.
    [Show full text]
  • Personal Profile ~ Sridhar Rangayan
    Sridhar Rangayan profile A Graduate in Engineering and Post-graduate in Design from IIT, Bombay, Sridhar Rangayan switched tracks from designing carpets to apprenticing with eminent Indian directors like Sai Paranjpye, Kalpana Lajmi and Dev Benegal. Setting off as an independant writer / director in 1999 he has scripted and directed television content covering various genres - comedy, romance, drama and thrillers. His latest serial was the first Indian serial to be shot on a luxury cruiseliner and in Singapore & Malaysia. His award winnng debut short film ‘The Pink Mirror’, produced by his own company Solaris Pictures, has screened at a record number of 56 international film festivals till date. It also garnered global attention for being the first film on Indian drag queens and is one of the very few independent films from India to acquire distribution in US and Europe. His first 35mm feature, a children film that combines breezy fun-filled adventure with social values, won the Bronze Remi Award at WorldFest, Houston and has been screened at international children film festivals. Apart from filmmaking, he is also actively involved with human rights issues and the disability sector. awards Jury Award for Best Film at ‘Fire Island Film Festival 2004, New York, USA (for film “Gulabi Aaina) Bronze Remi Award at WorldFest 2004, Houston (for children film “Yeh Hai Chakkad Bakkad Bumbe Bo’ – CFSI ) Best Film of the Festival award at ‘Question de Genre’ film festival 2003, Lille, France (for film “Gulabi Aaina) RAPA award for Best Comedy Episode,
    [Show full text]
  • PORTRAYAL of SEXUAL MINORITIES in HINDI FILMS By
    Articles Global Media Journal – Indian Edition/ISSN 2249-5835 Sponsored by the University of Calcutta/ www.caluniv.ac.in Summer Issue / June 2012 Vol. 3/No.1 PORTRAYAL OF SEXUAL MINORITIES IN HINDI FILMS Sanjeev Kumar Sabharwal Assistant Professor Amity School of Communication Amity University Uttar Pradesh, Lucknow Campus, Uttar Pradesh, India Website: http://www.amity.edu/lucknow Email:[email protected] and Reetika Sen Academic Coordinator Amity School of Communication Amity University Uttar Pradesh, Lucknow Campus, Uttar Pradesh, India Website: http://www.amity.edu/lucknow Email: [email protected] Abstract: Sexual minority or Alternative sexuality comprises of all those people who fall under the categories of Gay, Lesbian, Transgender, Eunuchs. This paper basically compares the portrayal of sexual minorities in Mainstream and Alternative Hindi Cinema. It talks about how Mainstream Hindi cinema which is the most widely distributed cinema in India and abroad has traditionally adopted an attitude of denial or mockery towards LGBTQ community. Representations of sexual Minorities have veered between the sarcasm, comic and the criminal. Where as Alternative Cinema which is confined to film festivals and a handful selected group of viewers portrays sexual minorities in more realistic manner and is successful in raising, expressing & suggesting possible solutions to their problems in more effective manner as compared to the main stream cinema. This is a qualitative as well as quantitative research and the methodology adopted to find out the answers to the questions is content analysis of four Hindi films and survey. Two films of mainstream and two of alternative cinema were selected randomly. Both secondary and primary data was collected, from various reliable sources like journals, websites, articles, movie reviews of different newspapers etc.
    [Show full text]
  • 68 Pages – Press Kit
    68 Pages – Press Kit PRESS KIT 68 pages Marked by pain, bound by hope For the first time, a film that strings together stories of five HIV positive persons from different high risk groups – gay, transgender, sex worker and drug user. Based on reflections of true-life incidents and characters, it is a film that has originated from within these communities with active participation of NGOs working with these marginalized populations. The film deals with issues that need to be discussed but have not found space in the society as discussing them in the society is still taboo. The film mainly focuses on five HIV positive persons whose lives change dramatically when they come to know of their status. These stories of pain are bound within the diary of an HIV/AIDS counsellor… in 68 pages of her diary… pages that record the lives of her counselees, their pain and their joy, their despair and their hopes, their tears and their laughter. Their stories have the capacity to touch, heal and change lives… lives of those who are HIV positive but do not lose hope. 68 PAGES is a tribute to the human spirit of optimism and survival. This 90-minute film has been produced by The Humsafar Trust in association with Solaris Pictures with the support of DFID (UK). Directed by Sridhar Rangayan, the cast includes Mouli Ganguly, Joy Sengupta, Zafar Karachiwala, Jayati Bhatia, Uday Sonawane and Abhay Kulkarni with music by Xen@BOB. PLOT 68 PAGES is the story of Mansi, a counsellor whose ethics demand that she has to maintain confidentiality of her counselees.
    [Show full text]
  • Electronic Press Kit for 68 Pages
    68 Pages – Press Kit PRESS KIT 68 Pages 92mins, India, 2007 Hindi with English subtitles www.humsafar.org/68pages.htm A film by Sridhar Rangayan © The Humsafar Trust, 2007 2 68 Pages – Press Kit 68 Pages 92mins, India, 2007 Hindi with English subtitles www.humsafar.org/68pages.htm TECHNICAL DETAILS Title : 68 Pages Original Title: 68 Pages Duration: 1:32:00 (92 minutes) Language: Hindi Subtitles: English Format of Production: Digital (Digibeta) Sound: Stereo (Digital) Aspect Ratio: 16:9 (1.78) Censor certificate: V/A Date: 7/12/2007 Place: Mumbai Contact: Solaris Pictures D 404, Nazarene, Kharodi, Marve Road, Malad West, Mumbai 400095 INDIA phone: +91.22. 28618239 email: [email protected] website: www.humsafar.org/68pages.htm www.68pages.blogspot.com 3 68 Pages – Press Kit OUTLINE A compelling film about five lives marked by pain and bound by hope - in 68 Pages of a HIV/AIDS counselor's diary. A transsexual dancer, a sex worker, a gay couple - share their stories of pain & trauma, of happiness & hope – of being HIV+ SYNOPSIS A searingly honest film about five lives marked by pain and bound by hope - in 68 Pages of a counselor's diary. A transsexual bar dancer, a prostitute, a gay couple - characters often ignored by Bollywood take center stage to tell their stories of pain and trauma, of happiness and hope, of stories never dealt with sensitively. Coming from a country like India that is still in denial, '68 Pages' rips open the underbelly of its society to reveal how it stigmatizes and shuns those who are HIV+ or even those who just want to be what they are.
    [Show full text]
  • 68 Pages from a Counselors Diary…
    68 Pages from a counselors diary…. A film titled 68 Pages is produced by The Humsafar Trust to support advocacy efforts of NACO in NACP – III. Department for International Development (DFID) supports this advocacy film. It is the story of Mansi, an HIV/AIDS counselor who ethics demand that she maintain confidentiality of her clients and not get emotional about their issues. However, there are some counselees whom she cannot leave behind in the counseling room. She writes their stories in her diary and the film is seen through 68 pages of her diary. The stories revolve around Mansi’s understanding of Paayal, a sex worker from Kamathipura (red light district) in Mumbai, Nishit, a young ambitious executive who gets addicted to Intravenous drugs, Kiran, a gay man who has firm faith in his partner of over three years and Umesh/Umrao, a young transsexual bar dancer who is forced into prostitution when dance bars close down. The film is their journey as people from marginalized communities and their lives before and after becoming HIV positive. The film attempts to bring hope into the lives of HIV positive people and is a tribute to the ultimate spirit of human optimism and survival. The film was awarded an Adults only certificate by the Censor board of film certification in December 2007 and with a view of Promoting rational attitudes in society for rights and health of sexual minorities and enabling their participation in the social and political life of the country as equals. The film made an effort to reach out to mainstream population with a special emphasis on health care providers, police department, officials of State AIDS Control Society operating under NACO guidelines and officials of various other donor agencies in India, lawyers, media persons, political parties and municipal corporators.
    [Show full text]
  • The Humsafar Trust Annual Report 2009-2010
    The Humsafar Trust Annual Report 09-10 The Humsafar Trust Annual Report 2009-2010 Serving the spectrum of MSM and TG community since 1994 1 The Humsafar Trust Annual Report 09-10 Humsafar Trust Vision Statement We strive for the human rights of sexual minorities and for the provision of quality health services to MSM and tritiya panthi (TG) Humsafar Trust Mission Statement A holistic approach to the rights and health of sexual minorities and promoting rational attitudes to sexuality Humsafar Trust Theory of Change If we work towards the human rights of sexual minorities and the health of MSM and tritiya panthi (TG), then this work will lead to acceptance and equality of sexual minorities and a healthier community 2 The Humsafar Trust Annual Report 09-10 A. Name of the Organization: The Humsafar Trust B. Theme: Health and Rights of Sexual Minorities C. District: Mumbai D. Registration No: E-15061 (Mumbai Metro) E. Address: The Humsafar, BMC Transit Camp, 3 rd and 4 th Floor, Nehru Road, Vakola, Santacruz (East), Mumbai 400 055 F. Telephone: 022 - 26673800 022 - 26650547 E-mail Address: [email protected] G. Contact Persons: Mr. Vivek. Raj. Anand Chief Executive Officer & Trustee Email Address: [email protected] 3 The Humsafar Trust Annual Report 09-10 Acronyms HST Humsafar Trust OPD Out Patient Department MSM Men Having Sex with Men VCCTC Voluntary Counseling and Confidential Testing Center MDACS Mumbai District AIDS Control Society BMC Bombay Municipal Corporation TI Targeted Intervention TG Transgender CEFE Center for Excellence INFOSEM
    [Show full text]