Those Underground Rainbow Days
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Introduction 1
Notes Introduction 1. Abha Dawesar, Babyji (New Delhi: Penguin, 2005), p. 1. 2. There are pitfalls when using terms like “gay,” “lesbian,” or “homosexual” in India, unless they are consonant with “local” identifications. The prob- lem of naming has been central in the “sexuality debates,” as will shortly be delineated. 3. Hoshang Merchant, Forbidden Sex, Forbidden Texts: New India’s Gay Poets (London: Routledge, 2009), p. 62. 4. Fire, dir. by Deepa Mehta (Trial by Fire Films, 1996) [on DVD]. 5. Geeta Patel, “On Fire: Sexuality and Its Incitements,” in Queering India, ed. by Ruth Vanita (London: Routledge, 2002), pp. 222–233; Jacqueline Levitin, “An Introduction to Deepa Mehta,” in Women Filmmakers: Refocusing, ed. by Jacqueline Levitin, Judith Plessis, and Valerie Raoul (Vancouver: UBC Press, 2002), pp. 273–283. 6. A Lotus of Another Color, ed. by Rakesh Ratti (Boston: Alyson Publi- cations, 1993); Queering India, ed. by Ruth Vanita; Seminal Sites and Seminal Attitudes—Sexualities, Masculinities and Culture in South Asia, ed. by Sanjay Srivastava (New Delhi: Sage Publications, 2004); Because I Have a Voice: Queer Politics in India, ed. by Arvind Narrain and Gautam Bhan (New Delhi: Yoda Press, 2005); Sexualities, ed. by Nivedita Menon (New Delhi: Women Unlimited, 2007); The Phobic and the Erotic: The Politics of Sexualities in Contemporary India, ed. by Brinda Bose and Suhabrata Bhattacharyya (King’s Lynn: Seagull Books, 2007). 7. Walter Jost and Wendy Olmsted, “Introduction,” in A Companion to Rhetoric and Rhetorical Criticism, ed. by Walter Jost and Wendy Olmsted (Oxford: Blackwell, 2004), pp. xv–xvi (p. xv). 8. Quest/Thaang, dir. -
Personal Profile ~ Sridhar Rangayan
Sridhar Rangayan profile A Graduate in Engineering and Post-graduate in Design from IIT, Bombay, Sridhar Rangayan switched tracks from designing carpets to apprenticing with eminent Indian directors like Sai Paranjpye, Kalpana Lajmi and Dev Benegal. Setting off as an independant writer / director in 1999 he has scripted and directed television content covering various genres - comedy, romance, drama and thrillers. His latest serial was the first Indian serial to be shot on a luxury cruiseliner and in Singapore & Malaysia. His award winnng debut short film ‘The Pink Mirror’, produced by his own company Solaris Pictures, has screened at a record number of 56 international film festivals till date. It also garnered global attention for being the first film on Indian drag queens and is one of the very few independent films from India to acquire distribution in US and Europe. His first 35mm feature, a children film that combines breezy fun-filled adventure with social values, won the Bronze Remi Award at WorldFest, Houston and has been screened at international children film festivals. Apart from filmmaking, he is also actively involved with human rights issues and the disability sector. awards Jury Award for Best Film at ‘Fire Island Film Festival 2004, New York, USA (for film “Gulabi Aaina) Bronze Remi Award at WorldFest 2004, Houston (for children film “Yeh Hai Chakkad Bakkad Bumbe Bo’ – CFSI ) Best Film of the Festival award at ‘Question de Genre’ film festival 2003, Lille, France (for film “Gulabi Aaina) RAPA award for Best Comedy Episode, -
PORTRAYAL of SEXUAL MINORITIES in HINDI FILMS By
Articles Global Media Journal – Indian Edition/ISSN 2249-5835 Sponsored by the University of Calcutta/ www.caluniv.ac.in Summer Issue / June 2012 Vol. 3/No.1 PORTRAYAL OF SEXUAL MINORITIES IN HINDI FILMS Sanjeev Kumar Sabharwal Assistant Professor Amity School of Communication Amity University Uttar Pradesh, Lucknow Campus, Uttar Pradesh, India Website: http://www.amity.edu/lucknow Email:[email protected] and Reetika Sen Academic Coordinator Amity School of Communication Amity University Uttar Pradesh, Lucknow Campus, Uttar Pradesh, India Website: http://www.amity.edu/lucknow Email: [email protected] Abstract: Sexual minority or Alternative sexuality comprises of all those people who fall under the categories of Gay, Lesbian, Transgender, Eunuchs. This paper basically compares the portrayal of sexual minorities in Mainstream and Alternative Hindi Cinema. It talks about how Mainstream Hindi cinema which is the most widely distributed cinema in India and abroad has traditionally adopted an attitude of denial or mockery towards LGBTQ community. Representations of sexual Minorities have veered between the sarcasm, comic and the criminal. Where as Alternative Cinema which is confined to film festivals and a handful selected group of viewers portrays sexual minorities in more realistic manner and is successful in raising, expressing & suggesting possible solutions to their problems in more effective manner as compared to the main stream cinema. This is a qualitative as well as quantitative research and the methodology adopted to find out the answers to the questions is content analysis of four Hindi films and survey. Two films of mainstream and two of alternative cinema were selected randomly. Both secondary and primary data was collected, from various reliable sources like journals, websites, articles, movie reviews of different newspapers etc. -
68 Pages – Press Kit
68 Pages – Press Kit PRESS KIT 68 pages Marked by pain, bound by hope For the first time, a film that strings together stories of five HIV positive persons from different high risk groups – gay, transgender, sex worker and drug user. Based on reflections of true-life incidents and characters, it is a film that has originated from within these communities with active participation of NGOs working with these marginalized populations. The film deals with issues that need to be discussed but have not found space in the society as discussing them in the society is still taboo. The film mainly focuses on five HIV positive persons whose lives change dramatically when they come to know of their status. These stories of pain are bound within the diary of an HIV/AIDS counsellor… in 68 pages of her diary… pages that record the lives of her counselees, their pain and their joy, their despair and their hopes, their tears and their laughter. Their stories have the capacity to touch, heal and change lives… lives of those who are HIV positive but do not lose hope. 68 PAGES is a tribute to the human spirit of optimism and survival. This 90-minute film has been produced by The Humsafar Trust in association with Solaris Pictures with the support of DFID (UK). Directed by Sridhar Rangayan, the cast includes Mouli Ganguly, Joy Sengupta, Zafar Karachiwala, Jayati Bhatia, Uday Sonawane and Abhay Kulkarni with music by Xen@BOB. PLOT 68 PAGES is the story of Mansi, a counsellor whose ethics demand that she has to maintain confidentiality of her counselees. -
Electronic Press Kit for 68 Pages
68 Pages – Press Kit PRESS KIT 68 Pages 92mins, India, 2007 Hindi with English subtitles www.humsafar.org/68pages.htm A film by Sridhar Rangayan © The Humsafar Trust, 2007 2 68 Pages – Press Kit 68 Pages 92mins, India, 2007 Hindi with English subtitles www.humsafar.org/68pages.htm TECHNICAL DETAILS Title : 68 Pages Original Title: 68 Pages Duration: 1:32:00 (92 minutes) Language: Hindi Subtitles: English Format of Production: Digital (Digibeta) Sound: Stereo (Digital) Aspect Ratio: 16:9 (1.78) Censor certificate: V/A Date: 7/12/2007 Place: Mumbai Contact: Solaris Pictures D 404, Nazarene, Kharodi, Marve Road, Malad West, Mumbai 400095 INDIA phone: +91.22. 28618239 email: [email protected] website: www.humsafar.org/68pages.htm www.68pages.blogspot.com 3 68 Pages – Press Kit OUTLINE A compelling film about five lives marked by pain and bound by hope - in 68 Pages of a HIV/AIDS counselor's diary. A transsexual dancer, a sex worker, a gay couple - share their stories of pain & trauma, of happiness & hope – of being HIV+ SYNOPSIS A searingly honest film about five lives marked by pain and bound by hope - in 68 Pages of a counselor's diary. A transsexual bar dancer, a prostitute, a gay couple - characters often ignored by Bollywood take center stage to tell their stories of pain and trauma, of happiness and hope, of stories never dealt with sensitively. Coming from a country like India that is still in denial, '68 Pages' rips open the underbelly of its society to reveal how it stigmatizes and shuns those who are HIV+ or even those who just want to be what they are. -
68 Pages from a Counselors Diary…
68 Pages from a counselors diary…. A film titled 68 Pages is produced by The Humsafar Trust to support advocacy efforts of NACO in NACP – III. Department for International Development (DFID) supports this advocacy film. It is the story of Mansi, an HIV/AIDS counselor who ethics demand that she maintain confidentiality of her clients and not get emotional about their issues. However, there are some counselees whom she cannot leave behind in the counseling room. She writes their stories in her diary and the film is seen through 68 pages of her diary. The stories revolve around Mansi’s understanding of Paayal, a sex worker from Kamathipura (red light district) in Mumbai, Nishit, a young ambitious executive who gets addicted to Intravenous drugs, Kiran, a gay man who has firm faith in his partner of over three years and Umesh/Umrao, a young transsexual bar dancer who is forced into prostitution when dance bars close down. The film is their journey as people from marginalized communities and their lives before and after becoming HIV positive. The film attempts to bring hope into the lives of HIV positive people and is a tribute to the ultimate spirit of human optimism and survival. The film was awarded an Adults only certificate by the Censor board of film certification in December 2007 and with a view of Promoting rational attitudes in society for rights and health of sexual minorities and enabling their participation in the social and political life of the country as equals. The film made an effort to reach out to mainstream population with a special emphasis on health care providers, police department, officials of State AIDS Control Society operating under NACO guidelines and officials of various other donor agencies in India, lawyers, media persons, political parties and municipal corporators. -
The Humsafar Trust Annual Report 2009-2010
The Humsafar Trust Annual Report 09-10 The Humsafar Trust Annual Report 2009-2010 Serving the spectrum of MSM and TG community since 1994 1 The Humsafar Trust Annual Report 09-10 Humsafar Trust Vision Statement We strive for the human rights of sexual minorities and for the provision of quality health services to MSM and tritiya panthi (TG) Humsafar Trust Mission Statement A holistic approach to the rights and health of sexual minorities and promoting rational attitudes to sexuality Humsafar Trust Theory of Change If we work towards the human rights of sexual minorities and the health of MSM and tritiya panthi (TG), then this work will lead to acceptance and equality of sexual minorities and a healthier community 2 The Humsafar Trust Annual Report 09-10 A. Name of the Organization: The Humsafar Trust B. Theme: Health and Rights of Sexual Minorities C. District: Mumbai D. Registration No: E-15061 (Mumbai Metro) E. Address: The Humsafar, BMC Transit Camp, 3 rd and 4 th Floor, Nehru Road, Vakola, Santacruz (East), Mumbai 400 055 F. Telephone: 022 - 26673800 022 - 26650547 E-mail Address: [email protected] G. Contact Persons: Mr. Vivek. Raj. Anand Chief Executive Officer & Trustee Email Address: [email protected] 3 The Humsafar Trust Annual Report 09-10 Acronyms HST Humsafar Trust OPD Out Patient Department MSM Men Having Sex with Men VCCTC Voluntary Counseling and Confidential Testing Center MDACS Mumbai District AIDS Control Society BMC Bombay Municipal Corporation TI Targeted Intervention TG Transgender CEFE Center for Excellence INFOSEM