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50 Jahre STAR TREK 2016 Repositorium für die Medienwissenschaft Beate Ochsner, Markus Spöhrer, Bernd Stiegler u.a. (Hg.) AugenBlick. Konstanzer Hefte zur Medienwissenschaft. Heft 67: 50 Jahre STAR TREK 2016 https://doi.org/10.25969/mediarep/3654 Veröffentlichungsversion / published version Teil eines Periodikums / periodical part Empfohlene Zitierung / Suggested Citation: Ochsner, Beate; Spöhrer, Markus; Stiegler, Bernd u.a. (Hg.): AugenBlick. Konstanzer Hefte zur Medienwissenschaft. Heft 67: 50 Jahre STAR TREK (2016). DOI: https://doi.org/10.25969/mediarep/3654. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above. anderweitig nutzen. Mit der Verwendung dieses Dokuments erkennen Sie die Nutzungsbedingungen an. AUGENBLICK Konstanzer Hefte zur Medienwissenschaft 67 50 Jahre Star Trek Augenblick67.indd 1 28.11.2016 13:29:35 AugenBlick Konstanzer Hefte zur Medienwissenschaft Herausgegeben von Ursula von Keitz, Beate Ochsner, Isabell Otto, Bernd Stiegler und Alexander Zons In Zusammenarbeit mit Heinz B. Heller Eine Veröffentlichung der Arbeitsgruppe Medienwissenschaft im Fachbereich Literaturwissenschaft der Universität Konstanz Heft 67, November 2016 Herausgeber und Redaktion dieser Ausgabe: Beate Ochsner, Markus Spöhrer, Bernd Stiegler und Alexander Zons Redaktionsanschrift: Universität Konstanz, FB Literaturwissenschaft – Medienwissenschaft Universitätsstraße 10, Fach 157, 78457 Konstanz http://www.uni-konstanz.de Schüren Verlag, Universitätsstr. 55, 35037 Marburg Drei Hefte im Jahr Einzelheft € 12,90, Doppelheft € 19,90 Jahresabonnement € 30,– Jahresabonnement für Studierende € 24,– Bestellungen an den Verlag Anzeigenverwaltung: Katrin Ahnemann, Schüren Verlag www.schueren-verlag.de © Schüren Verlag, alle Rechte vorbehalten Gestaltung: Erik Schüßler Druck: booksfactory, Stettin ISSN 0179-2555 ISBN 978-3-89472-965-3 Augenblick67.indd 2 28.11.2016 13:29:35 Inhalt Beate Ochsner, Bernd Stiegler, Markus Spöhrer und Alexander Zons Editorial Bernd Stiegler Unendliche Weiten – The Final Frontier Star Trek als interstellare Hermeneutik Viktor Konitzer «A course for home» Nostalgie auf dem Star Trek der späten 1990er-Jahre –Voyager (1995–2001) und First Contact (1996) Beate Ochsner «Somebody forgot to terminate my program» Individuationsprozesse zwischen Menschen und Maschinen Markus Spöhrer «Where No Fan Has Gone Before» Parodistische Kritik an und Aktualisierung von Trekkie-Klischees in Futurama Christoph Büttner Deep Space Nine als soziopolitische Fiktion und unvollendetes Projekt Alexander Zons Something old, something new, something borrowed, something blue JJ Abrams’ Star Trek. Abbildungsverzeichnis Autorinnen und Autoren Augenblick67.indd 3 28.11.2016 13:29:35 Augenblick67.indd 4 28.11.2016 13:29:35 Beate Ochsner, Bernd Stiegler, Markus Spöhrer und Alex Zons Editorial 1966. Der Wettlauf im All ist in vollem Gange. Beide Kontrahenten schaffen wei- che Landungen auf dem Mond. Der bemannte Flug zum Mond gerät in Reichweite. Den Oscar für den besten Film erhält mit The Sound of Music (USA 1965, Robert Wise) ein Musical alter Schule, aber schon im nächsten Jahr wird mit Bonnie and Clyde (USA 1967, Arthur Penn) das New Hollywood eingeläutet. In China beginnt die Kulturrevolution. England wird Fußballweltmeister. JJ Abrams wird geboren. Udo Jürgens gewinnt den Eurovision Song Contest. Die große Koalition nimmt ihre Arbeit auf. Die Torwand des Aktuellen Sportstudios wird eingeweiht. Die Uni- versität Konstanz wird gegründet. 50 Jahre ist das nun her. Einiges erscheint weit entfernt, anderes irgendwie ver- traut und nah. Am 8. September 1966 nimmt auch das Raumschiff Enterprise seine Mission auf. Sie wird nicht, wie im Intro von Captain Kirk angekündigt, fünf Jah- re dauern. Nach drei Staffeln wurde die Produktion eingestellt. Das war aber noch nicht das Ende. 1979 treffen wir die Crew im Kino wieder. In den 1980er-Jahren kommt die Next Generation hinzu. Im folgenden Jahrzehnt bereichern Star Trek – Deep Space Nine und Star Trek – Voyager das Trekkie-Universum. Anfang des neu- en Jahrtausends folgen vier Staffeln des Prequels Star Trek – Enterprise. 2009 wagt man einen Reboot im Kino und im nächsten Jahr wird die neue Serie Star Trek – Discovery auf die ursprüngliche Zeitlinie zurückkehren. Star Trek ist damit eines der langlebigsten Franchises der Mediengeschichte – die James Bond-Filmreihe ist noch etwas älter – und eine phänomenale Karriere. Sie steht für Kontinuität, aber auch für Wandel. An ihr lässt sich Zeitgeschichte abhorchen. Dass die vielfältige Geschichte von Star Trek nun fünfzig Jahre andauert, war für uns Anlass, dem Phä- nomen ein Heft zu widmen. Die unterschiedlichen Beiträge, die dieses Heft versammelt, zeichnen diese Ge- schichte in ihren Etappen nach – ohne Anspruch auf Vollständigkeit. Bernd Stieg- ler geht der mythischen Orientierung der Original Series aus den Sechziger Jahren anhand des Begriffs der final frontier nach. Viktor Konitzer folgt der gegenläufigen Bewegung, der nostalgischen Rückkehr zur Erde, die insbesondere die Reise des Raumschiffs Voyager kennzeichnet. Auch Beate Ochsner widmet sich diesem Teil des Kosmos, fokussiert allerdings das Raumschiff als Mensch-Maschine-Ensemble und das unter besonderer Berücksichtigung des Holodoktors. Markus Spöhrer wie- derum schlägt eine Brücke zu einem besonderen Kennzeichen von Star Trek: den Fans. Er untersucht die in Futurama aufgerufenen Trekkie-Klischees. Christoph Büttner räsoniert über die utopischen Gesellschaftsentwürfe von Star Trek und Augenblick67.indd 5 28.11.2016 13:29:35 begibt sich dafür auf die Raumstation Deep Space Nine. Alexander Zons schließ- lich fragt nach den ästhetischen und ideologischen Implikationen, die das Spiel von Abweichung und Wiederholung im Reboot von JJ Abrams zeitigt. Wir hoffen, dass dieser bunte Strauß an Texten bei den Lesern ähnliche Reakti- onen auslöst wie bei uns. Star Trek gehört als popkulturelles Phänomen zu unserer Geschichte. Es lohnt sich dieser Beziehung nachzugehen. Beate Ochsner, Markus Spöhrer, Bernd Stiegler und Alexander Zons Augenblick67.indd 6 28.11.2016 13:29:35 Bernd Stiegler Unendliche Weiten – «The Final Frontier» Star Trek als interstellare Hermeneutik 1 «The Final Frontier» «Unendliche Weiten. Wir schreiben das Jahr 2200. Dies sind die Abenteuer des Raumschiffs Enter- prise, das mit seiner 400 Mann starken Besatzung 5 Jahre unterwegs ist, um fremde Galaxien zu erfor- schen, neues Leben und neue Zivilisationen. Viele Lichtjahre von der Erde entfernt dringt die Enter- prise in Galaxien vor, die 1 Star Trek: «The Omega Glory» (SII/E54) nie ein Mensch zuvor ge- sehen hat.»1 In der deut- schen Übersetzung, die Folge für Folge die gleiche bleibt, während die Geschichten vorüberziehen und sich mit ihnen mitunter auch die Ordnungen der Zeit und des Raumes verändern, kommen einige der Anspielungen der Originalfassung abhan- den. Diese lautete – mit Ausnahme der beiden Pilotfilme – in jeder Folge: «Space, the final frontier. These are the voyages of the starship Enterprise. Its 5-year mis- sion: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.»2 Durch die Verwendung des Begriffs Frontier wird hier ein Genre aufgerufen, das mit dem der Science Fiction wenig zu tun zu haben scheint: der Western. Zugleich wei- sen Kirks Worte einen deutlichen Bezug zu einem Kapitän anderer Forschungsreisen 1 Vgl. dazu auch: https://en.wikipedia.org/wiki/Where_no_man_has_gone_before (20.9.2016). Un end - liche Weiten sind auch bei der Literatur zu Star Trek zu verzeichnen, auf die ich daher nur spora- disch zurückgreife. Verwiesen sei auf die Websites: www.startrek.com und auf https://en.wikipedia. org/wiki/Star_Trek (21.9.2016). 2 Zit. nach: http://www.imdb.com/title/tt0060028/quotes (20.9.2016). Augenblick67.indd 7 28.11.2016 13:29:36 8 Bernd Stiegler auf, die viele Jahrhunderte vorher spielen: denjenigen Captain Cooks.3 Wir sehen: Es geht um Raumzeiten, um Eroberung und um Grenzerweiterungen in vielerlei Hin- sicht, mit klaren Genre-Vorgaben und bemerkenswerter historischer Tiefenschärfe. Der Begriff Frontier bezeichnet nach dem Oxford Dictionary: 1A line or border separating two countries.[…] figurative ‹the frontier between thought and reality is confused› [as modifier] ‹an end
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