Sand and Sea – Teachings from the Southeastern Shoreline
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Food Festival Mungo National Park Gabrielle Chanel
FOOD FESTIVAL in Australia A Guide to MUNGO NATIONAL PARK Edition GABRIELLE 39 CHANEL. Spring Fashion Manifesto 2021 Image Credit: Jimmy Emms WELCOME! RESERVATIONS As we approach spring we are a road trip, starting in Griffith the gourmet capital of the region. & ENQUIRIES looking forward to improved weather and some long standing If you havent already I encourage you to join events that we have all missed. our new Sharp Traveller Club which replaces CALL 1300 55 66 94 the Sharp Flyer Programme. If you have sharpairlines.com.au I am looking forward to the events featured any questions in relation to our new system in this edition including the Sydney Hobart please do not hesitate to call our friendly Yacht Race, Melbourne Jazz Festival, and the reservations team on 1300 55 66 94 HEAD OFFICE Festival of King Island. If you are on Flinders 44 Gray Street Island during this time you maybe lucky Hamilton Victoria 3300 Take care and stay safe. T: 1300 55 66 94 enough to see the Yacht passing on their way E: [email protected] to the finish. Or if you prefer to get out and explore our Malcolm Sharp great country, the Riverina Region and the MANAGING DIRECTOR LIKE TO ADVERTISE? southwest of New South Wales is ideal for Editorial & Advertising Contact Heidi Jarvis T: 0438 778 161 E: [email protected] In This Edition GET UP CLOSE DISCOVER THE MELBOURNE & INTIMATE 22 FASCINATING INTERNATIONAL UNDERGROUND 4 JAZZ FESTIVAL 34 OF TASMANIA MUSIC FOR FOOD THE SENSES FESTIVAL MUSIC TO IN AUSTRALIA 8 YOUR EARS 40 A GUIDE TO MUNGO A TASTE 12 NATIONAL PARK 42 OF SALT KILLIECRANKIE CONTEMPORARY WEARABLES 44 ROLEX DOWN SYDNEY HOBART GABRIELLE CHANEL. -
We Are All Around Us by Amy King
We Are All Around Us Amy King Editing Booth Give unto feet their water; watch people enjoy their figures on film. My lyrics before death were written on parchment long ago. It’s time to undo the town: suck the glue from my road, erase the lawn in my garden, unsew the bait I have mistaken for luck. My anchor pretends a hope that keeps the sky awash in blue. Enough guilt from this fist made of rubber: Camus must meet his Kafka; Kundera will wash the back of Haushofer; Cassandra seeks her mother Wolf. Black scent pervades and sweetens the room. My estrangement burns and falls away. I mix it with dough as bread for the masses, an antidote grain. They throw themselves apart. If I were you, I would wait for me. The dispersed crowd gathers round; they wish away clarity and chant for new instruments of attention. Hair grows from my chest. People speak in hybrid tongues. Rivers rise, coercing the moss to share its lightning and we each become electrical timings in the bioluminescent show. We Are All Around Us Skin awakens to sing inside its flesh. I am a photo of the sunrise. My liver coordinates with the man across the sidewalk. He wears a red scarf. We stand at this juncture without nodding our presence. Each hand adjusts the seams in our separate pants. A few Germans and French pass in the vicinity. This plan can easily be witnessed for it is held in New York City. It is the reason the city exists this morning. -
The Muse in Arms, a Collection of War Poems, for the Most Part Written In
Dear Reader, This book was referenced in one of the 185 issues of 'The Builder' Magazine which was published between January 1915 and May 1930. To celebrate the centennial of this publication, the Pictoumasons website presents a complete set of indexed issues of the magazine. As far as the editor was able to, books which were suggested to the reader have been searched for on the internet and included in 'The Builder' library.' This is a book that was preserved for generations on library shelves before it was carefully scanned by one of several organizations as part of a project to make the world's books discoverable online. Wherever possible, the source and original scanner identification has been retained. Only blank pages have been removed and this header- page added. The original book has survived long enough for the copyright to expire and the book to enter the public domain. A public domain book is one that was never subject to copyright or whose legal copyright term has expired. Whether a book is in the public domain may vary country to country. Public domain books belong to the public and 'pictoumasons' makes no claim of ownership to any of the books in this library; we are merely their custodians. Often, marks, notations and other marginalia present in the original volume will appear in these files – a reminder of this book's long journey from the publisher to a library and finally to you. Since you are reading this book now, you can probably also keep a copy of it on your computer, so we ask you to Keep it legal. -
U.S. Government Printing Office Style Manual, 2008
U.S. Government Printing Offi ce Style Manual An official guide to the form and style of Federal Government printing 2008 PPreliminary-CD.inddreliminary-CD.indd i 33/4/09/4/09 110:18:040:18:04 AAMM Production and Distribution Notes Th is publication was typeset electronically using Helvetica and Minion Pro typefaces. It was printed using vegetable oil-based ink on recycled paper containing 30% post consumer waste. Th e GPO Style Manual will be distributed to libraries in the Federal Depository Library Program. To fi nd a depository library near you, please go to the Federal depository library directory at http://catalog.gpo.gov/fdlpdir/public.jsp. Th e electronic text of this publication is available for public use free of charge at http://www.gpoaccess.gov/stylemanual/index.html. Use of ISBN Prefi x Th is is the offi cial U.S. Government edition of this publication and is herein identifi ed to certify its authenticity. ISBN 978–0–16–081813–4 is for U.S. Government Printing Offi ce offi cial editions only. Th e Superintendent of Documents of the U.S. Government Printing Offi ce requests that any re- printed edition be labeled clearly as a copy of the authentic work, and that a new ISBN be assigned. For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512-1800; DC area (202) 512-1800 Fax: (202) 512-2104 Mail: Stop IDCC, Washington, DC 20402-0001 ISBN 978-0-16-081813-4 (CD) II PPreliminary-CD.inddreliminary-CD.indd iiii 33/4/09/4/09 110:18:050:18:05 AAMM THE UNITED STATES GOVERNMENT PRINTING OFFICE STYLE MANUAL IS PUBLISHED UNDER THE DIRECTION AND AUTHORITY OF THE PUBLIC PRINTER OF THE UNITED STATES Robert C. -
The Art of Using Salts for the Ultimate Dessert Experience
Sea Salt Sweet THE ART OF USING SALTS FOR THE ULTIMATE DESSERT EXPERIENCE HEATHER BAIRD © 2015 by Heather Baird Photography © 2015 by Heather Baird Published by Running Press, A Member of the Perseus Books Group All rights reserved under the Pan-American and International Copyright Conventions Printed in China This book may not be reproduced in whole or in part, in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system now known or hereafter invented, without written permission from the publisher. 1122 Books published by Running Press are available at special discounts for bulk purchases in the United States by corporations, institutions, and other organizations. I dedicate this book to my For more information, please contact the Special Markets Department at the Perseus Books Group, 2300 Chestnut Street, Suite 200, Philadelphia, PA 19103, or call grandmother Rosa Finley. (800) 810-4145, ext. 5000, or e-mail [email protected]. ISBN 978-0-7624-5396-2 Your spirit is with me always. Library of Congress Control Number: 2015942586 E-book ISBN 978-0-7624-5811-0 9 8 7 6 5 4 3 2 1 Digit on the right indicates the number of this printing Cover and interior design by Susan Van Horn Edited by Jennifer Kasius Typography: Archer, Beton, Isabella Script, Museo, Neutra Text and Nymphette Running Press Book Publishers 2300 Chestnut Street Philadelphia, PA 19103-4371 Visit us on the web! www.offthemenublog.com www.sprinklebakes.com contents acknowledgments Acknowledgments . 5 THANKS TO MY SUPPORTIVE AGENT center piece of cake. -
DEMOCRACY a Theory of Indian Politics
At Home with DEMOCRACY A Theory of Indian Politics D.L. Sheth Edited with an Introduction by Peter Ronald deSouza At Home with Democracy D.L. Sheth At Home with Democracy A Theory of Indian Politics Edited with an Introduction by Peter Ronald deSouza Author D.L. Sheth Centre for the Study of Developing Societies New Delhi, India Editor Peter Ronald deSouza Centre for the Study of Developing Societies New Delhi, India ISBN 978-981-10-6411-1 ISBN 978-981-10-6412-8 (eBook) DOI 10.1007/978-981-10-6412-8 Library of Congress Control Number: 2017950827 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Fifty Years of Painting by Guido Brink
1 2 Guido Brink Acknowledgments The Haggerty Museum of Art is honored to present this exhibition of Guido Brink’s work in celebration of his career as an artist. Brink is a major influence in the arts in Wisconsin, and his paintings and sculptures can be found in prominent public and private collections including the Busch-Reisinger Museum, Harvard University; Milwaukee Art Museum; and the Haggerty Museum of Art. He has made a lasting contribution to arts education as a founder and the first president of the Milwaukee School of the Arts (now the Milwaukee Institute of Art and Design). Brink has been of great assistance in every aspect of the planning of this exhi- bition, including participating in the selection of work and providing loans from his collection. I would like to extend our appreciation to Ello Brink for her support of the exhibition. In conjunction with Fifty Years of Painting by Guido Brink, Ello and Guido Brink have donated an important painting, Apocalyptic Symbols, 1955-56, to the Haggerty Museum permanent collection. I would also like to thank Susan and Ted Alevizos for lending Brink’s Pilgrimage to the Black Madonna, 1962, from their collection to this exhibition and gifting this work to the Haggerty Museum of Art. The exhibition is sponsored in part by the Marquette University Religious Commitment Fund. The Haggerty Museum of Art staff was involved in all aspects of this exhibition. Annemarie Sawkins assist- ed in curating the exhibition; Jerome Fortier designed the catalogue; Lee Coppernoll arranged funding; James Kieselburg served as registrar; Andrew Nordin assisted by Tim Dykes designed the exhibition; Lynne Shumow arranged programming and community outreach; Mary Wagner and Tina Sosnowski provided administrative support; Anne Kaiser coordinated communication; and Clayton Montez served as the chief security officer. -
The Old St Beghian
No. 194 The Old St Beghian January 2019 Editor: Dr A. J. H. Reeve, 6 Abbey Farm, St Bees, Cumbria, CA27 0DY. Tel: (01946) 822472 Email: [email protected] From Our President Peter Lever (G 62-66) Dear Old St Beghians, As I write this note for the January 2019 Bulletin I reflect on the 184 crosses which lined the approach to St Bees Priory Church, each one naming an OSB killed in the First World War. This is what greeted one on a wet and windy Remembrance Day Sunday morning at St Bees. A day that commemorated 100 years since the signing of the armistice that ended the Great War. It was a heart-wrenching and provocative sight. While most OSBs alive today have thankfully been spared the atrocity of war, we must be for ever grateful to those Old St Beghians who gave their lives for us in both World Wars. Equally as moving was the Chapel Service on OSB Day when the names of those 184 were read out and a plaque unveiled to commemorate the occasion. A big thank you to George Robson, who has been so involved on behalf of the Society in orchestrating our Remembrance tribute both in the School Chapel on OSB Day and at the Priory on Remembrance Sunday and in personally presenting two plaques to the school commemorating the 100th anniversary of the ending of World War 1 and honouring some of those OSBs killed. With the school now reopen and refurbishment continuing there is much to be positive about. -
North Melbourne Man's Work Honoured
Autumn 2019 ar st ye 41 THE NORTH & WEST MELBOURNE NEWS IS PRODUCED BY VOLUNTEERS AT THE CENTRE: Connecting Community In North & West Melbourne Inc www.centre.org.au Say ¡hola! at the Spanish Language Fiesta By Tatiana Echeverri The Fiesta celebrates the Spanish language and welcomed the wider et ready! The Spanish community to connect with and GLanguage Fiesta returns to learn about the rich traditions of North Melbourne Saturday 6 April Hispanic culture. from 11 am to 4 pm. North Melbourne is easy to reach Come and say ¡hola! Enter from by train, bus, bicycle or tram. A fun- George Johnson Lane in Errol filled day out with friends and the Street or Little Errol Street in whole family awaits you. Leveson Street. We are looking forward to The lanes will be transformed sharing this beautiful culture with into a little Hispanic town you. celebrating the colour, culture, traditions and language of Spain Tatiana Echeverri is community and Latin America. development officer at The Centre There will be something for people of all ages and Want to know more? backgrounds to enjoy throughout Visit The Centre, 58 Errol Street, North the day: music, food, dance, art, Melbourne 3051; www.centre.org. literature, entertainment and au; Email: [email protected] hands-on activities. Phone: (03) 9328 1126 North Melbourne man’s work honoured By John H. Smith peace, justice and improvement of life to the ALP he worked with Ralph He brings vast experience to his for the poor stems from his integrated Willis and proposed the scheme that present work. -
Sea Cloud Board a Legend, Sail Into History 2018 Voyages
SEA CLOUD BOARD A LEGEND, SAIL INTO HISTORY 2018 VOYAGES TM DEAR TRAVELER, We have been leading expeditions together aboard Sea Cloud for five years now (Tom began working aboard in the 1980s) and we can genuinely attest that this ship is a destination in and of itself. The fact that she travels to both iconic and discoverable locations is just the frosting on her impeccable ‘cake.’ People have been in love with Sea Cloud since she was commissioned by E.F. Hutton and his wife, Marjorie Merriweather Post, in 1931. She is the most authentic, historic, and elegant hand-sailed tall ship in the world. Watching the crew of 18 raise and lower her 30 sails by hand, the old-fashioned way, is a thrilling sight, one that elicits a powerful feeling. And as one of our past guests summed it up, “the Sea Cloud made me proud to be one of her passengers every time we came into port!” When you add our carefully crafted itineraries—Caribbean, Sicily-Malta, the Greek Isles, and Greece and the Dalmatian Coast—plus our unique Lindblad-National Geographic expedition style to Sea Cloud’s allures, you have the makings of an incomparable travel experience. Our expedition approach balances the ship’s native elegance with casual comfort. It creatively choreographs a square-rig sailing experience with the intimate history of the ship. And it mixes the surprise and delight of “off the beaten path” islands and authentic local encounters with visits to must-see sites. Consider too that when we’re in the Mediterranean, we make it a priority to schedule our visits for times when we have legendary sites virtually to ourselves. -
Etd-03272009-140720.Pdf (141.5 Kb )
BLOOD KNOT By William Nicholas White A Thesis Submitted to the Faculty of Mississippi State University in Partial Fulfillment of the Requirements for the Degree of Master of Arts in English in the Department of English Mississippi State, Mississippi May 2009 BLOOD KNOT By William Nicholas White Approved: ______________________________ ______________________________ Richard Lyons Michael Kardos Professor of English Assistant Professor of English Director of Creative Writing (Committee Member) (Director of Thesis) ______________________________ ______________________________ Catherine Pierce Richard Patteson Assistant Professor of English Professor of English (Committee Member) Director of Graduate Studies ______________________________ Gary Myers Dean of the College of Arts and Sciences Name: William Nicholas White Date of Degree: May 2, 2009 Institution: Mississippi State University Major Field: English Major Professor: Dr. Richard Lyons Title of Study: BLOOD KNOT Pages in Study: 60 Candidate for Degree of Master of Arts This collection of original poetry is preceded by a critical introduction that details how Marianne Moore and Elizabeth Bishop’s similar aesthetics in poetry have influenced my own. The following poems focus on themes that challenge the nature of “manhood,” particularly the archetype of Southern masculinity, and highlight characters who struggle to understand themselves, their desires, and their society. The critical essay tracks how Bishop’s personifications, as she grows as a poet and as her narrator’s “drive into the interior” of nature, become harder to define and control and how this loss of control precipitates a jubilant self-awareness—an awareness of the limitations and frailty of language, of poetry, and of human understanding to fully comprehend and capture the vastness of the natural world. -
Of 3B Short Essays Written by Teachers and Assembled Under Five Headings: (1) the Indo-European Language Family
DOCUMENT RESUME ED 029 886 TE 001 434 We Speak with the Tongue of Men and of Angels: Essays in the History of the English Language. North Carolina State Dept. of Public Instruction. Raleigh. Pub Date 68 Note- 74p. Available from-English Section. Dept. of Public Instruction, Raleigh. North Carolina. EDRS Price MF-$0.50 HC-$3.80 Descriptors- DiachronicLinguistics.*English.EnglishInstruction,Indo European Languages, Language Instruction. Language Programs, Language Universals, Middle English, Morphology (Languages), *Old English. Structural Analysis. Structural Linguistics. *Teaching Guides This high school teaching guide on the history of the English language consists of 3b short essays written by teachers and assembled under five headings: (1) The Indo-European Language Family. (2) Language Analysis. (3) The Old English Period. (4) The Middle English Period and the Renaissance, and (5) The Modern English Period in America. A bibliography on the subiect is appended. (LH) U.S. DEPARTMENT OF HEALTH,EDUCATION & WELFARE OFFICE OF EDUCATION FROM THE THIS DOCUMENT HAS BEENREPRODUCED EXACTLY AS RECEIVED POINTS OF VIEW OR OPINIONS PERSON OR ORGANIZATIONORIGINATING IT. EDUCATION STATED DO NOT NECESSARILYREPRESENT OFFICIAL OFFICE OF POSITION OR POLICY. WE SPEAK WITH THE TONGUE OFMEN AND OFANGELS ESSAYS IN THE HISTORY OF THE ENGLISH LANGUAGE English Section Department of Public Instruction Raleigh, North Carolina 1968 VeSpeak with the Tongue of Men and of Angels" is one part ol'A Guide for The Teacning of English in the Schools of North CaroZina, a guide that wiZZ attempt to coordinate and synchronize instruction in the broad areas of Zanguage, Ziterature, and composition. It will begin at the beginning-- atkindergarten--and extend through grade twelve.