If Wes Anderson Directed a Horror Movie
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On the Leadership
2018 Annual Report RISEON THE LEADERSHIP NATIONAL BOARD OF TRUSTEES James A. Miller Thomas Schumacher Matt Conover, Chair Bartlett Wealth Management, Principal and Disney Theatrical Group, President Chairman Disney Parks Live Entertainment, Cincinnati, OH Vice President of Disneyland Entertainment Deborah Voigt Award-winning opera soprano Anaheim, CA Megan Tulac Phillips Hunter Bell, Vice Chair McKinsey & Company, Head of Marketing and ADVISORY BOARD Communications, Enterprise Agility Tony-nominated playwright, EdTA Board of San Francisco, CA Sarah Jane Arnegger Directors iHeart Radio Broadway, Director New York, NY John Prignano New York, NY Debbie Hill, Secretary Music Theatre International, COO and Director of Education and Development Aretta Baumgartner Community Arts Initiatives, Founder and New York, NY Center for Puppetry Arts, Education Director Executive Director Atlanta, GA Cincinnati, OH Kim Rogers Dori Berinstein Alex Birsh Concord Theatricals, Vice President, Amateur Licensing Dramatic Forces, Producer Playbill, Vice President and Chief Digital Officer New York, NY New York, NY New York, NY J. Jason Daunter Mark Drum David Redman Scott Disney Theatrical Group, Director of Theatrical Production Stage Manager Actor, Arts Advocate, EdTA Volunteer Licensing New York, NY New York, NY New York, NY Debby Gibbs Nancy Aborn Duffy ETF Legacy Circle Committee, Chair Educator, Former Broadway Licensing Abbie Van Nostrand Concord Theatricals, Vice President, Client Tupelo, MS Company Owner Relations & Community Engagement New York, NY -
NON NOBIS, SED OMNIBUS Est Polit Ical Opposition
Page Two THE SCOP Published Monthly by Students of Notre Dama CollCQe of Staten Island Dentist - 1' m EDITORIAL STAFF afraid I'll have to IDITOll- lH-CHIIF drill. RUTH RUSHMORE ''I I The oratorical fires of the most bit he happens to be either a Democrat or Assistant Editors . Anna Mao Hubsc:h '11, Holen Hennessey '11 Patient-What's ter presidential campaign In recent Anoclete Editor..... - •. --··········-··--···-------·---·--· Muriel Rotunno '12 a Republican. It bases its line of polit the matter? Can't years have fl ickered down to glowing ical activity on a platform of slogans you fix my teeth COLUMNISTS I renc O'Leary '11 Rosemary Lcikert '12 Rosemary Altieri '12 embers and ashes. The talents of our and hysteria. The other carefully without rehearsal? Margaret Lyons ' 41 Jayne KIiroy '12 politically minded throughout the na weighs the issues at hand and, finding AMARILLO ll1P01lTl1lS tion have been turned into the chan cause for disagreement with some GLOMBUS Mary Boyle '11 Carol De Rose '12 Catherine O'Dea '13 nels of conciliation. Radio addresses, faction, states its case and offers sug Just Advice: W1n,fred Lennon ''41 Mary Hickey '12 Chorlotle Stout '43 Mary O'Connell '11 Virginia Shea ''42 Patricia Kenny '43 editorials, stump speeches; all bear gestions. If it seeks to destroy some A good line is the shortest distance Ruth Anne Schaffer '41 Helen Uieski ' 42 Johanna Shortell '43 the stamp of the dove of peace. The thing it offers a sensible alternative in between dates. Betty Decker ' '42 Marie Nevins ''43 Anne Damrau '13 necessity of unity between the par its place. -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
EE British Academy Film Awards Sunday 8 February 2015
EE British Academy Film Awards Sunday 8 February 2015 Previous Nominations and Wins in EE British Academy Film Awards only. Includes this year’s nominations. Wins in bold. Leading Actor Benedict Cumberbatch 1 nomination Leading Actor in 2015: The Imitation Game Eddie Redmayne 1 nomination Leading Actor in 2015: The Theory of Everything Orange Wednesdays Rising Star Award Nominee in 2012 Jake Gyllenhaal 2 nominations / 1 win Supporting Actor in 2006: Brokeback Mountain Leading Actor in 2015: Nightcrawler Michael Keaton 1 nomination Leading Actor in 2015: Birdman Ralph Fiennes 6 nominations / 1 win Supporting Actor in 1994: Schindler’s List Leading Actor in 1997: The English Patient Leading Actor in 2000: The End of The Affair Leading Actor in 2006: The Constant Gardener Outstanding Debut by a British Writer, Director or Producer in 2012: Coriolanus (as Director) Leading Actor in 2015: The Grand Budapest Hotel Leading Actress Amy Adams 5 nominations Supporting Actress in 2009: Doubt Supporting Actress in 2011: The Fighter Supporting Actress in 2013: The Master Leading Actress in 2014: American Hustle Leading Actress in 2015: Big Eyes Felicity Jones 1 nomination Leading Actress in 2015: The Theory of Everything Julianne Moore 4 nominations Leading Actress in 2000: The End of the Affair Supporting Actress in 2003: The Hours Leading Actress in 2011: The Kids are All Right Leading Actress in 2015: Still Alice Reese Witherspoon 2 nominations / 1 win Leading Actress in 2006: Walk the Line Leading Actress in 2015: Wild Rosamund Pike 1 nomination Leading Actress in 2015: Gone Girl Supporting Actor Edward Norton 2 nominations Supporting Actor in 1997: Primal Fear Supporting Actor in 2015: Birdman Ethan Hawke 1 nomination Supporting Actor in 2015: Boyhood J. -
Re-Mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity by Melina Kristine Dabney A
Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity By Melina Kristine Dabney A thesis submitted to the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Film Studies 2017 This thesis entitled: Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the new Femininity written by Melina Kristine Dabney has been approved for the Department of Film Studies ________________________________________________ (Melinda Barlow, Ph.D., Committee Chair) ________________________________________________ (Suranjan Ganguly, Ph.D., Committee Member) ________________________________________________ (Reiland Rabaka, Ph.D., Committee Member) Date: The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Dabney, Melina Kristine (BA/MA Film Studies) Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity Thesis directed by Professor Melinda Barlow While there is a substantial amount of scholarship on the depiction of African American women in film and television, this thesis exposes the new formations of African American femininity on screen. African American women have consistently resisted, challenged, submitted to, and remixed racial myths and sexual stereotypes existing in American cinema and television programming. Mainstream film and television practices significantly contribute to the reinforcement of old stereotypes in contemporary black women characters. However, based on the efforts of African American producers like Shonda Rhimes, who has attempted to insert more realistic renderings of African American women in her recent television shows, black women’s representation is undergoing yet another shift in contemporary media. -
MOZART in the JUNGLE Season 2 Q&A Jason Schwartzman (Creator
MOZART IN THE JUNGLE Season 2 Q&A Jason Schwartzman (Creator, Writer, Executive Producer) Paul Weitz (Executive Producer) What’s exciting about the new season? Jason Schwartzman: We’re joined by so many more guest stars and luminaries from the classical music world: Gustavo Dudamel, Joshua Bell, Lang Lang and Emanuel Ax. Paul Weitz: Basically people in the classical music world saw Season 1 and it’s kind of a guilty pleasure for them but we started to get incoming calls from people who wanted to be on the show. Schwartzman: We also have Dermot Mulroney and Gretchen Mol. The cast feels like there’s a lot more going on, more epic in that way. Why does the show appeal to non-classical fans? Weitz: It’s a show about a large, dysfunctional family and two outsiders who are entering the family. There’s Hailey, a young oboist who has been practicing since the age of 5 and has been the “good girl” for most of her life. And now as we enter Season 2, she’s questioning what she wants out of this. Does she want to be an instrument of orchestra or does she want to one day have a solo career. How, if you’re not used to it, are you the person who breaks up in a relationship? Are you able to have an ill-advised fling now and then and take ownership of your sexuality? She’s reinventing herself in a positive way. And Gael Garcia Bernal’s character, Rodrigo, is the other character. He’s a superstar, but he’s fairly isolated. -
The Vanishing Screenplay: Jean-Claude Carrière at BFI Southbank in July 2012
12/37 The Vanishing Screenplay: Jean-Claude Carrière at BFI Southbank in July 2012 The contribution of the writer is often overlooked in cinema, yet it’s inseparable from the creative process of filmmaking. This season lauds an ‘invisible giant’ of European cinema, screenwriter Jean-Claude Carrière. He is also a novelist and essayist, cartoonist and sometime director and actor, and has recently collaborated with director Michael Haneke on the script for The White Ribbon (2009) and appeared in Abbas Kiarostami’s Certified Copy (2010). He is probably best known for his working relationship with Luis Buñuel, who both co-scripted most of the titles of the great Spanish director’s French period. Carrière’s films for Buñuel include the erotic psycho-fairytale Belle de Jour (1967), the surreal The Phantom of Liberty (1974) and the deliciously satirical The Discreet Charm of the Bourgeoisie (1972), released in cinemas nationwide on 29 June for its fortieth anniversary by Studiocanal and the ICO. It will also be screened as an extended run as part of the season. BFI Southbank is delighted to announce that Carrière will give an on-stage introduction to a preview screening of The Discreet Charm of the Bourgeoisie on Thursday 28 June. International collaborations for Carrière followed in the late-70s and 80s. These include acclaimed literary adaptations of sprawling and seemingly un- adaptable works for directors like Volker Schlöndorff (The Tin Drum, 1979), and Philip Kaufman (The Unbearable Lightness of Being, 1988) and also his dream- like rendering of Proust in Swann in Love (1984). This last film was co-written with Sir Peter Brook, whose earlier work with Carrière included The Mahabarata and presaged an extended departure from screen to stage writing. -
Survey: Both Democrats and GOP Love 'This Is Us,' 'Game of Thrones'
Survey: Both Democrats and GOP love 'This Is Us,' 'Game of Thrones' BY JUDY KURTZ - 03/03/20 © Courtesy of HBO The country may be more politically polarized than ever, but there are at least a couple things that both Democrats and Republicans agree on: They dig "This is Us" and "Game of Thrones." The NBC drama and former HBO fantasy series were some of the top picks on both sides of the aisle, according to a recent survey from E-Poll Market Research. Fifty-five percent of Democrats counted "This is Us" as their fave broadcast TV show, along with 68 percent of Republicans. Fifty-two percent of Democrats and 47 percent of Republicans surveyed also listed "Chicago Med" as one of their top TV picks. Other popular choices among Democrats included "Supernatural," Fox's "9-1-1" and "The Rookie," while Republicans said they delighted in "Grey's Anatomy," "Last Man Standing" and Chicago PD." The two parties had more than half of the top 20 TV shows in common, but there were a few notable differences among their boob tube choices. The results show that, of the Americans surveyed, Democrats prefer getting more laughs from their small screen fare, picking seven sitcoms as their favorites, compared to the GOP respondents' three comedy shows. A separate survey of top streaming and cable shows found that Democrats preferred Starz's "Power," with 63 percent of those surveyed naming it as their favored show, and "Game of Thrones," with 51 percent. Sixty-seven percent of Republicans named "Game of Thrones" — which ended its eight-season run last year — as their No. -
The Chancellor Search Quietly Continues
INDEPENDENT SINCE 1956 INSIDE NEWS The The Aldermanic race and UWM UWM PAGE 3 EDITORIAL Dean blows the Iowa caucus January 28, 2004 The weekly campus newspaper of UWM Volume 48 | Issue 16 PAGE 25 UWM Dance Team wins NEWS Hip Hop Championships The SA Spotlight: Know what's PAGE 8 going on at UWM! PAGE 2 Men's Basketball hits SPORTS eight conference wins What you missed in UWM PAGE 18 athletics PAGES 18-19 Greenstreet to Veto override sent to Assembly Governor Doyle re-examines Conceal and Carry Bill continue progress very surprised that the veto was overridden," said Carpen ter. "I hold no ill will but I in plenary address think it was a terrible deci sion. By Nathan Hal! "It is one of the worst pieces Staff Writer of legislation I have seen writ ten in the last 20 years. It has The spring semester plenary a lot of flaws," said Carpenter. speech, titled "Building Bridges, Some Bill supporters are Laying Foundations—A Progress confident that the Assembly Report," was held on Thursday, will uphold the veto override; Jan. 22 in Bolton Hall. Interim others say it will be close. Chancellor Bob Greenstreet and "I think it will be a close call Provost/ Vice Chancellor for Aca in the assembly," said Rolf Lind- demic Affairs John Wanat gave gren the author of a brief report on the state of the recalldoyle.com. "I think it will university to an audience of come down to one vote." approximately 150 people, Carpenter agreed with Lind- including administrators, facul Greenstreet gren. -
Gary Shteyngart Succession
Gary Shteyngart Succession Author Gary Shteyngart is to have a pig named in his honour after becoming the first American to win the Wodehouse Prize for comic fiction. Product type: Taschenbuch. Los Angeles and New York – Writers Guild of America West (WGAW) and Writers Guild of America, East (WGAE) tonight announced the winners of the 2020 Writers Guild Awards for outstanding achievement in writing for film, television, new media, news, radio/audio, and promotional categories at concurrent ceremonies at The Beverly Hilton in Los Angeles and the Edison Ballroom in New York City. By Gary Shteyngart. Gary Shteyngart: 'Super Sad True Love Story' TV series is coming to HBO Max Gary Shteyngart is known for his biting satire and smart dialogue, especially in his semi-dystopian novel Super Sad True. [SEZON NAGRÓD 2019/2020] Gildia Scenarzystów Amerykańskich przyznała swoje doroczne nagrody. Furthermore, LVs long-awaited entry into the Hangzhou market opened the premium floodgates, with Celine, Burberry and Ferragamoopening boutiques at Hangzhou Tower in rapid succession. Gary Shteyngart Photos Photos - Gary Shteyngart and the staff of Succession appear onstage during the 72nd Writers Guild Awards at Edison Ballroom on February 01, 2020 in New York City. ”—Gary Shteyngart “Gibney is as skilled with words as he is with his 11-inch Sujihiki knife. Serial jest emitowany od 3 czerwca 2018 roku przez HBO, natomiast w Polsce dzień później na HBO Polska. See details and exclusions - Gary Shteyngart - Lake Success. Gary Shteyngart: 'Super Sad True Love Story' TV series is coming to HBO Max Gary Shteyngart is known for his biting satire and smart dialogue, especially in his semi-dystopian novel Super Sad True. -
Isle of Dogs (Dir
Nick Davis Film Discussion Group April 2018 Isle of Dogs (dir. Wes Anderson, 2018) Dog Cast Chief (the main dog): Bryan Cranston: One of the only non-Anderson vets in the U.S. cast Rex (a semi-leader): Edward Norton: Moonrise Kingdom (12); Grand Budapest Hotel (14) Duke (gossip fan): Jeff Goldblum: fantastic in underseen British gem Le Week-end (13) Boss (mascot jersey): Bill Murray: rebooted career by starring in Anderson’s Rushmore (98) King (in their crew): Bob Balaban: hilarious in a very different dog movie, Best in Show (00) Spots (Atari’s dog): Liev Schreiber: oft-cast as dour antiheroes: Ray Donovan (13-18), etc. Nutmeg (Chief’s crush): Scarlett Johansson: controversially appeared in Ghost in the Shell (17) Jupiter (wise hermit): F. Murray Abraham: won Best Actor Oscar as Salieri in Amadeus (84) Oracle (TV prophet): Tilda Swinton: an Anderson regular since Moonrise Kingdom (12) Gondo (lead “cannibal”): Harvey Keitel: untrue rumors of cruelty a riff on his usual typecasting Peppermint (Spots’ girl): Kara Hayward: the young female co-lead of Moonrise Kingdom (12) Human Cast Atari (young pilot): Koyu Rankin: Japanese-Scottish-Canadian, in his first feature film Kobayashi (evil mayor): Kunichi Nomura: enlisted as Japanese cultural consultant, then cast Prof. Watanabe: Akiro Ito: actor/dancer; briefly appears as translator in Birdman (14) Interpreter Nelson: Frances McDormand: another veteran of Moonrise Kingdom (12) Tracy (U.S. student): Greta Gerwig: the Oscar-nominated writer-director of Lady Bird (17) Yoko Ono (scientist): Yoko Ono: 83-year-old avant-garde musician and performance artist Narrator: Courtney B. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.