Wire Structure Image-Based 3D Reconstruction Aided by Deep Learning
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Bruxelles, 2015 Art and Literature Scientific and Analytical Journal
Art and Literature Scientific and Analytical Journal Texts 4.2015 Bruxelles, 2015 EDITORIAL BOARD Chief editor Burganova M. A. Bowlt John Ellis (USA) — Doctor of Science, Professor of Slavic Languages and Literatures in University of Southern California; Burganov A. N. (Russia) — Doctor of Science, Professor of Stroganoff Moscow State Art Industrial University, Full-member of Russia Academy of Arts, National Artist of Russia, member of the Dissertation Council of Stroganoff Moscow State Art Industrial University; Burganova M. A. (Russia) — Doctor of Science, Professor of Stroganoff Moscow State Art Industrial University, Full-member of Russia Academy of Arts, Honored Artist of Russia, member of the Dissertation Council of Stroganoff Moscow State Art Industrial University, editor-in-chief; Glanc Tomáš (Germany) — Doctor of Science of The Research Institute of East European University of Bremen (Germany), and assistant professor of The Charles University (Czech Republic); Kazarian Armen (Russia) — Architectural historian, Doctor of Fine Arts in The State Institute of Art History, Advisor in Academy of Architecture and Construction Sciences; Kravetsky A. G. (Russia) — Candidate of Sciences, research associate of Russian Language Institute of the Russian Academy of Sciences; Lavrentyev Alexander N. (Russia) — Doctor of Arts, Professor of Stroganoff Moscow State Art Industrial University and Moscow State University of Printing Arts; Alessandro De Magistris (Italy) — PhD, Full-Professor of History of Architecture Politecnico di Milano Department of Architecture and Urban Studies; Misler Nicoletta (Italy) — Professor of Modern East European Art at the Istituto Universitario Orientale, Naples; Pavlova I. B. (Russia) — Candidate of Sciences, Senior Researcher of Institute of World Literature of the Russian Academy of Sciences; ISSN 2294-8902 © TEXTS, 2015 Pletneva A. -
Russian Architecture
МИНИСТЕРСТВО ОБРАЗОВАНИЯ И НАУКИ РОССИЙСКОЙ ФЕДЕРАЦИИ КАЗАНСКИЙ ГОСУДАРСТВЕННЫЙ АРХИТЕКТУРНО-СТРОИТЕЛЬНЫЙ УНИВЕРСИТЕТ Кафедра иностранных языков RUSSIAN ARCHITECTURE Методические указания для студентов направлений подготовки 270100.62 «Архитектура», 270200.62 «Реставрация и реконструкция архитектурного наследия», 270300.62 «Дизайн архитектурной среды» Казань 2015 УДК 72.04:802 ББК 81.2 Англ. К64 К64 Russian architecture=Русская архитектура: Методические указания дляРусская архитектура:Методическиеуказаниядля студентов направлений подготовки 270100.62, 270200.62, 270300.62 («Архитектура», «Реставрация и реконструкция архитектурного наследия», «Дизайн архитектурной среды») / Сост. Е.Н.Коновалова- Казань:Изд-во Казанск. гос. архитект.-строит. ун-та, 2015.-22 с. Печатается по решению Редакционно-издательского совета Казанского государственного архитектурно-строительного университета Методические указания предназначены для студентов дневного отделения Института архитектуры и дизайна. Основная цель методических указаний - развить навыки самостоятельной работы над текстом по специальности. Рецензент кандидат архитектуры, доцент кафедры Проектирования зданий КГАСУ Ф.Д. Мубаракшина УДК 72.04:802 ББК 81.2 Англ. © Казанский государственный архитектурно-строительный университет © Коновалова Е.Н., 2015 2 Read the text and make the headline to each paragraph: KIEVAN’ RUS (988–1230) The medieval state of Kievan Rus'was the predecessor of Russia, Belarus and Ukraine and their respective cultures (including architecture). The great churches of Kievan Rus', built after the adoption of christianity in 988, were the first examples of monumental architecture in the East Slavic region. The architectural style of the Kievan state, which quickly established itself, was strongly influenced by Byzantine architecture. Early Eastern Orthodox churches were mainly built from wood, with their simplest form known as a cell church. Major cathedrals often featured many small domes, which has led some art historians to infer how the pagan Slavic temples may have appeared. -
Hyperboloid Structure 1
GYANMANJARI INSTITUTE OF TECHNOLOGY DEPARTMENT OF CIVIL ENGINEERING HYPERBOLOID STRUCTURE YOUR NAME/s HYPERBOLOID STRUCTURE 1 TOPIC TITLE HYPERBOLOID STRUCTURE By DAVE MAITRY [151290106010] [[email protected]] SOMPURA HEETARTH [151290106024] [[email protected]] GUIDED BY VIJAY PARMAR ASSISTANT PROFESSOR, CIVIL DEPARTMENT, GMIT. DEPARTMENT OF CIVIL ENGINEERING GYANMANJRI INSTITUTE OF TECHNOLOGY BHAVNAGAR GUJARAT TECHNOLOGICAL UNIVERSITY HYPERBOLOID STRUCTURE 2 TABLE OF CONTENTS 1.INTRODUCTION ................................................................................................................................................ 4 1.1 Concept ..................................................................................................................................................... 4 2. HYPERBOLOID STRUCTURE ............................................................................................................................. 5 2.1 Parametric representations ...................................................................................................................... 5 2.2 Properties of a hyperboloid of one sheet Lines on the surface ................................................................ 5 Plane sections .............................................................................................................................................. 5 Properties of a hyperboloid of two sheets .................................................................................................. 6 Common -
Representations of Urban Spaces and Their Transformations in Soviet Cinema of the 1920S and 1960S
Durham E-Theses Representations of Urban Spaces and Their Transformations in Soviet Cinema of the 1920s and 1960s HURINA, ANNA How to cite: HURINA, ANNA (2015) Representations of Urban Spaces and Their Transformations in Soviet Cinema of the 1920s and 1960s, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11340/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Representations of Urban Spaces and Their Transformations in Soviet Cinema of the 1920s and 1960s Anna Hurina Submitted for a Doctor of Philosophy at the University of Durham Russian Department School of Modern Languages and Cultures 2015 DECLARATION This thesis is the sole work of the author, and has not been submitted previously by any other candidate for a degree at Durham University or at any other University. STATEMENT OF COPYRIGHT The copyright of this thesis rests with the author. -
Vladimir Shukhov's Steel Lattice Structures
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Liverpool Repository JOURNAL OF THE INTERNATIONAL ASSOCIATION FOR SHELL AND SPATIAL STRUCTURES: J. IASS RETHINKING COMPLEXITY: VLADIMIR SHUKHOV’S STEEL LATTICE STRUCTURES Elizaveta Edemskaya, Asterios Agkathidis [email protected], [email protected], University of Liverpool DOI: Digital Object Identifier to be provided by Editor when assigned upon publication ABSTRACT This paper presents a critical review of the advantages and disadvantages of contemporary digital architecture, in retrospect to Vladimir Shukhov’s design techniques, applied in the early twentieth century. After investigating Shukhov's structural systems, the paper explores the relationship between performance and form, questioning the necessity of structures of high complexity. It presents unpublished archive material of Shukhov’s early work and stimulates a valuable discussion by comparing it with contemporary projects designed by renowned architects. The study focuses on Shukhov’s tessellation method of creating double-curved surfaces using simple standardised elements. The study of current digital approaches revolves around leading architects using computational tools (e.g. Foster+Partners, Buro Happold, Arup) who have materialised high complexity structures composed of irregular units. Our findings highlight advantages and disadvantages of contemporary computational approaches. Keywords: Fabrication and Material Studies, Architectural History, Design Concepts and Strategies, Performative Design 1. INTRODUCTION On the other hand, the gap between designers and the Technology, materiality and construction are three digitised building process seems to be increasing. interdependent components that have an enormous Even though more and more practices are operating impact on architecture. -
City Museums As Cultural Hubs – Past, Present and Future”
02 / 2019 ISSN 2520-2472 MUSEUMUSEUMMSS OFOF CITIESCITIES REVIEW REVIEW network.icom.museum/camoc/ CAMOC ANNUAL CONFERENCE 2019 “City Museums as Cultural Hubs – Past, Present and Future” Kyoto, Japan, September 2-5, 2019 DOSSIER: LISBON WORKSHOP • The AvAnT-GArde CenTre in MosCow • CiTy MuseuMs: refleCTions on A MissinG definiTion1 MUSEUMS OF CONTENTS CITIES REVIEW 28 28 26 22 25 17 03 THE CHAIR’S NOTE - A Human Library Against Upcoming exhibitions Joana Sousa Monteiro Prejudice and Intolerance 34 CONFERENCE Alert - After the CAMOC “Towards a Future conferences 04 MUSEUMS OF CITIES - CAMOC City Museum Watch” LISBON WORKSHOP Workshop 28 City Museums: Reflections on a - People First – Museum missing definition People 08 CAMOC ANNUAL 23 MUSEUMS AND LOCAL CONFERENCE 2019 ECONOMIC AND SOCIAL PROGRAMME DEVELOPMENT “City Museums as CAMOC present in two recent Cultural Hubs conferences: Trento and – Past, Present and Future” Moscow Kyoto, Japan, September 2-5, 2019 25 MUSEUMS OF CITIES CAMOC Post-conference tour The Avant-Garde Centre in to Tokyo Moscow: Rediscovering the architectural heritage of 14 DOSSIER: LISBON WORKSHOP Russian avant-garde Gastev. How to Work - Towards a City Museum Watch 28 ExHIBITION Alert COVER PHOTO: Kyoto City. © Su San Lee on Unsplash Editorial Board: Jelena Savić (Editor), Layla Betti, Jenny Chiu, Renée Kistemaker, Gegê Leme, Marlen Mouliou, Susan Sedgwick, Joana Sousa Monteiro Supporting Team: Catherine Cole, Ian Jones, Chet Orloff, Eric Sandweiss, Rainey Tisdale, Jackie Kiely Design: Bingul Gundas FOLLOW US AT: Facebook Twitter Linkedin You Tube Instagram 2 THE CHAIR’S NOTE From the Chair Dear CAMOC members, This is a special issue of the CAMOC Museums of Cities Review, not only because it is the annual issue with a printed version, but also due to having relevant information on the two major events of the year for us: the Lisbon Workshop results, and the annual Conference programme. -
Durham E-Theses
Durham E-Theses Representations of Urban Spaces and Their Transformations in Soviet Cinema of the 1920s and 1960s HURINA, ANNA How to cite: HURINA, ANNA (2015) Representations of Urban Spaces and Their Transformations in Soviet Cinema of the 1920s and 1960s, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11340/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Representations of Urban Spaces and Their Transformations in Soviet Cinema of the 1920s and 1960s Anna Hurina Submitted for a Doctor of Philosophy at the University of Durham Russian Department School of Modern Languages and Cultures 2015 DECLARATION This thesis is the sole work of the author, and has not been submitted previously by any other candidate for a degree at Durham University or at any other University. STATEMENT OF COPYRIGHT The copyright of this thesis rests with the author.