Immunity from Seizure

THE NATIONAL GALLERY

IMMUNITY FROM SEIZURE

Facing the Modern: The Portrait in Vienna 1900

9 October 2013 - 12 January 2014

The National Gallery, London, Trafalgar Square, London, WC2N 5DN

Immunity from Seizure

IMMUNITY FROM SEIZURE

Facing the Modern: The Portrait in Vienna 1900

9 October 2013 - 12 January 2014

The National Gallery, London, Trafalgar Square, London, WC2N 5DN

The National Gallery is able to provide immunity from seizure under part 6 of the Tribunals, Courts and Enforcement Act 2007. This Act provides protection from seizure for cultural objects from abroad on loan to temporary exhibitions in approved museums and galleries in the UK.

The conditions are:

The object is usually kept outside the UK

It is not owned by a person resident in the UK

Its import does not contravene any import regulations

It is brought to the UK for public display in a temporary exhibition at a museum or gallery

The borrowing museum or gallery is approved under the Act

The borrowing museum has published information about the object

For further enquiries, please contact [email protected]

Protection under the Act is sought for the objects listed in this document, which are intended to form part of the forthcoming exhibition, Facing the Modern: The Portrait in Vienna 1900.

Immunity from Seizure

Facing the Modern: The Portrait in Vienna 1900

9 October 2013 - 12 January 2014

Protection under the Act is sought for the objects listed below:

Rudolf von Alt (1812 - 1905)

X7653 Self Portrait 1883 Place of manufacture: Austria Pencil and watercolour Object dimensions: 35.5 x 25.5 cm Albertina, Vienna

Lender's name and address Albertina Albertinaplatz 1 1010 Vienna Austria

Accession Number 30999 Provenance (1) Nikolaus Dumba (2) Family Dumba 1950 Albertina, Vienna (bought by the architect Stanek)

(1) This provenance has been supplied by the Albertina, Vienna. (2) Nikolaus Dumba was Rudolf von Alt’s patron and friend and acquired or received this watercolour during his lifetime.

Note that this watercolour has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Immunity from Seizure

Publication and Exhibition History: Vienna, Albertina 1955, no. 257, p. 55; Koschatzky 1975, no. 1, p. 2; Schröder/Sternrath 2005, no. 145, p. 281; Hussl-Hörmann 2011, p. 101; http://sammlungonline.albertina.at.

Gustav Klimt (1862 - 1918)

X8257 Study for the Portrait of Amalie Zuckerkandl 1913-14 Place of manufacture: Austria Pencil on paper Object dimensions: 56.9 x 37.5 cm Albertina, Vienna

Lender's name and address Albertina Albertinaplatz 1 1010 Vienna Austria

Accession Number 30249 Provenance (1) 1944 Albertina, Vienna (bought from Johannes Jantzen, Bremen)

(1) This provenance has been supplied by the Albertina, Vienna. A copy of their correspondence is on file at the National Gallery.

Note that this drawing has incomplete provenance information for the years 1933-45. It has been checked on the Art Loss Register and is not registered as being stolen or missing.

Publication and Exhibition History: Vienna, Albertina 1958, no. 104; Vienna, Albertina 1968, no. 92; Novotny-Dobai 1975, p. 101; Comini 1975, pl. 71; Essen, Museum Folkwang 1976, no. 90; Breicha 1978, fig. 196; Fliedl 1989, p. 211; Riehen/Basel 2010/11, p. 54; Vienna/Los Angeles 2012, no. 160.

Immunity from Seizure

Arnold Schönberg (1874 - 1951)

X7684 Portrait of Marietta Werndorff before October 1910 Place of manufacture: Austria Oil on board Object dimensions: 99.7 x 71 cm Belmont Music Publishers, Pacific Palisades/CA Courtesy Arnold Schönberg Center, Vienna

Lender's name and address Arnold Schönberg Center Schwarzenbergplatz 6 1030 Vienna Austria

Accession Number CR 88 Provenance (1) Arnold Schoenberg, Vienna/Los Angeles 1951 Gertrud Schoenberg, Los Angeles 1967 Lawrence, Ronald and Nuria Schoenberg, Los Angeles 1973 Arnold Schoenberg Institute, Los Angeles 1997 Arnold Schoenberg Center, Vienna

(1) This provenance has been supplied by the Schoenberg Center, Vienna.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Schwaz, Rabalderhaus 2001; Dresden, Kunsthaus 2001; Vienna, Arnold Schönberg Center 2005; Catalogue Raisonnee 2005, no. 88; http://www.schoenberg.at.

Immunity from Seizure

Arnold Schönberg (1874 - 1951)

X7745 Portrait of Georg Schönberg February 1910 Place of manufacture: Austria Oil on three-ply panel Object dimensions: 50 x 47 cm Belmont Music Publishers, Pacific Palisades/CA Courtesy Arnold Schönberg Center, Vienna

Lender's name and address Arnold Schönberg Center Schwarzenbergplatz 6 1030 Vienna Austria

Accession Number CR 98 Provenance (1) Arnold Schoenberg, Vienna/Los Angeles 1951 Gertrud Schoenberg, Los Angeles 1967 Lawrence, Ronald and Nuria Schoenberg, Los Angeles 1973 Arnold Schoenberg Institute, Los Angeles 1997 Arnold Schoenberg Center, Vienna

(1) This provenance has been supplied by the Schoenberg Center, Vienna.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Schwaz, Rabalderhaus 2001; Dresden, Kunsthaus 2001; Vienna, Arnold Schönberg Center 2003; Cesky Krumlov, Egon Schiele Art Centrum 2004; Vienna, Arnold Schönberg Center 2005; Catalogue Raisonnee 2005, no. 98; http://www.schoenberg.at.

Immunity from Seizure

Arnold Schönberg (1874 - 1951)

X7746 Blue Self Portrait 1910 Place of manufacture: Austria Oil on three-ply panel Object dimensions: 31.1 x 22.9 cm Belmont Music Publishers, Pacific Palisades/CA Courtesy Arnold Schönberg Center, Vienna

Lender's name and address Arnold Schönberg Center Schwarzenbergplatz 6 1030 Vienna Austria

Accession Number CR 11 Provenance (1) Arnold Schoenberg, Vienna/Los Angeles 1951 Gertrud Schoenberg, Los Angeles 1967 Lawrence, Ronald and Nuria Schoenberg, Los Angeles 1973 Arnold Schoenberg Institute, Los Angeles 1997 Arnold Schoenberg Center, Vienna

(1) This provenance has been supplied by the Schoenberg Center, Vienna.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: St. Petersburg, State Russian Museum 1999; Adam 2000; Vienna, Arnold Schönberg Center 2000; Koblenz, Ludwig Museum 2000; Palermo, Teatro Massimo 2002; Dresden, Kunsthaus 2001; Moskau, Tretjakow-Galerie 2002; Frankfurt, Schirn Kunsthalle 2002; Dauks, in: art-ambiente 2003, p. 5; Madrid, Museo Thyssen-Bornemisza 2003; New York, Jewish Museum 2004; Baldassare, in: Music in Art 2004 (no. 29), pp. 234-255; Cesky Krumlov, Egon Schiele Art Centrum 2004; Paris, Cité de la musique 2004; Catalogue Raisonnee 2005, no. 11; Heyd, in: Ars Judaica 2005, pp. 133-146; Vienna, Arnold Schönberg Center 2005; Klosterneuburg, Sammlung Essl, 2006; Zug 2006; Barcelona, Fundació Caixa Catalunya

Immunity from Seizure

2007; Vienna, Arnold Schönberg Center 2008; Vienna, Arnold Schönberg Center 2008-2009; Lefebvre 2009; Budapest, Hungarian National Gallery 2009; Meyer 2010, pp. 151-157; Basel/Riehen, Fondation Beyeler 2010-2011; Toulouse, Les Abattoirs 2010; Prague, Museum Kampa 2011; Tampere, Sara Hildén Art Museum 2012-2013; http://www.schoenberg.at.

Oskar Kokoschka (1886 - 1980)

X8259 Portrait of Hugo Schmidt 1911 Place of manufacture: Austria Oil on canvas Object dimensions: 72.5 x 54 cm Private collection

Lender's name and address Private collection

Provenance (1) (2) Friedrich Otto Schmidt Company, Vienna/Budapest (3) 1954 F. Kleinberger & Co., New York 1959 Marlborough Fine Art, London 1959 Sotheby’s, London William Miller, London Stephan Hahn Gallery, New York 1973 Arthur M. Sackler Collections (4) 2009 Private collection (5)

(1) Provenance as published in: Sotheby’s Impressionist & Modern Art Day Sale, New York, 5 November 2009, LOT 120. (2) Kokoschka painted a triple portrait of the brothers Hugo, Max and Carl Leo Schmidt on one large canvas between 1911 and 1914. Between 1954 and 1959, without asking the artist’s consent, the canvas was cut and made into three single portraits. (3) The founder of the company was the sitters’ father. (4) Acquired from Stephan Hahn Gallery, NY (5) Acquired through Sotheby’s New York, 5 November 2009

Immunity from Seizure

This painting has incomplete provenance information for the years 1933-45. It has been checked on the Art Loss Register and is not registered as being stolen or missing.

Publication and Exhibition History: Westheim 1917, p. 319 (triple portrait); Westheim 1918, p. 53; Santa Barbara 1954, no. 5; Wingler 1958, no. 94, p. 304; London, Marlborough Fine Art 1959, no. 36, p. 69; Copenhagen 1960, no. 20; Brussels, Palais des Beaux-Arts 1961, no. 107 a; Winkler/Erling 1995, no. 61, p. 37; New York, Neue Galerie 2002 (image of triple portrait), p. 148.

Richard Gerstl (1883 - 1908)

X7707 Portrait of Alexander von Zemlinsky (front); Fragment of a Full-length Self Portrait (back) 1908 (front); about 1904 (back) Place of manufacture: Austria Oil on canvas Object dimensions: 170.5 x 74.3 cm Kunsthaus Zug, Stiftung Sammlung Kamm

Lender's name and address Kunsthaus Zug Dorfstrasse 27 CH-6301 Zug Switzerland

Accession Number K.G 78a Provenance (1) 1908 Alois Gerstl, Vienna (2) Neue Galerie, Vienna (owned by Otto Nirenstein [Kallir])(3) 1955 Galerie Würthle, Vienna (4) 1998 Kunsthaus Zug (Foundation Collection Kamm)

(1) Provenance as published in Zug 1998, no. 43, p. 220. (2) The artist’s brother

Immunity from Seizure

(3) This painting was most probably one of the 36 paintings by Richard Gerstl that Dr. Otto Nirenstein [Kallir] bought in 1931 from the artist’s brother Alois (see Otto Kallir, Richard Gerstl, in: Mitteilungen der Oesterreichischen Galerie, 1874, n. 62, p. 159). (4) The work seems to have been at the Neue Galerie (entrusted to Dr. Vita Kuenstler when Otto Kallir had to leave the country in 1938) until it was bought by the Galerie Würthle in 1955. This gallery had been acquired by Fritz Kamm in 1953. The second generation of the Kamm family – Christa Kamm, Peter Kamm (1935 – 2008) and his wife Christine Kamm-Kyburz – complemented the collection with mostly applied arts. In 1998 the Kamm family founded the Stiftung Sammlung Kamm and gave its objects on long term loan to the Kunsthaus Zug.

This painting has incomplete provenance information for the years 1933-45. It has been checked on the Art Loss Register and is not registered as being stolen or missing.

Publication and Exhibition History: Born 1931, fig. 88/1, p. 157; Munich 1932; Berlin, Galerie Gurlitt 1932; Cologne, Kunstverein 1932; Aachen, Staedtisches Suerrmondt-Museum; Vienna, Neue Galerie 1934, no. 13; Vienna 1948, p. 10; Venice 1956, no. 8; Hofmann 1956/57, p.101; Salzburg 1957, p. 27; Stuttgart, Wuerttembergischer Kunstverein 1957, no. 29; Duesseldorf 1959, no. 58; Vienna 1960, p. 77 (G); Brussels 1961, no. 38; Grimschitz 1963, p. 42; Vienna, Secession 1966, no.42; Vienna/Innsbruck 1966, no. 42; Ostende, Musee des Beaux-Arts 1967; Den Haag, Haags Gemeentemuseum 1969, p. 170; Vienna, Museum des 20. Jahrhunderts 1969, no. 80; Luzern 1974, no. 25; Powell 1974, p. 167; Kallir 1974, no. 40; Vienna 1983/84, no. 35; Kallir 1984, fig. 4; Vienna 1985, no. 11/2; Werkner 1986, fig. 74; Ewerbeck 1989, p. 46f; Luzern 1990, p. 149; Ellersdorfer 1991, p. 85ff; New York, Galerie St. Etienne 1992, fig. 20; Thomashoff 1993 (dissertation), no. 40; Vienna, Kunstforum 1993, no. 35; Breicha 1993, p. 20; Ehrenstrasser 1993, pp. 39ff/60/62; Vienna/Zurich 1993/94, no. 35, pp.108/109; Zurich, Kunsthaus 1996/97; Zug 1998, no. 43, p. 220; Riehen/Basel 2010/11, p. 182; http://www.stiftungsammlungkamm.ch/stiftung.html.

Richard Gerstl (1883 - 1908)

X7742 Portrait of Mathilde Schönberg in the Studio after February 1908 Place of manufacture: Austria Oil on canvas Object dimensions: 171 x 60 cm Kunsthaus Zug, Stiftung Sammlung Kamm

Immunity from Seizure

Lender's name and address Kunsthaus Zug Dorfstrasse 27 CH-6301 Zug Switzerland

Accession Number K.G 77 Provenance (1) 1908 Alois Gerstl, Vienna (2) 1957 Galerie Würthle, Vienna (3) 1998 Kunsthaus Zug (Foundation Collection Kamm)

(1) Provenance as published in Zug 1998, no. 46, p. 221. (2) The artist’s brother (3) It seems that the painting stayed with Alois Gerstl until it was sold to the Galerie Würthle. In 1953 Fritz Kamm bought the Galerie Würthle. The second generation of the Kamm family – Christa Kamm, Peter Kamm (1935 – 2008) and his wife Christine Kamm-Kyburz – complemented the collection with mostly applied arts. In 1998 the Kamm family founded the Stiftung Sammlung Kamm and gave its objects on long term loan to the Kunsthaus Zug.

This painting has incomplete provenance information for the years 1933-45. It has been checked on the Art Loss Register and is not registered as being stolen or missing.

Publication and Exhibition History: Innsbruck, Tiroler Kunstpavillon 1960, no. 31; Vienna, Secession 1960, no. 31; Vienna/Innsbruck 1966, no. 31; Den Haag/Vienna 1969, p. 11; London, Queen Elizabeth Hall, Foyer 1969; Luzern 1974, no. 28; Powell 1974, p. 165; Kallir 1974, no. 46, p. 161; Hamburg 1981, no. 233; Vienna 1983/84, no. 48; Werkner 1986, fig. 25, p. 71; Ellersdorfer 1991, p. 72ff; New York 1992, fig. 10; Ehrenstrasser 1993, pp. 13/29ff; Thomashoff 1993 (dissertation), no. 25; Breicha 1993, fig.s 8/9; Vienna/Zurich 1993/94, no. 48, pp. 132/133; Frankfurt, Schirn 1995, no. 159; Zurich, Kunsthaus 1996/97; Zug 1998, no. 46, p. 221; Riehen/Basel 2010/11, p. 177; http://www.stiftungsammlungkamm.ch/stiftung.html.

Egon Schiele (1890 - 1918)

X7647

Immunity from Seizure

Portrait of Erich Lederer 1912 Place of manufacture: Austria Oil and gouache on canvas Object dimensions: 140 x 55.4 cm Kunstmuseum Basel, Gift of Frau Erich Lederer-von Jacobs, in memory of her late husband

Lender's name and address Kunstmuseum Basel St. Alban-Graben 16 CH-4010 Basel Switzerland

Accession Number G 1986.16 Provenance (1) Lederer family 1986 Kunstmuseum Basel, bequest from Mrs Erich Lederer-von Jacobs

(1) Provenance as published on http://www.kunstmuseumbasel.ch/en.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Kallir 1966, no. 174, p. 348; Comini 1974, pl. 106; Mitsch 1974, pl. 36; Vergo 1975, fig. 185; Wilson 1980, pl. 65; Malafarina 1982, no. 242; Rome 1984, no. 18; Nebehay 1987, p. 73; Nebehay 1989, fig. 42, pp. 62- 65; Marlow 1990. p. 21; Kallir 1990, no. 235; Geelhaar 1992, fig. 179, p. 204; Fischer 1994, pp. 142-143; Washington/Indianapolis/San Diego 1994, pp. 30-32/90; Tuebingen/Duesseldorf/Hamburg 1995-96, p. 321; Basel, Kunstmuseum 1997, p. 225; Buergi/Pakesch 2002, p. 64; Bott 2004, no. 100, pp. 78-79; Paris 2005, p. 259; Vienna, Albertina 2005/06, fig. 2, p. 228; Vienna, Belvedere 2006, p. 159; Riehen/Basel 2010/11, p. 113; Vienna, Belvedere 2011, no. 46, p. 135; Kunstmuseum Basel 2011, no. 100, p. 209; http://www.kunstmuseumbasel.ch/en.

Oskar Kokoschka (1886 - 1980)

X7643 Children playing 1909 Place of manufacture: Austria

Immunity from Seizure

Oil on canvas Object dimensions: 72 x 108 cm Lehmbruck Museum Duisburg

Lender's name and address LehmbruckMuseum Düsseldorfer Strasse 51 47051 Duisburg Germany

Accession Number 573/1965 Provenance (1) Dr. Stein, Vienna (?) Adolf Loos, Vienna 1927 Staatliche Gemaeldegalerie Dresden 1937 confiscated as 'Entartete Kunst' 1939 auction house Fischer (Luzern), Lot 71 Theodor Woefer, Malmoe 1952/53 Galerie Aenne Abels, Cologne 1954 bought by Wilhelm-Lehmbruck-Museum, Duisburg

(1) This provenance has been supplied by the Lehmbruck Museum. A copy of their correspondence is on file at the National Gallery.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Berlin 1910, no. 5; Karlsbad 1911, no. 5; Vienna 1911, no. 42; Zurich 1913, no. 131; San Francisco 1913, no. 319; Westheim 1917, p. 319; Westheim 1918, p. 52; Vienna, Neue Galerie 1924; Tietze 1925; Westheim 1925, fig. 62; Dresden 1926, no. 532; Grohmann, in: Der Cicerone 1926, p. 375; Berlin, Cassirer 1927, no. 12; Zurich 1927, no. 39; Biermann 1929, fig. 8; Steinweg/Jaehnig 1930, no. 2594B; Frankfurt/Main 1931, no 127; Mannheim 1931, no. 21; Vienna, Oesterreichisches Museum 1937, no. 11, p. 11; Luzern 1939, no. 71; Neumeyer 1945, pp. 261-262; Hoffmann 1947, p. 98; Munich 1950, no. 4; Wingler 1951, pl. 1; Kokoschka 1952, p. 147; Westheim 1952, p. 4; London 1956, no. 96; Haendler 1956, fig. 27; Schmidt Gerhard 1956, pl. 14; Wingler 1957, pp. 100-101; Den Haag 1958, no. 4; Munich, Haus der Kunst 1958, no. 5, p. 5; Vienna 1958, no. 6, p. 5; Bultmann 1959, pl. 3; Recklinghausen 1959, no. 167; Kopenhagen 1960, no. 3; Brussels 1961, no. 104; London, Tate 1962, no. 8, pl. 10, p. 55; Roh 1962, p. 150; Hamburg 1962/63, no. 6; Bisanz 1963, p. 95; Hoffmann 1964, pp. 5/6; Hodin 1966, fig. 7; Karlsruhe 1966, no. 5; Zurich 1966, no. 4; Hoffmann 1967, p. 55; Leshko 1969, p. 35; Hodin 1971, p. 69; Munich 1971, no. 3; Vienna 1971, no. 8; Bregenz 1976, no. 3; Villingen-Schwenningen 1976, no. 1, p. 15; Gombrich 1977, fig. 64, pp. 139-42; London 1978, no. 63, p. 72; Budapest 1980, no. 45, p. 81; Salzmann 1981, pl. 162; Hamburg 1981, no. 59, p. 75; New Delhi 1982, no. 61, p. 115; Schweiger 1983, p. 189; Duisburg 1983, pp. 110/111; Rosenheim 1984, no. 7; Vienna, Kuenstlerhaus 1985, no. 15/6/3; Zurich 1986, no. 5; London, Tate 1986-87, no. 5; Goepfert 1987, p. 180; Heidt Heller 1989, p. 67; Winkler/Schroeder 1991, no. 8; Vienna 1991, no. 6; Cavolcoressi 1992, fig. 5; Winkler/Erling 1995, no. 24, pp. 12/13; Dresden/Vienna 1996-97, no. 1, pp. 86-87; New York/Hamburg 2002, pp. 108/109; Rovereto 2006/07, no. 53, p. 117; Vienna, Belvedere 2008, no. 81, p. 165; Paris, Pinacotheque 2011/12; Tampere, Sara Hildenin taidemuseo 2012/13.

Immunity from Seizure

Gustav Klimt (1862 - 1918)

X7642 Young Girl, Seated 1894 Place of manufacture: Austria Oil on wood Object dimensions: 14 x 9.6 cm Leopold Museum Private Foundation, Vienna

Lender's name and address Leopold Museum Museumsquartier Museumsplatz 1 1070 Vienna Austria

Accession Number LM 4146 Provenance (1) Private collection, Vienna By 1952 Margarethe Bezdek, Vienna; after her death in possession of her daughter Liselotte Guenzl, Vienna Galerie in der Spiegelgasse, Vienna After 1974 Rudolf Leopold, Vienna (bought from the Galerie in der Spiegelgasse mediated by Dr. Kratschmann, Vienna) 1994 Leopold Museum, Vienna

(1) This provenance has been supplied by the Leopold Museum. A copy of their correspondence is on file at the National Gallery. It has been verified and cross -referenced with the provenance published in Natter 2012.

This painting has incomplete provenance information for the years 1933-45. It has been checked on the Art Loss Register and is not registered as being stolen or missing.

Publication and Exhibition History: Salzburg 1990, p. 27; Hanover 2000, no. 105, p. 300; Vienna 2000/01, p. 78; Collection Leopold 2001, no. 69, p. 100; Salzburg, Museum der Moderne Rupertinum 2004; Vienna, Leopold Museum 2004/05;

Immunity from Seizure

Vienna, Vienna, Museum Leopold 2006; Belvedere 2006 , p. 106; Weidinger/Seiser/Winkler 2007, no. 89, p. 251; Vienna, Museum Leopold 2012, p. 180; Vienna, Kunsthistorisches Museum 2012; Natter 2012, no. 77, p. 548.

Anton Romako (1832 - 1889)

X7662 Portrait of Christoph Reisser 1885 Place of manufacture: Austria Oil on canvas Object dimensions: 130.5 x 90.2 cm Leopold Museum Private Foundation, Vienna

Lender's name and address Leopold Museum Museumsquartier Museumsplatz 1 1070 Vienna Austria

Accession Number LM 2117 Provenance (1) Reisser family, Vienna After 1950 Rudolf Leopold, Vienna (bought from the Reisser family) 1994 Leopold Museum, Vienna

(1) This provenance has been supplied by the Leopold Museum. It has been verified and cross - referenced with the provenance provided in Reiter 2010.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Vienna, Neue Galerie 1936, no. 60; Vienna 1950, no. 46; Novotny 1954, no. 323; Esau 1985, p. 118ff; Vienna, Belvedere 1992, p. 23; Reiter 2010, no. 515; Gleis 2010, fig. 2.

Immunity from Seizure

Richard Gerstl (1883 - 1908)

X7666 Portrait of Lieutenant Alois Gerstl 1907 Place of manufacture: Austria Oil on canvas Object dimensions: 153 x 130.2 cm Leopold Museum Private Foundation, Vienna

Lender's name and address Leopold Museum Museumsquartier Museumsplatz 1 1070 Vienna Austria

Accession Number LM 639 Provenance (1) 1908 Alois Gerstl (1881-1961) (2) In following Otto Nirenstein’s [Kallir’s] suggestion Alois had the painting cut in two parts (3) 1) ‘Bildnis eines Leutnants’ (Alois Gerstl) 1953 Rudolf Leopold bought this part of the painting from Alois Gerstl (4) 2) ‘Interieur’ 1931 Neue Galerie, Vienna (Dr. Otto Nirenstein [Kallir]) (5) Galerie Würthle, Vienna (6) Peter Kamm Zug (7) 1968(?) private collection Rudolf Leopold, Vienna (bought from Peter Kamm) (8) 1994 Leopold Museum, Vienna (parts united)

(1) This provenance has been supplied by the Leopold Museum. A copy of their correspondence is on file at the National Gallery.

Immunity from Seizure

(2) After Richard Gerstl’s suicide 1908 the family had his works put in store with the shipping company Rosin and Knauer, yet it might be that Alois kept his portrait with him.

(3) The painting is divided in two and recorded as n. 43 Interieur (left) and n. 44 Bildnis eines Leutnants (Alois Gerstl) (right) in Dr. Otto Nirenstein’s register from 1931.

(4) see: Diethard Leopold, ‘Rudolf Leopold – Kunstsammler’, Vienna 2003, pp. 82-85.

(5) In 1931 Dr. Otto Nirenstein bought 36 paintings by Richard Gerstl from the artist’s brother Alois, including Interieur (see Otto Kallir, Richard Gerstl, in: Mitteilungen der Oesterreichischen Galerie, 1874, n. 62, p. 126).

(6) The painting then featured at the Galerie Würthle, owned by the Jewish Viennese Lea Bondi-Jaray before she had to leave the country in 1937. Friedrich Welz took over until the gallery was returned to the rightful owner between 1946 and 1948. In 1953 Fritz Kamm bought the Galerie Würthle. The second generation of the Kamm family – Christa Kamm, Peter Kamm (1935 – 2008) and his wife Christine Kamm-Kyburz – complemented the collection with mostly applied arts.

(7) Following the information on the provenance provided by the Leopold Museum, it seems that Gerstl’s the ‘Interieur’ stayed in the collection of the Galerie Würthle during the crucial years between 1937 and 1945, when Friedrich Welz took over the Galerie Würthle from the Lea Bondi-Jaray, and was made restitution of together with the other remaining works Welz had not sold. A fact that supports this thesis is that the following owner of the works was Peter Kamm, son of Fritz Kamm who bought the Galerie Würthle in 1953.

(8) Letter from Rudolf Leopold to Peter Kamm, 28/12/1967.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Vienna/Innsbruck 1966, no.s 7/8; Kallir 1974, no. 43/44; Werkner 1984, p. 67/69; Ellersdorfer 1991, pp. 63ff; Breicha 1993, p. 13; Vienna/Zurich 1993/94, no. 24, pp. 83-87; Edinburgh/Warwickshire 2007, fig. 32, p. 34.

Albert Paris von Gütersloh (1887 - 1973)

Immunity from Seizure

X7680 Portrait of a Woman 1914 Place of manufacture: Austria Oil on canvas Object dimensions: 54.6 x 38.5 cm Leopold Museum Private Foundation, Vienna

Lender's name and address Leopold Museum Museumsquartier Museumsplatz 1 1070 Vienna Austria

Accession Number LM 81 Provenance (1) Private collection 1988 private collection of Rudolf Leopold (acquired through Sotheby’s, London) 1994 Leopold Museum, Vienna

(1) This provenance has been supplied by the Leopold Museum. A copy of their correspondence is on file at the National Gallery.

This painting has incomplete provenance information for the years 1933-45. It has been checked on the Art Loss Register and is not registered as being stolen or missing.

Publication and Exhibition History: Vienna 1867, no. 7; London, Sotheby's 1988, no. 155; Leopold 1989, no. 90; Leopold 2001, no. 137, p. 176.

Anton Romako (1832 - 1889)

X7683 Portrait of Isabella Reisser

Immunity from Seizure

1885 Place of manufacture: Austria Oil on canvas Object dimensions: 130.5 x 90 cm Leopold Museum Private Foundation, Vienna

Lender's name and address Leopold Museum Museumsquartier Museumsplatz 1 1070 Vienna Austria

Accession Number LM 2116 Provenance (1) Reisser family, Vienna After 1950 private collection Rudolf Leopold, Vienna (bought from the Reisser family) 1994 Leopold Museum, Vienna

(1) This provenance has been supplied by the Leopold Museum. It has been verified and cross - referenced with the provenance provided in Reiter 2010.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Vienna, Neue Galerie 1936, no. 61; Novotny 1949, p. 117ff; Vienna 1950, no. 47; Novotny 1954, no. 324; Vienna, Kuenstlerhaus 1961, no. 30; Eitner/Messerschmidt 1966, p. 92; Rosenblum/Janson 1984, fig. 302, p. 379; Esau 1985, p. 119ff; Werkner 1986 (detail), p. 30; Leopold 1989 (detail) fig. 1, p. 11; Vienna, Belvedere 1992, no.79; Wiltschnigg 2001, p. 182; Vienna, Leopold 2006, p. 29; Reiter 2010, no. 516; Gleis 2010, fig. 1.

Egon Schiele (1890 - 1918)

Immunity from Seizure

X7694 Portrait of Edith Schiele, dying 28 October 1918 Place of manufacture: Austria Black chalk on paper Object dimensions: 44 x 29.7 cm Leopold Museum Private Foundation, Vienna

Lender's name and address Leopold Museum Museumsquartier Museumsplatz 1 1070 Vienna Austria

Accession Number LM 2382 Provenance (1) Wolfgang Gurlitt (2) 1963 Rudolf Leopold bought the drawing from the Galleria Galatea in Turin 1994 Leopold Museum, Vienna

(1)This provenance has been supplied by the Leopold Museum. It has been verified and cross-referenced with the provenance published in: Kallir 1998, no. 2233, p. 610. (2) Wolfgang Gurlitt (1888-1965) was an art dealer, who worked in his father’s ‘Galerie Fritz Gurlitt’ since 1914 (Fritz Gurlitt had died in 1893). Because of his Jewish grandmother Wolfgang was classified a “II degree mixed race”. His origin and the fact that his partner Lilly Agoston was Jewish made him suspicious to the Nazi authorities. Gurlitt was nevertheless allowed to continue his business between 1933 and 1945. Documents in the Linz Archive report about Gurlitt helping Jewish collectors to sell their works. It is possible that he bought looted works of art at auctions. Gurlitt helped sell ‘entartete Kunst’ that had been confiscated from German Museums. He founded the Neue Galerie in Linz and was its director from 1946 until 1956. In 1953 the city Linz bought the larger part of the works Gurlitt had formerly lent to the Museum. In the early 1950s Gurlitt opened his commercial gallery ‘Kunstkabinet der Galerie Wolfgang Gurlitt’ in Munich. Gurlitts private furniture, some works of his gallery and his gallery’s documents were destroyed when his apartment, gallery and storage in Berlin were destroyed by a bomb in 1943, which leads to a lack of information regarding the provenance of numerous works sold through his gallery. The extensive research on Wolfgang Gurlitt undertaken by the Leopold Museum and partly published in their dossier on Egon Schiele’s ‘Self Portrait with Raised Bare Shoulder’ is the source of the above information (http://www.leopoldmuseum.org/media/file/264_dossier_schiele_selbstschult.pdf).

This drawing has incomplete provenance information for the years 1933-45. It has been checked on the Art Loss Register and is not registered as being stolen or missing.

Publication and Exhibition History: Zurich 1949; Salzburg 1950, no. 81; Munich 1957, no. 88; Baden-Baden 1958, no. 110; Reisner 1960, fig. 7; Heidelberg 1962, no. 91; Vienna, Albertina 1968, no. 283; Leopold 1972, pl. 228; Mitsch 1974, fig. 76; Wagner 1975, p. 31; Munich 1975, no. 264; Malafarina 1982, no. D112; Leopold 1989, fig. 7, p. 284; Kallir 1998, no. 2233, p. 610; Leopold 2001, no. 210, p. 265; Kallir 2003, p. 484/485; Vienna, Albertina 2005/06, p. 31; Munich 2009, p. 182; Vienna, Belvedere 2011, fig. 3, p. 171.

Immunity from Seizure

Richard Gerstl (1883 - 1908)

X7853 Nude Self Portrait with Palette 1908 Place of manufacture: Austria Oil on canvas Object dimensions: 139.3 x 100 cm Leopold Museum Private Foundation, Vienna

Lender's name and address Leopold Museum Museumsquartier Museumsplatz 1 1070 Vienna Austria

Accession Number LM 651 Provenance (1) 1908 Alois Gerstl and August Gerstl) (2) 1931 Neue Galerie, Vienna (Dr. Otto Nirenstein [Kallir]) (3) Galerie Würthle, Vienna (4) Peter Kamm (Zug, CH) (5) 1968 private collection Rudolf Leopold, Vienna (bought from Peter Kamm) (6) 1994 Leopold Museum, Vienna

(1) This provenance has been supplied by the Leopold Museum. It has been verified and cross- referenced with the provenance provided by the Gerstl specialist Dr. Raymond Coffer. A copy of their correspondence is on file at the National Gallery. (2) After Richard Gerstl’s suicide 1908 the family has his works put in store with the shipping company Rosin and Knauer. (3) In 1931 Dr. Otto Nirenstein [Kallir] compiles an inventory and lists the ‘Selbstbildnis (Akt in ganzer Figur)’ as no. 42; In 1931 Dr. Otto Nirenstein bought 36 paintings by Richard Gerstl from the artist’s brother Alois, including the self-portrait with palette, 1908 (see Otto Kallir, Richard Gerstl, in: Mitteilungen der Oesterreichischen Galerie, 1974, n. 62, p. 159). (4) The painting then featured at the Galerie Würthle, owned by the Jewish Viennese Lea Bondi-Jaray

Immunity from Seizure before she had to leave the country in 1937. Friedrich Welz took over until the gallery was returned to the rightful owner between 1946 and 1948. (5) In 1953 Fritz Kamm bought the Galerie Würthle. The second generation of the Kamm family – Christa Kamm, Peter Kamm (1935 – 2008) and his wife Christine Kamm-Kyburz – complemented the collection with mostly applied arts. (6) Letter from Rudolf Leopold to Mrs Kamm, 28/12/1967; Following the information on the provenance provided by the Leopold Museum, it seems that Gerstl’s the ‘Selbstbildnis (Akt in ganzer Figur)’ stayed in the collection of the Galerie Würthle during the crucial years between 1937 and 1945, when Friedrich Welz took over the Galerie Würthle from the Jewish gallerist Lea Bondi-Jaray, and was made restitution of together with the other remaining works Welz had not sold. A fact that supports this thesis is that the following owner was Peter Kamm, son of Fritz Kamm who bought the Galerie Würthle in 1953.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Born 1931, fig. 87; Schmidt 1956, no. 12, pp. 14/172; Venice 1956, no. 10; Darmstadt 1963, p. 128; Florence 1964, no. 90, p. 51; Feuerstein/Hutter/Koeller/Mrazk 1965, fig. 2, p. 48; Breicha 1965, fig. 8, p. 98; Vienna 1966, no. 44; Kallir 1974, no. 62, p. 159; Powell 1974, p. 166f; Vienna 1983/84, no. 40; Breicha 1984, fig. 3; Vienna 1985, p. 299; Werkner 1986, no. 20, p. 64; Gordon 1987, no. 137; Zurich/Vienna/Munich/Wuppertal 1988/90, no. 87; Leopold 1989, no. 89; Schroeder 1989, p. 21; Ewerbeck 1989, pp. 32ff/90; Breicha 1991, pp. 45/46; Ellersdorfer 1991, p. 44ff; Breicha 1993, fig.s 22/23; Ehrenstrasser 1993, pp. 42ff/60/62; Thomashoff 1993 (dissertation), no. 42; Vienna/Zurich 1993/94, no. 64, pp. 158-159; Leopold 2001, no 135, p. 171; London, Tate 2001, p. 240; Frankfurt, Schirn/Vienna, Leopold 2005, pp. 164/165; Vienna, Leopold, 2009, p. 139.

Egon Schiele (1890 - 1918)

X7854 Self Portrait with Raised Bare Shoulder 1912 Place of manufacture: Austria Oil on wood Object dimensions: 42.2 x 33.9 cm Leopold Museum Private Foundation, Vienna

Immunity from Seizure

Lender's name and address Leopold Museum Museumsquartier Museumsplatz 1 1070 Vienna Austria

Accession Number LM 653 Provenance (1) After 1937 Wolfgang Gurlitt (2) By 1965 private collection of Rudolf Leopold 1994 Leopold Museum, Vienna.

(1) This provenance has been supplied by the Leopold Museum. It has been verified and cross- referenced with the provenance published in: Kallir 1990, no. 227, p. 309. (2) By 1949 Wolfgang Gurlitt was registered as the owner of the work (see http://www.leopoldmuseum.org/media/file/264_dossier_schiele_selbstschult.pdf) Wolfgang Gurlitt (1888-1965) was an art dealer, who worked in his father’s ‘Galerie Fritz Gurlitt’ since 1914 (Fritz Gurlitt had died in 1893). Because of his Jewish grandmother Wolfgang was classified a “II degree mixed race”. His origin and the fact that his partner Lilly Agoston was Jewish made him suspicious to the Nazi authorities. Gurlitt was nevertheless allowed to continue his business between 1933 and 1945. Documents in the Linz Archive report about Gurlitt helping Jewish collectors to sell their works. It is possible that he bought looted works of art at auctions. Gurlitt helped sell ‘entartete Kunst’ that had been confiscated from German Museums. He founded the Neue Galerie in Linz and was its director from 1946 until 1956. In 1953 the city Linz bought the larger part of the works Gurlitt had formerly lent to the Museum. In the early 1950s Gurlitt opened his commercial gallery ‘Kunstkabinet der Galerie Wolfgang Gurlitt’ in Munich. Gurlitts private furniture, some works of his gallery and his gallery’s documents were destroyed when his apartment, gallery and storage in Berlin were destroyed by a bomb in 1943, which leads to a lack of information regarding the provenance of numerous works sold through his gallery. The extensive research on Wolfgang Gurlitt undertaken by the Leopold Museum and partly published in their dossier on Schiele’s ‘Self Portrait with Raised Bare Shoulder’ is the source of the above information (http://www.leopoldmuseum.org/media/file/264_dossier_schiele_selbstschult.pdf).

This painting has incomplete provenance information for the years 1933-45. It has been checked on the Art Loss Register and is not registered as being stolen or missing.

Publication and Exhibition History: Linz 1949, no. 118; Salzburg 1950; Amsterdam 1956, no. 224; Bern 1957, no. 102; St. Gallen, no. 86; London 1960, no. 102; Nirenstein 1966, no. 173, p.348; Salzburg 1968, no. 29; Munich 1975, no. 39; Malafarina 1982, no. 215; Marchetti 1984; Tokyo 1986, no. 16; Leopold 1989 (detail) fig. 1, p. 18; Kallir 1990, no. 227, p. 309; Leopold 1995, p. 209; Riehen/Basel 2010/11, p. 105; http://www.leopoldmuseum.org/media/file/264_dossier_schiele_selbstschult.pdf.

Immunity from Seizure

Gustav Klimt (1862 - 1918)

X8256 Portrait of the Artist's Dead Son, Otto Zimmermann 1902 Place of manufacture: Austria Chalk on paper Object dimensions: 39.5 x 24.7 cm Diethard Leopold Collection, Vienna

Lender's name and address Dr Diethard Leopold c/o Leopold Museum Museumsquartier Museumsplatz 1 1070 Vienna Austria

Accession Number EX 25039 Provenance (1) Klimt family 2012 bought by the current owner from descendants of Gustav Klimt

(1) This provenance has been supplied by the Leopold Museum. A copy of their correspondence is on file at the National Gallery.

Note that this work has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Weidinger 2007, no. 40, p. 214.

Immunity from Seizure

Studio of S. Fleck

X8342 Otto Zimmermann 1902 Place of manufacture: Austria Photograph Object dimensions: 10.2 x 14.7 cm Diethard Leopold Collection, Vienna

Lender's name and address Dr Diethard Leopold c/o Leopold Museum Museumsquartier Museumsplatz 1 1070 Vienna Austria

Accession Number EX 25040 Provenance (1) Klimt family 2012 bought by the current owner from descendants of Gustav Klimt

(1) This provenance has been supplied by the Leopold Museum. A copy of their correspondence is on file at the National Gallery.

Note that this photograph has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Immunity from Seizure

Anton Kolig (1886 - 1950)

X7988 Portrait of the Schaukal Family 1911 Place of manufacture: Austria Oil on canvas Object dimensions: 160 x 160 cm Leopold Collection II

Lender's name and address Leopold Collection II c/o Leopold Museum MuseumsQuartier Museumsplatz 1 1070 Vienna Austria Provenance (1) Schaukal family, Vienna In the 1980s the current owner bought the painting from the Family Schaukal

(1) This provenance has been supplied by the Leopold Museum.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Vienna, Secession 1936; Bern, Kunsthalle 1937; Graz 1981, no. 8; Voelkermarkt 1996, p. 17; Rychlik 2001, p. 227.

Immunity from Seizure

Friedrich von Amerling (1803 - 1887)

X7755 Portrait of Franz Xaver Stöber 1837 Place of manufacture: Austria Oil on canvas Object dimensions: 41 x 33 cm Liechtenstein. The Princely Collections, Vaduz-Vienna

Lender's name and address Liechtenstein Museum Fürstengasse 1 1090 Vienna Austria Provenance (1) 1911 Collection Louis Baron von Rothschild, Vienna (Inv. 89) 1939 requisitioned for the ‘Führermuseum’, Linz Since 1947 Österreichische Galerie Belvedere, Vienna, (dedication Clarice de Rothschild) (Inv. 4262) 1999 restituted to the descendants of Louis N. Rothschild 1999 Christie's, London, auction "The Collection of the Barons Nathaniel and Albert von Rothschild", Lot 211 Bought in 2004 by W. M. Brady & Co. Inc., New York; Inv.-Nr. GE2147

(1) This provenance has been supplied by the Liechtenstein Collections. A copy of their correspondence is on file at the National Gallery.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Vienna, Oesterreichische Galerie cat. 1992, vol. 1, p.47; Lillie 2003, no. 89; Munich 2005, no. 63, p. 87; Vienna/Moscow 2009, no. 102, p. 249; Vienna, Liechtenstein Museum 2010, p. 212; Kraeftner 2010, no. 3.6, p. 125

Immunity from Seizure

Egon Schiele (1890 - 1918)

X7670 Portrait of Albert Paris von Gütersloh 1918 Place of manufacture: Austria Oil on canvas Object dimensions: 140 x 110.3 cm Lent by The Minneapolis Institute of Arts, Gift of the P. D. McMillan Land Company

Lender's name and address Minneapolis Institute of Arts 2400 Third Avenue S Minneapolis MN 55404 USA

Accession Number 54.30 Provenance (1) Karl Grünwald, Vienna (2) Richard Lanyi, Vienna (3) By 1930 through 1951 Otto Nierenstein [Kallir], through the Neue Galerie, Vienna and Galerie St. Etienne, New York, New York, (4) 1951 McMillan Land Company, Minneapolis in 1951 (5) 1954 gift to the Minneapolis Institute of Arts

(1) This provenance has been supplied by the Minneapolis Institute of Arts. A copy of their correspondence is on file at the National Gallery. The provenance information has been verified and cross-referenced with the provenance published in Kallir 1990, no. 322, p. 342. (2) According to Sotheby's catalogue entry for ‘Portrait of Karl Grunwald’ (Sotheby’s London, March 26 1985, LOT 36), Karl Grünwald was a ‘textile manufacturer, art collector and dealer and officer of the Austro-Hungarian army. He was among the most fervent supporters of the Kunsthalle, along with Schiele, from its beginning in 1917. Grünwald and Schiele travelled together during 1917 in connection with the commission that Schiele had from the "Imperial and Royal consumer establishment for the officers of the army in the field", of which Grünwald was deputy, to execute drawings of the main rooms in the Vienna consumer establishment and its 28 branches throughout the empire’. Given Grünwald and Schiele's relationship, and the date of the painting, the work may likely have gone directly from the artist to Grünwald.

Immunity from Seizure

(3) Richard Lanyi also bought paintings directly from Schiele, especially around the year 1918, before the death of the artist. (4) In Otto Nirenstein’s [Kallir's] catalogue raisonnés on Schiele, dated 1930 and 1966, he lists himself as the third owner. Furthermore, the 1966 edition reflects Kallir as holding the copyrights for both the 1930 and 1966 editions published by Paul Zsolnay Verlag. "An art historian and printer, Otto Nirenstein (he later reinstated the original family name of Kallir) opened the Neue Galerie in Vienna after WWI to sell the work of Expressionists such as Gustav Klimt and Egon Schiele, both of whom died in 1918. Selling their sexually defiant work was not easy, and business in general was even harder after the Anschluss in 1938. By that time, Kallir fled Vienna… After a brief attempt to relocate the gallery in Paris (as the Galerie St. Etienne, named after St. Stephen, Vienna's patron saint), in 1939 he moved to 24 West 57th Street in New York, not far from the gallery's current location at 46 West 57th Street.” 'Art and Auction', June 15, 1999. (5) Putnam Dana McMillan [d. 1961] was the owner of the McMillan Land Company. An avid collector of early 20th century art, he bequeathed his personal collection to the MIA upon his death.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Galerie St. Etienne 1980, pl. 58, pp. 7/27; Whitford 1981, pp. 192-93/213; Malafarina 1982, no. 325, 129; Hancock/Sachs, in: Apollo 1983 (March), pl. XXI, pp. 245-247; Paris/New York/Vienna 1986-87; Vienna, GABK, 1987, no. 9, p. 99; LaWall Lipschultz 1988, p. 176; Kallir 1990, pp. 222/223/251/294/342; Vergo 1993, no. 207, p. 234; Kallir 1994, no. 100, p. 178; Washington D.C./Indianapolis 1994, back cover; Arnason/Prather 1998, p. 169; Price 2001, pp. 78/79; Stewart 2002, no. 2.50; Vienna, Albertina 2005/06, fig. 1, p. 370; Stewart 2006, no. 2.52, p. 73; Clegg 2006, no. 247, p. 229; Vienna, Belvedere 2006, p. 153; Jaki 2008, p. 40; http://vimeo.com/6939836; Gatto/Porter/Selleck 2011, p. 23; Vienna, Belvedere 2011, no. 90, pp. 202-203; Stewart 2012, p. 59.

Oskar Kokoschka (1886 - 1980)

X7703 Portrait of Carl Leo Schmidt 1911 Place of manufacture: Austria Oil on canvas Object dimensions: 97.2 x 67.8 cm Carmen Thyssen-Bornemisza Collection, on loan at the Thyssen-Bornemisza Museum

Immunity from Seizure

Lender's name and address Museo Thyssen-Bornemisza Paseo del Prado, 8 28014 Madrid Spain

Accession Number CTB.1998.27 Provenance (1)(2) Friedrich Otto Schmidt Company, Vienna/Budapest (3) 1954 F. Kleinberger & Co., New York 1959 Marlborough Fine Art, London 1959 Sotheby´s, London The Arthur Jeffress Gallery, London Collection Eric and Salome Estorick 1998 Sotheby´s, London Colección Carmen Thyssen-Bornemisza, Madrid

(1) This provenance has been supplied by the Museo Thyssen-Bornemisza. (2) Kokoschka painted a triple portrait of the brothers Hugo, Max and Carl Leo Schmidt on one large canvas between 1911 and 1914. Between 1954 and 1959, without asking the artist’s consent, the canvas was cut and made into three single portraits. (3) The founder of the company was the sitters’ father.

This painting has incomplete provenance information for the years 1933-45. It has been checked on the Art Loss Register and is not registered as being stolen or missing.

Publication and Exhibition History: Westheim 1917, p. 319 (triple portrait); Westheim 1918, p. 53; Santa Barbara 1954, no. 5; Wingler 1956, no. 94, p. 304; London, Marlborough Fine Art 1959, no. 34; Vergo 1992, pp. 230-233; Winkler/Erling 1995, no. 60, p. 36; London, Sotheby's 1998, p. 36; Winkler/Alarco/Gombrich 2001, no. 11, pp. 32/84/87; Madrid, Museo Thyssen-Bornemisza 2001/02, no. 9, p. 87; New York, Neue Galerie/Hamburg, Hamburger Kunsthalle 2002, p. 148; Arnaldo 2004, vol. 2, pp. 382/383; Valencia, Centro Carmen/Barcelona, Caixa Forum 2011, no. 78, pp. 234/235; Alarco/Borobia 2012, pp. 326/327.

Immunity from Seizure

Oskar Kokoschka (1886 - 1980)

X8225 Portrait of Max Schmidt 1914 Place of manufacture: Austria Oil on canvas Object dimensions: 90 x 57.7 cm Museo Thyssen-Bornemisza, Madrid

Lender's name and address Museo Thyssen-Bornemisza Paseo del Prado, 8 28014 Madrid Spain

Accession Number 1982.29 (629) Provenance (1) (2) Friedrich Otto Schmidt Company, Vienna/Budapest (3) 1954 F. Kleinberger & Co., New York 1959 Marlborough Fine Art, London 1959 Sotheby´s, London Private Collection, New York By 1962 (and still in 1966) Edgar Hortsmann, Hamburg 1979-1982 Galerie Beyeler, Basel (4) 1982 Thyssen-Bornemisza Collection, Lugano 1992 On loan at the Museo Thyssen-Bornemisza, Madrid 1993 Museo Thyssen-Bornemisza, Madrid

Immunity from Seizure

This painting has incomplete provenance information for the years 1933-45. It has been checked on the Art Loss Register and is not registered as being stolen or missing.

Publication and Exhibition History: Westheim 1917, p. 319 (triple portrait); Westheim 1918, p. 53; Santa Barbara 1954, no. 5; Wingler 1956, no. 94, p. 304; London, Marlborough Fine Art 1959, no. 36, p. 69; Copenhagen 1960, no. 21; Brussels, Palais des Beaux-Arts 1961, no. 107 a/b; London, Tate 1962, no. 43; Florence, Palazzo Strozzi 1964, no. 313, p. 217; Zurich, Kunsthaus Zurich 1966, no. 31; Karlsruhe, Badischer Kunstverein 1966, no. 26; Kinkel, FAZ 1976; Munich, Haus der Kunst 1971, no. 19; Zurich, Haftmann Modern Art 1981; Riehen/Basel 1982, no. 58, p. 23; Monteil 1982, no. 2, p. 155; Pury 1983, fig. XXXVII, pp. 80/81; Pury 1983, pp. 68/70; London, RA 1984, no. 175, pp. 62/175; Florence, Palazzo Pitti 1985, no. 40, p. 162; Nuremberg/Duesseldorf 1985, no. 40, p. 163; Paris, Musee d'Art Moderne 1985/86; Madrid/Barcelona 1986, no. 40, p. 173; Lugano 1989, no. 40, pp. 102/103; Essen 1990, no. 195, p. 275; Amsterdam, VGM 1990/91, no. 104, p. 275; Alvarez Lopera 1992, no. 629, pp. 192/193/597; Vergo 1992, no. 56, pp. 230-233; Winkler/Erling 1995, no. 102, pp. 61/62; Alarco 2001/02, pp. 81-89; Perez-Jofre 2001, pp. 624/625; Winkler/Alarco/Gombrich 2001, no. 11; New York, Neue Galerie/Hamburg, Hamburger Kunsthalle 2002, pp. 172/173/247; Verona, Palazzo Forti 2003/04, no. 49, pp. 66/235; Arnaldo 2004, vol. 2, pp. 382/383; Madrid/Fort Worth 2007, pp. 64/65; Alarco 2009, pp. 21/150/151; Alarco/Borobia 2012, pp. 326/327.

Oskar Kokoschka (1886 - 1980)

Photo © The Museum of Modern Art, New York/Scala, Florence/Fondation Oskar Kokoschka/DACS 2013

X7673 Portrait of Hans Tietze and Erica Tietze-Conrat 1909 Place of manufacture: Austria Oil on canvas Object dimensions: 76.5 x 136.2 cm The Museum of Modern Art, New York. Abby Aldrich Rockefeller Fund, 1939

Lender's name and address The Museum of Modern Art 11 West 53 Street New York NY 10019-5497 USA

Accession Number 651.1939 Provenance (1) 1909 Erica Tietze-Conrat (1883-1958) and Hans Tietze (1880-1954), Vienna and New York 1940 The Museum of Modern Art, New York (sold through Hugo Feigl, New York) (2)

(1) This provenance has been supplied by the Museum of Modern Art, New York.

Immunity from Seizure

(2) Approved for acquisition on December 8, 1939.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Westheim 1917, p. 319; Westheim 1918, p. 52; San Francisco 1940; New York, MoMA 1940/41; Chicago 1941; St. Louis 1942; Barr 1942, no. 324; Ottawa 1943; New York 1944; Hoffmann 1947, pp. 99-100; Richmond 1947, no. 17; Boston 1948, no. 5; Minneapolis 1952; Barr 1954, p. 66; Kassel 1955, no. 294; Vienna Secession 1955, no. 3; New York, MoMA 1957, no. 95, p. 74; German Art 1957, p. 74; Palkovsky 1958, fig. 7; New York, Bayer 1959, no. 3; Bisanz 1963, pp. 95-97/143; Tietz-Conrat, in: Hodin 1963, p. 71; Washington D.C. 1963/64; Haftmann 1965, no. 147; Hodin 1966, no. 11, pp. 120/121; New York 1966, no. 8, p. 28; Hodin 1968, pp. 180/182; Leshko 1969, p. 31-32; Schmalenbach 1970, p. 395; Hodin 1971, p. 243; Franc 1973, p. 62; Comini 1974, pl. 113, pp. 121-122; Selz 1974, pl. 159, no. 167; Leshko 1977, no. 46; Barr 1977, no. 74, p. 74; Frodl-Kraft, in: Oesterreichische Zeitschrift fuer Kunst und Denkmalpflege 1980, no. 64, p. 54; Schorske 1980, pl. XV, p. 341;Tolnay, in: Neue Zuercher Zeitung 1980, p. 35; New York, MET 1980, p. 47-48; New York 1980/81, no. 275, p. 253; New York, Marlborough 1981, no. 6, p. 29; Schvey 1982, pl. 2, pp. 43/45; Arnason 1983, pl. 102; Schweiger 1983, p. 188; MoMA cat. 1984, no. 60; New York, MoMA 1986, no. 64, p. 167; Gombrich 1986, p. 26; Paris 1986, p. 345; New York, Guggenheim 1986/87, no. 10; Elger 1988, pp. 242/245; Asendorf 1989, p. 148; Winkler/Schroeder 1991, no. 4; Petheo 1991, pl. 2, p. 14; Calvocoressi 1992, pl. II; Winkler/Erling 1995, no. 35, pp. 19/20; Vienna, Belvedere 1996-97; Vienna, Albertina 1998, fig. 4, p. 11; London, Tate 2001; New York, Neue Galerie 2002; Hamburg, Kunsthalle 2002, pp. 122-123; MoMA Highlights 2004, p. 62; Vienna, Belvedere 2008, no, 86, p. 175.

Alois Delug (1859 - 1930)

X7628 The Markl Family 1907 Place of manufacture: Austria Oil on canvas Object dimensions: 113.5 x 138 cm Belvedere, Vienna

Lender's name and address Belvedere

Immunity from Seizure

Prinz Eugen-Str. 27 1030 Vienna Austria

Accession Number 1425 Provenance (1) 1912 Oesterreichische Galerie Belvedere (bought from the artist)

(1) Provenance as published in Vienna, Oesterreichische Galerie cat. 1992.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Bozen 1990, no. 30, p. 96; Vienna, Oesterreichische Galerie cat. 1992, vol. 1, p. 193; Zurich/Vienna 1993/94, fig. 24, p. 21.

Egon Schiele (1890 - 1918)

X7629 The Family (Self Portrait) 1918 Place of manufacture: Austria Oil on canvas Object dimensions: 150 x 160.8 cm Belvedere, Vienna

Lender's name and address Belvedere Prinz Eugen-Str. 27 1030 Vienna Austria

Accession Number 4277

Immunity from Seizure

Provenance (1) 1918 Hans Boehler, Vienna/New York (2) 1948 Oesterreichische Galerie Belvedere (bought from Hans Boehler, New York)

(1) Provenance as published on www.belvedere.at (2) Boehler bought the painting from the artist at the Secession exhibition 1918

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Vienna , Secession 1918, no. 15; Zurich, Kunsthaus 1918, no. 107; Vienna, Kunstschau 1920, no. 77; Faistauer 1923, fig. 9; Vienna, Hagenbund 1928, no. 79; Paris, Jeu de Paume 1937, no. 488; Venice, Biennale, no. 49; Vienna, Neue Galerie 1948, p. 9; Vienna, Secession 1950; New York Guggenheim 1965, no. 47; Kallir 1966, pp. 478f; Kallir 1967, fig. VI; Hofmann 1986, cover, pl. 1; Comini 1974, fig. 135; Mitsch 1974, pl. 75; Powell 1974, p. 163; Vergo 1975, fig. 209; Comini 1976, pl. 28; Munich, Haus der Kunst 1975, no. 69; Nebehay 1979, fig. 139; Wilson 1980, pl. 42; Nebehay 1980, fig. 195; Kallir 1981, pl. 27; Whitford 1981,fig. 145, pp. 188f;Kuchling 1982, p. 32; Malafarina 1982, no. 318; Whitford 1987, p. 47; Vienna, Belvedere (guide) 1987, p. 30; Mitsch 1987, p. 245; Cologne 1987, p. 218; Hobhouse 1988, fig. 61; Fliedl 1989, p. 133; Nebehay 1989, no. 218, p. 281; Schmidt 1989, p. 123; Kallir 1990, no. 326; Washington/Indianapolis/San Diego 1994, p, 177; London, NPG, fig. 5, p. 21; Kallir 2003, fig. 32, p. 444; Frodl/Traeger 2003, p. 240/241; Steiner 2004, p. 76; Brandstaetter 2005, p. 169; Kuhl 2005, pp. 44f; Amsterdam, VGM 2005, pp. 136/137; Vienna, Albertina 2005, p. 376; Vienna, Albertina 2005/06 (detail), fig. 2, p. 326, fig. 1, p. 376; Gaillemin 2006, p. 127; Vienna, Belvedere 2006, p. 199; Rovereto 2006/07, p. 52; Oslo, Munch Museum 2007, p. 101; Fischer 2007, p. 132; Vienna, Belvedere 2011, no. 92, p. 205.

Elena Luksch-Makowsky (1878 - 1967)

X7660 Self Portrait with her Son Peter 1901 Place of manufacture: Austria Oil on canvas Object dimensions: 94.5 x 52 cm Belvedere, Vienna

Immunity from Seizure

Lender's name and address Belvedere Prinz Eugen-Str. 27 1030 Vienna Austria

Accession Number 7445 Provenance (1) Luksch Family 1987 Oesterreichische Galerie Belvedere, Vienna (bought by the current owner from Peter Luksch)

(1) This provenance has been supplied by the Oesterreichische Galerie Belvedere, Vienna. A copy of their correspondence is on file at the National Gallery.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Vienna/Zurich 1993/94, fig. 21, p. 19; Schwinghammer (dissertation) 1996, no. 3, p. 91; Vienna, Oesterreichische Galerie cat., vol. 3, 1997, p. 52; Vienna, Albertina 2005/06, fig. 1, p. 52; Vienna, Belvedere 2008, fig. 89, p. 160.

Franz von Matsch (1861 - 1942)

X7696 Emperor Franz Joseph on his Deathbed 1916 Place of manufacture: Austria Oil on card Object dimensions: 51.5 x 69.5 cm Belvedere, Vienna

Lender's name and address Belvedere Prinz Eugen-Str. 27 1030 Vienna Austria

Immunity from Seizure

Accession Number 3300 Provenance (1) 1917 gift to Emperor Karl I from the artist 1921 Oesterreichische Galerie Belvedere, Vienna (transferred from the Kunsthistorisches Museum, Vienna)

(1) Provenance as published in Vienna, Belvedere cat. 1998.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Veltze 1918; Pigler, in: Acta historiae artium Academiae Scientiarum Hungaricae 1956; Giese (Dissertation) 1976; Vienna 1982, no. 211; Vienna, Belvedere cat. 1998, p. 66; Malle 2005 (dissertation), no. 432.

Gustav Klimt (1862 - 1918)

X7702 Portrait of Amalie Zuckerkandl 1917-18 Place of manufacture: Austria Oil on canvas Object dimensions: 128 x 128 cm Belvedere, Vienna, Donated by Vita and Gustav Künstler

Lender's name and address Belvedere Prinz Eugen-Str. 27 1030 Vienna Austria

Immunity from Seizure

Accession Number 7700 Provenance (1) Otto and Amalie Zuckerkandl, Vienna after the couple's divorce in 1919, Amalie Zuckerkandl, Vienna Adele and Ferdinand Bloch-Bauer, Vienna later once again Amalie Zuckerkandl and her daughter Hermine, (married name Mueller-Hoffmann), Vienna during the Nazi era, sold by the Mueller-Hoffmann family to the Neue Galerie (Gustav and Vita Maria Kuenstler) 1988 donated by Vita Maria Kuenstler to the Oesterreichische Galerie Belvedere

(1) Provenance as published by Natter 2012.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Vienna 1928, no. 58; Paris 1936, no. 362; Berne 1937, no. 6; Vienna 1948, p. 12; Novotny/Dobai 1967, p. 370 f.; Hofmann 1970, no. 76; Milan 1978, no. 199, p. 109; Strobl 1984, vol. 3, p. 85; Frodl 1992, p. 64; Natter 2000, p. 146; Vienna 2000/01, p. 147; Lillie 2003, p. 204; Natter 2003, pp. 100-110; Pleyer 2006, pp. 122-141, 254-256; New York, Neue Galerie 2007, fig. 46, p. 76; Krug 2007, p. 222; Seiser 2007, p. 307; Weidinger 2007, no. 250, p. 307; Kallir 2009, Riehen/Basel 2010/11, p. 55; Husslein-Arco/Weidinger 2012, no. 98, p. 271; Natter 2012, no. 241, p. 640.

Hans Canon (1829 - 1885)

X7855 Girl with Parrot 1876 Place of manufacture: Austria Oil on canvas Object dimensions: 126 x 84.6 cm Belvedere, Vienna

Immunity from Seizure

Lender's name and address Belvedere Prinz Eugen-Str. 27 1030 Vienna Austria

Accession Number 5943 Provenance (1) Canon’s painting was sold in 1934 at the Kunstauktion Kende in Vienna, then in 1936 through the Dorotheum in Vienna and it belonged to Imre Pirnitzer, Vienna/Melbourne in 1949. 1972 Oesterreichische Galerie Belvedere, Vienna (bought through the Dorotheum, Vienna).

(1) This provenance has been supplied by the Oesterreichische Galerie Belvedere, Vienna. A copy of their correspondence is on file at the National Gallery.

This painting has incomplete provenance information for the years 1933-45. It has been checked on the Art Loss Register and is not registered as being stolen or missing.

Publication and Exhibition History: Leitich 1942, p. 109; Vienna, Dorotheum 1972, no. 22; Drewes 1994, p. 283 (and image on title page of vol. 2); Frodl/Traeger 2003, p. 167; www.belvedere.at

Anton Romako (1832 - 1889)

X7992 The Artist's Nieces, Elisabeth and Maja 1873 Place of manufacture: Italy Oil on canvas Object dimensions: 93.2 x 79.6 cm Belvedere, Vienna, Donated by Dr Imre von Satzger, grandson of Elisabeth von Satzger, née Romako

Lender's name and address Belvedere Prinz Eugen-Str. 27

Immunity from Seizure

1030 Vienna Austria

Accession Number 8557 Provenance (1) Family Satzger (2) 1998 Oesterreichische Galerie Belvedere, Vienna (bequest from Magda Lehovic and Maria Satzger)

(1) Provenance as published on www.belvedere.at. (2) One of the sitters, Elisabeth, was married to Christian von Satzger.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Novotny 1954, no. 201, fig. 10; Salzburg 1954, no. 132; Reiter 1999, fig. 3, p. 60ff, Reiter 2010, pp. 71/178.

Franz Eybl (1806 - 1880)

X7994 The Artist Franz Wipplinger, looking at a Portrait of his Late Sister 1833 Place of manufacture: Austria Oil on canvas Object dimensions: 126 x 100 cm Belvedere, Vienna

Lender's name and address Belvedere Prinz Eugen-Str. 27 1030 Vienna Austria

Immunity from Seizure

Accession Number 1869 Provenance (1) Private owner 1917 Oesterreichische Galerie Belvedere, Vienna

(1) Provenance as published in Vienna, Oesterreichische Galerie cat. 1992.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Vienna, Oesterreichische Galerie cat. 1992, vol. 1, p. 247; http://www.europeana.eu/portal/record/08501/E6128AD8F004899047276449AFD56579FEA530D9.html.

Richard Gerstl (1883 - 1908)

X8070 The Sisters Karoline and Pauline Fey 1905 Place of manufacture: Austria Oil on canvas Object dimensions: 175 x 150 cm Belvedere, Vienna

Lender's name and address Belvedere Prinz Eugen-Str. 27 1030 Vienna Austria

Accession Number 4430

Immunity from Seizure

Provenance (1) 1908 Gerstl family 1931 Neue Galerie, Wien (Dr. Otto Nirenstein) (2) 1950 Oesterreichischen Galerie Belvedere (bought from the Neue Galerie) (3)

(1) Provenance as published on www.belvedere.at. (2) In 1931 Dr. Otto Nirenstein bought 36 paintings by Richard Gerstl from the artist’s brother Alois, including ‘The Sisters Karoline and Pauline Fey’, 1905 (see Otto Kallir, Richard Gerstl, in: Mitteilungen der Oesterreichischen Galerie, 1874). (3) When Dr. Otto Nirenstein fled Vienna in 1938 to go to Paris and then settle in New York his colleague Vita Kuenstler took over the gallery and managed it until 1954.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Born 1931, fig. 85, p. 156; Vienna 1952, no. 111; Vienna 1954, no. 38, p. 79; Venice 1956, no. 7, p. 329; Hoffmann 1956/57, p. 100; Duesseldorf 1959, no. 57; Vienna 1959, no. 105; Paris 1960/61, no. 190; Vienna 1964, no. 19; Rheins 1965, p. 237; Vienna/Innsbruck 1966, no. 14; Hofmann 1967, p. 46; Grimschitz 1963, p. 42; The Pelican History of Art 1972, pp. 286/488; Kallir 1974, no. 52; Powell 1974, p. 165; New York 1981, no. 21; Hamburg 1981, no. 231; Kalmar 1982, p. 31; Vienna 1983/84, no. 2, p. 21; New York 1986, p. 164; Paris 1986, p. 472; Cologne 1987, p.164; Halbturn 1987, p. 80; Vienna, Belvedere (guide) 1987, p. 80; Dichand 1989, p. 33; Ewerbeck 1989, p. 7f; Breicha 1991, pp. 6/9; Ellersdorfer 1991, p. 58ff; Thomashoff 1993 (dissertation), no. 52; Breicha 1993, pp. 13/19; Ehrenstrasser 1993, pp. 22ff/60f; Vienna/Zurich 1993/94, no. 5, p. 47; Schroeder (dissertation) 1995, no. 5; Bonn 1996, p. 22; Vienna, Belvedere 2000, pp. 178/179; Frodl/Traeger 2003, p. 219; Brandstaetter 2005, p. 122; Riehen/Basel 2010/11, fig. 36, p. 152; www.belvedere.at.

Oskar Kokoschka (1886 - 1980)

X7754 Portrait of Lotte Franzos 1909 Place of manufacture: Austria Oil on canvas Object dimensions: 114.9 x 79.4 cm The Phillips Collection, Washington, D. C.

Immunity from Seizure

Lender's name and address The Phillips Collection 1600 21st Street NW Washington DC 20009-1090 USA

Accession Number 1062 Provenance (1) Elisabeth Lotte Franzos, Vienna and Washington D.C. 1941 Phillips Collection (bought through Buchholz Gallery)

(1) Provenance as published in Winkler/Erling 1995.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Berlin 1910, no. 20; Karlsbad 1911, no. 6; Vienna 1911, no. 43; Westheim 1917, p. 319; Westheim 1918, p. 52; Zurich 1927, no. 5, fig. IV; Chicago 1941, no. 1; New York 1941, no. 1; Saint Louis 1942, no. 3; Boston 1948, no. 7; Hoffmann 1947, no. 18; Minneapolis 1948, p. 23; North Carolina 1951; The Phillips Collection 1952, fig. 201, p. 58; New York, Buchholz Gallery 1954, no. 14; Wingler 1956, no. 11; Palkowsky 1958, fig. 3; Oberlin 1959; London 1962, no. 4; Goldscheider 1963, fig. 1, pp. 14/15; New York 1966, no. 3, p. 23; Hofmann 1967, p. 53; Schmalenbach F. 1967, pp. 31/40; London 1986, no. 9; Phillips 1970, pp. 231/232; Leshko 1977, no. 34, pp. 80-83; Kallir 1981, no. 30, p. 33; Schweiger 1983, p. 171; The Phillips Collection 1985, no. 982; Gombrich 1986, pp. 22/23; Paris 1986, p. 483; Zurich 1986, no. 9; New York, Galerie St. Etienne, 1986 no. 30; Sarmany-Parsons 1991, no. 34; New York, Guggenheim, no. 9; Vienna 1991, no. 2 ; Schroeder/Winkler 1991, no. 2, pp. 58/59; Calvocoressi 1992, fig. 6; Winkler/Erling 1995, no. 34, pp. 18/19; Passantino 1999, no. 166, pp. 295-297; Rathbone/Halford-MacLeod 2002, pp. 98/99; New York/Hamburg 2002, pp. 120/121; Paris Grand Palais/Musee d'Orsay 2005, pp. 270/71; Blackshaw 2009, no. 45, p. 53; New York, Neue Galerie 2011, no. 55, p. 151.

Arnold Schönberg (1874 - 1951)

Immunity from Seizure

X7748 Portrait of Hugo Botstiber before October 1910 Place of manufacture: Austria Oil on cardboard Object dimensions: 73 x 50 cm Private collection, Vienna Courtesy Arnold Schönberg Center, Vienna

Lender's name and address Private collection c/o Arnold Schönberg Center Schwarzenbergplatz 6 1030 Vienna Austria

Accession Number CR 85 Provenance (1) The portrait has been in the family of Hugo Botstiber since its creation.

(1) This provenance has been supplied by the current owner.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Vienna, Arnold Schönberg Center 2005; Catalogue Raisonnee 2005, no. 85; http://www.schoenberg.at.

Gustav Klimt (1862 - 1918)

X7981 Portrait of a Lady in Black about 1894 Place of manufacture: Austria Oil on canvas

Immunity from Seizure

Object dimensions: 155 x 75 cm Belvedere, Vienna, on loan from a private collection

Lender's name and address Private collection c/o Belvedere Prinz Eugen-Str. 27 1030 Vienna Austria

Provenance (1) Marie Breunig (the sitter), Vienna; since her death in the possession of her family.

(1) Provenance as published by Natter 2012.

Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945.

Publication and Exhibition History: Dobai 1958, p. 135f; Novotny/Dobai 1967, p. 297; Natter 2000, p. 78f; Vienna 2000/01, p. 79; Weidinger 2007, p. 252; Husslien-Arco/Weidinger 2012, p. 335; Natter 2012, no. 79, p. 54.