Immunity from Seizure

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Immunity from Seizure Immunity from Seizure THE NATIONAL GALLERY IMMUNITY FROM SEIZURE Facing the Modern: The Portrait in Vienna 1900 9 October 2013 - 12 January 2014 The National Gallery, London, Trafalgar Square, London, WC2N 5DN Immunity from Seizure IMMUNITY FROM SEIZURE Facing the Modern: The Portrait in Vienna 1900 9 October 2013 - 12 January 2014 The National Gallery, London, Trafalgar Square, London, WC2N 5DN The National Gallery is able to provide immunity from seizure under part 6 of the Tribunals, Courts and Enforcement Act 2007. This Act provides protection from seizure for cultural objects from abroad on loan to temporary exhibitions in approved museums and galleries in the UK. The conditions are: The object is usually kept outside the UK It is not owned by a person resident in the UK Its import does not contravene any import regulations It is brought to the UK for public display in a temporary exhibition at a museum or gallery The borrowing museum or gallery is approved under the Act The borrowing museum has published information about the object For further enquiries, please contact [email protected] Protection under the Act is sought for the objects listed in this document, which are intended to form part of the forthcoming exhibition, Facing the Modern: The Portrait in Vienna 1900. Copyright Notice: no images from these pages should be reproduced without permission. Immunity from Seizure Facing the Modern: The Portrait in Vienna 1900 9 October 2013 - 12 January 2014 Protection under the Act is sought for the objects listed below: Rudolf von Alt (1812 - 1905) © Albertina, Vienna X7653 Self Portrait 1883 Place of manufacture: Austria Pencil and watercolour Object dimensions: 35.5 x 25.5 cm Albertina, Vienna Lender's name and address Albertina Albertinaplatz 1 1010 Vienna Austria Accession Number 30999 Provenance (1) Nikolaus Dumba (2) Family Dumba 1950 Albertina, Vienna (bought by the architect Stanek) (1) This provenance has been supplied by the Albertina, Vienna. (2) Nikolaus Dumba was Rudolf von Alt’s patron and friend and acquired or received this watercolour during his lifetime. Note that this watercolour has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945. Immunity from Seizure Publication and Exhibition History: Vienna, Albertina 1955, no. 257, p. 55; Koschatzky 1975, no. 1, p. 2; Schröder/Sternrath 2005, no. 145, p. 281; Hussl-Hörmann 2011, p. 101; http://sammlungonline.albertina.at. Gustav Klimt (1862 - 1918) © Albertina, Vienna X8257 Study for the Portrait of Amalie Zuckerkandl 1913-14 Place of manufacture: Austria Pencil on paper Object dimensions: 56.9 x 37.5 cm Albertina, Vienna Lender's name and address Albertina Albertinaplatz 1 1010 Vienna Austria Accession Number 30249 Provenance (1) 1944 Albertina, Vienna (bought from Johannes Jantzen, Bremen) (1) This provenance has been supplied by the Albertina, Vienna. A copy of their correspondence is on file at the National Gallery. Note that this drawing has incomplete provenance information for the years 1933-45. It has been checked on the Art Loss Register and is not registered as being stolen or missing. Publication and Exhibition History: Vienna, Albertina 1958, no. 104; Vienna, Albertina 1968, no. 92; Novotny-Dobai 1975, p. 101; Comini 1975, pl. 71; Essen, Museum Folkwang 1976, no. 90; Breicha 1978, fig. 196; Fliedl 1989, p. 211; Riehen/Basel 2010/11, p. 54; Vienna/Los Angeles 2012, no. 160. Immunity from Seizure Arnold Schönberg (1874 - 1951) © Arnold Schönberg Center, Vienna/DACS 2013 X7684 Portrait of Marietta Werndorff before October 1910 Place of manufacture: Austria Oil on board Object dimensions: 99.7 x 71 cm Belmont Music Publishers, Pacific Palisades/CA Courtesy Arnold Schönberg Center, Vienna Lender's name and address Arnold Schönberg Center Schwarzenbergplatz 6 1030 Vienna Austria Accession Number CR 88 Provenance (1) Arnold Schoenberg, Vienna/Los Angeles 1951 Gertrud Schoenberg, Los Angeles 1967 Lawrence, Ronald and Nuria Schoenberg, Los Angeles 1973 Arnold Schoenberg Institute, Los Angeles 1997 Arnold Schoenberg Center, Vienna (1) This provenance has been supplied by the Schoenberg Center, Vienna. Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945. Publication and Exhibition History: Schwaz, Rabalderhaus 2001; Dresden, Kunsthaus 2001; Vienna, Arnold Schönberg Center 2005; Catalogue Raisonnee 2005, no. 88; http://www.schoenberg.at. Immunity from Seizure Arnold Schönberg (1874 - 1951) © Arnold Schönberg Center, Vienna/DACS 2013 X7745 Portrait of Georg Schönberg February 1910 Place of manufacture: Austria Oil on three-ply panel Object dimensions: 50 x 47 cm Belmont Music Publishers, Pacific Palisades/CA Courtesy Arnold Schönberg Center, Vienna Lender's name and address Arnold Schönberg Center Schwarzenbergplatz 6 1030 Vienna Austria Accession Number CR 98 Provenance (1) Arnold Schoenberg, Vienna/Los Angeles 1951 Gertrud Schoenberg, Los Angeles 1967 Lawrence, Ronald and Nuria Schoenberg, Los Angeles 1973 Arnold Schoenberg Institute, Los Angeles 1997 Arnold Schoenberg Center, Vienna (1) This provenance has been supplied by the Schoenberg Center, Vienna. Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945. Publication and Exhibition History: Schwaz, Rabalderhaus 2001; Dresden, Kunsthaus 2001; Vienna, Arnold Schönberg Center 2003; Cesky Krumlov, Egon Schiele Art Centrum 2004; Vienna, Arnold Schönberg Center 2005; Catalogue Raisonnee 2005, no. 98; http://www.schoenberg.at. Immunity from Seizure Arnold Schönberg (1874 - 1951) © Arnold Schönberg Center, Vienna/DACS 2013 X7746 Blue Self Portrait 1910 Place of manufacture: Austria Oil on three-ply panel Object dimensions: 31.1 x 22.9 cm Belmont Music Publishers, Pacific Palisades/CA Courtesy Arnold Schönberg Center, Vienna Lender's name and address Arnold Schönberg Center Schwarzenbergplatz 6 1030 Vienna Austria Accession Number CR 11 Provenance (1) Arnold Schoenberg, Vienna/Los Angeles 1951 Gertrud Schoenberg, Los Angeles 1967 Lawrence, Ronald and Nuria Schoenberg, Los Angeles 1973 Arnold Schoenberg Institute, Los Angeles 1997 Arnold Schoenberg Center, Vienna (1) This provenance has been supplied by the Schoenberg Center, Vienna. Note that this painting has a complete history of ownership from the beginning of the year 1933 to the end of the year 1945. Publication and Exhibition History: St. Petersburg, State Russian Museum 1999; Adam 2000; Vienna, Arnold Schönberg Center 2000; Koblenz, Ludwig Museum 2000; Palermo, Teatro Massimo 2002; Dresden, Kunsthaus 2001; Moskau, Tretjakow-Galerie 2002; Frankfurt, Schirn Kunsthalle 2002; Dauks, in: art-ambiente 2003, p. 5; Madrid, Museo Thyssen-Bornemisza 2003; New York, Jewish Museum 2004; Baldassare, in: Music in Art 2004 (no. 29), pp. 234-255; Cesky Krumlov, Egon Schiele Art Centrum 2004; Paris, Cité de la musique 2004; Catalogue Raisonnee 2005, no. 11; Heyd, in: Ars Judaica 2005, pp. 133-146; Vienna, Arnold Schönberg Center 2005; Klosterneuburg, Sammlung Essl, 2006; Zug 2006; Barcelona, Fundació Caixa Catalunya Immunity from Seizure 2007; Vienna, Arnold Schönberg Center 2008; Vienna, Arnold Schönberg Center 2008-2009; Lefebvre 2009; Budapest, Hungarian National Gallery 2009; Meyer 2010, pp. 151-157; Basel/Riehen, Fondation Beyeler 2010-2011; Toulouse, Les Abattoirs 2010; Prague, Museum Kampa 2011; Tampere, Sara Hildén Art Museum 2012-2013; http://www.schoenberg.at. Oskar Kokoschka (1886 - 1980) © Photo courtesy of the owner/Fondation Oskar Kokoschka/DACS 2013 X8259 Portrait of Hugo Schmidt 1911 Place of manufacture: Austria Oil on canvas Object dimensions: 72.5 x 54 cm Private collection Lender's name and address Private collection Provenance (1) (2) Friedrich Otto Schmidt Company, Vienna/Budapest (3) 1954 F. Kleinberger & Co., New York 1959 Marlborough Fine Art, London 1959 Sotheby’s, London William Miller, London Stephan Hahn Gallery, New York 1973 Arthur M. Sackler Collections (4) 2009 Private collection (5) (1) Provenance as published in: Sotheby’s Impressionist & Modern Art Day Sale, New York, 5 November 2009, LOT 120. (2) Kokoschka painted a triple portrait of the brothers Hugo, Max and Carl Leo Schmidt on one large canvas between 1911 and 1914. Between 1954 and 1959, without asking the artist’s consent, the canvas was cut and made into three single portraits. (3) The founder of the company was the sitters’ father. (4) Acquired from Stephan Hahn Gallery, NY (5) Acquired through Sotheby’s New York, 5 November 2009 Immunity from Seizure This painting has incomplete provenance information for the years 1933-45. It has been checked on the Art Loss Register and is not registered as being stolen or missing. Publication and Exhibition History: Westheim 1917, p. 319 (triple portrait); Westheim 1918, p. 53; Santa Barbara 1954, no. 5; Wingler 1958, no. 94, p. 304; London, Marlborough Fine Art 1959, no. 36, p. 69; Copenhagen 1960, no. 20; Brussels, Palais des Beaux-Arts 1961, no. 107 a; Winkler/Erling 1995, no. 61, p. 37; New York, Neue Galerie 2002 (image of triple portrait), p. 148. Richard Gerstl (1883 - 1908) © Kunsthaus Zug, Stiftung Sammlung Kamm X7707 Portrait of Alexander von Zemlinsky (front); Fragment of a Full-length Self Portrait (back) 1908 (front); about 1904 (back) Place of manufacture: Austria Oil on canvas Object dimensions: 170.5 x 74.3 cm Kunsthaus Zug, Stiftung Sammlung Kamm Lender's name and address Kunsthaus Zug Dorfstrasse 27 CH-6301 Zug Switzerland Accession Number K.G 78a Provenance (1) 1908 Alois Gerstl, Vienna (2) Neue Galerie, Vienna (owned by Otto Nirenstein [Kallir])(3) 1955 Galerie Würthle, Vienna (4) 1998 Kunsthaus Zug (Foundation Collection Kamm) (1) Provenance as published in Zug 1998, no. 43, p. 220. (2) The artist’s brother Immunity from Seizure (3) This painting was most probably one of the 36 paintings by Richard Gerstl that Dr. Otto Nirenstein [Kallir] bought in 1931 from the artist’s brother Alois (see Otto Kallir, Richard Gerstl, in: Mitteilungen der Oesterreichischen Galerie, 1874, n. 62, p. 159). (4) The work seems to have been at the Neue Galerie (entrusted to Dr.
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