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The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St. -
Registration Numbers Low for 3N Alert System
University of Missouri, St. Louis IRL @ UMSL Current (2000s) Student Newspapers 1-28-2008 Current, January 28, 2008 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2000s Recommended Citation University of Missouri-St. Louis, "Current, January 28, 2008" (2008). Current (2000s). 203. https://irl.umsl.edu/current2000s/203 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2000s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. THE UM-ST. LOUIS SINCE 1966 STUDENT NEWSPAPER January 28, 2008 www.thecurrentonline.com \tlll ,\ 1/ ,1.1 ..... '1 I !,- INSIDE ONE AND DONE: GOVERNOR MATT BLUNT PULLS OUT OF RE-ELEaION RACE WELLNESS CENTER South Campus dining hall opens Makeover South Campus expanded 'I will not seek'a second term' its dining hours and added for Mark a new eatery lor students, By JUSTI MONTAC UE Quick Read faculty and staff. Copy&liJor Matt Blunt was elected Missouri's 54th Twain in See NEWS, page 3 governor on Nov. 2, 2004. During Matt Blunt announced Tuesday, his term, Blunt signed 58389 into Jan. 22 that he will nol be seeking a law, giving funds to Benton-Stadler second lenn as Missouri's governor. renovations and increased availabiity the works Before running for governor of of Bright Flight scholarships to Missouri, Blunt served as Missouri's Missouri students. 37th Secretary of State, represented B y JEREM Y TR tCE the 139th legislative district Greene SlaffWriler County in the Missouri House of Rep making education the state's top bud resentativ~ and served in the Navy ge! priority; strengthening Missouri's Talks are in motion to possibly economy and entreprencurial climate in Operation Enduring Freedom, the develop a new fitness and well United States' response to the Sept. -
Grappling with Race: a Textual Analysis of Race Within the Wwe
GRAPPLING WITH RACE: A TEXTUAL ANALYSIS OF RACE WITHIN THE WWE BY MARQUIS J. JONES A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Communication April 2019 Winston-Salem, North Carolina Approved By: Ronald L. Von Burg, PhD, Advisor Jarrod Atchison, PhD, Chair Eric K. Watts, PhD ii ACKNOWLEDGEMENTS I would first like to thank my thesis advisor, Dr. Ron Von Burg of the Communication Graduate School at Wake Forest University. Dr. Von Burg’s office was always open whenever I needed guidance in the completion of this thesis. He consistently allowed this paper to be my own work, but steered me in the right direction whenever he thought I needed. I would also like to thank Dr. Jarrod Atchison and Dr. Eric Watts for serving as committed members of my Graduate Thesis Committee. I truly appreciate the time and energy that was devoted into helping me complete my thesis. Finally, I must express my very profound gratitude to my parents, Marcus and Erika Jones, for providing me with unfailing support and continuous encouragement throughout my years of sturdy and through the process of research and writing this thesis. This accomplishment would not have been possible without them. Thank you. I love you both very much. Thank you again, Marquis Jones iii TABLE OF CONTENTS ABSTRACT…………………………………………………………………..iv Chapter 1: INTRODUCTION………………………………………………Pg. 1 Chapter 2: HISTORY OF WWE……………………………………………Pg. 15 Chapter 3: RACIALIZATION IN WWE…………………………………..Pg. 25 Chapter 4: CONCLUSION………………………………………………......Pg. -
2020 WWE Finest
BASE BASE CARDS 1 Angel Garza Raw® 2 Akam Raw® 3 Aleister Black Raw® 4 Andrade Raw® 5 Angelo Dawkins Raw® 6 Asuka Raw® 7 Austin Theory Raw® 8 Becky Lynch Raw® 9 Bianca Belair Raw® 10 Bobby Lashley Raw® 11 Murphy Raw® 12 Charlotte Flair Raw® 13 Drew McIntyre Raw® 14 Edge Raw® 15 Erik Raw® 16 Humberto Carrillo Raw® 17 Ivar Raw® 18 Kairi Sane Raw® 19 Kevin Owens Raw® 20 Lana Raw® 21 Liv Morgan Raw® 22 Montez Ford Raw® 23 Nia Jax Raw® 24 R-Truth Raw® 25 Randy Orton Raw® 26 Rezar Raw® 27 Ricochet Raw® 28 Riddick Moss Raw® 29 Ruby Riott Raw® 30 Samoa Joe Raw® 31 Seth Rollins Raw® 32 Shayna Baszler Raw® 33 Zelina Vega Raw® 34 AJ Styles SmackDown® 35 Alexa Bliss SmackDown® 36 Bayley SmackDown® 37 Big E SmackDown® 38 Braun Strowman SmackDown® 39 "The Fiend" Bray Wyatt SmackDown® 40 Carmella SmackDown® 41 Cesaro SmackDown® 42 Daniel Bryan SmackDown® 43 Dolph Ziggler SmackDown® 44 Elias SmackDown® 45 Jeff Hardy SmackDown® 46 Jey Uso SmackDown® 47 Jimmy Uso SmackDown® 48 John Morrison SmackDown® 49 King Corbin SmackDown® 50 Kofi Kingston SmackDown® 51 Lacey Evans SmackDown® 52 Mandy Rose SmackDown® 53 Matt Riddle SmackDown® 54 Mojo Rawley SmackDown® 55 Mustafa Ali Raw® 56 Naomi SmackDown® 57 Nikki Cross SmackDown® 58 Otis SmackDown® 59 Robert Roode Raw® 60 Roman Reigns SmackDown® 61 Sami Zayn SmackDown® 62 Sasha Banks SmackDown® 63 Sheamus SmackDown® 64 Shinsuke Nakamura SmackDown® 65 Shorty G SmackDown® 66 Sonya Deville SmackDown® 67 Tamina SmackDown® 68 The Miz SmackDown® 69 Tucker SmackDown® 70 Xavier Woods SmackDown® 71 Adam Cole NXT® 72 Bobby -
THQ Online Manual
INSTRUCTION BOOKLET LIMITED WARRANTY THQ (UK) LIMITED warrants to the original purchaser of this THQ (UK) LIMITED product that the medium on which the computer program is recorded is free from defects in materials and workmanship for a period of ninety (90) days from the date of purchase. This THQ (UK) LIMITED software is sold ”as is“, without express or implied warranty of any kind resulting from use of this program. THQ (UK) LIMITED agrees for a period of ninety (90) days to either repair or replace, at its option, free of charge, any THQ (UK) LIMITED product, postage paid, with proof of purchase, at its Customer Service centre. Replacement of this Game Disc, free of charge to the original purchaser is the full extent of our liability. Please mail to THQ (UK) LIMITED, Ground Floor; Block A, Dukes Court, Duke Street, Woking, Surrey, GU21 5BH. Please allow 28 days from dispatch for return of your Game Disc. This warranty is not applicable to normal wear and tear. This warranty shall not be applicable and shall be void if the defect in the THQ (UK) LIMITED product has arisen through abuse, unreasonable use, mistreatment or neglect. THIS WARRANTY IS IN LIEU OF ALL OTHER WARRANTIES AND NO OTHER REPRESENTATIONS OR CLAIMS OF ANY NATURE SHALL BE BINDING OR OBLIGATE THQ (UK) LIMITED. ANY IMPLIED WARRANTIES OF APPLICABILITY TO THIS SOFTWARE PRODUCT, INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED TO THE NINETY (90) DAY PERIOD DESCRIBED ABOVE. IN NO EVENT WILL THQ (UK) LIMITED BE LIABLE FOR ANY SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES RESULTING FROM POSSESSION, USE OR MALFUNCTION OF THIS THQ (UK) LIMITED PRODUCT. -
PWTORCH NEWSLETTER • PAGE 2 Www
ISSUE #1255 - MAY 26, 2012 TOP FIVE STORIES OF THE WEEK PPV ROUNDTABLE (1) Raw expanding to three hours on July 23 (2) Impact going live every week this summer (3) Flair parting ways with TNA, WWE bound WWE OVER THE LIMIT (4) Raw going “interactive” with weekly voting Staff Scores & Reviews (5) Laurinaitis pins Cena after Show turns heel Pat McNeill, columnist (6.5): The main problem with WWE Over The Limit? The main event went over the limit of what we’ll accept from WWE. You can argue that there was no reason to book John Cena against John Laurinaitis on a pay-per-view, and you’d be right. RawHEA eDLxINpE AaNnALYdSsIS to thrhoeurse, a nhd uosuaullyr tsher e’Js eunoulgyh re2de3eming But on top of that, there was no reason to book content to make it worth the investment. But Cena versus Laurinaitis to go as long as any other three hours? Three hours of lousy content is By Wade Keller, editor major pay-per-view match. And there was no enough that next time viewers might just tune in reason for Cena to drag the match out. It didn’t fit If you follow an industry long enough, you’re for a just an hour instead of the usual two and the storyline. And it made John Cena look like a bound to see some bad decisions being made. certainly not commit to all three. Or they might chump. or like The Stinger, when Big Show turned Some are worse than others, but it’s rare when pick their segments, watching the predictably heel for the umpteenth time and cost him the you think you might be seeing the Worst newsmaking segments at the start of each hour match. -
The Essential Role of Organizational Law
Article The Essential Role of Organizational Law Henry Hansmannt and Reinier Kraakmant* CONTENTS I. INTRODUCTION ................................................................................ 390 II. FIRMS AND LEGAL ENTITIES ........................................................... 391 III. FORMS OF ASSET PARTITIONING ..................................................... 393 A. Affirmative Asset Partitioning................................................. 394 B. Defensive Asset Partitioning................................................... 395 C. Patterns of Partitioning.......................................................... 396 D. Partitioningwith Respect to a Firm'sManagers .................... 398 IV. BENEFITS OF AFFIRMATIVE ASSET PARTITIONING .......................... 398 A. Reducing Monitoring Costs .................................................... 399 1. SubpartitioningAssets Within a Single Firm: CorporateSubsidiaries ................................................... 399 t Sam Harris Professor of Law, Yale Law School. tt Ezra Ripley Thayer Professor of Law, Harvard Law School. For helpful discussions and comments we would particularly like to thank Barry Adler, William Allen, John Armour, Lucian Bebchuk, John Coates, Marcus Cole, Richard Craswell, Robert Ellickson, Wolfgang Fikentscher, Jesse Fried, Antonio Gambaro, Zohar Goshen, Christopher Harrison, Howell Jackson, Louis Kaplow, Michael Klausner, Paul Mahoney, Ronald Mann, Yoshiro Miwa, Peter Muelbert, Eric Orts, Larry Ribstein, Roberta Romano, Michael Whincop, -
The Big Ticket Sweepstakes
WWE Extreme Rules Ticket Sweepstakes July 1, 2019 – July 9, 2019 Official Rules NO PURCHASE OR OBLIGATION NECESSARY TO ENTER OR WIN. VOID OUTSIDE PA, NJ AND DE AND WHERE PROHIBITED. 1. ELIGIBILITY: The WWE Extreme Rules Ticket Sweepstakes (the “Sweepstakes”) is open only to entrants who are legal residents of Pennsylvania, Delaware or New Jersey, 18 years of age or older as of the date of entry. The following persons are not eligible to enter or win: employees of Flyers Skate Zone, L.P. (“Sponsor”) and Comcast Spectacor, LLC, and their respective parents, affiliates, subsidiaries and advertising and promotion agencies and Prize Providers (as defined below) and the immediate families (spouse, parents, siblings and children and their respective spouses, regardless of where they reside) and members of the households, whether or not related, of each of the above. The Sweepstakes is subject to all applicable federal, state and local laws. 2. HOW TO ENTER: The Sweepstakes will commence on Thursday, June 27, 2019 upon posting of the Official Rules at http://www.flyersskatezone.com/wwe-extreme-rules and end on Tuesday, July 9, 2019 at 11:59:59 p.m. Eastern Time (“ET”) (the “Entry Period”). To enter, follow the directions provided to complete the online entry form at http://www.flyersskatezone.com/wwe-extreme-rules and submit electronically during the Entry Period. LIMIT ONE (1) ENTRY, PER PERSON, PER DAY. Additional entries beyond the specified limit will be void. For the purposes of these Official Rules, a “day” will start at 12:00:00 a.m. ET and end at 11:59:59 p.m. -
American Iron Extreme Racing Series 2019 EDITION October 2018 V1.0 THIS BOOK IS an OFFICIAL PUBLICATION of the NATIONAL AUTO SPORT ASSOCIATION
2018 American Iron Extreme National Champion Brian Faessler American Iron Extreme Racing Series 2019 EDITION October 2018 V1.0 THIS BOOK IS AN OFFICIAL PUBLICATION OF THE NATIONAL AUTO SPORT ASSOCIATION. ALL RIGHTS RESERVED. NOTE- MID-SEASON UPDATES MAY BE PUBLISHED. PLEASE NOTE THE VERSION NUMBER ABOVE. THE CONTENTS OF THIS BOOK ARE THE SOLE PROPERTY OF THE NATIONAL AUTO SPORT ASSOCIATION. National Auto Sport Association National Office P.O. Box 2366 Napa Valley, CA 94558 http://www.nasaproracing.com 510-232-NASA 510-412-0549 FAX 1 Contents 2019 Rules and Classifications 2 1. Introduction 2 2. Intent 2 3. Sanctioning Body 3 4. Eligible Manufacturers/Models/Configurations 3 5. Safety 3 6. Car Classifications 5 6.2 Power & Weight 5 7. Modifications 5 8 Inspection and Testing 8 9 On Course Conduct 9 10 Points Structure 9 11. American Iron Extreme Directors / Web Page 10 American Iron Extreme Racing Series Copyright 2019, National Auto Sport Association Official Rules Rules Subject To Change 2019 Rules and Classifications 1. Introduction The American Iron Series is a series with 3 classes: Spec Iron (SI), American Iron (AI) and American Iron Extreme (AIX). The American Iron Extreme Series was created to meet the needs of domestic sedan racers looking for a series specifically tailored to accommodate highly modified vehicles that are currently relegated to racing in Unlimited or Spec- limited classes. This class is designed to field a large high-profile group of American Musclecars and will unify fields of cars that currently race in other sanctioning organizations. This large field/open modification concept will provide racers and vendors access to a promotional racing venue containing similarly prepared and appearing cars that can run nearly unlimited configurations. -
Performance of Gender and Fetishization of Women in WWE Divas Matches – a Case Study Using the Mixed-Methods Framework
Amity Journal of Media & Communication Studies (ISSN 2231 – 1033) Copyright 2016 by ASCO 2016, Vol. 6, No. 1 Amity University Rajasthan Performance of Gender and Fetishization of Women in WWE Divas Matches – A Case Study using the Mixed-Methods Framework Hansa Malhotra The Quint, New Delhi Ruchi Jaggi Symbiosis International University, Pune Abstract This research study aims to combine quantitative and qualitative techniques contextualized in the interpretative paradigm to explore the methodological nuances in mass communication research. Using professional wrestling as the context, this research paper will endeavor to understand the underlying conscious and subconscious biases and stereotypes that one might harbour with respect to discourses of gender and sexuality. Keywords: sexuality, methodology, stereotype Background studies. He identifies these as problems of content, dispersal, While the discussion on methods is central to humanities ephemerality, access, discovery, ethics, production, the plurality of and social sciences, media studies has struggled and reconfigured audiences and generalizability. itself over the last century to accommodate a mix of methodologies The above discussion problematizes the importance of and also develop some exclusive ones. The potential of a method methodological conflicts in the domain of media research. As is dependent on the way in which it connects the researcher to the Merrin (2006) states, Media studies has a range of research question. However in the case of media studies, this favouredmethodologies which it uses. Images are subjected to relationship gets more and more complex as the media ecosystem semiotic analysis and texts are analysed using content analysis and is constantly evolving. The methodological framework of discourse analysis, whilst audiences are studied using both scholarly research in media studies has also developed in myriad qualitative and quantitative methods, from ethnographic ways in this ecosystem. -
Robschambergerartbook1.Pdf
the Champions Collection the first year by Rob Schamberger foreward by Adam Pearce Artwork and text is copyright Rob Schamberger. Foreward text is copyright Adam Pearce. Foreward photograph is copyrgiht Brian Kelley. All other likenesses and trademarks are copyright to their respective and rightful owners and Rob Schamberger makes no claim to them. Brother. Not many people know this, but I’ve always considered myself an artist of sorts. Ever since I was a young kid, I invariably find myself passing the time by doodling, drawing, and, on occasion, even painting. In the space between my paper and pencil, and in those moments when inspiration would strike, my imagination would run amok and these bigger-than-life personas - football players and comic book characters and, of course, professional wrestlers - would come to life. I wasn’t aware of this until much later, but for all those years my mother would quietly steal away my drawings, saving them for all prosperity, and perhaps giving her a way to relive all of those memories of me as a child. That’s exactly what happened to me when she showed me those old sketches of Iron Man and Walter Payton and Fred Flintstone and Hulk Hogan. I found myself instantly transported back to a time where things were simpler and characters were real and the art was pure. I get a lot of really similar feelings when I look at the incredible art that Rob Schamberger has shared with 2 foreward us all. Rob’s passion for art and for professional wrestling struck me immediately as someone that has equally grown to love and appreciate both, and by Adam Pearce truth be told I am extremely jealous of his talents. -
Cubed Circle Newsletter 179 – Wrestlemania Weekend 2015
Cubed Circle Newsletter 179 – WrestleMania Weekend 2015 We didn't have an issue last week due to WrestleMania Weekend, and our preparation for various events. However, we are back this week for what will be, behind the yearbook, most likely our biggest issue of the year covering not only WrestleMania 31, but also all the WWN Live shows (excluding Kaiju), the Hall of Fame, last week's RAW and NXT, Balor/Owens, the post-Mania RAW, terrific ratings, and more! It was the happiest time of the year – WrestleMania Weekend. – Ryan Clingman, Cubed Circle Newsletter Editor WrestleMania 31: A Classic Show? Not Really. Ryan Clingman. It seems strangely apropos that the most important piece of build on this year's Road to WrestleMania took place not in a medium governed by the pens of creative, or even exclusively by the whims of Vince McMahon, but rather through the contract negotiations between the aforementioned VKM and the WWE World Heavyweight Champion Brock Lesnar. With Mania excitement as low as it has been in years, perhaps decades the WrestleMania 31 outlook was far from positive – a reality further compounded by what seemed to be the inevitable departure of Brock Lesnar for a second run with the UFC. Whilst Creative was not remedied during the final week's build, nor may it be recovering a week on from the year's biggest show, last week's breaking news of Lesnar re-signing with the company, soon heated, at least somewhat, a build that had been fast approaching absolute zero. No longer, as in WrestleManias over the past five years, was this show's closing image predictable – the opposite was the case, in fact, as many a possibility involving Lesnar, the heel who was over like a God, Reigns, who was hated by the majority, and Seth Rollins, the Money in the Bank briefcase holder with respect from the hardcore fanbase – were possible.