An Interview with Poet Laureate Tina Chang
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The 'Nirbhaya' Movement: an Indian Feminist Revolution Garima Bakshi
'Nirbhaya' Movement The 'Nirbhaya' Movement: An Indian Feminist Revolution Garima Bakshi In December 2012, New Delhi witnessed a horrifc crime – a female medical student was violently gang-raped on a moving bus and then dumped onto the highway, injured and unconscious. While she didn’t survive the attack, Nirbhaya, as she was named by the media, sparked a revolution in India and its neighboring countries. Tis paper delves into the many aspects of the movement, examining it as a whole by drawing on the theories of Castells, Jenkins, Papacharissi, and Sundaram. It examines the protests that took place on digital forums which then transcended onto the streets, the afective nature of the movement, and international responses it elicited. Garima Bakshi is a Master's candidate at New York University's Media, Culture, and Communication department. Her research focuses on the intersections between feminism, youth movements, and creative protest in South Asia. gnovis • 43 Volume 17, Issue 2 •Spring 2017 n the night of December 16, 2012, protestors took to candlelight vigils and medical student Jyoti Singh and her peaceful demonstrations at India Gate, friend Avanindra Pandey, looking eventually leading to a change in criminal Ofor transportation home, boarded a private laws, and the setting up of a fast track court bus in South Delhi. Immediately after the to prosecute the attackers (Harris and four other men in the bus turned of the lights Kumar, 2015). and snatched Singh’s and Pandey’s phones. Tey beat them up with iron rods, leaving Te outrage that followed the attack opened Pandey half-unconscious (“Delhi Gangrape up a previously nonexistent space for victims Victims Friend Relives the Horrifying 84 and those close to them to speak out against Minutes of December 16 Night”, 2017). -
Tyler Farrell, Ph.D. Website: E-Mail: [email protected] Or [email protected]
Tyler Farrell, Ph.D. website: http://tylerfarrellpoetry.com/ e-mail: [email protected] or [email protected] Educational Background 2002 Ph.D. in English (Creative Writing-Poetry, 20th C. American, British/Irish Poetry, Drama, Fiction) University of Wisconsin-Milwaukee. Dissertation: A Place Was Not Simply A Place – Poems Influenced by Ireland and the US 1997 M.A. in Literature, Creighton University, Omaha, Nebraska. Thesis: “From Miscommunication to Communion: Raymond Carver’s Progression from ‘The Bath’ to ‘A Small Good Thing.’ 1995 B.A. in English and Journalism (double major), Creighton University, Omaha, NE. Interests: Creative Writing (Poetry, Fiction, Non-Fiction, Drama, Screenwriting), Rhetoric & Composition, Drama and Poetry, 19th/20th Century British/Irish & American: Poetry, Fiction, Drama, Memoir. Film Studies. International Education. Professional Employment 2015-present Visiting Assistant Professor – Department of English– Marquette University, Milwaukee, WI 2010-2015 Lecturer – Department of English - Marquette University, Milwaukee, WI. 2009-2011 Lecturer – Department of English - Carroll University, Waukesha, WI. 2009 Instructor – Madison Area Technical College, Madison, WI. 2005-2008 Teaching Specialist/Asst. Prof.-Department of English-University of Dubuque, Dubuque, IA. 2003-2005 Visiting Assistant Professor-Department of English-Northland College, Ashland, WI 2002-2003 Lecturer, University of Wisconsin-Milwaukee and Instructor, Madison Area Technical College 2000-2002 Teaching Assistant (Instructor), UW-Milwaukee -
Download February 2021
ALWAYS Mendocino Coast's FREE Lighthouse February 2021 Peddler The Best Original Writing, plus the Guide to Art, Music, Events, Theater, Film, Books, Poetry and Life on the Coast ValentinesValentines DayDay ArtArt toto Enjoy,Enjoy, 22 GalleriesGalleries toto VisitVisit We’re blessed here on the coast with a world of art that surrounds us. We can take a look at the art, spend a li!le time gazing upon it, read something into it or just enjoy the moment. "is month two of our local galleries will have new exhibits and both are worth a look. So we’ve planned a day for you. Start your day in Gualala at the Dolphin Gallery for their new opening “Hearts for the Arts. "en take an easy 15 minute drive north to Point Arena for a stop at the Coast Highway art Collective where members of the collective will present Valentines Art. And don’t forget to look at the ocean as you drive between the two galleries. Both galleries will welcome you, and you will be assured a delightful day. At the Dolphin Gallery the new exhibit, “Hearts for the Arts”, brings together three artists: Jane Head’s focus on clay, Walt Rush’s on jewels, and Leslie Moody Cresswell’s glass. Cont'd on Page 12 Coast Highway Art Collective in February • Valentines Art and Poetry Meet February 6 By Rozann Grunig !e members of the Coast Highway Art mechanically adept artist mother” and her Council to deliver creative arts instruction Collective are hosting their "rst opening “gregarious, disordered, audacious poet fa- in K-12 classrooms around the Northern reception of 2021 on Saturday, February 6 ther,” she says. -
Clear Black Smoke Mohammed Qasim Ashfaq
CLEAR 1 BLACK 1 2 2 3 SMOKE 3 4 4 5 MOHAMMED 5 6 QASIM 6 7 7 8 ASHFAQ 8 9 9 10 10 11 11 12 12 13 13 14 14 15 15 16 16 17 17 18 18 19 19 20 20 21 21 22 22 23 23 24 24 25 25 26 26 27 27 28 28 CLEAR 1 BLACK 1 2 2 3 SMOKE 3 4 4 5 MOHAMMED 5 6 QASIM 6 7 7 8 ASHFAQ 8 9 9 10 10 11 11 12 12 13 13 14 14 15 15 16 16 17 First Edition 2017 17 18 18 19 Editor Shanay Jhaveri 19 20 Concept Shanay Jhaveri and Hannah Barry 20 21 Coordination Diana Córdoba Barrios 21 22 Photography Damian Griffiths 22 23 Studio photos Mohammed Qasim Ashfaq 23 24 ©The Isamu Noguchi Foundation and Garden Museum 24 25 / ARS, New York + DACS, London 25 26 Design Victoria Bridal 26 27 Typefaces Circular and Palatino Edited by 27 28 Printed by Ex Why Zed, Cambridge, United Kingdom Shanay Jhaveri 28 1 1 2 2 3 3 4 4 5 SCALING UP, TO SHIFT 5 5 6 Shanay Jhaveri 6 7 7 8 BLACK 9 8 9 Alexis Lowry 9 10 10 11 THINKING THROUGH PERFECT 13 11 12 WITH DONATIEN GRAU 12 13 13 14 MULTIPLE PERSPECTIVES: 33 14 15 ISAMU NOGUCHI AND THE JANTAR MANTAR 15 16 Devika Singh 16 17 17 18 POTENTIAL ART 39 18 19 Ben Eastham 19 20 20 21 PERFECTION 45 21 22 Charlie Clarke 22 23 23 24 SHIFT 51 24 25 Paul Hobson 25 26 26 27 27 28 28 SCALING UP, 1 TO SHIFT 2 3 4 SHANAY JHAVERI 5 6 7 8 9 Mohammed Qasim Ashfaq’s is a nascent practice, one that 10 is still revealing itself. -
Marriage Certificates
GROOM LAST NAME GROOM FIRST NAME BRIDE LAST NAME BRIDE FIRST NAME DATE PLACE Abbott Calvin Smerdon Dalkey Irene Mae Davies 8/22/1926 Batavia Abbott George William Winslow Genevieve M. 4/6/1920Alabama Abbotte Consalato Debale Angeline 10/01/192 Batavia Abell John P. Gilfillaus(?) Eleanor Rose 6/4/1928South Byron Abrahamson Henry Paul Fullerton Juanita Blanche 10/1/1931 Batavia Abrams Albert Skye Berusha 4/17/1916Akron, Erie Co. Acheson Harry Queal Margaret Laura 7/21/1933Batavia Acheson Herbert Robert Mcarthy Lydia Elizabeth 8/22/1934 Batavia Acker Clarence Merton Lathrop Fannie Irene 3/23/1929East Bethany Acker George Joseph Fulbrook Dorothy Elizabeth 5/4/1935 Batavia Ackerman Charles Marshall Brumsted Isabel Sara 9/7/1917 Batavia Ackerson Elmer Schwartz Elizabeth M. 2/26/1908Le Roy Ackerson Glen D. Mills Marjorie E. 02/06/1913 Oakfield Ackerson Raymond George Sherman Eleanora E. Amelia 10/25/1927 Batavia Ackert Daniel H. Fisher Catherine M. 08/08/1916 Oakfield Ackley Irving Amos Reid Elizabeth Helen 03/17/1926 Le Roy Acquisto Paul V. Happ Elsie L. 8/27/1925Niagara Falls, Niagara Co. Acton Robert Edward Derr Faith Emma 6/14/1913Brockport, Monroe Co. Adamowicz Ian Kizewicz Joseta 5/14/1917Batavia Adams Charles F. Morton Blanche C. 4/30/1908Le Roy Adams Edward Vice Jane 4/20/1908Batavia Adams Edward Albert Considine Mary 4/6/1920Batavia Adams Elmer Burrows Elsie M. 6/6/1911East Pembroke Adams Frank Leslie Miller Myrtle M. 02/22/1922 Brockport, Monroe Co. Adams George Lester Rebman Florence Evelyn 10/21/1926 Corfu Adams John Benjamin Ford Ada Edith 5/19/1920Batavia Adams Joseph Lawrence Fulton Mary Isabel 5/21/1927Batavia Adams Lawrence Leonard Boyd Amy Lillian 03/02/1918 Le Roy Adams Newton B. -
European Central Bank Executive Board 60640 Frankfurt Am Main Germany Brussels, 30 August 2017 Confirmatory Application to Th
The European Parliament Fabio De Masi - European Parliament - Rue Wiertz 60 - WIB 03M031 - 1047 Brussels European Central Bank Executive Board 60640 Frankfurt am Main Germany Brussels, 30 August 2017 Confirmatory application to the ECB reply dated 3 August 2017 Reference: LS/PT/2017/61 Dear Sir or Madam, We hereby submit a confirmatory application (Art. 7 (2) ECB/2004/3) based on your reply dated 3 August 2017, in which you fully refused access to the legal opinion “Responses to questions concerning the interpretation of Art. 14.4 of the Statute of the ESCB and of the ECB”. We submit the confirmatory application on the following grounds that the ECB has a legal obligation to disclose documents based on Article 2 (1) ECB/2004/3 in conjunction with Article 15 (3) TFEU. Presumption of the exceptions set out in Article 4 (2) ECB/2004/3 (undermining of the protection of court proceedings and legal advice) and Article 4 (3) ECB/2004/3 (undermining of the deliberation process) is unlawful. 1. Protection of legal advice, no undermining of legitimate interests – irrelevance of intentions, future deliberations and ‘erga omnes’ effects In your letter you state, “In the case at hand, public release of the legal opinion – which was sought by the ECB’s decision-making bodies and intended exclusively for their information and consideration – would undermine the ECB’s legitimate interest in receiving frank, objective and comprehensive legal advice. This especially so since this legal advice was not only essential for the decision-making bodies to feed -
Editorial and Design Principles in Precursors Of
PRECURSORS TO THE RISE OF ENGLISH WORLD ATLASES; Theatres, Atlases, Cosmographies, Geographies, and Sets of Maps Dalia Varanka, Research Geographer U.S. Geological Survey 1400 Independence Road Rolla, Mo 65401 Tel. 573.308.3897 Email [email protected] Acnowledgement: This paper is based on doctoral dissertation research formulated under the supervision of J.B. Harley. The dissertation work was supported in part by a grant from the National Science Foundation and with fellowships from the John Carter Brown Library, Brown University; the Hermon Dunlap Smith Center for the History of Cartography, The Newberry Library; and the Graduate College of the University of Wisconsin-Milwaukee. The context of the rise of world atlases in England suggests that they were tied to wider scholarly and social issues covering the period of roughly 1630 through 1730. This short history discusses the cosmographical background and Continental foundations of the rise of world atlases in England, and a survey of relevant English precursors to those atlases. A risk exists of rooting definitions of atlases firmly in cartography, subsuming other defining concepts, such as scientific philosophy and social values. An alternative way to look at atlases is that they are part of the larger corpus of their other contemporary works. The word ‘atlas’ was applied to only a part of our extant corpus of bound or unbound collections of maps of the world made in late seventeenth- century England. A more frequent term is "set of maps," (or Tabularum Geographicarum). ‘Geography’ is also used. Bound sets of maps, which are called Atlas Factice, are almost never called atlases by their makers or producers. -
The Wfhissue
A JOURNAL OF COMMUNICATIONS AND CORPORATE RELATIONS ISSUE 20 2020 The WFH Issue CHRIS KEMPCZINSKI: Year One as McDonald’s CEO SIR ALAN PARKER Interviews Adam Grant BRUNSWICK REVIEW REVIEW BRUNSWICK ADRIAN GORE Is Optimistic m ISSUE 20 DAMBISA MOYO on the Global Economy FLETCHER PREVIN: m IBM’s Pandemic Response 2020 AUDRA McDONALD on Broadway NEAL WOLIN on 2009 v 2020 SHELLYE ARCHAMBEAU: Unapologetically Ambitious SIR MARK ROWLEY The Unarmed Cop PHARMA v COVID-19 Brunswick is a strategic advisory firm focused on critical issues. Our purpose is to help the great value-creating organizations of the world play a more successful role in society. We advise on critical issues at the center of business, politics and society, and help our clients—the leaders of large, complex organizations—understand and navigate these interconnected worlds. To download and share Brunswick Review stories go to www.brunswickgroup.com/review You can follow us on Twitter @BrunswickGroup Highlights from this and previous issues are also available on LinkedIn editor in chief Kevin Helliker managing editor Carlton Wilkinson creative director Frank Tagariello senior writer, deputy editor Edward Stephens project manager Caitlin Koons editorial advisor Vanessa Quarrie The Brunswick Review is printed on Revive print production MerchantCantos 100% recycled, made using post-consumer printed by CPI Colour waste fibers and manufactured without the cover illustration Noma Bar use of any secondary bleaching. feedback [email protected] Copyright © Brunswick Group LLP 2020 2 2The Age of Acceleration BY SIR ALAN PARKER here are moments in history when 20everything seems to accelerate. Ten years in one. -
2018-2019 Foundation Annual Report
GRATEFUL2018-2019 REGIONAL HEALTH FOUNDATION DONOR REPORT HEARTS regionalhealth.org/donate CONTENTS 5 | A LETTER FROM PAULETTE DAVIDSON 7 | A LETTER FROM PRISCILLA ROMKEMA 7 | A LETTER FROM PAT BURCHILL 8 | REGIONAL HEALTH FOUNDATION BOARD 9 | REGIONAL HEALTH FOUNDATION TEAM 10 | LETTERS FROM MARKET LEADERS 12 | FUND ALLOCATIONS 13 | SOUTH DAKOTA GIVES 14 | CHILDREN’S MIRACLE NETWORK 16 | CHILDREN’S MIRACLE NETWORK: EVENTS 17 | CHILDREN’S MIRACLE NETWORK: ZACH’S STORY 18 | CANCER CARE INSTITUTE 20 | CANCER CARE INSTITUTE: EVENTS 21 | CANCER CARE INSTITUTE; CARLA’S STORY 22 | HOME+ HOSPICE 23 | HOME+ HOSPICE: EVENTS, LUCILLE’S STORY 24 | CUSTER HOSPITAL HEALING & WELLNESS GARDEN 26 | THE GALA 29 | THE GALA - AWARD OF DISTINCTION 30 | GIFTS OF HONOR 31 | FULL DONOR LIST 57 | SAVE THE DATE 58 | GRATEFUL PATIENT PROGRAM 59 | LOOKING FORWARD EVERY GIFT MAKES A DIFFERENCE The Regional Health Foundation strengthens the health of our communities by building a culture of generosity. In partnership with Regional Health, we aspire to excellence in health care through gifts of engagement and generosity. We share the values of Regional Health and maintain a high level of accountability and dedication. GRATE FUL • Dear Friends, grate· ful | \ 'grāt-fel l \ I’m proud of the meaningful progress that was today, while dreaming big for tomorrow. It’s a made possible this past year by your generous commitment to growth and permanence. You’ll gifts. We purchased life-saving equipment for our see us begin using our new name and brand in A : appreciative of benefits received smallest patients in our neonatal intensive care January 2020. -
Victoria Albert &Art & Love Public and Private Aspects of a Royal Sculpture Collection
Victoria Albert &Art & Love Public and private aspects of a royal sculpture collection Philip Ward-Jackson Essays from a study day held at the National Gallery, London on 5 and 6 June 2010 Edited by Susanna Avery-Quash Design by Tom Keates at Mick Keates Design Published by Royal Collection Trust / © HM Queen Elizabeth II 2012. Royal Collection Enterprises Limited St James’s Palace, London SW1A 1JR www.royalcollection.org ISBN 978 1905686 75 9 First published online 23/04/2012 This publication may be downloaded and printed either in its entirety or as individual chapters. It may be reproduced, and copies distributed, for non-commercial, educational purposes only. Please properly attribute the material to its respective authors. For any other uses please contact Royal Collection Enterprises Limited. www.royalcollection.org.uk Victoria Albert &Art & Love Public and private aspects of a royal sculpture collection Philip Ward-Jackson The mid-nineteenth century saw sculpture spectacularly brought out of the closet by an educated and cosmopolitan elite for the public’s improvement – and, incidentally, also of course for its entertainment. From the 1850s it began to be hard for private collectors to keep up with the displays available at international exhibitions. This was something that came about partly through the agency of Prince Albert, and after the closure of the Great Exhibition by far the largest collection of sculpture ever seen in this country was assembled at Sydenham by the Crystal Palace Company, admittedly consisting mostly of plaster casts.1 The burning down of the Sydenham Crystal Palace in 1936 and the dispersal of several important early Victorian sculpture collections have left Victoria and Albert’s collection of contemporary sculpture to enjoy unchallenged pre-eminence. -
Profiling Women in Sixteenth-Century Italian
BEAUTY, POWER, PROPAGANDA, AND CELEBRATION: PROFILING WOMEN IN SIXTEENTH-CENTURY ITALIAN COMMEMORATIVE MEDALS by CHRISTINE CHIORIAN WOLKEN Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Edward Olszewski Department of Art History CASE WESTERN RESERVE UNIVERISTY August, 2012 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Christine Chiorian Wolken _______________________________________________________ Doctor of Philosophy Candidate for the __________________________________________ degree*. Edward J. Olszewski (signed) _________________________________________________________ (Chair of the Committee) Catherine Scallen __________________________________________________________________ Jon Seydl __________________________________________________________________ Holly Witchey __________________________________________________________________ April 2, 2012 (date)_______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. 1 To my children, Sofia, Juliet, and Edward 2 Table of Contents List of Images ……………………………………………………………………..….4 Acknowledgements……………………………………………………………...…..12 Abstract……………………………………………………………………………...15 Introduction…………………………………………………………………………16 Chapter 1: Situating Sixteenth-Century Medals of Women: the history, production techniques and stylistic developments in the medal………...44 Chapter 2: Expressing the Link between Beauty and -
Authorized Catalogs - United States
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