MCC VAPS 2010 Entries 1. Stephen Paul Breakfast for the kids EDI 2. Robert Groom Marcus EDI 3. John Meir Frogface EDI 4. Norman Blaikie And yet he can still smile Print 5. Robert Groom Criterium EDI 6. Nadia Paul Fly before the storm EDI

2

1

3 4

5 6

Page 2 Exposure President’s Report

Hello Friends! The rules have been modified The days are getting longer, blue slightly to emphasize the fact that the skies are peeking through and spring is competition endeavours to showcase just around the corner. At the Club, we are the current work of active slide workers busier than ever with more opportunities and subsequently requires that images in more areas for members to enjoy! submitted should be shot within the last five years. Full details are available Joint TDPG and EDI Exhibition online. As most will be aware, the Many thanks are due to Jim Camera Club is holding a Weatherill for all his work and support, double exhibition featuring the work of both at MCC and VAPS level. Jim the Traditional Darkroom Printmakers’ suggested the name change and Group and Electronic Digital Images. This th engaged Ross Penny as the judge. exhibition will mark the 10 annual Thanks also to Ronald Jore for keeping TDPG exhibition and inaugural EDI our awareness up of this fabulous exhibition for the Club. We are honoured opportunity. to have Terry Lane from The Age and The ABC reviewing and opening the joint Random Images exhibition on August 21st at the club Members who attend Thursday rooms. Club nights will notice we are trialling Many thanks are due to the members an innovative and appealing new idea of the Exhibition Committee, Messrs John suggested and co-ordinated by Peter Spring, Selby Markham and Tim Walton. Known as ‘Random Images’ Kohlman for their exceptional work in three members will present five recent making the exhibitions come to life. Of images in an informal and friendly chat. course, the scores of artists and supporters We hope this will bring a more have made this event truly club wide, relaxed and diverse feeling to the club enriching the life and social cohesion of nights, developing our familiarity with our wonderful club. Thank you all! other members work and their photographic interests. If you would New Competition Committee like to participate, please see Peter Recently, we called for expressions Walton. of interest from members to join the And thanks Peter for a wonderful Competition Committee and I am pleased suggestion! to announce that the MCC Board has charged a fine team of diversely Your Representatives Need Your experienced and capable members with Vote! this task. The Competition Committee And finally, I am pleased to comprises John Spring, Nicole Andrews, announce that nominations open for Charles Kosina, Margaret Huxtable, Jim Board appointments this week. Please Weatherill and Maggie Smith. The aims see further details regarding the AGM, of the Competition Committee are: elections and MCC Board governance 1. A smooth, trouble-free competition in this edition of Exposure. process. What a wonderful few months it 2. Development of new competition has been. In taking on the role as opportunities for members of the MCC. President I have endeavoured to listen 3. Education for members in competition closely to your ideas, issues and requirements. concerns and act accordingly. My main 4. Planning for competitions including areas of focus have been to develop and competition adjudication. provide new and diverse opportunities, 5. Conflict management. promote member inclusive action and Special thanks are due to these facilitate the work of our incredibly members for volunteering their time and capable members. expertise. We look forward to their Thank you to all for your hard support and development of competition work and support throughout my term opportunities at the MCC. as President. I could not have done it without you! Ross Penny Slide Competition Cheers and happy photographing The MCC-hosted, VAPS-wide slide to all, competition Ross Penny instigated two Jo Beilby years ago has been renamed in recognition of his efforts. This competition was Exposure Editors started to provide opportunities for slide workers and to reinvigorate the slide Editor in Chief - Phil Marley competition scene. And it is coming up Technical Editor - Charles Kosina again, so get your entries ready! [email protected] Deadline for September-October issue is 30 September 2010

July - August 2010 Page 3 The Making of “A Place for Reflection” Barbara Butler

Ravensbruck was a women's camp

and white photographs I decided that as the place was so taken in a cemetery which extensive, and I was not all that nimble, I'd understood was in Paris I should concentrate on just one area of and I thought it was a place the cemetery. I started collecting names I'd like to visit. So the of some well known figures who were research began - what was reasonably close “neighbours”, and the name of this cemetery, then collected some information about where was it, how would I their lives. I ended up with much more get to it etc. I found the material than I could use, but I learnt One of the many pathways criss-crossing the cemetery name quickly - “Pere such a lot along the way - it was totally Lachaise”, and the rest absorbing. I couldn't be certain of who hese days when a film is marketed followed. T on DVD it is often accompanied by Looking at a whole lot of background material and the website I described as “The Making of ...... ”. found this was Here follows my version - some really quite an background to an audiovisual sequence extraordinary which has done well for me in place, populated competition and which I will take with (?) by some of the me later in the year to Cirencester in the greatest artistic UK, to try my luck at the RPS and creative International AV Festival. minds; writers, In early 2007 I paid my deposit on composers, poets, a trip to Morocco which was to include artists in all a four day stopover in Paris. I'd genres and previously seen some wonderful black political figures. Commemorating those who died during the Paris “Commune” of 1871

My mind was abuzz. would be featured until I had actually I knew I wanted to make made the trip and found the graves, but an AV, but where to I did head off with a good idea of what start? So many stories I was looking for. and only a maximum of I was travelling with friends, four twelve minutes in which of whom chose to come with me on the to tell them. Even then it day, although two very quickly dropped must be riveting to hold out. Every now and again in life luck the attention of an steps in, and we were soon to find that audience for that long, this day was the anniversary of Edith and as I was still fairly Piaf's death. new to this game, I had She had many visitors and I took Monuments “cheek to cheek” to be careful. many photos. My research had

Page 4 Exposure Paying homage to Edith Piaf

There were Eventually home again, choosing disappointments along the and editing images and designing the way - the 12th Century look of the sequence probably came lovers Abelard and first, but it's hard to remember as the Heloise were there but music and stories had been floating finding them was very through my mind for months. I decided difficult. Sadly, when my to convert the images to black and friend did locate the white, and then reintroduce colour in beautiful marble selected areas to highlight the Autumn Disappointment at the scaffolding around the resting monument it was colours. I wrote the script, selected place of Abelard and Heloise, and then ...... completely surrounded by music from each of the singers and scaffolding and under composers I was featuring and found concentrated on the artists and when I repair, so the photos were not quite some dark sound effects for the came across the first of the memorials what I had planned. By the time we Holocaust part. Then I had to record my dedicated to those who died in the had finally found Frederik Chopin we voiceover - over and over again until I Holocaust I was taken by surprise. were near collapse. had it as good as I could possibly make There are many of these memorials and It had been a very long day and it. it is very moving to walk among them. this place is on the side of a hill. So, I make my sequences on a So I just kept on taking photographs, then to Morocco and that adventure Macintosh using Fotomagico software. knowing that I wanted to find a way to (This granny rode a quadbike in the The soundtrack is made in Garageband. incorporate them in my sequence. Sahara!!). This sequence contains 65 images and runs for a little over six minutes. The soundtrack is comprised of six different pieces of music and 15 clips of voice mixed down and then exported to iTunes. I started the initial research mid- 2007 and the sequence was first shown in July 2008. The synopsis for the sequence reads: “After visiting a historic cemetery the author is reflecting on past lives and the fact that their contribution is still remembered and valued by generations to come”. I'm hoping for an international acceptance in Cirencester but the competition is extremely tough, the makers from the UK and Europe are exceptionally good, and I'm looking forward to being absorbed in AVs for three days. ……. a bit of physical manoeuvering and some cloning in Photoshop Wish me luck though! to get a halfway decent image of the tomb

July - August 2010 Page 5 From Pictorialism to Modernism Alan Elliott Davison, Frank images and photographic purpose Sutcliffe and A. ineffective”. Perhaps his most Horsely Hinton. famous work is Fading Away (1858), a They were combination of five images. It depicts a determined to young woman dying of consumption to distinguish the despair of the members of her themselves from family. Whilst seen today as overly the amateur sentimental there is no denying the ‘button pushers’ power of the image. with their newly Robinson summed up his acquired box philosophy as “any dodge or trick…is cameras. open to the photographer’s use. It is his Photography had imperative duty to avoid the base, the become mean and the ugly and to elevate his democratized to, subject…and to correct the as they saw it, unpicturesque.” This approach to art John Kauffman. After Sunrise. c.1900. the detriment of photography was adopted by the printed on textured paper. art photography. pictorialists. George Davison was a

he pictorialism movement arose At the same T from a division within the time they wished to Photographic Society (now The Royal distance themselves Photographic Society) in England from the scientific when the art photographers came into photographers with conflict with those whose main interest their emphasis on was the science of photography. Some sharpness, detail members, disenchanted with the and glossy prints. emphasis on the scientific aspects to Paradoxically, as it the detriment of artistic endeavour, became easier to severed their ties with the Society. produce a crisp and In 1892 they formed an detailed image, art independent group called the photographers Brotherhood of the Linked Ring with began to criticize the aim of bringing together those who photographs for Sydney Fox. Evening Glow. 1908. are interested in the development of the being too sharp! Printed through a texture screen. highest form of art of which The theoretical photography is capable. Founding foundation for photographic noted proponent of impressionistic members of the Linked Ring included pictorialism was set out by Henry photography. His soft-focus image The illustrious names such as H.P. Peach Robinson as early as 1869 in Onion Field is credited by photo- Robinson, Frederick Evans, George his book Pictorial historians as marking the beginning of Effects in the pictorial movement. Photography. The pictorialists argued that the Robinson was a sharp print was not art. They asserted professional that the negative from the camera was photographer merely one step along the path to an art whose work was print. Detail had to be subdued by influenced by the various means such as the soft focus paintings of lens, bromoil printing or printing J.M.W. Turner. through a textured screen. Mood, The limitations of “massing” and balance were widely photography used to convey an impressionistic, caused him to turn pictorial effect. Images in the main to combination were made, not found. Reacting against printing. His the harshness of the industrial age, the images were pictorialists looked back to the past as widely admired at seen through a romantic haze. They the time but some sought beauty in subject matter and critics thought that softness in portraying it. Now seen as Harold Cazneaux. Spirit of Endurance. 1930. the “alteration of dated, it must be said that many Bromoil. reality made the pictorial images are quite beautiful,

Page 6 Exposure characterized by less Caire. Hart’s influence can be seen in extreme softening of their preferred method of achieving detail and stronger pictorial effects. They combined choice contrast in printing. of subject matter with sound technical Combination control rather than “faking” the result printing was used by manipulation of the print. mostly to replace an Later, another pictorialist group uninteresting sky. was formed in Melbourne. The The pictorial Victorian School of Photography style was not without included Dr Julian Smith, Bill its critics. Howieson, John Eaton and Stuart Pictorialists Hopkins. Pictorialists working outside John B. Eaton. No title 1935. Bromoil were derided as these groups included Hugo Keil of “fuzzy wuzzies” who, Adelaide and Miss P. Jennings Smith of having a quiet charm of their own. The far from reflecting true life, were Melbourne. These people were mostly Linked Ring, that small but influential baffling the vision and confusing the amateurs, but many professionals group of English photographers, adopted the style if for no other soon became a powerful force. reason than it was fashionable as That their time had arrived is well as having the benefit of shown by the fact that their reducing the need for the retouching influence rapidly spread around the of portraits. world. In America, the Inevitably, there was eventually domineering but highly respected a move away from pictorialism. photographer Alfred Stieglitz was From about 1910 modernist thought influential in promoting the began to question the traditional pictorial mode. In 1902 he formed values in all walks of life, including an elite group known as the Photo art. In photography, modernism Secession Movement to advance unveiled new ways of seeing and the Pictorial cause. His gallery at shattered the concepts underlying 291 Fifth Avenue, New York pictorialism. At the same time, became a place where aspiring art technical developments enabled photographers hoped to have their sharp and detailed images from work exhibited. However, smaller and more portable cameras landscape photographers such as thus widening the choice of subjects Ansel Adams discarded and enabling the photographer to pictorialism as it failed to convey 'capture the moment'. the power of the wide American Startling images began to scene. emerge from America and Europe. Dr John Kauffman is credited One of the innovators was the with bringing pictorialism to Len Mullumby. Roofie. 1959. Gelatin silver American artist Emmanuel . He returned to Adelaide from Europe in 1897, fired with brains of the viewers. The enthusiasm for pictorialist photography. founder of our club, He joined the South Australian Ludovico Hart, a Photographic Society, and soon his consummate technician and work was winning awards in National art expert writing in and International salons. Pictorialist retirement in 1904, argued groups such as the Sydney Camera against what he called the Circle and the Melbourne Camera “hazy blurred productions Circle were formed. Photographers one has seen of later years.” such as Harold Cazneaux, Sydney Fox, In 1907, the Working and Norman Deck took up the Men’s College Photographic pictorialist style with enthusiasm. Club (forerunner of our club) While Kauffman remained faithful formed a short-lived to the soft-focus image and selected pictorialist group: The subjects suitable for the technique, it Australian School of was soon apparent that the soft Photographers. Most of the impressionistic style, so suited to the members had studied under nostalgic view of the English Hart and worked in what they landscape, was no more appropriate to called the “naturalist the wide expanses and bright sunlight pictorial” style rather like the of Australia than it was to the vast Photo Secessionists. Included American scene. The Australian in their number were A. landscape work by photographers such Campbell, J.P. Campbell, as J.B. Eaton and W. Howieson is E.C. Joshua and Nicholas J. Szczepanski. Noirelle, 1959. Gelatin silver

July - August 2010 Page 7 unusual viewpoints, severe arrived from Perth in the early 1950s, cropping and other vigorously promoted the new techniques which were photography. He encouraged taking photography into new documentary photography and and exciting areas. introduced the style of the pin-sharp, Australian glazed, glossy print which took photography was largely advantage both of technical advances isolated from these and the use of the entire area of the 16 developments. Many by 20 inch exhibition size mount. By Australian photographers 1960 our work had undergone a quiet clung to pictorialism well revolution, stimulated by exposure to into the 1940s, yet forward the exciting images submitted by thinking workers were overseas photographers to the glimpsing the future. For Melbourne International Exhibition of example, professional Photography run by our club. photographer Athol Shmith Towards the end of the 20th century (later an Honorary Life modernism had developed into post- Member of our club) modernism. It would embrace almost remarked in 1939, “there all subject matter and all photographic was all the Rembrandt style forms of expression – both hard-edge of portraiture with rigid use and soft-focus, colour and of lighting and huge monochrome, conventional and mixed shadows; there was the media, silver and digital capture, early pictorialist movement with techniques and experimental, traditional diffused images and and modernist styles. everything soft.” Nor was he Philosopher Frederic Jameson pretentious about his work. describes post-modernism as the David Ellis. Circus Child. 1970. “I can’t stand the word “art”. “dominant logic of late-capitalism” Gelatin silver I am a photographer, just call Artists are again questioning all that has me that”, he continued. gone before. In the words of Heraclitis, Radinsky, known as Man Ray. In New But in Australia, flirting with “everything is in a state of change.” York, Man Ray met the avante-garde modernism invited criticism. For French artist Marcel Duchamp. They example, in reviewing the 1940 soon became the centre of radical anti- exhibition at the Victorian Salon art activities in the United States. John Scott Simmons wrote, They founded the avant-garde “Why must we resort to Société Anonyme to hold exhibitions stark goulishness to attract and publish books. However, finding attention? We have been that their work was not well received, perhaps too much they moved to Paris where they amenable to Continental became associated with the Bohemian influences. What a change non-conformist circle and the Dada it is to turn to Bill movement. Dadaism appealed to them Howieson’s charming print because it rejected the prevailing Melbourne. This is the first standards in art. real soft-focus picture the Man Ray’s first work in this style writer has seen for many to be shown in Paris was a flat iron years. Taken directly in the with tacks glued to the bottom plate. camera, the result is first This must have come as a shock to rate.” viewers of the day. He went on to After World War 2 experiment with techniques such as modernism gained greater solarisation and camera-less acceptance. In 1953 photographs, expressing his anti- and bourgeois, anti-conformist and Wolfgang Sievers, both anarchistic views. Man Ray joined the from (and Surrealists in about 1925. supporters of our club), Their manifesto was to reveal the promoted the ideals of subconscious mind as pioneered by modernism at their Sigmund Freud, thus freeing exhibition New Visions in photography from its rôle of recording Photography at the observable world, using it instead Melbourne’s Federal Hotel. to create images from the imagination. Yet in amateur clubs At the same time at Germany’s pictorialism remained Bauhaus, Moholy-Nagy was popular. In our own club, Ken Green. At Last. 1972. experimenting with photomontage, Len Mullumby, newly Gelatin silver, combination print

Page 8 Exposure density filter and as a result of the small A New Camera sensor size there is plenty (sometimes too Ian Bock much) depth of field. x But Photoshop can still blur out x An eyelevel finder is a must (you can backgrounds. hold it more steadily and you don't have a x And what do I like best - I can set it on problem when the sun shines on the auto ISO and program exposure, flash not have bought a new camera. viewfinder). to fire, and can take photos in poor light I So! What's different? x The viewfinder must be articulated. I more conveniently and just as well as my It's new, its digital and it's not a Pentax. have wasted many shots shooting with DSLR. Photos that I would not even try It's not even an SLR. the camera on the ground hoping the with my film camera. Most importantly it is to take pictures. DSLR was pointed in the right direction. Yes I've taken photos with many cameras in x I wanted about 10 megapixels. my collection but there are also a lot that I x I wanted it to be able to shoot RAW. MCC Book Project have not used, especially the compact/point x I wanted program, aperture priority and shoot cameras that are starting to appear and manual exposure at least. he MCC is pleased to announce they are producing a coffee table in opportunity shops and garage sales (some x I wanted a flash hot shoe that could be T book of members’ photographs to of them still with a half-used film in them). used with an external flash or a studio th That’s one effect of the digital flash. commemorate the 120 year as a revolution, with so many mobile phones that The Canon G11 meets all these photographic club. now take photos. (Nokia has taken over as requirements. Unlike the previous book, “A the largest (in number) manufacturer of After six months and over two Century Exposed”, this book will be cameras.) It has downgraded the value of thousand exposures, where does it stand? non-historical in nature and focus photographs. So many are taken, especially What problems does it have? content on a snapshot of what members by teenagers, looked at and eventually x The eyelevel viewfinder is not very are shooting now. deleted. Not even transferred to the accurate, but I can always crop a bit. The project was conceived by MCC President Jo Beilby and developed with computer, much less printed. x Though better than other compact Kim Thorogood and Greg Hotson as a Is it any wonder that our introduction digital cameras I have used, there is still a collaborative project. Together they course is always booked out by people who lag between pressing the button and realise there must be a better way? getting the picture especially when form an experienced and talented team But I diverge.I have purchased a Canon photographing an active four-year-old dedicated to bringing a diversity of G11. Why? granddaughter. photographic opportunities to members of the Club. My Pentax DSLR still takes excellent x If I'm not careful my right thumb The Publications Committee has photos but I am changing. It is big and very presses the wrong buttons on the back designed a book providing publication heavy and there are places where I am now when taking a photo. opportunities for all members that can wanting to take photos where it is not x The rocker to zoom the lens-twisting a be distributed widely, is professionally convenient. Or maybe I'm getting too old to lens barrel is much faster and more perfect bound, and rivals any other be carrying it everywhere all day. Or are the accurate. authorities making it more difficult to take photographic book on the market today. x Not being able to use filters - but one photos. “We see this as a fabulous opportunity can get an accessory to permit this at the I often bring it into club meetings and for MCC members to show their work to expense of pocketability. And how often sometime take photos. friends and family in a professional does one use filters with digital. But it won't get pensioned off - when I production,” said Jo Beilby, Editor in And what do I like? go where I think there will be good photos Chief of the project. “Now is the time x Obviously its size, and the articulated and not just snapshots I will be taking it. Or for you to get together your ideas for LCD viewfinder I will take both. photographs you would like to submit.” The G11 is to take more photos and x I can take it places where I may not be All MCC members are invited to able to take the DSLR. different photos. So what did I want? submit up to two photographs in each of x I wanted a camera I could put in my x The lens is equivalent to 28 to 140mm. the five themes of the book: Places, pocket (the G11 needs a big pocket but it is I would like wider but I don't miss longer Photojournalism, Black and White, close enough). and with longer one often requires a Melbourne, Creative, and People. tripod so one may as Further submission guidelines will well take the DSLR. follow in eMCC and members can email x And computer for more information by contacting Jo stitching will often Beilby at [email protected]. handle wider. “Photography means many x Its articulated different things these days,” said Jo. LCD screen is also “With new production opportunities we great for photos with can all know the excitement of having a me in it (eg for the few of our images in print. It’s a great self-portrait requested opportunity I know members will jump for the EDI at.” Together with the MCC Board, the Exhibition.) Publications Committee is designing a x F/2.8 at the wide production process that takes all the hard A Difficult Lie end is useful. work out of being a contributor to such a Photo taken with the Canon G11 resting on the ground. The photo x A minimum landmark book. Members will be able to has been modified in Photoshop.Due to the delay after firing the aperture of F/8. is pre-order their book to ensure their shutter, the bowl that has just been bowled is behind the bowl next limiting when using copy. to the kitty, so I had to insert another bowl. Another bowl was my studio flash but Keep your eyes on eMCC for inserted on the left edge to balance the composition. Shadows the camera can swing further submission guidelines and start were placed under the two added bowls, levels, etc. were adjusted. in a built-in neutral shooting!

July - August 2010 Page 9 Monthly Competition Scores to July

A Grade Open Prints Set Subject Prints A Grade Open EDI Jun Jul Total Jun Jul Total Jun Jul Total Darren Bennett hh pe 46 Darren Bennett hh ee 31 Nicole Andrews he ee 31 Debashis Talukdar cc ee 24 Gary Richardson pe ee 34 Rob Featonby hh 28 Gary Richardson ee he 24 Norman Blaikie cc ee 28 John Spring he he 22 David Purdue pe he 25 John Van Hirsel ce he 28 Rob Fentonby ce 18 Darren Bennett hc ce 22 Marg Huxtable ee ee 19 Nicole Andrews ee ee 18 John Meir cc ee 22 John Spring ce ee 18 Marg Huxtable ee 16 Annette James ce he 20 Annette James ce ee 18 Annette James ce ee 16 Charles Kosina ce ee 20 Ray Huntley ce ce 18 John Meir ce ee 16 Norman Blaikie ee ee 20 Mieke Boynton 16 Sandra Eichler ee ce 16 Rachel Ferris ce ee 19 Charles Kosina ee ee 16 Mieke Boynton 14 Donna Zempel ee ee 14 Maggie Smith ce 14 Phil Marley ee ee 18 Scott Heim c 13 Jim Weatherill cc 12 John Spring ce ee 16 Ian Bock hc ee 13 Marg Huxtable ce 16 Nicole Andrews e e 12 Maggie Smith ce 12 Avice McConnell ee ee 11 Robert Fairweather ee ee 12 Mieke Boynton 16 Ian Bock ce 10 Charles Kosina ce ee 11 Ian Bock ee ee 14 John Meir ee ee 10 Joanna Beilby 9 Boaz Lahav ee ee 12 Jason Mather 6 Eugene Pitulice 8 Maggie Smith h he 11 Rachel Ferris c ce 8 Nino Xerri 2 Barbara Butler ce ee 10 Edgar Gatt 2 John van Hirsel 5 Barb Butler ee 2 Jim Weatherill 4 Jim Weatherill he 8 Selby Markam 4 Leif Andersen 8 B Grade Open Prints Avice McConnell ee 4 Andrew Gyopar 6 Jun Jul Total Jason Mather 3 Carolyn Buckley he 6 Sandra Eichler hc pe 44 Barb Butler e ee 3 Stephen Paul 2 Rob Featonby pe 27 Colyn Rankin 2 Greg Hotson hc ee 24 Tony Davidovski 2 Ray Farrugia ee ee 20 Chelone Wolf 1 B Grade Open EDI Leif Anderson ee 16 Leif Anderson 1 Jun Jul Total Eugene Pitulice 10 Terry Piccinin 1 Sandra Eichler hc he 35 Tony Davidovski 8 Annette Donald he ee 20 Selby Markham 4 Debashis Talukdar hc ce 19 David Dyett 2 Set Subject EDI Alan Donald ee ce 18 Kim Thorogood 2 Jun Jul Total Robert Fairweather ee ee 17 David Dyett e 2 Nicole Andrews hh pe 31 David jacobs hh he 16 Darren Bennett hh ee 26 Donna Zempel ce ee 15 C Grade Open Prints Annette James cc ee 25 Sheryl Opie ce ee 14 Jun Jul Total Annette Donald hc ee 25 Nino Xerris 12 Debashis Talukdar hh hc 46 Rob Featonby cc 24 Simon Galbally 12 John Mallett ce ee 22 Debashis Talukdar hc ee 21 Kim Thorogood 2 Rachel Ferris ee ee 18 Donna Zempel he he 20 Reuben Glass 2 Donna Zempel ce ce 18 Rachel Ferris h h 19 Robert Fairweather ce ee 14 Mieke Boynton 18 Sandra Eichler ce ee 18 Tim Kolhman 10 Alan Donald ee ee 14 September EDI Ian Holdsworth ce ce 8 Ian Bock ce ce 14 Chelone Wolf 6 John Meir ee ee 14 Joanna Beilby 5 John Spring he ee 13 The September EDI Alec McKaskill 4 Charles Kosina ee ee 12 competition is on the Ronald Jore 2 Barbara Butler ee ee 10 Fiona Williams ee 2 David Jacobs ce cc 10 30th, the fifth Thursday of Shane Booth 1 Maggie Smith hc ee 10 the month, not the fourth. Colyn Rankin 1 Marg Huxtable 10 But entries are still John Callahan e 1 Robert Fairweather ee ee 9 Sheryl Opie ee ce 7 required on the second Carolyn Buckley he 6 Thursday on the 9th. Points Scoring System Andrew Gyopar 4 Set subject for Entry (no award) e 1 point David Purdue 4 September is “Eggs”. Commended c 3 points Jim Weatherill 4 Highly commended h 5 points Leif Andersen 3 Print/EDI of the Month p 6 points Simon Galbally 3 (5 for highly commended plus 1 extra) Reuben Glass 2

Page 10 Exposure 1 2

3 4 MCC VAPS 2010 Print Entries

1. Rob Featonby GTS 2. Maggie Smith Early morning swim 3. Marg Huxtable Senior citizen of Laos 4. Gary Richardson The provider 5. Jim Weatherill Seppo 6. Sandra Eichler Troubadour 7. Ray Huntley Pipes 8. Darren Bennett The Waiting Room 9. Ian Bock Gallery

Cover Photo Pipes by Ray Huntley

5 6 7

8 9 July - August 2010 Page 11 Darren Bennett Milky way July colour print of month Gary Richardson Fire in the sky June colour print of month

David Purdue Horror movie June EDI of month

Nicole Andrews Washing day July EDI of month

Rob Featonby The stockman June mono print of month Sandra Eichler Famous icon - fameless view July mono print of month