Delectable: Youth and Freedom Infuse This

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Delectable: Youth and Freedom Infuse This

“MEMORABLE! [PARIS] IS AFFECTIONATELY DRAWN BY SIX NEW WAVE DIRECTORS IN PLEASING PASTELS.” —The New York Times “DELECTABLE: YOUTH AND FREEDOM INFUSE THIS COHERENT, AMBITIOUS WORK.” —LE MONDE “A PERFECT BALANCE IS STRUCK BETWEEN THE BIG CITY AND INDIVIDUALS, THE CITYSCAPE AN INTERIOR SPACES, THE PUBLIC AND PRIVATE.” —THE STRANGER “A DELICIOUS SMORGASBORD OF SHORT OFFERINGS THAT PAY TRIBUTE TO THE CITY THAT INSPIRED THE NEW WAVE GENERATION.” —HARVARD FILM ARCHIVE “AMUSING...BEAUTIFUL.” —THE LOS ANGELES TIMES NEWLY RESTORED In 1965, young producer Barbet Schroeder supplied a 16mm camera, along with color film stock, to six friends, asking them to each make a BERLIN FILM NEW YORK TORINO FILM short film about a Parisian neighborhood. The resulting films were shot FESTIVAL FILM FESTIVAL FESTIVAL quickly, with low budgets, improvised takes and live sound. Fresh and original, and featuring contributions by luminaries including Nestor Almendros, Albert Maysles and Jackie Reynal, these six vignettes offer LISBON AND SIN- VIENNALE TRA FILM FESTIVAL FILM FESTIVAL captivating and varied glimpses of the City of Lights: “Saint Germain des Prés” by Jean Douchet “Gare du Nord” by Jean Rouch SIX IN PARIS (PARIS VU PAR) “Rue Saint Denis” by Jean-Daniel Pollet A film by Claude Chabrol, Jean Douchet, Jean-Luc Godard, Jean-Daniel Pollet, Eric Rohmer and Jean Rouch • Produced by Barbet Schroeder • An Icarus Films Release “Place de l’Étoile” by Eric Rohmer 1995 • 96 minutes • Color/ in French w/English subtitles • Not Rated “Montparnasse et Levallois” by Jean-Luc Godard SRP: $26.98 / UPC: 8-54565-00342-2 “La Muette” by Claude Chabrol PRE-BOOK 12/22/20 – STREET 1/19/21 HomeVideo.IcarusFilms.com • Tel: 1 (800) 876-1610 • Email: [email protected].

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Paradoxes of the Nouvelle Vague
ARTICLES · Cinema Comparat/ive Cinema · Vol. I · No. 2. · 2013 · 77-82 Paradoxes of the Nouvelle Vague Marcos Uzal ABSTRACT This essay begins at the start of the magazine Cahiers du cinéma and with the film-making debut of five of its main members: François Truffaut, Claude Chabrol, Eric Rohmer, Jacques Rivette and Jean-Luc Godard. At the start they have shared approaches, tastes, passions and dislikes (above all, about a group of related film-makers from so-called ‘classical cinema’). Over the course of time, their aesthetic and political positions begin to divide them, both as people and in terms of their work, until they reach a point where reconciliation is not posible between the ‘midfield’ film-makers (Truffaut and Chabrol) and the others, who choose to control their conditions or methods of production: Rohmer, Rivette and Godard. The essay also proposes a new view of work by Rivette and Godard, exploring a relationship between their interest in film shoots and montage processes, and their affinities with various avant-gardes: early Russian avant-garde in Godard’s case and in Rivette’s, 1970s American avant-gardes and their European translation. KEYWORDS Nouvelle Vague, Jean-Luc Godard, Jacques Rivette, Eric Rohmer, Claude Chabrol, François Truffaut, radical, politics, aesthetics, montage. 77 PARADOXES OF THE NOUVELLE VAGUE In this essay the term ‘Nouvelle Vague’ refers that had emerged from it: they considered that specifically to the five film-makers in this group cinematic form should be explored as a kind who emerged from the magazine Cahiers du of contraband, using the classic art of mise-en- cinéma: Eric Rohmer, Jacques Rivette, Jean-Luc scène rather than a revolutionary or modernist Godard, Claude Chabrol and François Truffaut.
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