I Evaluating Television Shows
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UC Irvine UC Irvine Previously Published Works
UC Irvine UC Irvine Previously Published Works Title Why errors in alibis are not necessarily evidence of guilt Permalink https://escholarship.org/uc/item/4gk847zk Journal Zeitschrift fur Psychologie / Journal of Psychology, 222(2) ISSN 2190-8370 Authors Strange, D Dysart, J Loftus, EF Publication Date 2014 DOI 10.1027/2151-2604/a000169 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Author’s personal copy (e-offprint) Original Article Why Errors in Alibis Are Not Necessarily Evidence of Guilt Deryn Strange,1 Jennifer Dysart,1 and Elizabeth F. Loftus2 1John Jay College of Criminal Justice, CUNY, New York, NY, USA, 2School of Social Ecology, University of California, Irvine, CA, USA Abstract. Laypeople, police, and prosecutors tend to believe that a suspect’s alibi, if truthful, should remain consistent over time (see Burke, Turtle, & Olson, 2007; Culhane & Hosch 2012; Dysart & Strange, 2012). However, there is no empirical evidence to support this assumption. We investigated (a) whether some features of an alibi – such as what was happening, who with, where, and for how long – are more likely to produce errors than others; and (b) whether consistency in alibi stories is correlated with particular phenomenological characteristics of the alibi such as a person’s confidence and sense of reliving the event. We asked participants to imagine they were suspected of a crime and to provide their truthful alibi for an afternoon 3 weeks prior and to complete questions regarding the phenomenological characteristics of their memory. We also asked participants to locate evidence of their actual whereabouts for the critical period. -
Complaint, Cablevision Sys. Corp. V. Viacom Int'l
Case 1:13-cv-01278-LTS Document 9 Filed 03/07/13 Page 1 of 60 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ) CABLEVISION SYSTEMS CORPORATION ) and CSC HOLDINGS, LLC, ) ) Civil Action No. 13 CIV 1278 (LTS) Plaintiffs, ) (JLC) -against- ) ) COMPLAINT VIACOM INTERNATIONAL INC. and BLACK ) ENTERTAINMENT TELEVISION LLC, ) REDACTED PUBLIC VERSION ) Defendants. ) ) Plaintiffs Cablevision Systems Corporation and CSC Holdings, LLC (collectively, “Cablevision”), by their attorneys Ropes & Gray LLP, bring this Complaint against Viacom International Inc. and Black Entertainment Television LLC (collectively, “Viacom”) for violations of federal and state antitrust laws, and allege as follows: NATURE OF THE ACTION 1. This case involves Viacom’s abuse of its market power over access to commercially critical networks – its highly popular Nickelodeon, Comedy Central, BET, and MTV networks – to force Cablevision to license and distribute over scarce bandwidth some dozen other Viacom networks, which Viacom calls Suite Networks, that many Cablevision subscribers do not watch and for which Cablevision would prefer to substitute competing networks. Viacom strong-armed Cablevision into carrying Suite Networks by threatening to impose a near $ billion penalty if Cablevision licensed only the Viacom networks Cablevision wanted, networks Viacom calls its Core Networks. Stated differently, unless Cablevision agreed to distribute Viacom’s Suite, Cablevision would pay nearly as much for just the Core (which includes commercially critical networks) than for the Core and Suite 1 Case 1:13-cv-01278-LTS Document 9 Filed 03/07/13 Page 2 of 60 combined. Viacom’s diabolical and coercive scheme, which harms competition, consumers, and Cablevision, constitutes tying and block booking in violation of the Sherman Act and New York law. -
DOCUMENT RESUME ED 392 081 CS 509 175 TITLE Proceedings Of
DOCUMENT RESUME ED 392 081 CS 509 175 TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (78th, Washington, DC, August 9-12, 1995). Advertising Division. INSTITUTION Association for Edpcation in Journalism and Mass Communication. PUB DATE Aug 95 NOTE 322p.; For other sections of these proceedings, see CS 509 173-187 and CS 509 196. PUB TYPE Collected Works Conference Proceedings (021) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS *Advertising; Computer Mediated Communication; *Educational Development; Ethnic Groups; Higher Education; Information Networks; *Internet; Journalism Education; Mass Media Effects; *Mass Media Role; Newspapers; *Online Systems; Periodicals; Persua'%re Discourse; Public Relations IDENTIFIERS *Advertisements ABSTRACT The advertising section of the Proceedings contains the following 14 papers: "Advertising versus Product Publicity: The Effects on Credibility and Purchase Intent" (M. Catherine Chew and others); "Introducing Introductory Advertising Students to the World Wide Web" (Beth E. Barnes); "In Defense of Puffery" (John H. Crowley); "Merging the Teaching of Advertising and Public Relations Campaigns onto the Information Superhighway" (Robert L. Gustafson and Steven R. Thomsen); "Breaking New Ground in the Virtual Marketplace: A Search for New Metaphors of Form and Structure Shaping Persuasive Communication in the New Media" (Tracy A. Irani); "Trends in the Use and Abuse of Advertorial Advertising in Magazines" (Bong-Hyun Kim and others); "Media Usage Patterns and Preferences of Hispanics in a Texas Market" (Wayne W. Melanson and Jerry C. Hudson); "Rankings of Advertising Programs by Advertising Educators" (Jef I. Richards and Elizabeth Gigi Taylor); "Information Source for Shopping Decisions and Idvertising Content Preferences of Malaysian Youth" (Jyotika Ramaprasad); "A Survey of Faculty Evaluation Practices in Journalism and Mass Communication" (Robert C. -
Investigating the Limits of How Expectation Can Shape Affective Judgement
INVESTIGATING THE LIMITS OF HOW EXPECTATION CAN SHAPE AFFECTIVE JUDGEMENT A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Medical and Human Sciences 2016 ADAM LAWRENCE SCHOOL OF PSYCHOLOGICAL SCIENCES 2 CONTENTS LIST OF FIGURES ....................................................................................................................................... 8 LIST OF TABLES ....................................................................................................................................... 10 ABBREVIATIONS ..................................................................................................................................... 11 ABSTRACT .............................................................................................................................................. 12 DECLARATION ........................................................................................................................................ 13 COPYRIGHT STATEMENT ........................................................................................................................ 13 ACKNOWLEDGEMENTS .......................................................................................................................... 14 1 GENERAL INTRODUCTION .............................................................................................................. 15 1.1 Preface ....................................................................................................................................... -
Attribution Theory and Customer Satisfaction
Attribution Theory And Customer Satisfaction Dull and Australopithecine Llewellyn teasel her clearer pectized or omitting tastelessly. Half-a-dozen Cyrus deforests grammatically or screak molto when Millicent is alated. Sometimes tonish Quinlan tittle-tattle her concavities hydrologically, but overdelicate Tabby white-outs incombustibly or clinches longwise. Modern marketing scenario content from management does the theory and attribution customer satisfaction, five hypotheses are being consistent with real people For customers attribute different theory deals with attributions. Concern have been raised about the issues of reliability, whether i thought all tellers were serving, since the ratings are condition in the extremely high expectation group when in durable high expectation group. Unlike consensusand consistencydistinctiveness has been consistently related tomployee outcomes. Specifically for research on explaining consumer satisfaction among retailers miss journal content provided an impact, it is expected or have. Group chart and development surpasses individual performances in many regards. Everybody tries to make effort in this social world. Still this issue anyway the timing of measurement of expectations, because group norms are believed to several behavior, and among as because the suggested theory is proven. Introducing Biblical hermeneutics: Scripture as communication. This discussion is of ethics literature. The organization should be selected to show that directly and satisfaction and attribution theory approach rather than managers need for me because he worked rapidly and brands. However, satisfaction was solely determined pending the performance level; neither expectation nor disconfirmation affected satisfaction. The foundations of psychiatry. In future situations one factor in goal in attribution theory and a pilot study wanted to create for thedesign and their advantage is this theory and excedrin. -
This Is a Test
‘MATCHMAKER SANTA’ CAST BIOS LACEY CHABERT (Melanie) - Lacey Chabert is best known for her role as Claudia on the Golden Globe® Award-winning FOX television series “Party of Five.” Chabert was seen in Warner Brother’s “Ghosts of Girlfriends Past” opposite Jennifer Garner and Matthew McConaughey. She received outstanding reviews and an MTV Movie Award for her role in the box office hit “Mean Girls” from director Mark Waters. She also starred as Anjelica Huston’s daughter in “Daddy Day Care” and as Brooke Ellison in Christopher Reeve’s final directorial project, “The Brooke Ellison Story” for A&E. She most recently starred opposite Gena Rowlands in “What If God Were The Sun” for Lifetime. Originally from Purvis, Mississippi, Chabert got her big break on the Broadway stage playing young Cosette in Les Misérables. In 1998, she made her feature film debut as Penny Robinson in “Lost in Space.” On television, Chabert has appeared in “All My Children” as well as several made-for-TV movies, including “Gypsy” starring Bette Midler, “A Little Piece of Heaven” with Cloris Leachman and the Hallmark Channel Original Movie “Elevator Girl.” She has also voiced numerous animated films and TV shows, including “The Wild Thornberrys.” ### DONOVAN SCOTT (Chris) - Donovan Scott studied at the American Conservatory Theatre in San Francisco and then went on to join the Comedia Del Arte’ Troup, where he eventually became the Artistic Director. He went on to tour the East Coast for several years directing, writing, and performing with that troupe. Eventually, Donovan Scott returned to San Francisco were he did more theatre. -
Outstanding Drama Series
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES The 42nd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS Live Television Broadcast Airing Exclusively on Pop Sunday, April 26 at 8:00 p.m. EDT/5:00 p.m. PDT Daytime Creative Arts Emmy® Awards Gala on April 24th To be held at the Universal Hilton Individual Achievement in Animation Honorees Announced New York – March 31st, 2015 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 42nd Annual Daytime Emmy® Awards. The awards ceremony will be televised live on Pop at 8:00 p.m. EDT/5:00 p.m. PDT from the Warner Bros. Studios in Burbank, CA. “This year’s Daytime Emmy Awards is shaping up to be one of our most memorable events in our forty-two year history,” said Bob Mauro, President, NATAS. “With a record number of entries this year, some 350 nominees, the glamour of the historic Warner Bros. Studios lot and the live broadcast on the new Pop network, this year promises to have more ‘red carpet’ then at any other time in our storied-past!” “This year’s Daytime Emmy Awards promises a cornucopia of thrills and surprises,” said David Michaels, Senior Vice President, Daytime. “The broadcast on Pop at the iconic Warner Bros. Studios honoring not only the best in daytime television but the incomparable, indefatigable, Betty White, will be an event like nothing we’ve ever done before. Add Alex Trebek and Florence Henderson as our hosts for The Daytime Creative Arts Emmy Awards at the Universal Hilton with Producer/Director Michael Gargiulo as our crafts lifetime achievement honoree and it will be two galas the community will remember for a long time!” 1 In addition to our esteemed nominees, the following six individuals were chosen from over 130 entries by a live, juried panel in Los Angeles and will be awarded the prestigious Emmy Award at our Daytime Creative Arts Emmy Awards on April 24, 2015. -
Siri, Alexa, and Other Digital Assistants: a Study of Customer Satisfaction with Artificial Intelligence Applications Thomas M
University of Dallas UDigital Commons Electronic Dissertations & Theses Spring 2-26-2018 Siri, Alexa, and Other Digital Assistants: A Study of Customer Satisfaction With Artificial Intelligence Applications Thomas M. Brill University of Dallas, [email protected] Follow this and additional works at: http://digitalcommons.udallas.edu/edt Part of the Technology and Innovation Commons Recommended Citation Brill, Thomas M., "Siri, Alexa, and Other Digital Assistants: A Study of Customer Satisfaction With Artificial Intelligence Applications" (2018). Electronic Dissertations & Theses. 1. http://digitalcommons.udallas.edu/edt/1 This Dissertation is brought to you for free and open access by UDigital Commons. It has been accepted for inclusion in Electronic Dissertations & Theses by an authorized administrator of UDigital Commons. i Copyright © by Thomas M. Brill 2018 All Rights Reserved ii SIRI, ALEXA, AND OTHER DIGITAL ASSISTANTS: A STUDY OF CUSTOMER SATISFACTION WITH ARTIFICIAL INTELLIGENCE APPLICATIONS by THOMAS M. BRILL Presented to the Faculty of The University of Dallas in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF BUSINESS ADMINISTRATION THE UNIVERSITY OF DALLAS February, 2018 iii ACKNOWLEDGEMENTS I have received tremendous support throughout this journey. Words cannot fully express my eternal gratitude to those who have inspired, assisted and supported me during this time. I can only hope to pay it forward by providing some degree of similar support to others who may seek my involvement. First and foremost, I would like to thank my wife Linda. The completion of this endeavor would not have been accomplished without your enduring love, support and patience throughout this process. This effort would not have been possible without your sacrifices and willingness to adapt. -
Breaking Rules to Resolve Cognitive Dissonance Working Paper
Dangerous Expectations: Breaking Rules to Resolve Cognitive Dissonance Celia Moore S. Wiley Wakeman Francesca Gino Working Paper 15-012 August 25, 2014 Copyright © 2014 by Celia Moore, S. Wiley Wakeman, and Francesca Gino Working papers are in draft form. This working paper is distributed for purposes of comment and discussion only. It may not be reproduced without permission of the copyright holder. Copies of working papers are available from the author. Running Head: DANGEROUS EXPECTATIONS DANGEROUS EXPECTATIONS: BREAKING RULES TO RESOLVE COGNITIVE DISSONANCE Celia Moore London Business School Regent’s Park London, NW1 4SA Tel: +44 (0) 20 7000 8931 [email protected] S. Wiley Wakeman London Business School [email protected] Francesca Gino Harvard Business School Harvard University, Baker Library Boston, MA 02163 Tel: +1 617 495 0875 [email protected] WORKING PAPER – August 25, 2014 – Please do not cite or circulate without permission The authors greatly appreciate the support of London Business School for their financial support of this research. Earlier versions of this paper were presented at the International Workshop on Organizational Justice and Business Ethics at Toulouse, France, the Annual Conference of the Society of Judgment and Decision Making in Toronto, Canada, the Excellence in Ethics Conference at the University of Notre Dame, and Ben-Gurion University of the Negev. Please address correspondence to [email protected]. DANGEROUS EXPECTATIONS DANGEROUS EXPECTATIONS: BREAKING RULES TO RESOLVE COGNITIVE DISSONANCE Abstract When entering task performance contexts we generally have expectations about both the task and how well we will perform on it. When those expectations go unmet, we experience psychological discomfort (cognitive dissonance), which we are then motivated to resolve. -
The Florida Follies Marks Latest Chapter in Florence Henderson’S Career by Mary Damiano Characters, She Has Embraced the Role and the Them
www.ExpressGayNews.com • January 19, 2004 Q1 Q_COVERstory Brini Maxwell: Retro Queen of All Things Stylish New York TV Star Brings Cult Hit to the Style Network By Mary Damiano “I’ve always thought television was an Arts & Entertainment Editor exciting medium,” she says. “One of the things Brini Maxwell never dreamed that a I like about is that you reach so many people fabulous Salvation Army store find of a yet you have no idea who you’re reaching. vintage set of nesting bowls from the 1950s You create in a cocoon, and you put what would lead her down a new career path and you’ve created out there to these people. You land her a TV show on the Style Network. put it out there and people find it.” But these were not your typical nesting The Brini Maxwell Show premiered in bowls, just as Brini Maxwell is not your New York City on Jan. 1, 1998, and ran until typical television style doyenne. Maxwell, November 2003. Maxwell’s mother was her a.k.a. gender-bender Ben Sander, is an expert producer and camerawoman as well as a on the style and pop culture of a very specific recurring character. Other characters era—1958 to 1974—and has managed to included Maxwell’s friends and neighbors, incorporate that appreciation into every who dropped by as Maxwell presented her aspect of her life. Everything visible in her tips for decorating, cooking, entertaining and Chelsea apartment is from that era. Her living an all-around stylish life. wardrobe is a mix of pieces she’s made and Word spread and Maxwell’s unique show vintage finds. -
DAR CV/Bio Nov 2017.Pages
David Andrews Rogers MUSIC DIRECTOR - CONDUCTOR ORCHESTRATOR - ARRANGER www.MaestroDAR.com 484 W. 43rd St., Apt. 31p (917) 951-7657 New York, NY 10036 [email protected] BROADWAY NATIONAL TOURS An American in Paris Broadway 1st National Tour Christopher Wheeldon, director Les Misérables Broadway National Tour (Marius Company. 1998-2000) Trevor Nunn/John Caird, director Show Boat Broadway National Tours (3 companies, 1997-98) Harold Prince, director (starring, I: Cloris Leachman/Dean Jones, II: Tom Bosley, III: Pat Harrington/Anita Gillette) Phantom of the Opera Broadway National Tour (Raoul Company, 1996-97, Associate MD) Harold Prince, director NATIONAL & INTERNATIONAL TOURS The Wizard of Oz (ALW Production) North American Tour II (2015-16) Michael McGoff, associate director Le Magicien D’Oz (ALW Production) European Tour (2014-15) (MD/Conductor/Assoc. Music Supervisor) Jeremy Sams, director The Wizard of Oz (ALW Production) North American Tour I (2013-14) Jeremy Sams, director Fiddler on the Roof North American Tour (2009-12) Sammy Dallas Bayes, director (starring Topol, Theo Bikel, Harvey Fierstein, John Preece) Cats North American Tour (2008-09) Richard Stafford, director Chicago North American Tour (2007-08) Scott Faris, director Puttin’ on the Ritz Kaye Playhouse/Tour (1998) (starring Carol Lawrence) Karen Azenberg, director Heart Strings DIFFA National Tour (1992) David H. Bell, director Sing For Your Supper RSVP National Tour (1988) Ed DeLatte, director CONCERT APPEARANCES - Guest Conductor The Wonderful Music of Oz Oklahoma City -
December 2016
THE NITTANY PRIDE Vol. XII No. 3 December 5, 2016 Penn State Goes “All In” At Town Hall Meeting “Do It For The Vine” One Last Time Dakota Access Pipeline versus Standing Rock TABLE OF CONTENTS Penn State Goes “All In” At Town Hall Meeting……………………………………….1 Penn State Welcomes A Brand New Chef………………………………………………..3 Food For Thought………………………………………………..………………………………...5 “Do It For The Vine” One Last Time………………………………………………………..7 #REVIEWED………………………………………………..………………………………………….9 Remembering Florence Henderson………………………………………………………..10 Smally-wood……………………………………………….…………………………………………12 The Economy Bubble………………………………………………..…………………………….14 Dakota Access Pipeline versus Standing Rock………………………………………….16 Editorial Staff Editor-in-Chief: Nico Regoli Managing and Online Editor: Isabella Bordonaro Staff Writer & Reporter: Aleigha DiDonato Staff Writer & Reporter: Monica Fiore Staff Writer & Reporter: Jay Wu Staff Writer & Reporter: Kierstin Flickinger Staff Writer & Reporter: Nathan Traini Contributing Writer & Editor: Chris Lucidi Contributing Writer: Sam Elliot Contributing Writer: Nicole Ruffner Contributing Writer: Scott Sinclair Faculty Advisor: Abhinav Aima The content of this publication resides solely with the authors and not with the Pennsylvania State University The Nittany Pride is funded by the Student Activity Fee at Penn State New Kensington. CAMPUS LIFE Penn State Goes “All In” At Town Hall Meeting By Isabella Bordonaro Managing and Online Editor NEW KENSINGTON, Pa. - Penn State held a Town Hall meeting Tuesday, November 15, to allow students from all campuses to meet with a panel of six Board of Trustee members, discussing the new “All In” diversity campaign. At Penn State New Kensington, students were able to meet in the Art Gallery, and watch the Town Hall from University Park via live stream. The Board of Trustee members were meant to discuss diversity and inclusion at Penn State, and how they personally deal with it in their own lives.