Finding Aid to the Historymakers ® Video Oral History with Denise Nicholas
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Sweet Honey in the Rock Been Unprovoked by the 30 Pieces of Silver
CAL PERFORMANCES PRESENTS ABOUT THE ARTISTS Sunday, May 6, 2012, 7pm “I have always believed that art is the conscience each other, our fellow creatures who share this Zellerbach Hall of the human soul, and that artists have the planet, and the planet itself. responsibility not only to show life as it is but Sweet Honey’s 20th CD release, to show life as it should be. … Sweet Honey In Experience…101, was a 2008 Grammy Award The Rock has withstood the onslaught. She has nominee. The excitement continued as Sweet Sweet Honey In The Rock been unprovoked by the 30 pieces of silver. Her Honey was asked to compose new material songs lead us to the well of truth that nourishes in celebration of Alvin Ailey Dance Theater’s the will and courage to stand strong. She is the 50th anniversary. Together, these two artistic keeper of the flame.” treasures of the African American experience Harry Belafonte performed this once-in-a-lifetime collaboration throughout the United States. The music for the collaboration was released on a CD entitled Go ounded by bernice johnson reagon in Grace. Fin 1973 (with Mie, Carol Maillard and On February 18, 2009, Sweet Honey gave a Louise Robinson) at the D.C. Black Repertory concert at the White House at the invitation of Theater Company, Sweet Honey In The Rock, President and Mrs. Barack Obama. the internationally renowned a cappella ensem- The following year saw the release of a CD and ble, has been a vital and innovative presence in video in response to Arizona Law SB-1070, and the music culture of Washington, D.C., and in the creation of a tribute concert, “Remembering communities of conscience around the world. -
Finding Aid to the Historymakers ® Video Oral History with Hellen O'neal-Mccray
Finding Aid to The HistoryMakers ® Video Oral History with Hellen O'Neal-McCray Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: O'Neal-McCray, Hellen, 1941-2010 Title: The HistoryMakers® Video Oral History Interview with Hellen O'Neal-McCray, Dates: March 21, 2006 Bulk Dates: 2006 Physical 6 Betacame SP videocasettes (2:41:22). Description: Abstract: Civil rights activist and high school teacher Hellen O'Neal- McCray (1941 - 2010 ) taught African American literature and composition at Wilberforce University. She was a staff member with the Student Nonviolent Coordinating Committee, taught in a Freedom School in Mccomb, Mississippi and worked for the National Sharecroppers Fund in Atlanta, Georgia. O'Neal- McCray was interviewed by The HistoryMakers® on March 21, 2006, in Wilberforce, Ohio. This collection is comprised of the original video footage of the interview. Identification: A2006_046 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Civil rights volunteer, Hellen Jean O’Neal-McCray was born in Clarksdale, Mississippi on March 4, 1941 to Willie Long Anderson and Lester Calvin O’Neal. She attended Immaculate Conception School, Myrtle Hall Colored School and Holy Rosary School in Lafayette, Louisiana. Keeping up with current events, O’Neal-McCray knew activist druggist “Doc” Aaron Henry and read the Chicago Defender. A member of the school band, she graduated from W.A. Higgins High School in Clarksdale in 1959. In 1961, O’Neal-McCray met Southern Christian Leadership Council (SCLC) organizers, James Bevel and Bernard Lafayette and they encouraged her to get involved in the nonviolent Civil Rights Movement. -
PHILANTHROPIST, ENTREPRENEUR and RECORDING ARTIST
THE FLORIDA STAR, NORTHEAST FLORIDA’S OLDEST, LARGEST, MOST READ AFRICAN AMERICAN OWNED NEWSPAPER The Florida Star Presorted Standard P. O. Box 40629 U.S. Postage Paid Jacksonville, FL 32203 Jacksonville, FL Philanthropic Families Donate More Permit No. 3617 Than Half A Million Dollars to Can’t Get to the Store? Bethune-Cookman University Have The Star Delivered! Story on page 6 Read The Florida and Georgia Star THE FLORIDA Newspapers. STAR thefl oridastar.com The only media Listen to IMPACT to receive the Radio Talk Show. Jacksonville Sheriff’s The people’s choice Offi ce Eagle Award for being “The Most Factual.” APRIL 11 - APRIL 17, 2020 VOLUME 69, NUMBER 52 $1.00 Daughter of MLK Named PHILANTHROPIST, to Georgia ENTREPRENEUR and Coronavirus RECORDING ARTIST Outreach Group Keeve Murdered eeve Hikes, Philanthropist, entre- preneur and rapper from Jack- sonville, Florida was fatally shot Tuesday evening. Keeve was pro- nounced dead on the scene, ac- cordingK to offi cials. News of his death, prompted an out- pouring of support from the Jacksonville Florida community. Dr. Bernice King, daughter of civil rights “May His peace comfort you all leader Dr. Martin Luther King Jr. will help lead a new outreach committee in Georgia during this diffi cult time. His life was a as the state copes with the coronavirus, Gov. Testament of time well spent.” Brian Kemp announced Sunday. Keeve drew attention for industry King, chief executive offi cer of the Martin leaders from his hit single “ Bag” Luther King Jr. Center for Nonviolent Social feat. YFN Lucci, from his album en- Change in Atlanta, will co-chair the commit- titled “ No Major Deal But I’m Still tee of more than a dozen business and com- Major”. -
Report from Edinbur H • Soul Man Review • Robert Hooks Three Critics Look at She's Gotta Have It • Peter Wang Interview
Report From Edinbur h • Soul Man Review • Robert Hooks Three Critics Look at She's Gotta Have It • Peter Wang Interview World of Black Film Collectors Remembering Lorenzo Tucker- The Black. Gil Noble Plans Valentino Like It Is Archive Film Clips and News Early Black Independents Co-produced with the Black Film Institute of the University of the District of Columbia ••••••••••••••••••••••••••••••• Vol. 2, No. 4/Fa111986 'Peter Wang Breaks Cultural Barriers Black Film Review by Pat Aufderheide 10 SSt., NW An Interview with the director of A Great Wall p. 6 Washington, DC 20001 (202) 745-0455 Remembering lorenzo Tucker Editor and Publisher by Roy Campanella, II David Nicholson A personal reminiscence of one of the earliest stars of black film. ... p. 9 Consulting Editor Quick Takes From Edinburgh Tony Gittens by Clyde Taylor (Black Film Institute) Filmmakers debated an and aesthetics at the Edinburgh Festival p. 10 Associate EditorI Film Critic Anhur Johnson Film as a Force for Social Change Associate Editors by Charles Burnett Pat Aufderheide; Keith Boseman; Excerpts from a paper delivered at Edinburgh p. 12 Mark A. Reid; Saundra Sharp; A. Jacquie Taliaferro; Clyde Taylor Culture of Resistance Contributing Editors Excerpts from a paper p. 14 Bill Alexander; Carroll Parrott Special Section: Black Film History Blue; Roy Campanella, II; Darcy Collector's Dreams Demarco; Theresa furd; Karen by Saundra Sharp Jaehne; Phyllis Klotman; Paula Black film collectors seek to reclaim pieces of lost heritage p. 16 Matabane; Spencer Moon; An drew Szanton; Stan West. With a repon on effons to establish the Like It Is archive p. -
Click to Download
v8n4 covers.qxd 5/13/03 1:58 PM Page c1 Volume 8, Number 4 Original Music Soundtracks for Movies & Television Action Back In Bond!? pg. 18 MeetTHE Folks GUFFMAN Arrives! WIND Howls! SPINAL’s Tapped! Names Dropped! PLUS The Blue Planet GEORGE FENTON Babes & Brits ED SHEARMUR Celebrity Studded Interviews! The Way It Was Harry Shearer, Michael McKean, MARVIN HAMLISCH Annette O’Toole, Christopher Guest, Eugene Levy, Parker Posey, David L. Lander, Bob Balaban, Rob Reiner, JaneJane Lynch,Lynch, JohnJohn MichaelMichael Higgins,Higgins, 04> Catherine O’Hara, Martin Short, Steve Martin, Tom Hanks, Barbra Streisand, Diane Keaton, Anthony Newley, Woody Allen, Robert Redford, Jamie Lee Curtis, 7225274 93704 Tony Curtis, Janet Leigh, Wolfman Jack, $4.95 U.S. • $5.95 Canada JoeJoe DiMaggio,DiMaggio, OliverOliver North,North, Fawn Hall, Nick Nolte, Nastassja Kinski all mentioned inside! v8n4 covers.qxd 5/13/03 1:58 PM Page c2 On August 19th, all of Hollywood will be reading music. spotting editing composing orchestration contracting dubbing sync licensing music marketing publishing re-scoring prepping clearance music supervising musicians recording studios Summer Film & TV Music Special Issue. August 19, 2003 Music adds emotional resonance to moving pictures. And music creation is a vital part of Hollywood’s economy. Our Summer Film & TV Music Issue is the definitive guide to the music of movies and TV. It’s part 3 of our 4 part series, featuring “Who Scores Primetime,” “Calling Emmy,” upcoming fall films by distributor, director, music credits and much more. It’s the place to advertise your talent, product or service to the people who create the moving pictures. -
Freedom Summer
MISSISSIPPI BURNING THE FREEDOM SUMMER OF 1964 Prepared by Glenn Oney For Teaching American History The Situation • According to the Census, 45% of Mississippi's population is Black, but in 1964 less than 5% of Blacks are registered to vote state-wide. • In the rural counties where Blacks are a majority — or even a significant minority — of the population, Black registration is virtually nil. The Situation • For example, in some of the counties where there are Freedom Summer projects (main project town shown in parenthesis): Whites Blacks County (Town) Number Eligible Number Voters Percentage Number Eligible Number Voters Percentage Coahoma (Clarksdale) 5338 4030 73% 14004 1061 8% Holmes (Tchula) 4773 3530 74% 8757 8 - Le Flore (Greenwood) 10274 7168 70% 13567 268 2% Marshall (Holly Spgs) 4342 4162 96% 7168 57 1% Panola (Batesville) 7369 5309 69% 7250 2 - Tallahatchie (Charleston) 5099 4330 85% 6438 5 - Pike (McComb) 12163 7864 65% 6936 150 - Source: 1964 MFDP report derived from court cases and Federal reports. The Situation • To maintain segregation and deny Blacks their citizenship rights — and to continue reaping the economic benefits of racial exploitation — the white power structure has turned Mississippi into a "closed society" ruled by fear from the top down. • Rather than mechanize as other Southern states have done, much of Mississippi agriculture continues to rely on cheap Black labor. • But with the rise of the Freedom Movement, the White Citizens Council is now urging plantation owners to replace Black sharecroppers and farm hands with machines. • This is a deliberate strategy to force Blacks out of the state before they can achieve any share of political power. -
General Works
THE BRITISH LIBRARY THE AMERICAN CIVIL RIGHTS MOVEMENT A GUIDE TO MATERIALS IN THE BRITISH LIBRARY by Jean Kemble THE ECCLES CENTRE FOR AMERICAN STUDIES ISBN: 0-7123-4417-9 CONTENTS Introduction General Works Phases of the Movement Origins School Desegregation Bus Boycotts Sit-ins Freedom Rides Voter Registration and the Voting Rights Act of 1965 Black Power Civil Rights Organisations SNCC SCLC CORE NAACP National Urban League Participants in the Movement Students/Youths Whites in the Movement Women in the Movement Biographies and Autobiographies The Federal Government Executive Legislative Legal/Judicial States Alabama Arkansas Florida Georgia Louisiana Mississippi North Carolina Tennessee Virginia Washington, DC Other States Other Topics Leadership Martin Luther King, Jr. Malcolm X Public Opinion White Reaction Political Consequences Social and Economic Consequences Music of the Movement INTRODUCTION The Eccles Centre for American Studies in the British Library was established in 1991 both to promote the Library’s North American collections through bibliographical guides and exhibitions and to respond to enquiries from students, academics and the general public concerning all aspects of American history, literature and culture. During the last six years the civil rights movement of the 1950-60s has proved to be one of the most popular areas of research, particularly among undergraduates and sixth-form students. The enquiries have covered many different aspects of the movement: school desegregation, bus boycotts, sit-ins, marches, the involvement of white northern college students, the actions of individuals such as Rosa Parks and Martin Luther King, Jr., and the reactions of white southerners and the federal government. This guide will facilitate research on these topics and many others. -
Civil Rights Photography Exhibition at High Museum of Art to Commemorate 50Th Anniversary of 1968
FOR IMMEDIATE RELEASE CIVIL RIGHTS PHOTOGRAPHY EXHIBITION AT HIGH MUSEUM OF ART TO COMMEMORATE 50TH ANNIVERSARY OF 1968 Featuring iconic historical images and contemporary works honoring the legacy of Dr. Martin Luther King, Jr. and the civil rights movement ATLANTA, Sept. 18, 2017 – Taking its title from Dr. Martin Luther King, Jr.’s final speech before his assassination in 1968, the High Museum of Art’s photography exhibition “‘A Fire That No Water Could Put Out’: Civil Rights Photography” (Nov. 4, 2017, through May 27, 2018) will reflect on the 50th anniversary of that tumultuous year in American history. The more than 40 prints to be featured are drawn in large part from the Museum’s collection of photography documenting the civil rights movement, which is among the most significant in the world. Iconic historical images will be presented alongside works by contemporary photographers that illuminate the legacy of the movement. “While Dr. King’s assassination is often cited as the closing bookend of the civil rights movement, activism over the past 50 years has continued efforts to advance racial equality and justice in the United States,” said Erin Nelson, the High’s curatorial assistant for photography and curator of the exhibition. “Through some of the most powerful images from our civil rights collection, including recent acquisitions, this exhibition underscores photography’s pivotal role in chronicling the important moments that shaped our past and the current events and perspectives that will influence our future.” Presented in the High’s Lucinda Weil Bunnen Gallery for Photography, the exhibition will be arranged into three sections that explore the era of Dr. -
The Black Power Movement
A Guide to the Microfilm Edition of BLACK STUDIES RESEARCH SOURCES Microfilms from Major Archival and Manuscript Collections General Editors: John H. Bracey, Jr. and Sharon Harley The Black Power Movement Part 1: Amiri Baraka from Black Arts to Black Radicalism Editorial Adviser Komozi Woodard Project Coordinator Randolph H. Boehm Guide compiled by Daniel Lewis A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA An Imprint of CIS 4520 East-West Highway • Bethesda, MD 20814-3389 Library of Congress Cataloging-in-Publication Data The Black power movement. Part 1, Amiri Baraka from Black arts to Black radicalism [microform] / editorial adviser, Komozi Woodard; project coordinator, Randolph H. Boehm. p. cm.—(Black studies research sources) Accompanied by a printed guide, compiled by Daniel Lewis, entitled: A guide to the microfilm edition of the Black power movement. ISBN 1-55655-834-1 1. Afro-Americans—Civil rights—History—20th century—Sources. 2. Black power—United States—History—Sources. 3. Black nationalism—United States— History—20th century—Sources. 4. Baraka, Imamu Amiri, 1934– —Archives. I. Woodard, Komozi. II. Boehm, Randolph. III. Lewis, Daniel, 1972– . Guide to the microfilm edition of the Black power movement. IV. Title: Amiri Baraka from black arts to Black radicalism. V. Series. E185.615 323.1'196073'09045—dc21 00-068556 CIP Copyright © 2001 by University Publications of America. All rights reserved. ISBN 1-55655-834-1. ii TABLE OF CONTENTS Introduction ............................................................................................................................ -
Armed with Art
Armed with Art By Alice Lovelace, Poet, Playwright and Organizer for Social and Economic Justice, Key Note Speech Delivered at the 2010 Doctors for Global Health (DGH) General Assembly All the earth is sacred ground I call upon the ancestors to enter this space To bear witness to the work to come I call upon the ancestors for their blessings and for permission to move forward In the tradition of the Dagara, I offer the gifts of water and ash I offer water so our journey over the next several days will be without conflict, smooth and flowing like this liquid I offer ashes and ask the ancestors to make of them a shield to protect us In the tradition of the Yoruba I call the names of my ancestors Claudia, William, Daisy, Elvira, Willie…I ask them to inform other ancestors for whom I have no names so they may offer me their blessings Now you must call upon your ancestors, call their names so they will know we are the ones who remember our dead, who learn from our dead, who know we are nothing without the ancestors. Ashe Ashe Ashe O In the beginning was the word And the word was power And the word was protection And with the words came the questions Who are we? Why are we here? Who brings the birds, the insects seen unseen To our earthly doorstep In the end is the word And the word is power And the word is protection www.dghonline.org 1 I want to thank Lanny Smith and everyone at Doctors for Global Health responsible for me being here today. -
2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M. -
Killing “Dixie”: the Naacp, the Black Press and the Battle to End Black Caricature Culture in Hollywood, 1950-1968
American Journal of Humanities and Social Sciences Research (AJHSSR) 2020 American Journal of Humanities and Social Sciences Research (AJHSSR) e-ISSN:2378-703X Volume-4, Issue-9, pp-09-18 www.ajhssr.com Research Paper Open Access KILLING “DIXIE”: THE NAACP, THE BLACK PRESS AND THE BATTLE TO END BLACK CARICATURE CULTURE IN HOLLYWOOD, 1950-1968 Teisha Dupree-Wilson, JD, Ph.D. Department of Humanities, Coppin State University, USA Assistant Professor of History ABSTRACT: During the early twentieth century, Hollywood‟s television and film industries created its depictions of African Americans. Many of the images were derived from “Dixie,” a term used to reference the antebellum American South, during a time when African Americans were enslaved. This article examines the account, given by the African American Press, of the ongoing dispute over black imagery between Hollywood and the NAACP. The heightened voice of the African American Press ultimately helped to push for the infusing of black presence in popular culture with the goal of depicting the possibilities of an integrated American society. The NAACP and the African American Press emerged as the leading voices in challenging Hollywood‟s black caricature culture, after recognizing that harmful black representation was injurious to the burgeoning civil rights movement of the mid-twentieth century. KEYWORDS: Black Caricatures, Black Press, Hollywood, NAACP, and Walter White I. INTRODUCTION During the early twentieth century,Hollywoodspawned its depictions of African Americans. Many of the images of African Americans in television and film, were derived from “Dixie,” a term used to reference the antebellum American South, during a time when African Americans were enslaved.1The highly offensive caricatures of “Dixie,” which showed African Americans as subservient and unintelligent, became standard in many Hollywood productions.