Survey of Book Collectors and Book Collecting Buildings in Qufu and Their Contribution to Chinese Classics(Changuan Wang-Xiaorang Wu) • 147

Total Page:16

File Type:pdf, Size:1020Kb

Survey of Book Collectors and Book Collecting Buildings in Qufu and Their Contribution to Chinese Classics(Changuan Wang-Xiaorang Wu) • 147 KINX2017054859 국지丨익논총 제24집 pp.145-168. Survey of Book Collectors and Book Collecting Buildings in Qufli and Their Contribution To Chinese Classics Changjuan Wang* • Xiao fang Wu** I. Infroduction China's private book collectors appeared early in the Spring & Autumn Period and the Warring-States Period of Chinese history. Confucius is recorded as the first private book collector having his own book collection. He is the first educator in Chinese history who initiated the private teaching system and cultivated a large number of ancient intellectuals (so-called M 士Shi"), which broke the state of state-run schools, thus founding the Confucian school of thought. In order to teach students, to prepare teaching materials and later to sort out LIU JING (六经:six ancient Chinese classics named The Book of Songs (《诗经》),The Book of History (《尚书》),The Book of Ceremonial Etiquette (《仪礼》),The Book of Classic Music (《乐经》), The Book of Changes (《周易》),The Spring and Autumn Annals * College English Teaching Department of Qufu Normal University, Shandong, China ([email protected]) ** Human Resources Department of Beijing Language and Culture University, Beijing, China; Confucius Institute at Keimyung University, Daegu, Republic of Korea ([email protected]) (《春秋》)),Confucius began to accumulate large amounts of classics, documents and other books, thus forming the first private book collection in Chinese history. More than ten dynasties had passed before Confucius book collection was found at the end of the reignofEmperorWuofXiHanDynasty,accordingtoHistoryofHanDynastyR ecord of Art and Culture (《汉书■艺文志》),which proves Confucius position as the first private book collector in Chinese history. Since then, the private book collectors and book collecting builds flourished and reached their prime time in Qing Dynasty. Here we will especially discuss those in Qufo. Qufo (曲阜)is the birthplace of Confucius (孔子)and of the Confucianism (儒家思想)as well. With a long history of more than 2500 years, it is rich of cultural heritage,which can be seen from the famous book collectors,their book collection and the characteristic book collecting buildings. Here we will make a textual research on some famous book collectors and book collecting buildings in Qufu in a hope of providing some evidence to the textual research of book collectors, the history ofbook collecting, the ancient library in Qufu, and the local culture of this historical place. I. Famous Private Book Collectors or Bibliophiles in Qufii As discussed above, the earliest book collector or bibliophile in Qufti is Confiicius. He is the originator of private book collectors in Quftx and in Chinese history as well. More than 2000 years after Confucius, large numbers of book collectors have appeared continuously in Qufli, most of whom lived in Survey of Book Collectors and Book Collecting Buildings in Qufu and Their Contribution To Chinese Classics(Changuan Wang-Xiaorang Wu) • 147 Qing Dynasty. In what follows,we will make a study and description of some book collectors with outstanding achievements in Qing Dynasty. Kong Jisu (孔继凍)(1726-1791),esteemed name Tishi (体实)or Xinfli (信夫),and alias Guyuan (谷园)or Xiagu Jushi (葭谷居士 Lay Buddhist of Valley Xia),was a native Quftinese and a 69th generation direct descendant of Confucius. He was bom in the fourth year of Emperor Yongzheng of Qing Dynasty (清.雍正)(1726) and died in the 56th year of Emperor Qianlong (清.乾隆)of Qing Dynasty (1791). In the 33th year of Emperor Qianlong of Qing Dynasty (1768),he passed the imperial examinations at the provincial level and became a “Juren (举人a successful candidate in the imperial examinations at the provincial level in the Ming and Qing dynasties^’. Kong Jisu spent his whole life studying calligraphy. He learned first from Zhang Zhao (张照 a statesman and famous calligrapher in the Qing Dynasty) and practiced for 12 years. Later he learned from the four famous calligraphers of the Song Dynasty: Su Shi, Huang Tingjian, Mi Fu, Cai Xiang (苏試、黄庭坚、米帝、蔡襄).He was especially proficient in identifying the authenticity of calligraphy works. Kong Jisu (孑L继 凍)managed to gather massive amounts of scripts of calligraphic masters at all times, identified them, copied and composed, and finally finely engraved them on tablets. There were 584 pieces of stelae in all, which were named “Model Calligraphy Tablets of Yu Hong Lou”. Then he printed inscriptions by rubbing the paper over the stone tablets and bound them into one hundred and one volumes, named “One Hundred and One Rubbings”. By doing this, he successfully preserved large amounts of classical scripts of calligraphers, which was held in esteem by people of his time. His calligraphy works include Yu Hong Lou Calligraphy Models (《玉虹楼法贴》),Yu Hong Authentic Calligraphy Models (《玉虹鉴真贴》),Yu Hong Authentic Calligraphy Models Continuation (《玉虹鉴真贴续》),Gu Yuan Calligraphy Models After Ancient Styles (《谷园摹古法帖》),and Calligraphy Models of Celebrities of Qing Dynasty (《国朝名人法帖》) He also owned a large collection of books. His book collection includes 3 volumes of Er Ya Zhu (《尔雅注》:annotations of Er Ya (《尔雅》),the earliest book to explain the meanings of words ) and 3 volumes of Yin Shi (《音释》:annotations of prommciation), both of which are the block-printed edition of Ming Dynasty and were recorded in Volume 2 of JingYan Lu (《经眼录》)by Fu Di. Also included in his book collection are eight volumes of Hou Jing Lu (《侯 鲭录》),the block-printed edition of Ming Dynasty, which were recorded in the category of novels of Ti Yao(or Abstracts of Si Ku Quan Shu)(《提要》or《四库全书》(Complete Library in the Four Branches of Literature)提要)by Wang Shi and are stored in the National Library now. Included in his seals are one engraved with the characters of “Kong Ji Su Yin (the seal of Kong Jisu)” and “Ji Su” respectively. His book collecting building is named “Yu Hong Lou (玉虹楼广. Gui Fu (桂體)(1736-1805), esteemed name Dong-hui (东舟)or Wei-gu (未谷),and alias Yu-men (雩门),Suyanshan Waishi (肃然山 外史),Lao-tai (老苔),or Du-jing Fu-min (渎井复民),was a native Quflinese. He was bom in the first year of Emperor Qianlong of Qing Dynasty (清.乾隆)(1736) and died in the 10th year of Emperor Jiaqing of Qing Dynasty (清.嘉庆)(1805). In the 55thyear of Emperor Qianlong of Qing Dynasty, he passed the highest imperial examinations and was enrolled as a “Jinshi (进士a successful Survey of Book Collectors and Book Collecting Buildings in Qufli and Their Contribution To Chinese Classics(Chan턴uan Wang. )Qaofang Wu) • 149 candidate in the highest imperial examinations)”,and then was appointed the County Magistrate (知县)of Yongping County (阳平县) of Yunnan Province. Gui Fu was, in the first place,a scholar. He was quite appreciated by Weng Fanggang (翁方纲)and Ruan Yuan (阮元). The latter once said, aWeigu (未谷)is a learned person.” In his childhood, Gui Fu began to dabble in books of all sorts and was proficient at phonology and semantics. For forty years, he had been making comparison between Xu Shen’s (许慎)Shuowen Jiezi (《说文 解字》:Origin of Chinese Characters) and all sorts of Confucian classics in order to make textual research and verify the meanings every day. As a result, he accomplished a fifty-volume works Shuowen Yizheng (《说文义证》:Textual Research of Meanings for Shuowen Jiezi). This works, in which Gui Fu gathered all sorts of classical books and traced to their sources, exhausted his whole life. In the second place, Gui Fu was also an expert in calligraphy. In the vast ocean of “Lishu”(隶书:an ancient style of calligraphy current in the Han Dynasty) in Qing Dynasty, he was a bright star, glowing with talents and outstanding in the world of calligraphy. His home was rich in book collection including five volumes and one case of Rhythm Table of Shuowen Jiezi (《说文解字韵谱》),the block- printed edition made by Zhongdetang (种德堂)of Song Dynasty, five volumes of Revision, Enlargement and Disabusing of Libu’s (礼部: Ministry of Rites in feudal China) Yunlue (rhythmic dictionary) by Ziyun (《紫云增修礼部韵略释疑》),photo-offset hand-copied edition of Yuan Dynasty, eight volumes of Yanmen Peotry Anthology (《雁 门集》),and so on. His book collecting building is named “Study of Twelve Masters in Seal Character (十二篆师精舍)”.His seal collection includes those with the characters “Gui Fu”,“Wei Gu”, “Gui Fu Zhi Yin (Seal of Gui Fu)”,“Du Jing Fu Min,,,“Gui Wei Gu” and “Gui Fu Yin Xin (Official Seal of Gui Fu)’’ respectively. Kong Jihan (孔继涵)(1739-1783),esteemed name Ti-sheng (体生) or Pu-meng (浦孟),and alias Hong-gu (S谷),was a native Qufunese, younger brother of Kong Jisu (孑L继涑).He was bom in the 4th year of Emperor Qianlong of Qing Dynasty (清.乾隆)(1739) and died in the 48th year of Emperor Jiaqing of Qing Dynasty (清.嘉庆)(1783). In the 36th year of Emperor Qianlong of Qing Dynasty, he passed the imperial examinations and was enrolled as a Jinshi (进士). His works include four volumes of Collection of Honglu Study (《红桐书屋集》), three volumes of Bing Ci (《冰词》;Ci: a type of classical Chinese poetry), one volume of Anthologies of Poetry and Essays Written by Friends from Chui-jing Hall (《炊经堂友朋诗文杂稿》),seven volumes of Manuscripts of Different Writing Styles (《杂体文稿》), one volume of Textual Criticism by Xia Xiaozheng (《夏小正考异》), eight volumes of Textual Research and Explanation of “The Waterways Classic”(《水经释地》),and so on. He was a person of poetic temperament. His book collection amounts to hundreds of thousands, among which there are thousands of hand-written copies and collated copies. His book collecting buildings are named “Wei-bo Xie (微波榭pavilion or house on water with ripples^’,“Hong-lu Study (红榈书屋)” and “Spring Garden (春及园)”.His seal collection includes those with characters of “Seal of Kong Jihan’’,“ Kong Shi Ji Han (孔氏继涵)”,“Hong Gu (荭谷)”,“Wei Bo Xie (微波榭)”,“Hong E Xuan (红萼轩)”,“Ci Ren Hong Gu (词人S谷)”,respectively.
Recommended publications
  • Imagining a Universal Empire: a Study of the Illustrations of the Tributary States of the Myriad Regions Attributed to Li Gonglin
    Journal of chinese humanities 5 (2019) 124-148 brill.com/joch Imagining a Universal Empire: a Study of the Illustrations of the Tributary States of the Myriad Regions Attributed to Li Gonglin Ge Zhaoguang 葛兆光 Professor of History, Fudan University, China [email protected] Abstract This article is not concerned with the history of aesthetics but, rather, is an exercise in intellectual history. “Illustrations of Tributary States” [Zhigong tu 職貢圖] as a type of art reveals a Chinese tradition of artistic representations of foreign emissaries paying tribute at the imperial court. This tradition is usually seen as going back to the “Illustrations of Tributary States,” painted by Emperor Yuan in the Liang dynasty 梁元帝 [r. 552-554] in the first half of the sixth century. This series of paintings not only had a lasting influence on aesthetic history but also gave rise to a highly distinctive intellectual tradition in the development of Chinese thought: images of foreign emis- saries were used to convey the Celestial Empire’s sense of pride and self-confidence, with representations of strange customs from foreign countries serving as a foil for the image of China as a radiant universal empire at the center of the world. The tra- dition of “Illustrations of Tributary States” was still very much alive during the time of the Song dynasty [960-1279], when China had to compete with equally powerful neighboring states, the empire’s territory had been significantly diminished, and the Chinese population had become ethnically more homogeneous. In this article, the “Illustrations of the Tributary States of the Myriad Regions” [Wanfang zhigong tu 萬方職貢圖] attributed to Li Gonglin 李公麟 [ca.
    [Show full text]
  • Cataloguing Chinese Art in the Middle and Late Imperial Eras
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Spring 2010 Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras YEN-WEN CHENG University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Art and Architecture Commons, Asian History Commons, and the Cultural History Commons Recommended Citation CHENG, YEN-WEN, "Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras" (2010). Publicly Accessible Penn Dissertations. 98. https://repository.upenn.edu/edissertations/98 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/98 For more information, please contact [email protected]. Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras Abstract After obtaining sovereignty, a new emperor of China often gathers the imperial collections of previous dynasties and uses them as evidence of the legitimacy of the new regime. Some emperors go further, commissioning the compilation projects of bibliographies of books and catalogues of artistic works in their imperial collections not only as inventories but also for proclaiming their imperial power. The imperial collections of art symbolize political and cultural predominance, present contemporary attitudes toward art and connoisseurship, and reflect emperors’ personal taste for art. The attempt of this research project is to explore the practice of art cataloguing during two of the most important reign periods in imperial China: Emperor Huizong of the Northern Song Dynasty (r. 1101-1125) and Emperor Qianlong of the Qing Dynasty (r. 1736-1795). Through examining the format and content of the selected painting, calligraphy, and bronze catalogues compiled by both emperors, features of each catalogue reveal the development of cataloguing imperial artistic collections.
    [Show full text]
  • 1 Introduction
    Cambridge University Press 978-1-107-08475-9 - The Reunification of China: Peace through War under the Song Dynasty Peter Lorge Excerpt More information 1 Introduction The interaction between war and politics was the most important driving force in the formation of the early Song dynasty. War and politics shaped not just the territorial extent of the empire and the structure of the government, but the character and culture of the dynasty as well. Virtu- ally inseparable sources of power for the first emperor, posthumously known as Song Taizu (r. 960–976), these two forces were gradually separated during the reign of the second emperor, posthumously known as Song Taizong (r. 976–997), before becoming almost fully detached from each other, at least with respect to the emperor’s power, in the reign of the third emperor, posthumously known as Song Zhenzong (r. 997–1022). Up until now, this process has been simplified into a process of the rise of civil power over military power. There were, however, specific, historical reasons for the shift of political power to government bureaucrats; it did not happen because of a prescriptive imperial plan that intended to emphasize civil values over military values. Ironically, the civil-dominated government that emerged at the begin- ning of the eleventh century was produced by a half century of war and personal politics. Civil officials in the late tenth century were given power in the govern- ment bureaucracy because they had no power outside of the central government. Initially, the imperial government at Kaifeng itself had very little authority.
    [Show full text]
  • Calendar-Year Dating of the Greenland Ice Sheet Project 2 (GISP2) Ice Core from the Early Sixth Century Using Historical, Ion, and Particulate Data
    spe505-22 1st pgs page 411 The Geological Society of America Special Paper 505 2014 Calendar-year dating of the Greenland Ice Sheet Project 2 (GISP2) ice core from the early sixth century using historical, ion, and particulate data Dallas H. Abbott Dee Breger† Pierre E. Biscaye Lamont-Doherty Earth Observatory of Columbia University, Palisades, New York 10964, USA Robert A. Juhl Independent researcher, 1-4-1 Rokko Heights, 906 Shinkawa, Chuo-ku, Tokyo 104-0033, Japan ABSTRACT We use the occurrence of unusual or out-of-season dust storms and dissolved ion data as proxies for dust to propose a calendar-year chronology for a portion of the Greenland Ice Sheet Project 2 (GISP2) ice core during the early sixth century A.D. Our new time scale moves a small sulfate peak to early 537 A.D., which is more con- sistent with recent fi ndings of a 6 mo to 18 mo time lag between volcanic eruptions and atmospheric fallout of their sulfate aerosols. Our new time scale is consistent with a small volcanic input to the A.D. 536–537 climate downturn. We use the time range of Ni-rich fragments and cosmic spherules to provide an independent test of the chronology. The time range of Ni-rich fragments and cosmic spherules matches historical observations of “dancing stars” starting in the summer of A.D. 533 and lasting until A.D. 539 or 540. These dancing stars have been previously attributed to cosmogenic dust loading of Earth’s atmosphere. The time scale cannot be shifted to be either younger or older by 1 yr without destroying the match to historical accounts of dancing stars.
    [Show full text]
  • Hanwen Fang, a Study of Comparative Civilizations. Beijing: Zhonghua Book Company, 2014
    Comparative Civilizations Review Volume 76 Article 21 Number 76 Spring 2017 4-25-2017 Hanwen Fang, A Study of Comparative Civilizations. Beijing: Zhonghua Book Company, 2014. Shi Yuanhui Follow this and additional works at: https://scholarsarchive.byu.edu/ccr Part of the Comparative Literature Commons, History Commons, International and Area Studies Commons, Political Science Commons, and the Sociology Commons Recommended Citation Yuanhui, Shi (2017) "Hanwen Fang, A Study of Comparative Civilizations. Beijing: Zhonghua Book Company, 2014.," Comparative Civilizations Review: Vol. 76 : No. 76 , Article 21. Available at: https://scholarsarchive.byu.edu/ccr/vol76/iss76/21 This Book Review is brought to you for free and open access by the All Journals at BYU ScholarsArchive. It has been accepted for inclusion in Comparative Civilizations Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Yuanhui: Hanwen Fang, <em>A Study of Comparative Civilizations</em>. Beiji Comparative Civilizations Review 161 Hanwen Fang, A Study of Comparative Civilizations. Beijing: Zhonghua Book Company, 2014. Reviewed by Shi Yuanhui In 2014, Professor Fang Hanwen of Soochow University, China, published his 5-volumed monograph, A Study of Comparative Civilizations, offering his understanding of the main civilizations in the world. Professor Fang won his doctorate in Beijing Normal University in 1990, and he continued his studies of comparative literature and comparative civilizations, having published 34 books. As he wrote in the epilogue, he had been working on the book, A Study of Comparative Civilizations, since he was still reading for his doctor’s degree and finally completed it when he was invited to be a full-time research fellow in Peking University.
    [Show full text]
  • Portfolio Investment Opportunities in China Democratic Revolution in China, Was Launched There
    Morgan Stanley Smith Barney Investment Strategy The Great Wall of China In c. 220 BC, under Qin Shihuangdi (first emperor of the Qin dynasty), sections of earlier fortifications were joined together to form a united system to repel invasions from the north. Construction of the Great Wall continued for more than 16 centuries, up to the Ming dynasty (1368–1644), National Emblem of China creating the world's largest defense structure. Source: About.com, travelchinaguide.com. The design of the national emblem of the People's Republic of China shows Tiananmen under the light of five stars, and is framed with ears of grain and a cogwheel. Tiananmen is the symbol of modern China because the May 4th Movement of 1919, which marked the beginning of the new- Portfolio Investment Opportunities in China democratic revolution in China, was launched there. The meaning of the word David M. Darst, CFA Tiananmen is “Gate of Heavenly Succession.” On the emblem, the cogwheel and the ears of grain represent the working June 2011 class and the peasantry, respectively, and the five stars symbolize the solidarity of the various nationalities of China. The Han nationality makes up 92 percent of China’s total population, while the remaining eight percent are represented by over 50 nationalities, including: Mongol, Hui, Tibetan, Uygur, Miao, Yi, Zhuang, Bouyei, Korean, Manchu, Kazak, and Dai. Source: About.com, travelchinaguide.com. Please refer to important information, disclosures, and qualifications at the end of this material. Morgan Stanley Smith Barney Investment Strategy Table of Contents The Chinese Dynasties Section 1 Background Page 3 Length of Period Dynasty (or period) Extent of Period (Years) Section 2 Issues for Consideration Page 65 Xia c.
    [Show full text]
  • Common Man's Confucius for the West 10:55, May 08, 2009
    Common man's Confucius for the West 10:55, May 08, 2009 When Yu Dan, a media expert and professor at Beijing Normal University, sat down to interpret Confucian thoughts in 2006, little did she realize that this effort would catapult her to overnight fame, turning the wise and dusty old Confucian teachings into a Chinese version of Chicken Soup for the Soul. Yu Dan's Insights into the Analects, based on 7 lectures that Yu Dan gave in 2006 on China Central Television's (CCTV) primetime show "Lecture Room", sold a record 12,600 copies on the launch day. Within two years, the book sold 5 million legal copies and an estimated 6 million pirated ones, remaining at the top of the Chinese bestseller lists even today (ranked 23rd in the non-fiction category in March 2009). While the Chinese version continued to reap in rich harvests, last week, UK-based Macmillan Publishers Ltd, released the English version of Yu Dan's bestseller, Confucius from the Heart: Ancient Wisdom for Today's World, bringing 2500-year-old Confucian wisdom to modern Western readers. Translated from Yu Dan's original book, published by Zhonghua Book Company, which is based in Beijing, the English version has trumped the previous record money of 100,000 U.S. dollars Jiang Rong's Wolf Totem cost Penguin in September 2005. Macmillan has paid a record 100,000 British pounds to Zhonghua for obtaining the copyright of Yu's book. Macmillan published the book in UK on May 1, 2009. To promote her book, Yu Dan visited UK and gave speeches at Cambridge University, Manchester University and Asian House in April, attracting hundreds of British audience.(Photo: en.huanqiu.com) A few years ago, Chinese traditional culture was brought back in vogue by the CCTV show "Lecture Room", triggering nationwide enthusiasm and it also caught the attention of the Western media.
    [Show full text]
  • Jade Huang and Chinese Culture Identity: Focus on the Myth of “Huang of Xiahoushi”
    Journal of Literature and Art Studies, June 2016, Vol. 6, No. 6, 603-618 doi: 10.17265/2159-5836/2016.06.003 D DAVID PUBLISHING Jade Huang and Chinese Culture Identity: Focus on the Myth of “Huang of Xiahoushi” TANG Qi-cui, WU Yu-wei Shanghai Jiao Tong University, Shanghai, China This paper focus on the myth of “Huang of Xiahoushi” (夏后氏之璜), focusing on the distribution of Jade Huang (玉璜) since the early neolithic and its process of pluralistic integration. The paper explores the story of ethnic group, cultural identification and the significance of Jade Huang in the discourse construction of etiquette civilization behind the mythic narrative based on multi-evidence method and the local meaning of literature in ancient Chinese context. Keywords: Jade Huang, Huang of Xiahoushi, unified diversity, Chinese identity, etiquette civilization, multi-evidence method Introduction Modern archeological relics including potteries, jades and bronzes bring back the lost history; the process of how Chinese unified diversity took shape in general and the great tradition of jade culture in eight thousand in particular. The handed-down documents echo each other at a distance provide solid evidences for the origin of civilization of rite and music and the core values based on jade belief. Jade Huang is an important one of it. It is illuminated by numerous records about Jade Huang in ancient literature, as well as a large number of archaeology findings past 7,000 years. The paper seeks to focus on the following questions: what is the function of Jade Huang in historic and prehistoric period? Moreover, what is the function of “Huang of Xiahoushi”, which belonged to emperor and symbolized special power in historic documents and myths and legends in ancient china? Jade Huang: Etiquette and Literature Jade Huang (Yu Huang, Semi-circular/annular Jade Pendant) is a type of jade artifact which is seemed to be remotely related to etiquette and literature.
    [Show full text]
  • Download E-Book (PDF)
    Journal of Languages and Culture Volume 8 Number 3 March 2017 ISSN 2141-6540 ABOUT JLC The Journal of Languages and Culture (JLC) will be published monthly (one volume per year) by Academic Journals. Journal of Languages and Culture (JLC) is an open access journal that provides rapid publication (monthly) of articles in all areas of the subject such as Political Anthropology, Culture Change, Chinese Painting, Comparative Study of Race, Literary Criticism etc. Contact Us Editorial Office: [email protected] Help Desk: [email protected] Website: http://www.academicjournals.org/journal/JLC Submit manuscript online http://ms.academicjournals.me/ Editors Dr. Marta Manrique Gómez Prof. Ahmed Awad Amin Mahmoud Faculty of Education and Higher Education Middlebury College An-Najah National University, Department of Spanish and Portuguese Nablus. Warner Hall, H-15 Palestine. Middlebury, VT 05753 USA. Dr. R. Joseph Ponniah Dr. Yanjiang Teng Department of Humanities (English) 801 Cherry Lane, APT201 National Institute of Technology Trichirappalli, Tamil Nadu East Lansing India. Michigan State University MI 48824 Dr. Kanwar Dinesh Singh USA. # 3, Cecil Quarters, Chaura Maidan, Shimla:171004 HP Prof. Radhakrishnan Nair India. SCMS-COCHIN Address Prathap Nagar, Muttom, Aluva-1 India. Dr. S. D. Sindkhedkar Head, Department of English, PSGVP Mandal's Arts, Science & Commerce College, Prof. Lianrui Yang Shahada: 425409, (Dist. Nandurbar), (M.S.), School of Foreign Languages, Ocean University of India. China Address 23 Hongkong East Road, Qingdao, Shandong Province, 266071 P China. Editorial Board Dr. Angeliki Koukoutsaki-Monnier Benson Oduor Ojwang University of Haute Alsace Maseno University IUT de Mulhouse P.O.BOX 333, MASENO 40105 Kenya.
    [Show full text]
  • UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations
    UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Fashioning the Reclusive Persona: Zeng Jing's Informal Portraits of the Jiangnan Literati Permalink https://escholarship.org/uc/item/2mx8m4wt Author Choi, Seokwon Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Fashioning the Reclusive Persona: Zeng Jing’s Informal Portraits of the Jiangnan Literati A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Art History by Seokwon Choi Committee in charge: Professor Peter C. Sturman, Chair Professor Miriam Wattles Professor Hui-shu Lee December 2016 The dissertation of Seokwon Choi is approved. _____________________________________________ Miriam Wattles _____________________________________________ Hui-shu Lee _____________________________________________ Peter C. Sturman, Committee Chair September 2016 Fashioning the Reclusive Persona: Zeng Jing’s Informal Portraits of the Jiangnan Literati Copyright © 2016 by Seokwon Choi iii ACKNOWLEDGEMENTS My sincerest gratitude goes to my advisor, Professor Peter C. Sturman, whose guidance, patience, and confidence in me have made my doctoral journey not only possible but also enjoyable. It is thanks to him that I was able to transcend the difficulties of academic work and find pleasure in reading, writing, painting, and calligraphy. As a role model, Professor Sturman taught me how to be an artful recluse like the Jiangnan literati. I am also greatly appreciative for the encouragement and counsel of Professor Hui-shu Lee. Without her valuable suggestions from its earliest stage, this project would never have taken shape. I would like to express appreciation to Professor Miriam Wattles for insightful comments and thought-provoking discussions that helped me to consider the issues of portraiture in a broader East Asian context.
    [Show full text]
  • Zeng Jing's Informal Portraits of the Jiangnan Litera
    UNIVERSITY OF CALIFORNIA Santa Barbara Fashioning the Reclusive Persona: Zeng Jing’s Informal Portraits of the Jiangnan Literati A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Art History by Seokwon Choi Committee in charge: Professor Peter C. Sturman, Chair Professor Miriam Wattles Professor Hui-shu Lee December 2016 The dissertation of Seokwon Choi is approved. _____________________________________________ Miriam Wattles _____________________________________________ Hui-shu Lee _____________________________________________ Peter C. Sturman, Committee Chair September 2016 Fashioning the Reclusive Persona: Zeng Jing’s Informal Portraits of the Jiangnan Literati Copyright © 2016 by Seokwon Choi iii ACKNOWLEDGEMENTS My sincerest gratitude goes to my advisor, Professor Peter C. Sturman, whose guidance, patience, and confidence in me have made my doctoral journey not only possible but also enjoyable. It is thanks to him that I was able to transcend the difficulties of academic work and find pleasure in reading, writing, painting, and calligraphy. As a role model, Professor Sturman taught me how to be an artful recluse like the Jiangnan literati. I am also greatly appreciative for the encouragement and counsel of Professor Hui-shu Lee. Without her valuable suggestions from its earliest stage, this project would never have taken shape. I would like to express appreciation to Professor Miriam Wattles for insightful comments and thought-provoking discussions that helped me to consider the issues of portraiture in a broader East Asian context. I owe a special debt of gratitude to Susan Tai, Elizabeth Atkins Curator of Asian Art at the Santa Barbara Museum of Art. She was my Santa Barbara mother, and she helped made my eight-year sojourn in the American Riviera one that I will cherish forever.
    [Show full text]
  • Hermeneutics and Novels in Ming-Qing Dynasties
    HERMENEUTICS AND NOVELS IN MING-QING DYNASTIES Mengyuan Li Abstract:Common points exist between the doctrine of “investigatory reference” in literature commentaries on novels in Ming and Qing dynasties and the doctrine of “closing reading” in Anglo-American literary commentaries. One of them is that both ideas aim at arriving at an understanding of the true meaning of a text. Both ideas emphasize that to have a true understanding of the true meaning of a text, a reader needs to go beyond the language and his/her subjectivity; a reader should have a macro vision to avoid a blind eye. Both ideas emphasize objectivity as an important principles of reading. Both ideas emphasize recognition of the objective existence of texts as the foundation of reading texts, and repeated reading as an important condition to ensure objectivity of reading. At a first look, the question of how to read a text is one that scratch where there is no itch. But it is not. In effect, as part of the general question of how to understand properly a text, the question of how read is an important one. The question is of what the objective of reading is, how to have a proper relation to a text, and what the proper method of reading is. While interpretation is crucial to understanding, reading is crucial to interpretation. Reading, a task but also a challenge! I The concept that all studies and analyses of language, characters, metaphor, symbols and rhetorics and the like in a novel aim at understanding the true meaning of a text is emphasized utmost in both the doctrine of "investigatory reference" in literary commentary of novels in Ming and Qing Dynasties and the doctrine of "Close Reading " in Anglo-American literary criticism.
    [Show full text]