The Portrayal of Women in Katy Perry's Selected Song Lyrics

Total Page:16

File Type:pdf, Size:1020Kb

The Portrayal of Women in Katy Perry's Selected Song Lyrics Amelia Lisara The Portrayal of Women in Katy Perry’s Selected Song Lyrics The Portrayal of Women in Katy Perry’s Selected Song Lyrics Amelia Lisara English Language and Literature Universitas Pendidikan Indonesia [email protected] ABSTRACT The present study entitled The Portrayal of Women in Katy Perry’s Selected Song Lyrics aims at drawing the portrayal of women in the selected song lyrics and revealing gendered messages in the selected song lyrics as viewed in post feminism perspectives. Utilizing a qualitative research particularly descriptive method, the discussion of the present study is framed within gender studies and theory of post feminism. The result of the present study shows that most of women in One of the Boys album (2008) are portrayed through five portrayals highlighting women’s physical appearance, women as sexual subject, women’s passive behavior, and women’s attitudes to cover their dependency on men. These portrayals support patriarchal ideology in which women are in accordance with patriarchal society’s expectation. The present study also discovers that gendered messages in most of song lyrics in One of the Boys do not show the notion of post feminism by being passive and dependent to men. Nevertheless, several songs explore the theme of sexuality as one of feminism values. Keywords: Gender, Feminism, Ideology, Women 61 Passage 2014,2(2), 61-68 INTRODUCTION Song lyric, as a piece of Generally, when lyric writers write a literary text, also contains the song lyric, they are influenced by message in both explicit and implicit their life experience and events. For way. It is almost impossible for any example, a song writer who is types of literary text for not having a brought up in an environment that particular meaning. The connection values partriarchal ideologies may between song lyric and its message, portray women inferiority in his or then, emerges in view of the fact that her song lyrics. The portrayal of a songwriter whether in a conscious women in song lyrics has been a condition or not, always influences particular interest, especially for the their songs with their intended feminists. Many have tried to draw meaning. Gendered message as the the representation of women in deeper meaning focusing on gender literature that is to a high extent still relation in song lyric can be prone to mistaken description and or identified by emphasizing incorrect representation. This is also correspondence of lyrics and images true for the representation of female as the elements in the texts character in song lyric .For instance, (Silverman 2001, cited in Click and in a paper critiquing Pink’s Stupid Kramer 2007). Girl, Leonardi and Dickinson (2007) Katy Perry is an American pop discuss how each gender is being singer-songwriter whose most of her portrayed in the song when they say, songs concerning on gender relation. “Females are constructed and Most of her lyrics elaborate realistic portrayed through various negative aspects since it reflects view, feeling, strategies to be passive, shallow, and voice of women. Katy Perry is unengaged, and disempowered also well-known as a singer- creatures”. They found that the song songwriter who often explores supports patriarchy by making the themes of sexuality in her songs as a woman seem inferior to the man and tool to make female character in her having the man seem to be a more songs powerful. However, there is an powerful figure in the song. implicit meaning that can be 62 Amelia Lisara The Portrayal of Women in Katy Perry’s Selected Song Lyrics analyzed through that kind of gender studies and post feminist portrayal. Considering that, this perspectives as its theoretical present study tries to uncover how foundation, this present study utilizes women are typically portrayed in text analysis in analyzing the popular song lyrics written and sung by song lyrics. Textual analysis helps woman and what gendered messages reveal the way lyric tells different can be derived from the song lyrics stories about women’s expectations as viewed from a post feminist and experiences while at the same perspective. time enabling the researcher to read For this reason, this present gendered messages in each song. The study chooses ten song lyrics from result of the present study is One of the Boys (2008) album by expected to provide new insights for Katy Perry to be analyzed. The song understanding gender issues in media lyrics are Fingerprints, Hot n Cold, I through a deep analysis of women’s Kissed a Girl, If You Can Afford Me, portrayal. I’m Still Breathing, Lost, Mannequin, The concept of gender in the One of the Boys, Self Inflicted, and present time relates to the role of Thinking of You. Katy Perry co- man and woman rather than just man wrote every song on the album as and woman’s biological sex well as writing three of the songs difference. Gender is what people do, herself. wear, speak to show who people are The data were collected as their identity. Sex-role behavior is through reading and re-reading to learned (French, 1985, p. 531). Thus, Katy Perry’s selected song lyrics for it does not mean because one is a several times. It is because the study female then she should be feminine. mostly deals with narrative textual She appears to perform feminine analysis. The data is collected from qualities because she learns how to ten Katy Perry’s song lyrics in the be feminine, not masculine. form of textual evidences that are Patriarchy was to make men central selected and directed to answer the (and women marginal) to human life research questions. Framed by (French, 1985, p. 91). French names 63 Passage 2014,2(2), 61-68 the term of human division as his song, chances are other people masculine and feminine principles. will start using the same term to refer The principles assert that masculine to women. The fact that a song can experience is rooted in power-in-the- control someone’s action and world, with its symbolized act: to behavior indicates that music kill. Meanwhile, feminine experience industry has a big impact on the way is rooted in nature, with its gender is constructed. symbolized act: to give birth. The highlight in popular Popular songs have an culture is in the role of media. important role in constructing gender According to Hall (cited in Hollows, in society. If a song is played over 2000), popular culture is associated and over and everybody likes it, then as local culture, something that is the song becomes popular. Thus, produced and consumed by people. what is represented in that song or Strinatri (2004) states that popular messages that the song carries on culture is called as mass culture. She must be well-known as well. Brown further says that in 1920s and 1930s, (2003) in his article states that cultural products such as popular popular songs form the background press, cinema and radio become the of car rides and social gatherings, consumption of mass society. The and it also inform the adolescent popular culture media defines about the adult world through the Postfeminism as Girl Power. It lens of the artists’ lives, language appeared in 1990s that the term Girl and role modeling. For instance, if a Power is identified as female popular female singer mentions empowerment (cited in Genz and about women wearing a revealing Brabon, 2009). The term Girl Power outfit in her song, then young girls is directly associated with music would probably think that they culture since the arrival of Spice Girl should be wearing the same kind of in 1996. Girl Power brings the idea clothing. It could also work in of a celebration of self-belief in another way; if a male rapper uses a regards to friendship and derogatory term refer to a woman in independence. 64 Amelia Lisara The Portrayal of Women in Katy Perry’s Selected Song Lyrics To add more, there are Faludi (cited in Genz and Brabon, debates regarding the definition of 2009) in society, backlash defines the term Post feminism. Faludi (cited itself through media-inspired images. in Gamble, 2001) asserts that all Media-inspired images persuade women are Post feminist now, which women that feminism is means that women have arrived at unfashionable and not worthy equal justice. He further mentions consideration. that Post feminism is viewed as Based on the analyzed data, reaction against second-wave the present study finds that women in Feminism. Katy Perry’s selected song lyrics are Just when record numbers of portrayed through five portrayals. younger women were The first portrayal is women are supporting feminist goals in the presented in attractive physical mid-1980s (more of them, in appearance. The second portrayal is fact, than older women) and a women are treated as sexual object. majority of all women were The third portrayal is women are calling themselves feminists, engaged in significantly passive the media declared that behavior. The fourth portrayal is feminism was the flavor of the seventies and that ‘post women are presented as having feminism’ was the new story – negative attitudes and the last complete with a younger portrayal is women are presented as generation who supposedly having positive attitudes to cover reviled the women’s movement. their dependency on men. Each From the explanation above, women portrayal has different women’s who called themselves as feminists characteristics or traits. The revile the women’s movement at that characteristics are powerful, time. The action comes from women emotional, self-blaming, attractive, who called themselves as feminists fickle, loyal, powerless, dependent, who reacted against the goals of comforting, sexual object, and in feminist movement.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Uptownlive.Song List Copy.Pages
    Uptown Live Sample - Song List Top 40/ Pop 24k Gold - Bruno Mars Adventure of A Lifetime - Coldplay Aint My Fault - Zara Larsson All of Me (John Legend) Another You - Armin Van Buren Bad Romance -Lady Gaga Better Together -Jack Johnson Blame - Calvin Harris Blurred Lines -Robin Thicke Body Moves - DNCE Boom Boom Pow - Black Eyed Peas Cake By The Ocean - DNCE California Girls - Katy Perry Call Me Maybe - Carly Rae Jepsen Can’t Feel My Face - The Weeknd Can’t Stop The Feeling - Justin Timberlake Cheap Thrills - Sia Cheerleader - OMI Clarity - Zedd feat. Foxes Closer - Chainsmokers Closer – Ne-Yo Cold Water - Major Lazer feat. Beiber Crazy - Cee Lo Crazy In Love - Beyoncé Despacito - Luis Fonsi, Daddy Yankee and Beiber DJ Got Us Falling In Love Again - Usher Don’t Know Why - Norah Jones Don’t Let Me Down - Chainsmokers Don’t Wanna Know - Maroon 5 Don’t You Worry Child - Sweedish House Mafia Dynamite - Taio Cruz Edge of Glory - Lady Gaga ET - Katy Perry Everything - Michael Bublé Feel So Close - Calvin Harris Firework - Katy Perry Forget You - Cee Lo FUN- Pitbull/Chris Brown Get Lucky - Daft Punk Girlfriend – Justin Bieber Grow Old With You - Adam Sandler Happy – Pharrel Hey Soul Sister – Train Hideaway - Kiesza Home - Michael Bublé Hot In Here- Nelly Hot n Cold - Katy Perry How Deep Is Your Love - Calvin Harris I Feel It Coming - The Weeknd I Gotta Feelin’ - Black Eyed Peas I Kissed A Girl - Katy Perry I Knew You Were Trouble - Taylor Swift I Want You To Know - Zedd feat. Selena Gomez I’ll Be - Edwin McCain I’m Yours - Jason Mraz In The Name of Love - Martin Garrix Into You - Ariana Grande It Aint Me - Kygo and Selena Gomez Jealous - Nick Jonas Just Dance - Lady Gaga Kids - OneRepublic Last Friday Night - Katy Perry Lean On - Major Lazer feat.
    [Show full text]
  • Exhibit O-137-DP
    Contents 03 Chairman’s statement 06 Operating and Financial Review 32 Social responsibility 36 Board of Directors 38 Directors’ report 40 Corporate governance 44 Remuneration report Group financial statements 57 Group auditor’s report 58 Group consolidated income statement 60 Group consolidated balance sheet 61 Group consolidated statement of recognised income and expense 62 Group consolidated cash flow statement and note 63 Group accounting policies 66 Notes to the Group financial statements Company financial statements 91 Company auditor’s report 92 Company accounting policies 93 Company balance sheet and Notes to the Company financial statements Additional information 99 Group five year summary 100 Investor information The cover of this report features some of the year’s most successful artists and songwriters from EMI Music and EMI Music Publishing. EMI Music EMI Music is the recorded music division of EMI, and has a diverse roster of artists from across the world as well as an outstanding catalogue of recordings covering all music genres. Below are EMI Music’s top-selling artists and albums of the year.* Coldplay Robbie Williams Gorillaz KT Tunstall Keith Urban X&Y Intensive Care Demon Days Eye To The Telescope Be Here 9.9m 6.2m 5.9m 2.6m 2.5m The Rolling Korn Depeche Mode Trace Adkins RBD Stones SeeYou On The Playing The Angel Songs About Me Rebelde A Bigger Bang Other Side 1.6m 1.5m 1.5m 2.4m 1.8m Paul McCartney Dierks Bentley Radja Raphael Kate Bush Chaos And Creation Modern Day Drifter Langkah Baru Caravane Aerial In The Backyard 1.3m 1.2m 1.1m 1.1m 1.3m * All sales figures shown are for the 12 months ended 31 March 2006.
    [Show full text]
  • (Re)Engaging Students with Feminism in a Postfeminist World
    Teaching the Conflicts: (Re)Engaging Students with Feminism in a Postfeminist World MEREDITH A. LOVE AND BRENDA M. HELmbRECHT What happened to the dreams of a girl president She’s dancing in the video next to 50 Cent They travel in packs of two or three With their itsy bitsy doggies and their teeny-weeny tees Where, oh where, have the smart people gone? Maybe if I act like that, that guy will call me back Porno Paparazzi girl, I don’t wanna be a stupid girl Baby if I act like that, flipping my blond hair back Push up my bra like that, I don’t wanna be a stupid girl —Pink, “Stupid Girls” If representational visibility equals power, then almost-naked young white women should be running Western culture. —Peggy Phelan, Unmarked There is no question that the work of femi- all around” and a “World despaired, their nists has benefited the daily lives, health, only concern [is]: Will they fuck up my and financial status of many American hair?” Certainly, Pink is prone to hyper- women. In fact, some women’s lives have bole, but her questions resonate: do young been so improved that today’s younger women still dream of being world leaders, generation of women may not even know or have their ambitions been curtailed that “we’ve come a long way, baby” and, in lieu of the smaller achievements they perhaps even more importantly, that we can make with their buying power? Peggy still have a long way to go. Even pop cul- Phelan makes a similar point above, noting ture icons themselves, such as the musi- that “almost-naked young white women” cian Pink, recognize the current state of are given great visibility in our culture, gender politics, lamenting the fact that especially in advertisements, television, young women today are more concerned and film; yet it would be preposterous to with what they need to do and buy to suggest that their visibility instantly trans- maintain their image than they are with lates into power.
    [Show full text]
  • Liberal Feminism's Aspect in Katy Perry's Songs
    ISSN: 1979-4975 PROGRESSIVE Vol. XII, No. 2 September 2017 LIBERAL FEMINISM‘S ASPECT ,1 KATY PERRY‘S S21GS Rini Martiwi1, Eulin Karlina2, Dedi Suharyadi3 1ASM BSI Jakarta/Manajemen Administrasi [email protected] 2AMIK BSI Jakarta/Komputerisasi Akuntansi [email protected] 3AMIK BSI Bekasi/Komputerisasi Akuntansi [email protected] Abstract ± The objective of this study is to analyze the basic aspects of liberal feminism and explain the representation of liberal feminism ideology in the lyrics of .aty 3erry‘s songs. The Data of research are taken from six songs, there are "One of the boys", "Pearl", "Part of me", "Dark Horse", "Roar" and "International Smile". This study used a qualitative descriptive method to collect data and required information. The results of this research indicated that: (1) There are 14 data containing liberal feminist ideology which is based on the value of personal autonomy of freedom. The basic values of freedom seen of personal autonomy that mostly found are being free of the limits set by patriarchal paternalistic (6 data). (2) The lyrics of Katy Perry songs have a criticism of women who should be free from all form of threats of violence, have a facilities in various field and should not always subservient to the men and social law. (3) Katy Perry wants to tell the women, they have power, the form of power is in physical and psychological strength. Keywords: Liberal feminism, Songs, lyric I. INTRODUCTION rhythms that are tailored to the type of song lyrics Humans are the most perfect creatures of God.
    [Show full text]
  • Lady Gaga 1 Poker Face 111W Universal James Morrison Feat
    Lady GaGa 1 Poker Face 111W Universal James Morrison feat. Nelly Furtado 2 Broken Strings Schweizer Hitparade 213W Universal Top 100 Singles Silbermond 22.03.2009 3 Irgendwas bleibt 33W Sony 21 31 13W Rihanna - Rehab Universal Flo Rida feat. Ke$ha 22 20 6W Britney Spears - Circus Sony 4 23 24 18W Beyoncé - If I Were A Boy Sony Right Round 24 23 16W Peter Fox - Haus am See Warner 72W Warner 25 27 23W P!nk - So What Sony 26 29 52W Amy Macdonald - This Is The Life Universal Kelly Clarkson 27 30 7W Charlie Winston - Like A Hobo Disques Office 5 My Life Would Suck Without You 28 28 35W Coldplay - Viva la vida EMI 92W Sony 29 26 15W Bligg - Musigg i dä Schw iiz Universal 30 19 5W Chris Cornell - Part Of Me Universal Katy Perry 31 39 7W Jason Mraz and Colbie Caillat - Lucky Warner 32 21 13W The Pussycat Dolls - I Hate This Part Universal 6 Hot N Cold 33 22 4W Myron - One Step Closer Sony 519W EMI 34 35 31W Katy Perry - I Kissed A Girl EMI 35 36 2W Kings Of Leon - Use Somebody Sony Mando Diao 36 37 21W The Killers - Human Universal 7 Dance With Somebody 37 25 11W Duffy - Rain On Your Parade Universal 410W 38 38 5W Empire Of The Sun - Walking On A Dream EMI Universal 39 34 5W Eminem / Dr. Dre / 50 Cent - Crack A Bottle Universal 40 47 2W The Prodigy - Omen Universal Alesha Dixon 41 40 6W Pep's - Libertà Universal 8 The Boy Does Nothing 42 48 6W Tim Toupet - ...so ein schöner Tag (Fliegerlied) EMI 83W Warner 43 42 43W Jason Mraz - I'm Yours Warner 44 46 31W Rihanna - Disturbia Universal Bligg 45 57 3W Katy Perry - Thinking Of You EMI 9 46 54 55W
    [Show full text]
  • Unconditionally Katy Perry Arranged for String Duet Sheet Music
    Unconditionally Katy Perry Arranged For String Duet Sheet Music Download unconditionally katy perry arranged for string duet sheet music pdf now available in our library. We give you 4 pages partial preview of unconditionally katy perry arranged for string duet sheet music that you can try for free. This music notes has been read 11707 times and last read at 2021-09-29 04:56:40. In order to continue read the entire sheet music of unconditionally katy perry arranged for string duet you need to signup, download music sheet notes in pdf format also available for offline reading. Ensemble: String Duet Level: Advanced [ Read Sheet Music ] Other Sheet Music Unconditionally Katy Perry Harp Arrangement Unconditionally Katy Perry Harp Arrangement sheet music has been read 8654 times. Unconditionally katy perry harp arrangement arrangement is for Intermediate level. The music notes has 3 preview and last read at 2021-09-28 00:37:31. [ Read More ] Firework By Katy Perry Arranged For String Orchestra Firework By Katy Perry Arranged For String Orchestra sheet music has been read 12394 times. Firework by katy perry arranged for string orchestra arrangement is for Early Intermediate level. The music notes has 6 preview and last read at 2021-09-27 12:00:25. [ Read More ] Firework By Katy Perry Arranged For String Quartet Firework By Katy Perry Arranged For String Quartet sheet music has been read 11661 times. Firework by katy perry arranged for string quartet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-30 04:41:23.
    [Show full text]
  • Ultimate Pink Show Bio Sml.Pdf
    P!NK – Arguably the most popular female artist in current times. With her cheeky demeanor and hard hitting attitude, Pink has proven herself to have the goods to break records with album sales, radio air time and the highest number of ticket sales in an Australian tour. The Ultimate Pink sshow ha reproduced the talents of Pink to bring you the No. 1 tribute to this amazing artist, live on stage. With a 9 piece live band, the Ultimate Pink Show has reproduced the live sound of Pink, like no other. With 2 guitars, keyboards, pumping bass, drums, backing vocalist & 2 stunningdancers, the band is second to none with their punch and live reproduction of Pinks music. There are no sequences or backing tracks used in the live production of this tribute show. Nikki , who plays the part of P!NK, is easily mistaken for the real thing, with her unique look, powerful voice and mannerisms on stage closely matching the stars own. Bursting onto the scene in 2009, The Ultimate P!NK Show has received accolades from many die hard Pink fans as being the most legitimate performance, in comparison to the original Pink. With great sounding audio production and dazzlingd effects an light show, this show certainly attracts and keeps the attention of patrons from the beginning to the end of the show. The Ultimate PINK show is raising funds for the National Breast Cancer Foundation by involving itself in the sale of Pink Ribbon merchandise and offering fund raising performances named ‘P!NK for Cure’ for the Foundation.
    [Show full text]
  • Most Requested Songs of 2009
    Top 200 Most Requested Songs Based on nearly 2 million requests made at weddings & parties through the DJ Intelligence music request system in 2009 RANK ARTIST SONG 1 AC/DC You Shook Me All Night Long 2 Journey Don't Stop Believin' 3 Lady Gaga Feat. Colby O'donis Just Dance 4 Bon Jovi Livin' On A Prayer 5 Def Leppard Pour Some Sugar On Me 6 Morrison, Van Brown Eyed Girl 7 Beyonce Single Ladies (Put A Ring On It) 8 Timberlake, Justin Sexyback 9 B-52's Love Shack 10 Lynyrd Skynyrd Sweet Home Alabama 11 ABBA Dancing Queen 12 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 13 Black Eyed Peas Boom Boom Pow 14 Rihanna Don't Stop The Music 15 Jackson, Michael Billie Jean 16 Outkast Hey Ya! 17 Sister Sledge We Are Family 18 Sir Mix-A-Lot Baby Got Back 19 Kool & The Gang Celebration 20 Cupid Cupid Shuffle 21 Clapton, Eric Wonderful Tonight 22 Black Eyed Peas I Gotta Feeling 23 Lady Gaga Poker Face 24 Beatles Twist And Shout 25 James, Etta At Last 26 Black Eyed Peas Let's Get It Started 27 Usher Feat. Ludacris & Lil' Jon Yeah 28 Jackson, Michael Thriller 29 DJ Casper Cha Cha Slide 30 Mraz, Jason I'm Yours 31 Commodores Brick House 32 Brooks, Garth Friends In Low Places 33 Temptations My Girl 34 Foundations Build Me Up Buttercup 35 Vanilla Ice Ice Ice Baby 36 Bee Gees Stayin' Alive 37 Sinatra, Frank The Way You Look Tonight 38 Village People Y.M.C.A.
    [Show full text]
  • AMBASSADOR BIO Is All In
    is all in AMBASSADOR BIO is all in KATY PERRY BIOGRAPHY “I can’t run from where I came from, nobody can,” says Katy Perry. When it came time to make her exhilarating second album “Teenage Dream,” Katy found herself increasingly drawn back home to Santa Barbara, Calif. Back to where they knew her before she became a superstar. Before she kissed a girl and liked it. And, certainly, before she sold 5 million copies of her Capitol Records blockbuster, “One of the Boys.” “I love the vibe that Santa Barbara gives off and I wanted to really tap into the purity of my childhood and that feeling,” says the two-time Grammy nominated singer. “It was really fun to get away and walk into the studio with no make-up on.” “Teenage Dream,” out Aug. 24, will move you, both emotionally and physically. “When I was touring, I wanted people to dance more,” Katy says. “So I wrote an album that made people move, yet didn’t sacrifice the story substance that I had on the last record.” The album, whose producers include Max Martin, Tricky Stewart, Stargate, Dr. Luke and Greg Wells, is a glorious evolution from “One of The Boys,” It showcases an artist who dares us to join her as she experiences every facet of life. 17 is all in “I’m giving everyone the full spectrum on this record,” Katy says. “You’re getting the sugary sweet, but you’re also getting the ‘Oh my goodness, she had to sit down for a minute and let some things off her chest’.” Fun first single, “California Gurls,” declared by Entertainment Weekly as “unforgettable,” is the undeniable summer anthem of 2010.
    [Show full text]
  • The Derailment of Feminism: a Qualitative Study of Girl Empowerment and the Popular Music Artist
    THE DERAILMENT OF FEMINISM: A QUALITATIVE STUDY OF GIRL EMPOWERMENT AND THE POPULAR MUSIC ARTIST A Thesis by Jodie Christine Simon Master of Arts, Wichita State University, 2010 Bachelor of Arts. Wichita State University, 2006 Submitted to the Department of Liberal Studies and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts July 2012 @ Copyright 2012 by Jodie Christine Simon All Rights Reserved THE DERAILMENT OF FEMINISM: A QUALITATIVE STUDY OF GIRL EMPOWERMENT AND THE POPULAR MUSIC ARTIST The following faculty members have examined the final copy of this thesis for form and content, and recommend that it be accepted in partial fulfillment of the requirement for the degree of Masters of Arts with a major in Liberal Studies. __________________________________________________________ Jodie Hertzog, Committee Chair __________________________________________________________ Jeff Jarman, Committee Member __________________________________________________________ Chuck Koeber, Committee Member iii DEDICATION To my husband, my mother, and my children iv ACKNOWLEDGMENTS I would like to thank my adviser, Dr. Jodie Hertzog, for her patient and insightful advice and support. A mentor in every sense of the word, Jodie Hertzog embodies the very nature of adviser; her council was very much appreciated through the course of my study. v ABSTRACT “Girl Power!” is a message that parents raising young women in today’s media- saturated society should be able to turn to with a modicum of relief from the relentlessly harmful messages normally found within popular music. But what happens when we turn a critical eye toward the messages cloaked within this supposedly feminist missive? A close examination of popular music associated with girl empowerment reveals that many of the messages found within these lyrics are frighteningly just as damaging as the misogynistic, violent, and explicitly sexual ones found in the usual fare of top 100 Hits.
    [Show full text]
  • A Case Study of Female Detectives on HBO
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 9-26-2017 10:00 AM (Not) One of the Boys: A Case Study of Female Detectives on HBO Darcy Griffin The University of Western Ontario Supervisor Dr. Susan Knabe The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Darcy Griffin 2017 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Film and Media Studies Commons, Television Commons, and the Women's Studies Commons Recommended Citation Griffin, Darcy, "(Not) One of the Boys: A Case Study of Female Detectives on HBO" (2017). Electronic Thesis and Dissertation Repository. 4995. https://ir.lib.uwo.ca/etd/4995 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract In 1997 HBO aired its first original drama series, Oz. In the years that have followed the network has positioned itself as vanguard in the television landscape, however, HBO drama series have remained a complicated, and often dangerous site for female characters. Moreover, with a few exceptions (Sex and the City, or True Blood for example), original HBO drama series remain focused on the network’s primary audience demographic: the predominantly male, relatively affluent consumers of quality television. This research explores the representation of female detectives within original HBO crime drama series, The Wire (2002--8) and Season Two of True Detective (2014 -), in order to examine how female officers, operate within the male-dominated world of HBO drama.
    [Show full text]