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10-6-2012 Faculty Recital Cheryl Lin Fielding Chapman University

Christina Alexopoulos

Yang Li Bartolotti

Anna Schubert

Efrain Solis

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Recommended Citation Fielding, Cheryl Lin; Alexopoulos, Christina; Bartolotti, Yang Li; Schubert, Anna; and Solis, Efrain, "Faculty Recital" (2012). Printed Performance Programs (PDF Format). Paper 750. http://digitalcommons.chapman.edu/music_programs/750

This Faculty Recital is brought to you for free and open access by the Music Performances at Chapman University Digital Commons. It has been accepted for inclusion in Printed Performance Programs (PDF Format) by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Faculty Recital: Cheryl Lin Fielding and Friends October 6, 2012

fall 2012 · ••CHAPMAN •• UNIVERSITY

COLLEGE OF PERFORMING ARTS CHAPMAN UNIVERSITY FALL 2012 calendar highlights september Conservatory of Music September 27-29, October 4-6 Company, Book by George Furth, Music and Lyrics by Stephen Sondheim presents a Directed by Todd Nielsen, Music Direction by Bill Brown october October 19-21 Opera Chapman "2012: An Opera Odyssey - The Journey Continues" Peter Atherton, Artistic Director, Carol Neblett, Associate Director October 26 Chapman University Choir and Women's Choir in Concert Stephen Coker and Angel Vazquez-Ramos, Conductors november November 12 Faculty Recital November 2-3 University Singers in Concert American Celebration Stephen Coker, Conductor Dale A. Merrill, Artistic Director and Producer William Hall, Music Director and Conductor November 16 Cheryl Lin Fielding and Friends November 7-11 Chapman Chamber Orchestra Daniel Alfred Wachs, Music Director and Conductor If All the Sky Were Paper By Andrew Carroll, Directed by John Benitz November 28-December 1 with guest artists November 10 Fall Dance Concert Directed by Jennifer Backhaus Chapman University Wind Symphony Christina Alexopoulos, Yang Li Bartolotti, Paul Sherman, Music Director and Conductor Anna Schubert and Efrain Solis december December 7-8 49th Annual Holiday Wassail - Banquet and Concert Presented by the University Choir and University Singers, Stephen Coker, Conductor, University Women's Choir, Angel Vazquez-Ramos, Conductor, and the Chapman University Chamber Orchestra, Daniel Alfred Wachs, Conductor

October 6, 2012 • 5:00 P.M. C H A p M A N For more information about our events, please visit our website at u N I v E R s I TY http://www.chapman.edu/copa orcall 714-997-6519 Salmon Recital Hall COLLEGE OF PERFORMING ARTS or email [email protected] Program

L'invitation au voyage Emmanuel Chabrier Tres Sonetos, op. 54 Joaquin Turina Chanson pour Jeanne (1841-1894) Anhelos (1882-1949) Les Cigales Vade Retro! L'ile heureuse A unos ojos

Ms. Christina Alexopoulos, Mezzo-Soprano Ms. Christina Alexopoulos, Mezzo-Soprano Mr. Efrain Solis, Baritone

Meditation, op. 32 Alexandre Glazunov (1865-1936) Margaritki, Op. 38, no. 3 Sergei Rachmaninov Son, Op. 38 no. 5 (1873-1943) Ms. Yang Li Bartolotti, Violin A-oo, Op. 38 no. 6 0 Dolgo buduya, Op. 4, no. 3 Melodie, Op. 42 "Souvenier d'un Lieu Cher" Pyotr Ilyich Tchaikovsky Ms. Anna Schubert, Soprano (1840-1893)

Riickert Lieder Tzigane Maurice Ravel Gustav Mahler Ich atmet' einen linden Duft (1875-1937) (1860-1911) Blicke mir nicht in die Lieder Ich bin der Welt abhanden gekommen Ms. Yang Li Bartolotti, Violin Liebst du um Schonheit Um Mitternacht

Mr. Efrain Solis, Baritone ,...., Intermission,....,

Stage direction i?_y Harrison Zierer Program Notes and Translations

In his book on Chabrier, Poulenc stated, "Chabrier represents, with Faure, Debussy, Ravel and V ois sur ces canaux See on those canals Satie what is best in French music since 1880." Ravel made public his indebtedness to Chabrier, Dormir ces vaisseaux Those vessels sleeping; who~e music, he professed, influenced his more than any other composer. Both Ravel and Dont l'humeur est vagabonde; Vessels with a restless soul; Poulenc famously admired "Chanson pour Jeanne". Affectionately addressed as "Le bon

Turina: Tres Sonetos, Op. 54 A unos ojos To a pair of eyes Anhelos Longings Ah! Luceros radiantes, luceros hermosos, Ah! Radiant bright stars, bright beautiful stars, Agua quisiera ser luz y alma mia, I'd fain be water, light of my dearest love, Sois ojos graciosos: Such lovely eyes you are: que con su transparencia te brindara, To celebrate your mirrored image, Mas 2que fuisteis antes? But what did you used to be? porque tu duke boca me gustara, That your sweet lips might taste me jAh! Teneis de estudiantes el ser revoltosos; Ah! You have a student's rebellishness, no apagara su sed, la encenderfa. I would not quench your thirst, but fire it. Mas por lo alevosos, but through your perfidy, Viento quisiera ser, en noche umbrfa I'd fain be wind; Pareceis matantes. your appear murderous. callado hasta tu lecho penetrara, on somber nights I'd silently enter you're your bed, Alegres ojillos, ojillos traviesos, Happy eyes, Mischievous eyes, y aspirar por tus labios me dejara, and allow myself to breathe through your lips, 2Como sois tan sabios, how wise you are, y mi vida en la tuya infundirfa. with my life, I would give you life and immerse myself in yours. Como sois tan pillos, How roguish you are, Fuego quisiera ser para abrasarte I'd fain be Fire, to consume you in a volcano of love, Que sabeis de besos You, who know about kisses, en un volcan de amor, jOh, estatua inerte Ah, lifeless statue, Cual si fueseis labios? as though you were lips? sorda a las quejas de quien supo amarte!, Deaf to the desires of one who loved you! Ay! Ah! y despues para siempre poseerte. And then, in order to hold you always, Tierra quisiera ser y disputarte Earth, I'd fan be, and compete for you, celoso a la codicia de la muerte. Jealous of Death's cupidity.

Francisco Rodriguez Marin (1855-194 3) Mahler: The Riickert Lieder

Vade Retro! Get thee behind me! The first measure of Ich atmet' einen linden Duft portrays the moment when one is seized by the fragrance of love, which fills the senses. The piano part continues as the breeze that carries the She's made love to Pedro, Ignacio, Marcelino and a catalogue of other men, including deaf Blas and fragrance while the voice responds in tender reflection. blind Luis. Now poor, old, ugly Pablo should watch out, because she's the last thing he needs. Carry As Ruckert stated in Blicke mir nicht in die Lieder, "Bees, when they build their cells, also do her to the devil, because instead of a soulmate, he'd be getting an almanac. not let anyone observe them, even themselves." In a whimsical way, Mahler warns one who tries to peek into his art before completion. One can hear the bees buzzing in the piano part. A playful Amaste a Pedro, a Ignacio, a Marcelino, You loved Pedro, Ignacio, Marcelino, motivic bouncing-back-and-forth between the voice and piano parts seems to suggest peeking and A Casto, a Gil, a Pepe, a Diego, Casto, Gil, Pepe, Diego, dodging. A Anton despues, a Restituto luego, Anton, and Restituto next, Y a Lucas, y a Gines, y a Guan y a Lino. Then Lucas, Gines, Juan and Lino. A self-portrait, Mahler had said of Ich bin der Welt abhanden gekommen, "it is truly me". As the music weaves through the melancholic chromaticism, it paints the fatigue yet still the Y amaste a Cleto, a Felix, a Faustino, And Cleto you loved, also Felix and Faustino. aspirations of a romantic artist/hero, withdrawn from society, alone and forgotten. Through Es inextinguible tu amoroso fuego, Inextinguishable is your fiery love, peaceful resignation, meaning and transcendence are found in his love and song. Amaste a Blas el sordo, a Luis el ciego, you loved Deaf Blas, blind Luis, Y al Pancho aquel que de las Indias vino. And Pancho who hailed from the West Indies. Liebst du um Schonheit was written as a wedding gift to his wife Alma, a woman famous for her Hoy, vieja, pobre y fea (iguarda, Pablo!), Now, old, poor and ugly (watch out, Pablo!) beauty and vivacity, as well as her talent as a composer. The simple and sincere vocal line is com- Te hace exhalar interminable queja You expel those endless moans plemented by the passionate piano part in sensuous harmony. El insufrible solteril achaque. Of insufferable spinsterhood. Um Mitternacht takes us on a journey of a soul at its darkest moment: completely alone in the Mas 2quien te ha de querer, illevete el diablo!, But, who should love you? Devil take you! universe, fighting the battle of mankind and agonizing at the end of its strength. The evil sneers Si, ademas de ser fea, pobre y vieja, Since besides being ugly, poor and old, (quartal harmony in .iforzando) as the protagonist continues in what seems to be an endless search Tienes, en vez de un alma, un almanaquel You have, instead of a soulmate, an almanac! and deepening into the night. The hero eventually surrenders his strength into God's hands and Francisco Rodriguez Marin (1855-194 3) Program Notes and Translations

Ich atmet' einen linden Duft! I breathed a gentle fragrance Ich bin der Welt abhanden gekommen I am lost to the world

Ich atmet' einen linden Duft. I breathed a gentle fragrance! Ich bin der Welt abhanden gekommen, I am lost to the world Im Zimmer stand In the room stood Mit der ich sonst viele Zeit verdorben; with which I used to waste so much time; Ein Zweig der Linde, a sprig of linden, Sie hat so lange von mir vernommen, It has heard nothing from me for so long Ein Angebinde a gift Sie mag wohl glauben, ich sei gestorben! that it may very well believe that I am dead! Von lieber Hand. from a dear hand. Wie lieblich war der Lindenduft! How lovely was the fragrance of linden! Es ist mir auch gar nichts daran gelegen, It is of no consequence to me Ob sie mich for gestorben halt. Whether it thinks me dead; Wie lieblich ist der Lindenduft! How lovely is the fragrance of linden! Ich kann auch gar nichts sagen dagegen, I cannot deny it, Das Lindenreis That sprig of linden Denn wirklich bin ich gestorben der Welt. for truly I am dead to the world. Brachst du gelinde; Tenderly you broke; Ich atme leis Softly I breathe Ich bin gestorben dem Weltgetiimmel I am dead to the world's tumult, Im Duft der Linde In the fragrance of linden, Und ruh' in einem stillen Gebiet! And I rest in a quiet realm! Der Liebe linden Duft. the gentle fragrance of love. Ich le b' allein in meinem Himmel, I live alone in my heaven, In meinem Lieben, in meinem Lied. In my love and in my song.

Blicke mir nicht in die Lieder Look not into my songs Liebst du um Schonheit If you love for beauty

Blicke mir nicht in die Lieder! Look not into my songs! Liebst du um Schonheit If you love for beauty, Meine Augen schlag' ich nieder, My eyes I lower, 0 nicht mich liebe! 0 h, do not love me! Wie ertappt auf baser Tat; as if I've been caught in an evil deed. Liebe die Sonne, Love the sun, Selber darf ich nicht getrauen, I can't even trust myself Sie tragt ein gold'nes Haar! She has golden hair! Ihrem Wachsen zuzuschauen: to watch their growth. Deine N eugier ist V errat. Your curiosity is treachery! Liebst du um J ugend, If you love for youth, 0 nicht mich liebe! 0 h, do not love me! Bienen, wenn sie Zellen bauen, Bees, when they build their cells, Liebe den Fruhling, Love the spring Lassen auch nicht zu sich schauen, Let no one watch either; Der jung ist jedes Jahr! Who is young every year! Schauen selber auch nicht zu. Even themselves. Wenn die reifen Honigwaben When 1 the rich honeycombs Liebst du um Schatze, If you love for riches, Sie zu Tag gefordert haben, are brought out to the light of day, 0 nicht mich liebe. Oh, do not love me! Dann vor allen nasche du! then you shall taste them before everyone else! Liebe die Meerfrau, Love the mermaid; [Die]1 hat viel Perlen klar. She has many shining pearls!

Liebst du um Liebe, If you love for love, 0 ja, mich liebe! Oh yes, love me! Liebe mich immer, Love me ever, Dich lieb' ich immerdar. I'll love you evermore! Program Notes and Translations Artists Cheryl Lin Fielding, "a fine pianist" (New York Times) whose pianism has been Um Mitternacht At midnight described as "warm, grand... and rich" (The New York Sun). Her solo and collaborative performances have taken her to Japan, Taiwan, Italy, and throughout the United States, Um Mitternacht At midnight including Alice Tully Hall at Lincoln Center, Carnegie Weill Recital Hall, Merkin Recital Hab' ich gewacht I awoke Hall, Tanglewood Music Center, Music Academy of the West, Aspen Music Festival, U nd aufgeblickt zum Himmel; and gazed up to heaven; Jacob's·Pillow Dance Festival, J uilliard Theater, the Mark Morris Dance Group, Segerstrom Kein Stern vom Sterngewimmel No star of that starry throng Concert hall and the Getty Museum. Hat mir gelacht did smile down at me Um Mitternacht. at midnight. Dr. Fielding has been honored with the Grace B. Jackson Prize in Excellence by the Tanglewood Music Festival, recognized by the National Foundation for Advancement in Um Mitternacht At midnight the Arts, and three times received the distinguished Gwendolyn Koldofsky Award in Hab' ich gedacht I projected my thoughts Keyboard Collaborative Arts. Hinaus in dunkle Schranken. To the utmost darkness. Es hat kein Lichtgedanken No thought oflight Cheryl's musical studies began at the age of three in Taiwan, first on the piano and later on Mir Trost gebracht Brought me comfort the violin, and continued through dual master's degrees at the Juilliard School (Piano Um Mitternacht. at midnight. Performance and Collaborative Piano), and the Doctor of Musical Arts in Keyboard Collaborative Arts at the University of Southern California, with extended emphasis in Um Mitternacht At midnight Vocal performance. Her major teachers were: Jonathan Feldman, Elizabeth Hynes, Nahm ich in acht I paid close attention Gabriela Imreh, Alan Smith, Oxana Y ablonskaya and Brian Zeger. Die Schlage meines Herzens; to the beating of my heart. Ein einz'ger Puls des Schmerzens One single pulse of agony A sought-after pianist and vocal coach, Dr. Fielding's students and collaborators perform War angefacht flared up worldwide in venues such as the Metropolitan Opera, New York City Opera and Teatro La Um Mitternacht. at midnight. Scala. Among the luminaries she has had the honor of working with are: Peter Atherton, Christian Badea, Stephen Coker, John DeMain, Randall Behr, Enrique Arturo Diemecke, Um Mitternacht At midnight Milena Kitic, James Levine, Timothy Lindberg, Angela Meade, George Mester, Carol Kampft ich die Schlacht, I fought the battle, Neblett, Bruce Sledge, Daniel Spalding, Linda Watson and Dean Williamson. 0 Menschheit, deiner Leiden; 0 Mankind, of your suffering; Nicht konnt ich sie entscheiden I could not decide it Dr. Fielding has worked with the Philadelphia Virtuosi, Los Angeles Opera, Opera Pacific, Mit meiner Macht with my strength Operafestival di Roma, Pacific Symphony, the Juilliard School, and the USC Thornton Um Mitternacht. at midnight. Opera. She is currently the music director of Opera Chapman and adjunct professor and vocal coach at the Chapman University Conservatory of Music. Um Mitternacht At midnight Hab ich die Macht I surrendered my strength In deine Hand gegeben: into your hands: Christina Ariadne Alexopoulos, Mezzo-Soprano, attended Mannes College The New Herr uber Tod und Leben, Lord over death and life School for Music in New York City where she received her B.S. and M.M in Voice. Ms. Du haltst die Wacht You keep watch Alexopoulos taught voice in New York City public high schools through the Metropolitan Um Mitternacht! at midnight. Opera Guild's Outreach Program. As a member of the Mannes Opera she performed the roles of Frugola in Il Tabarro, the Third Lady in Die Zauberflote, Flora in La Traviata, the Secretary in The Consul, Sandman in Hansel and Gretel, Sesto in La Clemenza di Tito, Alisa in. Lucia di Lammermoor, Ragonde in Le Comte Ory and in the world premiere of Noam Sivan's Fruits of Folia as Velia. Artists Born and raised in southern California and prior to going to New York she performed the sang with both the University Choir and University Singers. With Opera Chapman, she role of Suzuki in Puccini's Madama Butterfly with Santa Monica College's Opera perfor~ed . the roles of Gen~vieffa in Suor Angelica, Madame Herz in The Impresario, Department and the Mother in Amahl and the Night Visitors with Opera Nova. Adele m Die Fledermaus (partial role), and Pamina in Die Zauberflote. In the New York area she has given concerts and recitals at the Goethe Institute, the Since 2005, she has ':on honors in ~ompetitions held by Opera Pacific, the LA Spotlight German Consulate at the United Nations Plaza, the Harvard Club, the Daniel and Joanna Awards, the Palm Spnngs Opera Guild, and Classical Singer Magazine. S. Rose Studio at Lincoln Center, the Huntington Library and the Mannes Concert Hall. In Anna traveled to Italy in 2008 with the Chapman University Choir and then attended the addition she was the Alto Soloist at Christ Church in Ridgewood, New Jersey. Abroad she Aspen Summer Music Festival on a full scholarship. In 2009, she sang as a featured artist has sung concerts in St. Petersburg, Russia, Helsinki, Finland, the Baltic States, and aboard the Crystal Serenity. She will join the Los Angeles Master Chorale as a supplemental Florence, Italy. Her most recent performances were at Merkin Hall, New York City, as the chorister for their 2012/2013 season. Alto Soloist in Bach's Magnificat and as a Guest Artist at UC Irvine's Winifred Smith Hall. Currently Christina splits her time fundraising for the Schmid College of Science and ~ na~ve of O~ange Co~nty, California, Efrain Solis has performed a variety of roles Technology at Chapman University, teaching a voice class in the Chapman University mclu~ng th.e title role m Eugene Onegin with Russian Opera Workshop in Philadelphia, Music Conservatory and performing in concerts and recitals in Southern California. Guglielm~ m ~ozart's. Cosi fan tutte) andFigaro in Mozart's Le Nozze di Figaro with Operafest1val di Roma m Italy. At the San Francisco Conservatory of Music he has per.formed the _title role in Don Giovanni and will be reprising his role as Guglielmo in the Violinst Yang Li Bartolotti was born in Tianjin, China. She began studying violin at the spnng product1o~ of Cosi f~~ tutte. Efrain recently took 1st place in the East Bay Opera age six with her father, Ping Xing Li. Ms. Bartolotti made her debut at age seven, and won League Scholarship Con:~et1t1on. and 2nd place in the Berkeley Piano Club's Dorothy Van first place in the prestigious Chu Ya Vioin Competition at age ten. She continued to study Waynen Vocal Competition. This season Efrain will be singing the title role in Gianni S chic- at China's Central Conservatory of Music under the tutelage of Xiao Zhi Huang. A winner chi at t~e San Francisco ~ons~~a~ory, as well as Il Conte Almaviva in Le nozze di Figaro. In in the 1990 National Violin Competition of China, Ms. Bartolotti was offered the Spnng of ~013 he will be Jommg Opera Santa Barbara as a Studio Artist and covering full-scholarship to the Crossroads School of the Arts in Santa Monica, California where she Dr. Malatesta m Don Pasquale. In 2011, under the instruction and guidance of Dr. Peter studied with Professor Abram Shtern. In 1994 she accepted a Music Merit Scholarship to At~erto~, , Efrain received his B~chelor's Degree in Vocal Performance from Chapman study with the renowned violin pedagogue, Robert Lipsett at the University of Southern University s Conservatory of Music. Currently Efrain is a candidate for the Master's of Mu- California, where she was awarded both the Bachelor's and Master's of Music degrees. Her sic degree at the San Francisco Conservatory of Music under the tutelage of Cesar Ulloa. memorable performance of Samuel Barber's Violin Concerto with the USC Symphony Orchestra was much praised by USC faculty and the music community at large, and is available on CD. Yang has appeared as a soloist with many orchestras including the Pacific Palisades Symphony Orchestra, the Pasadena Community Symphony, the Crossroads Chamber Orchestra, Saddleback Symphony Orchestra, the USC Symphony Orchestra and the Tianjin Symphony of China. Ms. Bartolotti also has a passion for teaching. She has taught at Saddleback College and coaches several South Orange County orchestras.

Anna Schubert is a soprano from Southern California. She attended Chapman University, where she studied at the College of Performing Arts under Carol Neblett. While there, she Dear Alumni, Parents and Friends:

CHAPMAN UNIVERSITY On behalf of our faculty, staff and students, thank you for joining us for this exciting presentation. I am grateful to all the members of our College of Performing Arts family President: Dr. James L. Doti for the support that allows us to continue to present great performances like the one you Chairman Board of Trustees: Donald E. Sodaro are about to see. Chancellor: Dr. Daniele C. Struppa Preparing the next generation of performers and artists takes the support of all of us who are passionate about the performing arts and who value its presence in our lives. As a COLLEGE OF PERFORMING ARTS supporter of the arts, you have a crucial role to play to ensure the success of the College of Dean: Dale A. Merrill Performing Arts and the students who are at the heart of all we do. Your financial support Administrative Director: Rick F. Christophersen allows the College of Performing Arts to provide the kind of educational and performing Director of Development: Liz Crozer opportunities crucial to our students' growth into artists. Please join our community of Operations Manager: Joann R. King loyal alumni, parents and community partners devoted to developing the talents of the next Assistant to the Dean: Heather Westenhofer generation of artists with a gift to the Fund for Excellence.

CONSERVATORY OF MUSIC The Fund for Excellence supports College of Performing Arts initiatives that enhance our students' experience. Your gift to the Fund for Excellence has a tremendous impact on all Full-time Faculty: Dr. Amy Graziano (Chair) of our programs by: Peter Atherton, Robert Becker, Jeff Cogan, Stephen Coker, Margaret Dehning, Grace Fong, Robert Frelly, Sean Heim, Jeffrey Holmes, Vera Ivanova, Jessica Sternfeld, Nicholas Terry, Louise Thomas, • Providing our students with opportunities to work with professional artists; Angel M. Vazquez-Ramos, Daniel Alfred Wachs • Ensuring top notch community performances of classic and contemporary art; Adjunct Faculty: Christina Alexopoulos, David Alt, Mindy Ball, David Black, Pamela Blanc, Jacob Braun, Christopher Brennan, David Cahueque, Francisco Calvo, Clara Cheng, Tony Cho, Christina • Strengthening our programs by maintaining our ability to attract the brightest and most Dahlin, Justin DeHart, Bridget Dolkas, Kristina Driskill, Robert Fernandez, Cheryl Fielding, William talented students from across the country. Fitzpatrick, Patricia Gee, Patrick Goeser, Ruby Cheng Goya, Fred Greene, Thomas Hall, Timothy Hall, Aron Kallay, Janet Kao, Hye-Young Kim, Jenny Kim, Milen Kirov, Karen Knecht, Johanna Kroesen, Rachael Lapidis, Roger Lebow, Hedy Lee, Vivian Liu,, Jonathan Mack, Elizabeth Macy, Gary No matter what level you choose to support the College of Performing Arts, you will be a Matsuura, Bruce McClurg, Beverly Min, Susan Montgomery, Hunter Ochs, Mary Palchak, Janice Park, Teren Shaffer, Thom Sharp, Paul Sherman, Lea Steffens, David Stetson, Jacob Vogel, David part of a family of individuals who demonstrate, year after year, that they are fully commit- Washburn, William Wells, Jesse Wright-Fitzgerald ted to developing the talents of young artists. And most importantly, I hope you make your gift because you value the arts and want to invest in our next generation of artists. Artist in Residence: Milena Kitic, Carol Neblett Enjoy the performance, and I look forward to seeing you again throughout the season. Staff: Katie Silberman (Department Assistant), Peter Westenhofer (Operations Supervisor) Sincerely, Work-study Students: Monica Alfredsen, Liz Chadwick, Kyle Chattleton, Emily Dyer, Marqis Griffith, Nicholas Kaynor, Anthony Lee, Joseph Naidoo, Marcus Paige, Kylena Parks, Nathan Wilen

Dale A. Merrill, Dean COLLEGE OF PERFORMING ARTS Fund for Excellence Supporters As of August 2012

Dean's Circle Mr. Ronald D. Rotunda & Mr. Edgar Berriman & Mr. Christopher S. Kawai & Ms. Kyndra K. Rotunda Mrs. Elaine L. Berriman '58 Mrs. Elaine M. Kawai $2,499 and above Schools First Federal Ms. Geraldine M. Bowden Mr. Robert Lepore & Credit Union Mrs. Lori Lepore Anonymous Mr. Michael J. Byrne '67 & Invest in our next generation of artists. Mr. Milo Sieve & Mr. Arnn old R. Levine & B. King Mrs. Susan Byrne Mrs. Irma Levine* Covington Schumacher Concert Mrs. Rosemary Sieve Ms. Wendy D. Camp Mr. James W. Ley Series* Mrs. Helen K. Carbon The College of Performing Arts brings you the most vital and Ms. Kathleen Malcolm Glass Family Trust Ms. Kathryn J. Carpenter '77 Mr. Lee A McCabe '93 & Mr. David A Janes & Mrs. Donna Arts Benefactor Mr. Kevin Cartwright powerful part of our curriculum - live performances of dance, Mr. Renato M. Castaneda & Mrs. Racheal M. Rodriguez- Janes* $500 - $999 McCabe music and theatre. This extraordinary hands-on training Mr. Donald Marabella & Mrs. Josefina R. Castaneda Marina Vocal Arts Mrs. Luciana Marabella* Mr. Benton Bejach & Mr. Rick F. Christophersen '94 Booster Club for our next generation of artists is possible only through Music Teachers Association of Mrs. Wanlyn Bejach* Ms. Claire Chambless* City of Orange Public Library Mr. Jim McKeehan California Mr. Jeffrey Cogan '92 & Foundation Mrs. Jennifer van Meenen '94 your generosity. Opera 100 Mrs. Carol Cogan Mr. Alfred Neukuckatz & Honorable H. Warren Siegel & Dr. John A Carbon Mr. William P. Conlin & Mrs. Laila Conlin Mrs. Lillian Neukuckatz Mrs. Jan Siegel* Mrs. Barbara Harris Mrs. Allison Novosel By helping to maintain the resources essential to our Mrs. Ruth E. Stewart Mrs. Melissa S. Jacobson Mrs. Kaye DeVries '70 Mr. Bruce C. Lineberger '76 & Mr. Michael 0. Drummy '73 & NHS Choral Music Boosters curriculum, you allow the College to offer a dynamic learning Mrs. Gina T. Lineberger* Mrs. Patricia L. Drummy '81 Ms. Anna Marie Novick Mrs. Patricia Melsheimer '62 Mr. Stephen L. Dublin '70 Mrs. Sallie Piccorillo environment that nurtures the creativity of our students with Arts Patron Mr. Stephen Smith & Mrs. Linda Duttenhaver* Orange County Playwrights $1,000 - $2,499 Mrs. Kristen Falde Smith Echols Family Trust Alliance one-on-one training, ensuring they master their craft. We can Northwestern Mutual Ms. Irene Eckfeldt Ms. Susan Pedroza Dr. Nicolaos Alexopoulos & Mr. Gregory G. Norton '84 Mr. Robert F. Fowler & Pfizer Foundation produce exceptional performances like what you are about to Mrs. Sue Alexopoulos* Mr. William L. Parker '52 & Ms. Teri D. Fowler Mr. Blake Putney & Mr. Benton Bejach & Mrs.BarbaraJ.Parker'64 Ms. Laila K. Frank Mrs. Marilyn Putney see only with support from people committed to excellence in Mrs. Wanlyn Bejach Mrs. Anastacio Rivera '62 Mrs. Martha H. Garrett Ms. Kelly Radetich Mr. Alan Caddick & Theodore Financial Group, Mr. Joseph A Gatto Dr. Irving Rappaport & performing arts. People just like you. Mrs. Charlene Caddick Inc. Golden Rain Foundation of Dr. Julia Rappaport* Covington Schumacher Concert Mr. David A Weatherill '51 & Laguna Hills Dr. Robert Reid, LMFT '59 Series Mrs. Beverly J. Weatherill '50 Mr. Robert Goldstein & Mr. Kenneth W. Reed '61 Help support the College of Performing Arts' talented young Drs. Lynne & Jim Doti Mr. Royce A Wise & Mrs. Barbara A Goldstein Ms. Karen Ringer Mr. Thomas Durante '97 & Mrs. Darlene Wise Mr. Milton S. Grier, Jr. & Mr. Eric M. Scandrett students as they transform into tomorrow's professional artists. Mrs. Amanda Durante Mrs. Jane K. Grier Southern California Junior Mr. Charles W. Ellwanger & Dr. Harry L. Hamilton & Bach Festival To learn more about giving to the College of Performing Arts, Mrs. Kimberly T. Ellwanger Arts Sponsor Mrs. Mary E. Hamilton Mr. Christopher D. Spaulding Mr. Jerry M. Harrington & Dr. Thomas Gordon Hall Mrs. Beverly Spring please contact Liz Crozer, Director of Development, at Mrs. Maralou Harrington $100 - $499 Dr. William Hall Ms. Susan L. Stanton '82 The Lux Productions Mr. Kenneth E. Aaron & Mr. Ronald A Hill & Mr. George F. Sterne '78 & (714) 289-2085 or [email protected]. Mr. Carlson H. Mengert* Mrs. Sheila L. Aaron Mrs. Cheryl B. Hill Ms. Nicole Boxer Music Teachers' Association of Mr. Thomas M. Akashi & Dr. Frederic T. Hite, D.D.S.* Mrs. Alyce M. Thomas '96 California Mrs. Karen K. Akashi Dr. Charles E. Hoger & Ms. Doreen W. Vail St. John's Lutheran Church Ms. Christina A Alexopoulos* Mrs. Anita Hoger Mr. Ales Vysin & Office Solutions Mr. William B. Armstrong Mrs. Susan Hook Mrs. Janice Vysin Bank of America Foundation Mrs. Carol Howard Ms. Janet K. Waiblinger

*Members of the Opera Chapman Guild To inquire about giving opportunities, contact Liz Crozer, Director of Development, at 714-289-2085 or [email protected].