DOCSLIB.ORG

Last Ned PDF-Versjon

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Last Ned PDF-Versjon FRED UT, SØNN Nå enda mer inkonsekvent Hjem Katakombene FAQ Om TORDENDOMEN FAQ Filmer siden sist: Det er bedre å skjære av seg øra enn å… S Ø K Søk nei. MAD DETECTIVE S I S T E S K R I K Today might not be my most efficient work day ever, but it sure as heck will be the funkiest. @ Skien, Norway instagram.com/p/B_UE3_AFbSs/… 5 hours ago RT @RexChapman: Quarantined stuntmen, bruh... https://t.co/nYSOqzAzBs 7 hours ago RT @Lunwi88: What’s even more hilarious is that @CinnamonGhoul somehow missed a step. It’s actually Nute Gunray who wants to kill Padme but… 1 day ago RT @Gingerhazing: A comic I made for The Fire Never Goes Out, 1/2 https://t.co/wqsi9Jh3a3 1 day ago RT @Cmdr_Hadfield: Pilot tip - takeoff, THEN raise the gear. https://t.co/EES8cyoFol 1 day ago Hong Kongs filmproduksjon blir stadig tammere. De syke actionfilmene kommer nå fra Thailand og deromkring. De viktigste talentene er ikke det de en gang var, og gullalderen er nå over et tiår unna. Heldigvis fortsetter Johnnie To og hans faste partner Wa Ka Fai å levere en praktfilm eller to i året. I fjor var det Exiled, i år er det A R K I V Mad Detective som sannsynligvis blir stående som den beste. Velg måned To har det med å gjenta temaer og motiver i filmene sine, og overfladisk ligner Mad Detective en miks av PTU og Running on Karma. Vi har en vindskeiv hovedrolleinnehaver som ser spøkelser på høylys dag i hovedrollen, og en savnet pistol spiller nok en gang en nøkkelrolle. Men dette er en mye mer polert film enn begge disse. B A R E F I L M Bun (en glitrende Lau Ching Wan) er en tidligere detektiv som påstår at han kan se hvordan folk ser ut innerst Captain Charisma inne (er du redd ser du for eksempel ut som en liten gutt). Han får sparken etter å ha skåret av seg øret og gitt Filmdagbok det bort til sjefen sin i presang. En stund senere dukker inspektør Ho Ka On (Andy On) opp på døra hans for å få hjelp til å spore opp en savnet politimann. Montages Speilet Den gale detektiven har ikke fått navnet sitt for ingenting, metodene hans er ukonvensjonelle. Han snakker stadig til folk som ikke er der (dette billedgjøres enkelt og genialt med kryssklipping, omtrent som med number Six i Battlestar Galactica), tyr til vold for ingenting og setter seg gjerne inn i ofrenes situasjon. Han lar seg kaste ned trapper i en koffert og begraver seg selv levende. Men humoren og fantasyelementene fra Running on I K K E B A R E F I L M Karma er erstattet med et engasjerende mordmysterium og Tos vanlige blikk for Hongkongpolitiets hverdag. Fylleangst Mad detective hadde vært en solid thriller selv uten den gale detektiven, men Bun er en så fascinerende Gi et lite vink karakter at jeg håper vi får se ham igjen. Og selvfølgelig får vi en finfin mexican standoff til slutt. Finfin film. Grådig Dessuten: Hjorthen iGeir Iversen Revisited Doctor Who sesong 3, julespesial samt 3.1 og 3.2 beviser at det var helt riktig å bytte ut Rose. Hun var i ferd Nils J. Nesse med å bli viktigere enn doktoren, og på sikt går ikke det. Begge de to neste følgesvennene dukker opp sesong Opplysningskontoret tres første episoder. Martha, som følger doktoren i sesong 3 er ikke bare nesten distraherende deilig, hun er morsommere og tøffere enn Rose. Donna, som kommer igjen i sesong fire, er enda tøffere. Doctor Who er Sonjas ordentlige Blogg kanskje i ferd med å stivne litt i formen etter et femtitalls episoder, men det er like morsomt og like flott som Stian Andreassen alltid. Og nå er det tid for Daleker igjen! The Boring Store Futurama: Bender´s Big Score er fortsatt like bra. Robot Chicken sesong 2 er svakere enn den første. Denne The Cortex Feed serien holder det med to sesonger av. Også har jeg sett the Fountain tidligere uten å ha nevnt den. Sprek den, med flotte skuespillerprestasjoner fra Jackman og Weisz, nydelig soundtrack og et deilig ukonvensjonelt plott. The Evjens Likevel var den lettere å henge med på enn jeg hadde regnet med. Thom Erik Thorsen Typisk Tor Andre Share this: Twitter Facebook M I N E T I N G Liker AudioBoo Bli den første til å like blip.fm C-Delta Relatert deviant art Katakombene 07 - fasit. Pistoler og Parfyme "Now all I have to do is enjoysthin.gs Under "film" Under "film" climb that fence, take out flickr those guards and steal that ship... Wow I did it! Wait a Fred Ut i bokform minute, that's not me!" Fred Ut T-Skjorter etc. Under "film" Grenlandsbloggen Katakombene FAQ This entry was posted on april 13, 2008. It was filed under film and was tagged with doctor who, futurama, johnnie to. last.fm ← → RjDj The Cordelia Corporation 2 responses Tordendomen FAQ TorpedoJudas twitter Running on Karma var drøy! Viss Mad Detective er meir krim så kan det passe vimeo bra, eg likte både Fulltime Killer og Exiled godt. (Ser forresten når eg søkte i Filmdagbok at eg har gitt Fulltime Killer 7, men synst P O D C A S T E R Exiled som eg gav 6 var betre.. det heng ikkje på greip). theories Comic Geek Speak Elles er Battlestar Galactica sesong 4 i gong! Tenker eg ventar til sesongen er Diggnation avrunda før eg grip fatt på den godbiten. Filmspotting Goodshit Radio april 13, 2008, kl. 21:30 IGN Digigods Svar Le Show MacBreak Weekly Det var meg som var theories i forrige innlegg altså.. Mark Kermode MSNBC Countdown april 13, 2008, kl. 21:30 No Agenda Svar Now Show / Newsquiz Asbjørn NSFW Stupid for movies The Bugle The Dub Zone Legg igjen en kommentar This Week in Tech Skriv din kommentar her... Wait Wait…Don´t Tell Me! Widescreen Warrior S T O R E Q U I N D E R O G M Æ N D Jane Espenson Mark Evanier Neil Gaiman Peter David Roz Savage Warren Ellis Wil Wheaton F R E D U T S K R I V E R O M : K AT E G O R I E R T O P P T I F O U R S Q U A R E fem ting En feil oppstod, og strømmen er antagelig nede. Prøv alan moore er gud The End is the Beginning (again)... film igjen senere. animasjon argento b5 Testing...testing folk jeg liker Bergman biografilm blaxploitation Filmer siden sist: Trolling for viderekomne forsøk på humor boondocks bollywood c-delta forteana ElektroBirds coenbrødrene depresjoner doctor fotball Filmer siden sist: Round 3! Fight! who dokumentar drift hodet Medioker musiker med middels Markedsføring katakombene eplehore errol morris film filmnytt konkurranse Katakombene 2010 - Post Mortem folk jeg liker fru ut futurama litteratur Katakombene 2010: Programmet galactica gamle dager ghibli menn i tights K minus 1 dag haibane renmei herzog hiphop husk meta Filmer siden sist kortfattet Ornitologisk orientert musikk håp idioter jimmy jodorowsky johnnie to megadessutenedition (K minus 4 dager) neineinei john waters kalkun njusflæsj katakombene kjærleik podcast kongefilm kortfilm scheen kurosawa liste meta meyer spill teknologi midnattspianisten musikal tordendomen musikk myiazaki neil neineinei Uncategorized Nick Cave peter lorre romero vent nå litt… scheen serenity settrapport sf shakespeare skamløs selvpromotering slåssing star trek star wars stumfilm takashi miike td5 teknologi tordendomen torpedojudas trailer transformers vincent price weltschmertz western wii zombier Opprett en gratis blogg eller et nettsted på WordPress.com..
Load more

Recommended publications
  • Johnnie to Kei-Fung's
    JOHNNIE TO KEI-FUNG’S PTU Michael Ingham Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2009 Michael Ingham ISBN 978-962-209-919-7 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Pre-Press Ltd. in Hong Kong, China Contents Series Preface vii Acknowledgements xi 1 Introducing the Film; Introducing Johnnie — 1 ‘One of Our Own’ 2 ‘Into the Perilous Night’ — Police and Gangsters 35 in the Hong Kong Mean Streets 3 ‘Expect the Unexpected’ — PTU’s Narrative and Aesthetics 65 4 The Coda: What’s the Story? — Morning Glory! 107 Notes 127 Appendix 131 Credits 143 Bibliography 147 ●1 Introducing the Film; Introducing Johnnie — ‘One of Our Own’ ‘It is not enough to think about Hong Kong cinema simply in terms of a tight commercial space occasionally opened up by individual talent, on the model of auteurs in Hollywood. The situation is both more interesting and more complicated.’ — Ackbar Abbas, Hong Kong Culture and the Politics of Disappearance ‘Yet many of Hong Kong’s most accomplished fi lms were made in the years after the 1993 downturn. Directors had become more sophisticated, and perhaps fi nancial desperation freed them to experiment … The golden age is over; like most local cinemas, Hong Kong’s will probably consist of a small annual output and a handful of fi lms of artistic interest.
    [Show full text]
  • Representation of Females As Victims in Hong Kong Crime Films (2003-2015)
    REPRESENTATION OF FEMALES AS VICTIMS IN HONG KONG CRIME FILMS (2003-2015) Perspectives from One Nite in Mongkok, Protégé and The Stool Pigeon TINGTING HU (胡婷婷) MA. Media, Loughborough University, UK, 2011 BA. Arts, Shanghai Theatre Academy, China, 2010 This thesis is submitted for the degree of Master of Research Department of Media, Music, Communication and Cultural Studies Faculty of Arts Macquarie University, Sydney December 25, 2015 MRES Thesis 2015 Tingting HU (ID: 43765858) TABLE OF CONTENTS ABSTRACT ........................................................................................................................ iii CERTIFICATE OF AUTHORSHIP/ORIGINALITY .................................................. iv ACKNOWLEDGMENTS .................................................................................................. v CHAPTER 1 INTRODUCTION ....................................................................................... 1 CHAPTER 2 FEMINISM AND HONG KONG CRIME FILMS ................................. 7 Feminism and Film Studies .................................................................................................. 7 The Western Context ......................................................................................................... 7 The Chinese Context ....................................................................................................... 11 Crime Films and Violence Against Women ....................................................................... 15 Crime Films ...................................................................................................................
    [Show full text]
  • IFFAM 2943 – East & West Masterpieces on the Big Screen
    SUPPLEMENT THU 07.12.2017 SHOWING INSIDE Crossfire Special Presentation Flying Daggers FAQs II Int’l Film Festival EAST & WEST MASTERPIECES ON THE BIG SCREEN he Crossfire feature of the IFFAM, described by organizers as a “retrospective” element of the festival, will showcase six master films selected by renowned filmmakers. From the black and white motion pictures of the 1940s to Kubrick’s sci-fi masterpiece “2001: Space Odyssey” of the 60s and the psychological thriller “Silence of the Lambs”, the genre films hail from THollywood and Asia, the latter represented with seminal works from Kurosawa, Johnnie To and Derek Yee. International Film Festival & Awards Macao CROSSFIRE: A RETROSPECTIVE OF CINEMA FROM KUBRICK TO KUROSAWA The Crossfire feature of the IFFAM will showcase six master films selected by renowned filmmakers. The pictures will be shown on the big screen at The Cinematheque Passion, from December 8 to 12 ONE NITE IN MONGKOK Mongkok, Hong Kong: a densely populated hot- KIND HEARTS AND CORONETS MAD DETECTIVE bed of criminal activity. Mainland Chinese farm Hotshot Inspector Ho seeks out his former boss Bun boy Lai Fu is a hired killer who enters the neon-lit English actors Dennis Price and Sir Alec Guinness underbelly of this infamous district. When he res- star in this 1949 black comedy. Price plays the for help in cracking a serial murder case. Bun, a gifted criminal profiler, went mad years ago and now lives cues a call girl from gangsters, the two must go lead role of Louis d’Ascoyne Mazzini, ninth in line on the run from policemen and triads alike.
    [Show full text]
  • University of Southampton Research Repository Eprints Soton
    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Hong Kong Cinema Since 1997: The Response of Filmmakers Following the Political Handover from Britain to the People’s Republic of China by Sherry Xiaorui Xu Thesis for the degree of Doctor of Philosophy December 2012 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Film Studies Doctor of Philosophy HONG KONG CINEMA SINCE 1997: THE RESPONSE OF FILMMAKERS FOLLOWING THE POLITICAL HANDOVER FROM BRITAIN TO THE PEOPLE’S REPUBLIC OF CHINA by Sherry Xiaorui Xu This thesis was instigated through a consideration of the views held by many film scholars who predicted that the political handover that took place on the July 1 1997, whereby Hong Kong was returned to the sovereignty of the People’s Republic of China (PRC) from British colonial rule, would result in the “end” of Hong Kong cinema.
    [Show full text]
  • 2006011979.Pdf (147.0Kb)
    Archived at the Flinders Academic Commons: http://dspace.flinders.edu.au/dspace/ This is the publisher’s copyrighted version of this article. The original can be found at: http://www.realtimearts.net/article/issue85/9026 © 2008 Open City Inc., publisher of RealTime Published version of the paper reproduced here in accordance with the copyright policy of the publisher. Personal use of this material is permitted. However, permission to reprint/republish this material for advertising or promotional purposes or for creating new collective works for resale or redistribution to servers or lists, or to reuse any copyrighted component of this work in other works must be obtained from the publisher of RealTime. This document is a copy of the original html. article which can be found at http://www.realtimearts.net/article/issue85/9026 realtime 85 June-July 2008 last man standing mike walsh on new films by hong kong’s johnnie to Mike Walsh THE HONG KONG FILM INDUSTRY, LIKE THE CITY ITSELF, CHANGES CONVULSIVELY. GONE ARE THE DAYS OF A VIBRANT COMMERCIAL INDUSTRY BASED ON EXUBERANT GENRE FILMS. IF THE LOCAL PANORAMA SECTION AT THE RECENT HONG KONG INTERNATIONAL FILM FESTIVAL IS ANYTHING TO GO BY, THE POSSIBILITIES HAVE POLARISED INTO BIG BUDGET HACK-AND-SLASH HISTORICAL EPICS CO-PRODUCED ON THE MAINLAND OR SMALL CITY-SPECIFIC YOUTH FILMS MADE CHEAPLY BY FILM SCHOOL GRADUATES. It seems that the last man standing in the commercial cinema is Johnnie To Kei-fung. He had three films screening in and around this year’s festival and, at the time of writing, several attempts are underway to bring these films (and the man himself) to Australian cinemas.
    [Show full text]
  • Osaama Shehzad
    Digital Proofer The Storm of Vengeance Authored by Osaama Shehzad 5.5" x 8.5" (13.97 x 21.59 cm) Black & White on White paper 230 pages ISBN-13: 9781499177671 THE STORM OF VENGEANCE ISBN-10: 1499177674 Please carefully review your Digital Proof download for formatting, grammar, and design issues that may need to be corrected. We recommend that you review your book three times, with each time focusing on a different aspect. 1 Check the format, including headers, footers, page numbers, spacing, table of contents, and index. osaama shehzad 2 Review any images or graphics and captions if applicable. 3 Read the book for grammatical errors and typos. Once you are satisfied with your review, you can approve your proof and move forward to the next step in the publishing process. To print this proof we recommend that you scale the PDF to fit the size of your printer paper. Copyright © 2014 Mohammad Osaama Bin Shehzad All rights reserved. ISBN: 1499177674 ISBN-13: 978-1499177671 This book is licensed for your personal enjoyment only. This book may not be re-sold or given away to other people. If you’re reading this book and did not purchase it, please delete and purchase your own copy. Thank you for respecting the hard work of the author. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without To my mother and brother for their never-ending written permission from the author, except in the case support and ever-green love of a reviewer who may quote brief passages for review purposes.
    [Show full text]
  • Johnnie to (Pp
    MONOGRAPHIES CINÉMATHÈQUE QUÉBÉCOISE Wood, Miles. Cine East : Hong Kong cinema through the looking glass . Guildford : Médiathèque Guy-L.-Coté Fab Press, 1998, 160p. Ill. ; Filmogr. (842-9768 – poste 262) (Courriel : [email protected]) Chapitre constitué d’un entretien avec Johnnie To (pp. 116-129). REPÈRES BIBLIOGRAPHIQUES 67 BREAKING NEWS : un film de Johnnie To . Paris : Pathé Distribution, 2004, 13p. Ill. ; Générique. JOHNNIE TO Documentation pour la presse. ELECTION : a Johnnie To film . Paris : Celluloid Dreams, 2005, 28p. Ill. ; Générique. Documentation pour la presse. RÉTROSPECTIVE Johnnie To, maître en tous CRITIQUES genres (9 au 20 juillet 2008) Baumann, Fabien. « P.T.U. : poétique de la déambulation ». Positif , no 536, octobre 2005, p.47. Ill. ; Générique. Critique du film PTU. Cette bibliographie se veut sélective par rapport aux documents disponibles à la Codelli, Lorenzo. « EXILÉ : 5 x 5 ». Positif , nos 557-558, juillet-août 2007, pp.108-110. Médiathèque. Ceux-ci peuvent être consultés aux heures d'ouverture, du mardi Ill. ; Générique. au vendredi de 13h00 à 20h00. Critique du film FONG JUK . « [L’]œuvre [de Johnnie To] s’affirme comme l’une des plus Elley, Derek. « MAD DETECTIVE ». Variety , no 7, octobre 2007, pp.95-96. intéressantes de Hong-Kong. Son approche, qui concilie le film Critique du film SUN TAAM . de genre et l’expression d’une position d’auteur, débouche avec ÉLECTION 1 et 2 sur un véritable film politique. Johnnie To Ferenczi, Aurélien. « THE MISSION ». Télérama , no 2693, 22 août 2001, p.28. Ill. ; affirme son style en reliant constamment visions de groupe et Générique. portraits plus intimes, un style caractérisé par la noirceur Critique du film CHEUNG FO.
    [Show full text]
  • Urban Space in the Films of Johnnie To*
    Concentric: Literary and Cultural Studies 46.1 March 2020: 59-81 DOI: 10.6240/concentric.lit.202003_46(1).0004 The Unexpected Encounter of Two Parallel Lines: Urban Space in the Films of Johnnie To* William Carroll Department of East Asian Languages and Cultures Indiana University Bloomington, USA Abstract In this paper the author compares Hong Kong filmmaker Johnnie To’s (杜琪 峯) formal articulation of urban space in his internationally celebrated crime films with that in his locally popular romantic comedies. Drawing from recent scholarship on urban space in Hong Kong, Chinese, and broader East Asian cinema, he establishes that To’s films in both genres hinge on spatial relationships that are specific to rapidly forming metropolises. However, through close analyses of the crime films Expect the Unexpected (非常突然 Feichang turan, 1998) and Breaking News (大事件 Da shijian, 2004) and the romantic comedies Turn Left, Turn Right (向左走‧向右走 Xiangzuo zou, xiangyou zou, 2003) and Don't Go Breaking My Heart (單身男女 Danshen nannu, 2011), he contends that To’s crime films depict these spatial relationships within a framework of spatial continuity, while his romantic comedies do so within a framework of spatial fragmentation. These two frameworks play into the two genres’ separate dramatic needs: fatalistic confrontation for the crime films vs. delayed reconciliation in the romantic comedies. However, To uses these spatial frameworks within the two genres to explore the ways that urban design can either thwart or facilitate encounters between the inhabitants of a global city. Keywords urban space, industrial genres, film genre, romantic comedies, crime films, spatial continuity, spatial fragmentation, fate, global cities * The author wishes to thank Matt Hubbell, Yueling Ji, Gary Kafer, Katerina Korola, Mikki Kressbach, David Krolokoski, Cooper Long, Nicole Morse, Jordan Schonig, H.S.
    [Show full text]
  • Jim's Video List 1 Filter: Minimum Score of 7 Or a Special Recommendation
    11/07/20 Jim's Video List 1 Filter: Minimum score of 7 or a special recommendation. This is a non-official, pseudo-scientific list of less-than-obvious movies that I've seen and are worth your viewing time, keeping in mind that I like many different kinds of movies. All ratings are just a quick guide to relative enjoyability and socially redeeming value (if any). Also included are films of suspect social value but which left me really glad I had seen them at least once. What results is a hodge-podge of films that should keep you from taking home a real turkey. Note: Subsections like "CULT" are sorted by year. 123... '71 8 Well-crafted action thriller in which a British soldier is separated from Strause, The Brothers (2014) Action / Drama [R] his unit during a street battle in Belfast and must make his way through the labyrinth of city streets and hidden agendas of those he meets. 10 Cloverfield Lane 8 A unique bit of tense, cross-genre fun as a young woman wakes up in Trachtenberg, Dan (2016) Thriller / Horror a secure bunker, saved from World War III by a survivalist. Maybe. Or [PG-13] maybe it's from something else. Or maybe she's not safe at all. Well, damn. 10 Items Or Less 7 In this small "day in two lives" comedy-drama, an actor researching a Silberling, Brad (2006) Drama / Comedy [R] part meets a tough but dejected cashier and pushes her along a path on which she was only taking tentative steps.
    [Show full text]
  • Hong Kong Filmmakers Search: Johnnie TO
    Johnnie TO 杜琪峯（b. 1955.4.22） Producer, Director A native of Puning, Guangdong, To was born in Hong Kong. At 17, he was a messenger at Television Broadcasts Limited (TVB); he later joined its drama unit and mentored under Chung King-fai. By Chung’s recommendation, To enrolled in TVB’s performing artist training programme in 1974. Upon graduation, he became a production assistant and was later being promoted to director. He worked closely with producer Wong Tin-lam, creating drama series such as Book and Sword (1976), Luk Siu Fung (1976), Romantic Swordsman (1978), and Young's Female Warrior (1981). His first TV directing debut was Vanity Fair (1978). In 1980, To directed his first film feature The Enigmatic Case (1980), yet he continued to work in television afterwards. In the late 1980s, he was mainly producing films for television. To later returned to film and joined Cinema City in 1986, where he served as executive director on Happy Ghost III (1986) and directed Seven Years Itch (1987), The Fun, the Luck & the Tycoon (1990) as well as the box-office record breaker Eighth Happiness (1988). While his work in Cinema City was mainly comedy, he also directed the romantic flick All About Ah-Long in 1989, demonstrating his ability in mastering multiple film genres including drama genre films. In 1990, he founded Paka Hill Film Production Co. with Raymond Wong and Catherine Hun, directing such films as Casino Raiders II (1991) and The Heroic Trio (1993). To joined Cosmopolitan Film Productions Co., Ltd. in the early 1990s, and directed The Story of My Son (1990), The Mad Monk (1993), Loving You (1995) and Lifeline (1997), etc.
    [Show full text]
  • Download Detailseite
    W_4390:W_ 25.01.2008 20:10 Uhr Seite 66 Berlinale 2008 MAN JEUK Wettbewerb SPARROW SPARROW SPARROW Regie: Johnnie To Hongkong, China 2008 Darsteller Kei Simon Yam Länge 87 Min. Chun Lei Kelly Lin Format 35 mm, und Lam Ka Tung Cinemascope Lo Hoi Pang Farbe Law Wing Cheong Kenneth Cheung Stabliste Buch Chan Kin Chung Fung Chih Chiang Kamera Cheng Siu Keung Schnitt David Richardson Ton Martin Chappell Musik Xavier Jamaux; Fred Avril Ausstattung Tony Yu Kostüm Stanley Cheung Herstellungsltg. Ding Yuin Shan Produktionsltg. Jackson Ha Produzent Johnnie To Executive Producers Daneil Lam Chiu Suet Ying Produktion Milkyway Image (Hong Kong) Ltd. 1/F, Milkyway Bldg., 77 Hung To Road, Kwun Tong HK-Hong Kong Tel.: +852 27188929 Fax: +852 23431271 [email protected] Weltvertrieb Universe Films Distribution 18/F, Wyler Centre Phase 2 200 Tai Lin Pai Road, Kwai Chung HK-Hong Kong Tel.: +852 24163008 Fax: +852 24147207 [email protected] SPARROW „Sparrow“, Spatz, ist ein geläufiges Wort im Hongkonger Straßenslang – so werden dort die Taschendiebe genannt. Der Ausdruck spielt an auf die besondere Fingerfertigkeit, die man benötigt, um sich Portemonnaies aus fremder Leute Taschen herauszupicken … und möglicherweise auch auf die Notwendigkeit, im Falle der Entdeckung rasch auf und davon zu fliegen. 66 W_4390:W_ 25.01.2008 20:10 Uhr Seite 67 Kei ist einer dieser „Spatzen“, und ein sehr professioneller. Zusammen mit Filmografie drei Partnern lebt er ganz gut davon, im Straßengewühl von Hongkong tief Auswahl (Internationale Titel) in die Taschen ahnungsloser Passanten zu greifen. Für Kei reicht es jeden- 1978 THE ENIGMATIC CASE falls zu einem sorgenfreien Leben.
    [Show full text]
  • Perspectives Chinoises, 2009\/1 | Janvier-Mars 2009
    Perspectives chinoises 2009/1 | janvier-mars 2009 La société chinoise face au SIDA Stephen Teo, Director in Action: Johnnie To and the Hong Kong Action Film Hong Kong, Hong Kong University Press, 2007, 294 p Kristof Van Den Troost Édition électronique URL : http://journals.openedition.org/perspectiveschinoises/5196 ISSN : 1996-4609 Éditeur Centre d'étude français sur la Chine contemporaine Édition imprimée Date de publication : 1 avril 2009 Pagination : 121-123 ISBN : 978-2-9533678-0-5 ISSN : 1021-9013 Référence électronique Kristof Van Den Troost, « Stephen Teo, Director in Action: Johnnie To and the Hong Kong Action Film », Perspectives chinoises [En ligne], 2009/1 | janvier-mars 2009, mis en ligne le 01 avril 2009, consulté le 03 mai 2019. URL : http://journals.openedition.org/perspectiveschinoises/5196 Ce document a été généré automatiquement le 3 mai 2019. © Tous droits réservés Stephen Teo, Director in Action: Johnnie To and the Hong Kong Action Film 1 Stephen Teo, Director in Action: Johnnie To and the Hong Kong Action Film Hong Kong, Hong Kong University Press, 2007, 294 p Kristof Van Den Troost 1 L’un des réalisateurs de Hong Kong actuellement les plus marquants, Johnnie To Keifung, a fait l’objet ces dernières années d’une attention croissante dans les festivals internationaux, avec des films comme Breaking News (2004), Election I & II (2005-2006), Exiled (2006), The Mad Detective (2007) et plus récemment, Sparrow (2008). Bien qu’on le désigne parfois comme le poète du Hong Kong de l’après 1997, la carrière de To remonte en fait aux années 1980 et, en tant que l’un des rares réalisateurs a avoir conservé une haute productivité y compris après le déclin de l’industrie locale du cinéma, son CV peut s’enorgueillir de près de 50 films.
    [Show full text]