The Goon Show: Under Two Floorboards
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Widescreen Weekend 2007 Brochure
The Widescreen Weekend welcomes all those fans of large format and widescreen films – CinemaScope, VistaVision, 70mm, Cinerama and Imax – and presents an array of past classics from the vaults of the National Media Museum. A weekend to wallow in the best of cinema. HOW THE WEST WAS WON NEW TODD-AO PRINT MAYERLING (70mm) BLACK TIGHTS (70mm) Saturday 17 March THOSE MAGNIFICENT MEN IN THEIR Monday 19 March Sunday 18 March Pictureville Cinema Pictureville Cinema FLYING MACHINES Pictureville Cinema Dir. Terence Young France 1960 130 mins (PG) Dirs. Henry Hathaway, John Ford, George Marshall USA 1962 Dir. Terence Young France/GB 1968 140 mins (PG) Zizi Jeanmaire, Cyd Charisse, Roland Petit, Moira Shearer, 162 mins (U) or How I Flew from London to Paris in 25 hours 11 minutes Omar Sharif, Catherine Deneuve, James Mason, Ava Gardner, Maurice Chevalier Debbie Reynolds, Henry Fonda, James Stewart, Gregory Peck, (70mm) James Robertson Justice, Geneviève Page Carroll Baker, John Wayne, Richard Widmark, George Peppard Sunday 18 March A very rare screening of this 70mm title from 1960. Before Pictureville Cinema It is the last days of the Austro-Hungarian Empire. The world is going on to direct Bond films (see our UK premiere of the There are westerns and then there are WESTERNS. How the Dir. Ken Annakin GB 1965 133 mins (U) changing, and Archduke Rudolph (Sharif), the young son of new digital print of From Russia with Love), Terence Young West was Won is something very special on the deep curved Stuart Whitman, Sarah Miles, James Fox, Alberto Sordi, Robert Emperor Franz-Josef (Mason) finds himself desperately looking delivered this French ballet film. -
The Goon Show: Forog
THE GOON SHOW: FOROG First broadcast on December 21, 1954. Script by Eric Sykes and Spike Milligan. Produced by Peter Eton. Announced by Wallace Greenslade. Orchestra conducted by Wally Stott. Transcribed by Mark Wallace, corrections by Peter Olausson. Greenslade: This is the BBC. Secombe: The wretched man was about to refer to the highly ignored Goon Show. FX: [Huge cheers and whistles] Secombe: Stop! [stops] Greenslade? Greenslade: Sir? Secombe: Leave your toys for a moment, and lets have some words. Greenslade: Yes big brother. Ladies and gentlepong this week the Goons present a science-fiction fantasy play in a cunning attempt to take the place of the horror comics. This masterpiece of mediocrity is entitled... Orchestra: [Horror and suspense chord] Secombe: Forog! [Inane laughter] Orchestra: [Clarinet playing a very low sinister piece] Peter: [Low, sinister voice] It was one of those days that follow the night. London was blanketed by a thick swirling pea-soup fog. All was still as Ned Seagoon put on his hat and coat. Seagoon: Yes, I decided to go out for a breath of fresh air. Milligan: Let him go! Seagoon: I hadn't realised it was so foggy, but indeed it was so thick that I had to walk in front of myself with a blazing torch. Eccles: You're not the only one! Seagoon: As I walked long a stream of buses and cars followed in my wake. Strange how men recognise a leader. I hurried them along when suddenly... 1 Minnie Bannister: Ooooooh no, please! ...Oooooh no, oooh! Seagoon: ...I bumped into someone. -
HATTIE JACQUES Born Josephine Edwina Jacques on February 7" 1922 She Went on to Become a Nationally Recognised Figure in the British Cinema of the 1950S and 60S
Hattie Jacaues Born 127 High St 1922 Chapter Twelve HATTIE JACQUES Born Josephine Edwina Jacques on February 7" 1922 she went on to become a nationally recognised figure in the British cinema of the 1950s and 60s. Her father, Robin Jacques was in the army and stationed at Shorncliffe Camp at the time of her birth. The Register of Electors shows the Jacques family residing at a house called Channel View in Sunnyside Road. (The register shows the name spelled as JAQUES, without the C. Whether Hattie changed the spelling or whether it was an error on the part of those who printed the register I don’t know) Hattie, as she was known, made her entrance into the world in the pleasant seaside village of Sandgate, mid way between Folkestone to the east and Hythe to the west. Initially Hattie trained as a hairdresser but as with many people of her generation the war caused her life to take a different course. Mandatory work saw Hattie first undertaking nursing duties and then working in North London as a welder Even in her twenties she was of a generous size and maybe as defence she honed her sense of humour after finding she had a talent for making people laugh. She first became involved in show business through her brother who had a job as the lift operator at the premises of the Little Theatre located then on the top floor of 43 Kings Street in Covent Garden. At end of the war the Little Theatre found itself in new premises under the railway arches below Charing Cross Station. -
The Nation's Matron: Hattie Jacques and British Post-War Popular Culture
The Nation’s Matron: Hattie Jacques and British post-war popular culture Estella Tincknell Abstract: Hattie Jacques was a key figure in British post-war popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the Carry On series of films between 1958 and 1973. Her recurrent casting as ‘Matron’ in five of the hospital-set films in the series has fixed Jacques within the British popular imagination as an archetypal figure. The contested discourses around nursing and the centrality of the NHS to British post-war politics, culture and identity, are explored here in relation to Jacques’s complex star meanings as a ‘fat woman’, ‘spinster’ and authority figure within British popular comedy broadly and the Carry On films specifically. The article argues that Jacques’s star meanings have contributed to nostalgia for a supposedly more equitable society symbolised by socialised medicine and the feminine authority of the matron. Keywords: Hattie Jacques; Matron; Carry On films; ITMA; Hancock’s Half Hour; Sykes; star persona; post-war British cinema; British popular culture; transgression; carnivalesque; comedy; femininity; nursing; class; spinster. 1 Hattie Jacques (1922 – 1980) was a gifted comedienne and actor who is now largely remembered for her roles as an overweight, strict and often lovelorn ‘battle-axe’ in the British Carry On series of low- budget comedy films between 1958 and 1973. A key figure in British post-war popular cinema and culture, Hattie Jacques’s star meanings are condensed around the contradictions she articulated between power, desire, femininity and class. -
The Goon Show: Lurgi Strikes Britain
THE GOON SHOW: LURGI STRIKES BRITAIN First broadcast on November 9, 1954. Script by Spike Milligan and Eric Sykes. Produced by Peter Eton. Announced by Wallace Greenslade. Orchestra conducted by Wally Stott. Transcribed by Kurt Adkins, corrections by Peter Olausson. Greenslade: This is the BBC Home Service. Grams: [Falling bomb followed by explosion] Sellers: And it used to be so popular. Well, here it is... Seagoon: The Goon Show. Grams: [Enthusiastic applause, cheering and whistling] Seagoon: Stop! [stops immediately] Ah-ha-ha. Mr. Greenslade? Do your duty, laddy. Greenslade: Yes, sir. The story that follows is rather complicated. So to avoid complications we open with Act III Scene I Part II, the same afternoon, enter a human being. Seagoon: My name is Ned Seagoon. Grams: [Falling bomb followed by explosion] Seagoon: Curse. As I was saying, I am a doctor. I used to have a practice in Harley Street, but the police moved me on. Huh-hmm, One morning in May, I was going through an old dustbin, when my valet announced a visitor. Milligan: Pardon me, sir. There is a visitor to see you... Seagoon: Right, heads down. Put my lunch back in the dustbin and send him in. Milligan: This way, sir. Moriarty: Ahhh, my dear Dr. Seagoon. Allow me, my card. Seagoon: My card. Sellers: My card. 1 Moriarty: Snap! And now, my friend, to business. My name is Count Moriarty. Have you ever heard of Lurgi? Seagoon: There's no one of that name here. Moriarty: Sacristi Bombet! Listen to me while I tell you a tale. -
Anti -Apartheid News' Anti
ANTI -APARTHEID NEWS' ANTI -APARTHEID NEWS' The newspaper of the Anti-Apartheid Movement Support M ajority~10 - - .- , In this issue: rule in Zimbabwe Rhodesia'swite rule ~n Z~mbaikeminority- up S THE Sth~l regime has once more refused to accept majority ruleandi negotiations Afican ioal Council delegainld yJsu Nkomo I vso~taotaprofound crssfr thwitbe myiawity., aeffeeie respose is requiredinl <ein and inn~aiontally from Foallosuort of malornt rule Already sympthisers with the white I mipritY hvspare no efforts in hatt toevokeracial nsentlref to seure British intervefiton on the side of theSmith I,111D S latecrsis for the white mino. rity in Rhodesia is more profound than anything it has previously experienced. On all fronts it faces isolation and a new determination by the Zimbabwean people to assume power and start the difficulit tatk of building a non-racial and democratic Zimbabwe. The closure of the border with Morambique must inevitably inten sify the economic problems which have ben particularly sharp since the border closure with Zambia in January 1973. Now, with the failure of the negotiations between Ian Smith and an African National Council delegation led by Joshua Nkomso. the liberation struggle will also intensify. The people of Africa are united behindIhe liberation movement and recent reports reaching London indicate that a new basis for unity is developing within the guerrilla camp. Recent statements by prominent Western spokesmen including Kissinger and Callaghan also indicate that Smith has little chanceo ningopen aid *vr, there are powerful interests Britain and in other Western countries who are attempt, sstoevoke racial wntiments in their attempts to secure f reegn int rvention on the side of the hite minority. -
Gb 1456 Thomas
GERALD THOMAS COLLECTION GERALD THOMAS COLLECTION SCOPE AND CONTENT Documents relating to the career of director GERALD THOMAS (Born Hull 10/12/1920, died Beaconsfield 9/11/1993). When Gerald Thomas died, his producer partner of 40 years Peter Rogers said: ‘His epitaph will be that he directed all the Carry On films.’ Indeed, for an intense 20-year period Thomas directed the Carry On gang through their innuendo laden exploits, and became responsible, along with Rogers, for creating one of the most enduring and endearing British film series, earning him his place in British popular culture. Thomas originally studied to become a doctor, before war service with the Royal Sussex Regiment put paid to his medical career. When demobilised in 1946, he took a job as assistant in the cutting rooms of Two Cities Films at Denham Studios, where he took Assistant Editor credits on Laurence Olivier’s Hamlet (1948) and the John Mills thriller The October Man (1947). In 1949, he received his first full credit as editor, on the Margaret Lockwood melodrama Madness of the Heart (1949). During this time Peter Rogers had been working as associate producer with his wife, producer Betty Box, on such films as It’s Not Cricket (1949) and Don’t Ever Leave Me (1949). It was Venetian Bird in 1952 that first brought Thomas and Rogers together; Thomas employed as editor by director brother Ralph, and Rogers part of the producer team with Betty Box. Rogers was keen to form a director/producer pairing (following the successful example of Box and Ralph Thomas), and so gave Gerald his first directing credit on the Circus Friends (1956), a Children’s Film Foundation production. -
18 September 2015 Page 1 of 9 SATURDAY 12 SEPTEMBER 2015 Away from Dexter and His Drug-Fuelled Lifestyle
Radio 4 Extra Listings for 12 – 18 September 2015 Page 1 of 9 SATURDAY 12 SEPTEMBER 2015 away from Dexter and his drug-fuelled lifestyle. Can their Clips from the archive span 9/11, life as a minister, small town friendship bridge the difference between their worlds? life, the death of a child, the Watergate scandal, working in SAT 00:00 Haunted (b01qyntg) A Waters Company production for BBC Radio 4. New York, the seltzer delivery man, OJ Simpson, the Iraq War, Which One? by R Chetwynd-Hayes SAT 03:00 Caesar! (b00ctml6) a tribute to Mary Tyler Moore, struggling with obesity and 1940: A fire warden team are put to the severest test during a Series 1 many more. bombing raid. Will they all survive? Peeling Figs for Julius SAT 09:00 4 Extra at Bletchley Park (b03g8lxl) R Chetwynd-Hayes's creepy tale dramatised by Patricia Mays. His name is now a byword for depravity, but growing up in Maggie Philbin traces the remarkable history of IT through the Drayton ..... Reginald Marsh Tiberius's court, how evil was Emperor Caligula? Stars David BBC sound archives from the birthplace of the world's first Hughes ..... Garrard Green Tennant. electronic computer, Bletchley Park. Raymond ..... Robert Glenister SAT 04:00 The 99p Challenge (b007js7q) When Maggie joined the BBC's Tomorrow's World team in the Smithers ..... Adrian Egan Series 3 early 1980s, there wasn't a single computer in the office. Today, Jackson ..... Nigel Graham Episode 3 along with the internet, they've reshaped the way we live, work, David .... -
18 November 2011 Page 1 of 7
Radio 4 Extra Listings for 12 – 18 November 2011 Page 1 of 7 SATURDAY 12 NOVEMBER 2011 The struggling actor and mate Murray try out a global food Research consultant - Professor Alison Fell café, while Kate has a bad day. Directed by Pauline Harris SAT 00:00 The Legend of Sleepy Hollow by Washington Alan Davies stars in his own sitcom. Sara was a VAD Nurse (Voluntary Aid Detachment) a unit Irving (b007xrtx) Written by Ben Silburn, Tony Roche and Alan Davies. which provided medical assistance in time of war. VADs like 3. Dark Forces Alan ...... Alan Davies Sara were young women eager to "do their duty".. Sara at 24 Both fighting for the affections of the beautiful Katrina Van Murray ...... Alan Francis years of age travels from 'Connaught Hospital' Aldershot to '31 Tassel, the rivalry between Ichabod Crane and Brom Bones Kate ...... Ronni Ancona General Hospital' Cairo with 22 other nurses. There she nurses continues apace. With Debra Stephenson, Alistair MacGowan and Dave Lamb. the wounded and dying and sees the devastating effects of And now it seems that supernatural forces are about to get Producer: Jane Berthoud Typhus and Malaria on our troops. And yet she writes with good involved. First broadcast on BBC Radio 4 in June 1998. humour and energy, a fresh and vivid voice, taking a wondrous Washington Irving's supernatural classic about two love rivals SAT 06:00 A Game of Golf (b007jrr3) interest in the beauty of the landscape and the country's exotic and a headless horseman: Two couples' marital problems come to a head on the golf atmos. -
T H E S L a R B U R S T I N T E R V I E W T E R R Y N a T I
The Slarburst Interview TERRY NATION -creator-writer of BLAKE'S 7, The DALEKS and The SURVIVORS erry Nation is best-known for his fantasy Parnell's Startime and the Elsie and Doris the world". At which point, "the BBC came up writing: as creator of the Daleks and now Waters' Floggits series. In all, he wrote more with this idea for this crazy doctor who travelled TBlake's 7. But it wasn't always that way. than 200 radio comedy shows. But, by that time, through time and space. They called my agent, He originally wanted to get up on a stage and he had decided his comedy writing "wasn't really my agent called me, Hancock said Don't write be laughed at. very good". for flippiri' kids and I told my agent to turn it Born in Cardiff, Wales, he grew up during So he turned down the chance to write four tv down." Luckily, Hancock and Nation had a World War II. His father was away in the army episodes of The Army Game (ironically starring "dispute", parted company and Nation agreed and his mother was an air-raid warden, so there the first Dr. Who, William Hartnell). Instead, he to work on Dr Who. But then Eric Sykes offered were times when he would sit alone in the air-raid him a comedy writing assignment in Sweden, so shelter as German planes bombed Cardiff. He he wrote the seven episodes of the first Dalek says he believes in the only child syndrome: story (The Dead Planet) in seven days and left to "Being an only child (as he was), you have to join Sykes. -
The Goon Show: the Goons and Guests Volume 16 Free Download
THE GOON SHOW: THE GOONS AND GUESTS VOLUME 16 FREE DOWNLOAD Spike Milligan,Larry Stephens,Spike MilliganLarry Stephens,Harry Secombe,Peter Sellers,George Chisholm,Kenneth Connor | 1 pages | 01 Mar 1999 | BBC Audio, A Division Of Random House | 9780563558842 | English | London, United Kingdom The Goon Show, Volume 16 In keeping with the variety requirements of the BBC's "light entertainment" format, The Goon Show scripts were structured in three acts, separated by two musical interludes. London: Arrow Books. No default payment method selected. Hay ho silver in a blinding flash, a white horse and a cry of hay ho silver and the lone ranger is on the trail of, SPON! He wrote: "I was 12 when The Goon Show first hit me, 16 when they finished with me. Goon Show Compendiums are CD box sets, each containing a dozen or more remastered episodes, plus some great bonus features. That character would then beat on the door for re-admittance, the door would open and close and again the wrong character would be locked out. Or take a bow in the panto with Neddie Hood and soothing The Goon Show: The Goons and Guests Volume 16 Balsam and mix it with the military as the Goons make a patriotic pudding for a Combined Services overseas special. Problems playing this file? Bluebottle: Mush, mush! Footsteps approaching Milligan: Old voice Spon! London: Granada. GO ON, but watch out for flying Christmas puddings. According to Ossman: [2] [5]. Police records have found an actual recording of a spon Emery: What luck! The Goon Cartoons. -
L-G-0003552750-0006830598.Pdf
GATHERED FROM COINCIDENCE __________________________________________ A singular history of Sixties’ pop by Tony Dunsbee Copyright © Tony Dunsbee 2014. All Rights Reserved An M-Y Books Production m-ybooks.co.uk Take what you have gathered from coincidence “It’s All Over Now, Baby Blue” – Bob Dylan (© 1965 Warner Bros. Inc., renewed 1993 by Special Rider Music) To my wife Nicky, with love and thanks for her patience and belief in my ability to give at least this much semblance of form and meaning to a lifetime’s obsession. Contents Chapter 1 The Intro … 5 Chapter 2 1960 14 Chapter 3 1961 36 Chapter 4 1962 61 Chapter 5 1963 95 Chapter 6 1964 158 Chapter 7 1965 246 Chapter 8 1966 355 Chapter 9 1967 464 Chapter 10 1968 560 Chapter 11 1969 615 Chapter 12 … and The Outro 678 Acknowledgements 684 Bibliography 686 Index 711 5 Chapter 1 The Intro … This may or may not turn out to be the book in my head but I’m still driven, even now in retirement, to write it by my undimmed passion for the music of the Sixties and a desire to set – no pun intended – the record straight. The one and only record? Well, all right then, by no means, but informed by my ambition to set down my record of the interweaving of the events of those tumultuous years and the impact of the music made in parallel to them, as I lived through the decade then and as I recall it now. Make no mistake, then: this is unashamedly a highly selective rather than a comprehensive account, dictated wholly by my own personal tastes and interests as they were shaped and developed by the consecutive twists and turns of the era.