Charlie Kaufman Bafta Speech Transcript
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Supplemental Movies and Movie Clips
Peters Township School District Movies & Movie Clips Utilized to Supplement Curriculum Peters Township High School (Revised August 2019) Movie Rating of Movie Course or Movie Clip American History Academic & Forrest Gump PG-13 AP US History Scenes 9:00 – 9:45, 27:45 – 29:25, 35:45 – 38:00, 1:06:50, 1:31:15 – 1:30:45, 1:50:30 – 1:51:00 are omitted. American History Academic & Selma PG-13 Honors Scenes 3:45-8:40; 9:40-13:30; 25:50-39:50; 58:30-1:00:50; 1:07:50-1:22; 1:48:54- ClearPlayUsed 2:01 American History Academic Pleasantville PG-13 Selected Scenes 25 minutes American History Academic The Right Stuff PG Approximately 30 minutes, Chapters 11-12 39:24-49:44 Chuck Yeager breaking sound barrier, IKE and LBJ meeting in Washington to discuss Sputnik, Chapters 20-22 1:1715-1:30:51 Press conference with Mercury 7 astronauts, then rocket tests in 1960, Chapter 24-30 1:37-1:58 Astronauts wanting revisions on the capsule, Soviets beating us again, US sends chimp then finally Alan Sheppard becomes first US man into space American History Academic Thirteen Days PG-13 Approximately 30 minutes, Chapter 3 10:00-13:00 EXCOM meeting to debate options, Chapter 10 38:00-41:30 options laid out for president, Chapter 14 50:20-52:20 need to get OAS to approve quarantine of Cuba, shows the fear spreading through nation, Chapters 17-18 1:05-1:20 shows night before and day of ships reaching quarantine, Chapter 29 2:05-2:12 Negotiations with RFK and Soviet ambassador to resolve crisis American History Academic Hidden Figures PG Scenes Chapter 9 (32:38-35:05); -
January 2012 at BFI Southbank
PRESS RELEASE November 2011 11/77 January 2012 at BFI Southbank Dickens on Screen, Woody Allen & the first London Comedy Film Festival Major Seasons: x Dickens on Screen Charles Dickens (1812-1870) is undoubtedly the greatest-ever English novelist, and as a key contribution to the worldwide celebrations of his 200th birthday – co-ordinated by Film London and The Charles Dickens Museum in partnership with the BFI – BFI Southbank will launch this comprehensive three-month survey of his works adapted for film and television x Wise Cracks: The Comedies of Woody Allen Woody Allen has also made his fair share of serious films, but since this month sees BFI Southbank celebrate the highlights of his peerless career as a writer-director of comedy films; with the inclusion of both Zelig (1983) and the Oscar-winning Hannah and Her Sisters (1986) on Extended Run 30 December - 19 January x Extended Run: L’Atalante (Dir, Jean Vigo, 1934) 20 January – 29 February Funny, heart-rending, erotic, suspenseful, exhilaratingly inventive... Jean Vigo’s only full- length feature satisfies on so many levels, it’s no surprise it’s widely regarded as one of the greatest films ever made Featured Events Highlights from our events calendar include: x LoCo presents: The London Comedy Film Festival 26 – 29 January LoCo joins forces with BFI Southbank to present the first London Comedy Film Festival, with features previews, classics, masterclasses and special guests in celebration of the genre x Plus previews of some of the best titles from the BFI London Film Festival: -
Dead Poets Society: Final Script
Dead Poets Society: Final Script original screenplay by Tom Schulman, film directed by Peter Weir This is the final script of the theatrical release of Dead Poets Society. It was obtained from Simply Scripts and initially contained only the dialog from the film. (No descriptions, actions, locations, anything...) I went through the script and added in descriptive text. As I have not had a chance to double check everything, I am sure there are a few errors, typos, or bits of incorrect dialog still. I'll try to verify it all shortly. INT. WELTON ACADEMY HALLWAY - DAY A young boy, dressed in a school uniform and cap, fidgets as his mother adjusts his tie. MOTHER Now remember, keep your shoulders back. A student opens up a case and removes a set of bagpipes. The young boy and his brother line up for a photograph PHOTOGRAPHER Okay, put your arm around your brother. That's it. And breathe in. The young boy blinks as the flash goes off. PHOTOGRAPHR Okay, one more. An old man lights a single candle. A teacher goes over the old man's duties. TEACHER Now just to review, you're going to follow along the procession until you get to the headmaster. At that point he will indicate to you to light the candles of the boys. MAN All right boys, let's settle down. The various boys, including NEIL, KNOX, and CAMERON, line up holding banners. Ahead of them is the old man, followed by the boy with the bagpipes with the two youngest boys at the front. -
Introduction to Screenwriting 1: the 5 Elements
Introduction to screenwriting 1: The 5 elements by Allen Palmer Session 1 Introduction www.crackingyarns.com.au 1 Can we find a movie we all love? •Avatar? •Lord of the Rings? •Star Wars? •Groundhog Day? •Raiders of the Lost Ark? •When Harry Met Sally? 2 Why do people love movies? •Entertained •Escape •Educated •Provoked •Affirmed •Transported •Inspired •Moved - laugh, cry 3 Why did Aristotle think people loved movies? •Catharsis •Emotional cleansing or purging •What delivers catharsis? •Seeing hero undertake journey that transforms 4 5 “I think that what we’re seeking is an experience of being alive ... ... so that we can actually feel the rapture being alive.” Joseph Campbell “The Power of Myth” 6 What are audiences looking for? • Expand emotional bandwidth • Reminder of higher self • Universal connection • In summary ... • Cracking yarns 7 8 Me 9 You (in 1 min or less) •Name •Day job •Done any courses? Read any books? Written any screenplays? •Have a concept? •Which film would you like to have written? 10 What’s the hardest part of writing a cracking screenplay? •Concept? •Characters? •Story? •Scenes? •Dialogue? 11 Typical script report Excellent Good Fair Poor Concept X Character X Dialogue X Structure X Emotional Engagement X 12 Story without emotional engagement isn’t story. It’s just plot. 13 Plot isn’t the end. It’s just the means. 14 Stories don’t happen in the head. They grab us by the heart. 15 What is structure? •The craft of storytelling •How we engage emotions •How we generate catharsis •How we deliver what audiences crave 16 -
Télécharger Le Rapport D'activité 2020
Rapport d’activité 2020 0 Rapport d’activité 2020 1 Rapport d’activité 2020 RAPPORT D’ACTIVITÉ 2020 2 Rapport d’activité 2020 AVANT PROPOS……………………………………………………………………………………………………………….…5 2020 EN QUELQUES CHIFFRES………………………………………………………………………………………………..6 LA CINÉMATHÈQUE REMERCIE SES PARTENAIRES ET MÉCÈNES………………………………………………..….7 ILS SONT VENUS……………………………………………………………………………………………………………….…8 1 L’OFFRE AU PUBLIC ......................................................................................................................................... 12 1.1 LES EXPOSITIONS .............................................................................................................................................. 13 1.1.1 Vampires, de Dracula à Buffy ....................................................................................................................... 13 1.1.2 Louis de Funès.............................................................................................................................................. 14 1.2 LE MUSÉE DE LA CINÉMATHÈQUE ................................................................................................................... 17 1.2.1 Les derniers mois du musée « Passion Cinéma » ........................................................................................ 17 1.2.2 Les travaux pour le Musée Méliès................................................................................................................. 18 1.3 LES STUDIOS PÉDAGOGIQUES ....................................................................................................................... -
RANGO (PG) Ebert: Users: You: Rate This Movie Right Now
movie reviews Reviews Great Movies Answer Man People Commentary Festivals Oscars Glossary One-Minute Reviews Letters Roger Ebert's Journal Scanners Store News Sports Business Entertainment Classifieds Columnists search RANGO (PG) Ebert: Users: You: Rate this movie right now GO Search powered by YAHOO! register You are not logged in. Log in » Subscribe to weekly newsletter » times & tickets Rango in theaters The Adjustment Bureau Fandango BY ROGER EBERT / March 2, 2011 I Will Follow Search movie Ip Man 2 showtimes and buy "Rango" is some kind of a Rango tickets. miracle: An animated Take Me Home Tonight comedy for smart cast & credits moviegoers, wonderfully more current releases » about us With the voices of: made, great to look at, one-minute movie reviews wickedly satirical, and About the site » (gasp!) filmed in glorious 2- Rango/Lars Johnny Depp D. Its brilliant colors and Beans Isla Fisher still playing Site FAQs » startling characters spring Priscilla Abigail Breslin from the screen and remind The Adjustment Bureau Contact us » Mayor Ned Beatty us how very, very tired we Roadkill Alfred Molina All Good Things are of simpleminded little Another Year Email the Movie Jake Bill Nighy characters bouncing around Barney's Version Answer Man » Doc/Merrimack Stephen Root dimly in 3-D. Biutiful Balthazar Harry Dean Stanton Blue Valentine This is an inspired comic Bad Bill Ray Winstone Casino Jack on sale now Western, deserving Cedar Rapids comparison with "Blazing Paramount Pictures presents a film Certifiably Jonathan Saddles," from which it directed by Gore Verbinski. Written The Company Men Country Strong borrows a lot of farts. -
Dead Poets Society
Insight Text Guide GM Dewis Dead Poets Society Dir. Peter Weir ITG_DEADPOETSSOCIETYPRELIMS.indd 1 3/09/12 10:56 AM c o n t e n t s Character map iv Overview 1 About the author 1 Synopsis 1 Character summaries 2 Background & context 6 Genre, structure & language 9 Scene-by-scene analysis 13 Characters & relationships 31 Themes, ideas & values 41 Different interpretations 52 Questions & answers 57 Sample answer 64 References & reading 66 ITG_DEADPOETSSOCIETYPRELIMS.indd 3 3/09/12 10:56 AM iv Insight Text Guide CharacteR mAp Parent/Son Mr Perry Married Mrs Perry Authoritative, strict, Submissive and meek, Mr Nolan manipulative, pushes unwilling to stand up Headmaster, his son to succeed to her husband traditional and rigid, eventually uses Mr Keating Teacher/Parent as a scapegoat Neil Perry Todd Anderson Friends/ Room- Bright boy who Shy and nervous Colleagues mates embraces Mr Keating’s student, absorbs teachings, longs to Mr Keating’s teachings act but is forbidden, and asserts himself in Mr McAllister commits suicide the final scene Traditional but kind, a teacher who learns from Mr Keating Student/Teacher Student/Teacher Mr John Keating An idealistic English Literature Colleagues teacher who returns to his alma mater to instruct a new generation of boys and to Colleagues attempt to impart both his love of poetry and his philosophy of Teacher/Student making the most of life, summed Teacher/Student up as ‘carpe diem’ Teacher/Student Knox Overstreet Friends/ Bright and Room- popular student, Richard Cameron Opposing woos Chris using Charles -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
Walter Murch and the Art of Editing Film (2002) and Behind the Seen by Charles Koppelman (2005)
Born in 1943 to Canadian parents in New York City, Murch graduated Phi Beta Kappa from Johns Hopkins University with a B.A. in Liberal Arts; and subsequently the Graduate Program of USC’s School of Cinema-Television. His 50-year career in cinema stretches back to 1969 (Francis Coppola’s The Rain People) and includes work on THX-1138, The Godfather I, II, and III, American Graffiti, The Conversation, Apocalypse Now, The English Patient, The Talented Mr. Ripley, Cold Mountain, and many other films with directors such as George Lucas, Fred Zinnemann, Philip Kaufman, Anthony Minghella, Kathryn Bigelow, Sam Mendes and Brad Bird. Murch's pioneering achievements in sound were acknowledged by Coppola in his 1979 Palme d'Or winner Apocalypse Now, for which Murch was granted, in a film-history first, the screen credit of Sound Designer. Murch has been nominated for nine Academy Awards (six for editing and three for sound) and has won three Oscars: for best sound on Apocalypse Now (for which he and his collaborators devised the now-standard 5.1 sound format), and for Best Film Editing and Best Sound for his work on The English Patient. Although this double win in 1997 was unprecedented in the history of Oscars, Murch had previously won a double BAFTA for best sound and best picture editing for The Conversation in 1974. The English Patient was, co-incidentally, the first digitally-edited film to win an editing Oscar. Murch has also edited documentaries: Particle Fever (2013) on the search for the Higgs Boson (winner of the Grierson Award, and the Steven Hawking Medal for Science Communication) and his most recent work is the recently-completed Coup 53 (2019) an independently-financed feature-length documentary on western interference in the politics of Iran which had its world premiere at the 2019 Telluride Film Festival. -
Denton Record-Chronicle | News for Denton County, Texas | Entertainment: Movies 04/08/2008 08:51 AM
New releases mostly on the gloomy side | Denton Record-Chronicle | News for Denton County, Texas | Entertainment: Movies 04/08/2008 08:51 AM New releases mostly on the gloomy side 11:15 AM CDT on Sunday, April 6, 2008 By Boo Allen/Film Critic Prepare this week for some brooding intensity: Rare appearances by two distinct artists mark There Will Be Blood, the fifth movie from writer/director Paul Thomas Anderson, his first since 2002. And, in an Oscar-winning performance, Daniel Day-Lewis returns to the screen for the first time since 2005. Lewis plays Daniel Plainview, a turn-of-the-20th-century oilman, mean, single-focused, and devoid of any limiting attributes such as honor, truth, or kindness. Anderson delivers an authentic portrait of this era, as shown in the DVD supplement The Story of Petroleum. Anderson dips into Upton Sinclair’s obscure novel Oil! for his source, staying with Plainview and the chronicling of his fortunes. This love of money sounds cautionary warnings, as the film’s various characters fall under the spell promised by the riches of an oil strike. Despite the film’s almost epic sweep, Anderson stays close to Daniel Plainview, knowing that the conflict buried in this intense man signals the greatest drama. The singular subplot has Paul Dano playing a smugly religious type involved in a constant, ill-fated feud with Plainview, a battle that further defines Plainview and his quest for supremacy. Oscar-winning cinematographer Robert Elswit works with Anderson to render his customary long takes, but the focus stays mostly on the era’s drabness. -
CURRICULUM VITAE Min ZHOU, Ph.D
CURRICULUM VITAE Min ZHOU, Ph.D. ADDRESS Department of Sociology, UCLA 264 Haines Hall, 375 Portola Plaza, Box 951551 Los Angeles, CA 90095-1551 U.S.A. Office Phone: +1 (310) 825-3532 Email: [email protected]; home page: https://soc.ucla.edu/faculty/Zhou-Min EDUCATION May 1989 Doctor of Philosophy in Sociology, State University of New York (SUNY) at Albany May 1988 Certificate of Graduate Study in Urban Policy, SUNY-Albany December 1985 Master of Arts in Sociology, SUNY-Albany January 1982 Bachelor of Arts in English, Sun Yat-sen University (SYSU), China PHD DISSERTATION The Enclave Economy and Immigrant Incorporation in New York City’s Chinatown. UMI Dissertation Information Services, 1989. Advisor: John R. Logan, SUNY-Albany • Winner of the 1989 President’s Distinguished Doctoral Dissertation Award, SUNY-Albany PROFESSIONAL CAREER Current Positions • Distinguished Professor of Sociology and Asian American Studies, UCLA (since July 2021) • Walter and Shirley Wang Endowed Chair in U.S.-China Relations and Communications, UCLA (since 2009) • Director, UCLA Asia Pacific Center (since November 1, 2016) July 2000 to June 2021 • Professor of Sociology and Asian American Studies, UCLA • Founding Chair, Asian American Studies Department, UCLA (2004-2005; Chair of Asian American Studies Interdepartmental Degree Program (2001-2004) July 2013 to June 2016 • Tan Lark Sye Chair Professor of Sociology & Head of Division of Sociology, School of Humanities and Social Sciences, Nanyang Technological University (NTU), Singapore • Director, Chinese Heritage Centre (CHC), NTU, Singapore July 1994 to June 2000 Assistant to Associate Professor with tenure, Department of Sociology & Asian American Studies Interdepartmental Degree Program, UCLA August 1990 to July 1994 Assistant Professor of Sociology, Louisiana State University, Baton Rouge M. -
The Influence of Bushido, Way of the Warrior, On
THE INFLUENCE OF BUSHIDO ON NATHAN ALGREN’S PERSONALITY DEVELOPMENT AS SEEN IN JOHN LOGAN’S MOVIE SCRIPT THE LAST SAMURAI A Thesis Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By PRIMADHY WICAKSONO Student Number: 991214175 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2007 THE INFLUENCE OF BUSHIDO ON NATHAN ALGREN’S PERSONALITY DEVELOPMENT AS SEEN IN JOHN LOGAN’S MOVIE SCRIPT THE LAST SAMURAI A Thesis Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By PRIMADHY WICAKSONO Student Number: 991214175 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2007 i This thesis is dedicated to My beloved Family: ENY HARYANI and ENDHY PRIAMBODO You are the best that God has given to me iv v ACKNOWLEDGEMENTS First of all, I would like to thank The Almighty Allah, SWT, for giving me the amazing love, courage and honor in my life. Through Allah’s love, I can stand in every moment in my life to face the sadness and happiness, and I can see that everything is beautiful. I also would like to thank my major sponsor, Drs. A. Herujiyanto, MA., Ph.D., who has devoted his time, knowledge and effort to improve this thesis. He has not only given me considerable and continual corrections, guidance, and support, but also great lessons for my life in the future.