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EZRA POUND Ezra Pound, Ezra Pound; Poems and Translations, Ed EZRA POUND Ezra Pound, Ezra Pound; Poems and Translations, ed. Richard Sieburth (Library of America; New York, 2003) [text-editions selected rather than re-edited; very brief notes; this edition reviewed by Marjorie Perloff, 'Pound Ascendant', Boston Review, April/May 2004]. Ezra Pound, Collected Early Poems, ed. M.J. King (London, 1977). Ezra Pound, Homage to Sextus Propertius [written in 1917, first published entire in Quia Pauper Amavi (London, October 1919); reprinted in the edition of Personae listed below; prefer that edition to the version of Homage included in Collected Shorter Poems (London, 1952), where the text is not fully reliable; or use Sieburth's Library of America text]. Ezra Pound, Personae; The Shorter Poems of Ezra Pound, ed. Lea Baechler and A. Walton Litz (New York, c.1990) [prefer this edition where possible to the Collected Shorter Poems, which has never been in the hands of a named editor and which contains many mistakes; or again use Sieburth's Library of America text]. Ezra Pound, The Cantos of Ezra Pound (4th collected ed., London, 1987) [current reprint is 1994]. Ezra Pound, Variorum Edition of 'Three Cantos'; A Prototype, ed. Richard Taylor (Bayreuth, 1991). Ezra Pound, The Pisan Cantos, ed Richard Sieburth (New York, 2003). Richard Taylor, 'Towards a Textual Biography of The Cantos', in Willison (Ian) et al. (eds), Modernist Writers and the Marketplace (Basingstoke, 1996), pp. 223-57; and see his 'The Texts of The Cantos' in Ira B. Nadel (ed.), The Cambridge Companion to Ezra Pound (Cambridge, 1999), pp. 161- 87. Ezra Pound, The Spirit of Romance (London, 1910). Ezra Pound, ABC of Reading (London, 1934). Ezra Pound, Gaudier Brzeska; A Memoir (London, 1916; reprinted, Hessle, Yorkshire, 1960). Ernest Fenollosa, from The Chinese Written Character as a Medium for Poetry, ed. Ezra Pound (City Lights reprint, San Francisco, [1964]). Ezra Pound, Literary Essays of Ezra Pound, ed. T.S. Eliot (London, 1954). Ezra Pound, Selected Letters, ed. D.D. Paige (London, 1950). The Letters of Ezra Pound and Wyndham Lewis, ed. Timothy Materer (London, 1985). Ezra Pound and William Carlos Williams, Pound/Williams: Selected Letters of Ezra Pound and William Carlos Williams, ed. Hugh Witemeyer (New 2 York, 1996). Ezra Pound, Pound/Zukofsky; Selected Letters of Ezra Pound and Louis Zu- kofsky, ed. Barry Ahearn (New York, 1987). Ezra Pound, The Translations of Ezra Pound, with intro. by Hugh Kenner (London, 1953) [not really edited at all, uncritical reprint; all these texts also included in Sieburth]. [T.S. Eliot], Ezra Pound, his Metric and Poetry, originally published anonymously (New York, 12 November 1917); reprinted in To Criticize the Critic (London, 1965); and see Pound (Ezra), 'T.S. Eliot' (1917), review of Prufrock and Other Observations (London, 1917), in The Literary Essays of Ezra Pound, ed. T.S. Eliot (London, 1954), pp. 418- 22, and Pound (Ezra), 'Mr Eliot's Solid Merit' (1934), in his Polite Essays (London, 1937), pp. 98-105; and further, Robert Langbaum, 'Pound and Eliot' in George Bornstein (ed.), Ezra Pound Among the Poets (Chicago, 1985). T.S. Eliot, The Waste Land; a Facsimile and Transcript of the Original Draft Including the Annotations of Ezra Pound, ed. Valerie Eliot (London, 1971); and see Stillinger (Jack), 'Pound's Waste Land', in his Multiple Authorship and the Myth of Solitary Genius (New York, 1991). Anderson (David) (ed.), Pound's Cavalcanti; An Edition of the Translations, Notes, and Essays (Princeton, 1983); see also Sieburth (Richard), 'Channeling Guido: Ezra Pound's Cavalcanti Translations', in Ardizzone (Maria Luisa) (ed.), Guido Cavalcanti tra i Suoi Lettori (Fiesole, c.2003), and his 'EP/LZ: Corresponding Cavalcantis' (http:// writing/upenn.edu/epc/authors/Zukofsky/100/Sieburth_Pound_Zuk.d oc). Zinnes (Harriet) (ed.), Ezra Pound and the Visual Arts (New York, 1980). Yeats (W.B.) (ed.), Oxford Book of Modern Verse, 1892-1935 (Oxford, 1936) [the Preface to this landmark anthology is an important document]; and see Longley (Edna), '"Why Should Men's Heads Ache?"; Yeats and American Modernism', in Clark (Steve) and Ford (Mark) (eds), Something We Have That They Don't; British & American Poetic Relations Since 1925 (Iowa City, 2004), pp. 30-52. Carpenter (Humphrey), A Serious Character; The Life of Ezra Pound (London, 1988). Ackroyd (Peter), Ezra Pound and his World (London, 1980). Homberger (E.) (ed.), Ezra Pound; The Critical Heritage (1972; reprinted, London, 1997). Froula (Christine), A Guide to Ezra Pound's 'Selected Poems' ([New York], 3 1983). Ruthven (K.K.), A Guide to Ezra Pound's 'Personae' (1926) (Berkeley & Los Angeles, 1969). Kearns (George), Guide to Ezra Pound's 'Selected Cantos' (New Brunswick, N.J., and Folkstone, 1980). John (Roland), A Beginner's Guide to 'The Cantos' of Ezra Pound (Salzburg, 1995). Cookson (William), A Guide to the 'Cantos' of Ezra Pound (rev. 2nd ed., London, 2001). Terrell (C.F.), A Companion to the Cantos of Ezra Pound (2 vols, Berkeley & Los Angeles, 1980-4). Dilligan (Robert J.) (comp.), A Concordance to Ezra Pound's Cantos (New York, 1981). Albright (Daniel), Quantum Poetics; Yeats, Pound, Eliot, and the Science of Modernism (Cambridge, 1997). Altieri (Charles), 'The Pound/Stevens Era', Wallace Stevens Journ., 26 (2002), 228-50. Barkan (Elazar) and Bush (Ronald) (eds), Prehistories of the Future; The Primitivist Project and the Culture of Modernism (Stanford, Cal., 1995). Bell (I.A.) (ed.), Ezra Pound: Tactics for Reading (London, 1982). Bell (Ian F.A.), 'The Real and the Etherial: Modernist Energies in Eliot and Pound,' in Clarke (Bruce) and Henderson (Linda Dalrymple) (eds), From Energy to Information; Representations in Science, Technology, Art, and Literature (Stanford, Cal., 2002), pp, 114-25. Berrman (Jo Brantley), Circe's Craft; Ezra Pound's 'Hugh Selwyn Mauberley' (Ann Arbor, Mich., 1983). Berryman (John), 'The Poetry of Ezra Pound', Partisan Review, 16 (1949), 377- 94, reprinted in his The Freedom of the Poet (New York, 1976), pp. 253- 69. Blackmur (R.P.), Language as Gesture; Essays in Poetry (London, c.1954). Bornstein (George) (ed.), Ezra Pound Among the Poets (Chicago, 1985); see also Aji (Hélène), 'Ezra Pound and William Carlos Williams's Romantic Dilemmas: From Obliteration to Remanence', Cercles, 12 (2005), 50-63 [on Whitman, and Browming]. Brooker (Peter), 'The Lesson of Ezra Pound: An Essay in Poetry, Literary Ideology and Politics', in I.A. Bell (ed.), Ezra Pound: Tactics for Reading (London, 1982). Brooke-Rose (Christine), A ZBC of Ezra Pound (London, 1971). Bush (Ronald), The Genesis of Ezra Pound's Cantos (Princeton, 1976). 4 Bush (Ronald) (ed.), T.S. Eliot; The Modernist in History (Cambridge, 1991). Bush (Ronald), 'Modernism, Fascism, and the Composition of Ezra Pound's Pisan Cantos', in Modernism/Modernity, 2 (1995), 69-87. Bush (Ronald), 'Remaking Canto 74', Paideuma, 32 (2003), 157-186. Casillo (Robert), The Genealogy of Demons; Anti-Semitism, Fascism, and the Myths of Ezra Pound (Evanston, Ill., 1988). Chace (William), The Political Identities of Ezra Pound and T.S. Eliot (Stanford, Cal., 1973). Childs (J.S.), Modernist Form: Pound's Style in the Early Cantos (Cranbury, N.J., c.1986). Creeley (Robert), 'A Note on Ezra Pound' (1965)', in The Collected Essays of Robert Creeley (Berkeley, Cal., c.1989), pp. 25-7. Davie (Donald), Ezra Pound; Poet as Sculptor (New York, 1964). Davie (Donald), 'Pound and Eliot: A Distinction' (1970), in his The Poet in the Imaginary Museum; Essays of Two Decades, ed. Barry Alpert (Man- chester, 1977), 191-207, 294. Davie (Donald), Pound ([London], 1975). Davis (Kay), Fugue and Fresco; Structures in Pound's Cantos (Orono, Maine, 1984). DuPlessis (Rachel Blau), 'Oppen and Pound', Paideuma, 10 (1981), 59-83. DuPlessis (Rachel Blau) and Quartermain (Peter) (eds), The Objectivist Nexus; Essays in Cultural Poetics (Tuscaloosa, Ala., c.1999). Eastman (Barbara), Ezra Pound's Cantos: The Story of the Text, 1948-1975 (Orono, Maine, 1979). Eliot (T.S.), 'Ulysses, Order, and Myth', review of James Joyce, Ulysses, in The Dial, LXXV.5 (Nov. 1923), reprinted in Frank Kermode (ed.), Selected Prose of T.S. Eliot (London, 1975), pp. 175-8. Ellmann (Maud), The Poetics of Impersonality; T.S. Eliot and Ezra Pound (Brighton, 1987). Furia (Philip), Pound's Cantos Declassified (University Park, Penn, 1984). Gelpi (Albert), A Coherent Splendor; The American Poetic Renaissance, 1910- 1950 (Cambridge, 1987), Chap. 4. Gibson (Mary Ellis), Epic Reinvented; Ezra Pound and the Victorians (Ithaca, N.Y., 1995). Gould (Warwick), 'The Unknown Masterpiece: Yeats and the Design of the Cantos', in Gibson (Andrew) (ed.), Pound in Multiple Perspective; A Collection of Critical Essays (London, 1993), pp. 40-92. Grieve (Thomas F.), Ezra Pound's Early Poetry and Poetics (Columbia, Mo., c.1997). Hallberg (Robert von), 'Olson's Relationship to Pound and Williams', Contemp. Lit., 15 (1974), 15-48. 5 Hamilton (Scott), Ezra Pound and the Symbolist Inheritance (Princeton, 1992). Hermans (Theo), The Structure of Modernist Poetry (London, 1982). Hewitt (Andrew), Fascist Modernism; Aesthetics, Politics, and the Avant-Garde (Stanford, Cal., 1993). Hooley (Daniel M.), The Classics in Paraphrase; Ezra Pound and Modern Translators of Latin Poetry (Cranbury, N.J., 1988). Jackson (T.H.), The Early Poetry of Ezra Pound (Cambridge, Mass., 1968). Kayman (Martin A.), The Modernism of Ezra Pound (London, 1986). Kenner (Hugh), The Pound Era (Berkeley, Cal., 1971). Kodama (Sanehide), American Poetry and Japanese Culture (Hamden, Conn., 1984). Kuberski (Philip), 'Ego, Scriptor: Pound's Odyssean Writing', Paideuma, 14 (1985). Leavis (F.R.), New Bearings in English Poetry (London, 1932), esp. Chap. IV: 'Ezra Pound'. Lentricchia (Frank), Modernist Quartet (Cambridge 1994). Levenson (Michael H.), A Genealogy of Modernism; A Study of English Literary Doctrine, 1908-22 (Cambridge, 1984). Levin (Harry), Ezra Pound, T.S. Eliot and the European Horizon (Oxford, 1975). Longenbach (James), Modernist Poetics of History; Pound, Eliot, and the Sense of the Past (Princeton, 1987). Longenbach (James), Stone Cottage; Pound, Yeats, and Modernism (New York, 1988).
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