Tempo NEW RELEASES FOR SALE Bela Bartok A Quarterly Review COLLECTED WRITINGS in Hungarian of Modern Music (Edited by Andras Szollosy)

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CONCERTO FOR ORCHESTRA HPS 79 CONCERTO FOR PIANO AND ORCHESTRA No.3 HPS 100 CONCERTO FOR VIOLIN AND ORCHESTRA No.i HPS 710 CONCERTO FOR VIOLIN AND ORCHESTRA No. 2 HPS 81 CONTRASTS for violin, clarinet, and piano HPS 723 DIVERTIMENTO FOR STRING ORCHESTRA ... HPS 28 RHAPSODY No.i FOR VIOLIN AND ORCHESTRA ... HPS 6^7 RHAPSODY No.2 FOR VIOLIN AND ORCHESTRA ... HPS 6^8

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'' SKETCHES 1911-1913

Foreword by Francois Lesure. Preface by Robert Craft. 168 pages of sketches. Appendix: Commentary by Robert Craft; letters of Stravinsky to N. Roerich and N. F. Findeizen; Stravinsky's choreographic notes for Nijinsky; the performance of the Rite by Robert Craft. "Sketches and drafts have a collector's value today, perhaps more paying to a compos- er than his completed score. Stravinsky's principal sketchbook for The Rite of Spring was given by him to Diaghilev, who commissioned it. From Diaghilev's heir, Boris Kochno, it has passed to Andr6 Meyer, who has allowed Boosey & Hawkesto publish the volume in facsimile, boosted by numerous essays including a comprehensive elucidation by Robert Craft of each sketch. This reproduction of the fine quality paper, pretty cover, multi-coloured inks, marginal notes and doodles, can be bought for £15. For those who can raise the money it is a precious possession. . . . Certainly everybody who knows the Rite and reads music will find the sketches totally absorbing .... And those who know this most haunting of twentieth century compositions only as listeners will find it worth while to read the essays and look at the succession of tiny germinal jottings which grow, little by little, into the revol- utionary score." The Times

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Violin and Piano HOE-DOWN (from the ballet Rodeo) NOCTURNE SONATA (1943) UKULELE WALTZ and CELEBRATION (from the ballet Billy the Kid) Edited by Louis Kaufman

Violoncello and Piano

WALTZ and CELEBRATION (from the ballet Billy the Kid) Edited by Gregor Piatigorsky.

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