The O'ruddy: a Romance
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The Horror from the Blizzard
THE HORROR FROM THE BLIZZARD. © MORRIS KENYON April 2013. WARNING! This book contains scenes of horror and moderate violence. It is not intended for the easily offended or young children. You have been warned, so if you read on, don't blame me. The names, characters, places and events in this book are products of the writer's imagination or have been used fictitiously and are not to be construed as real. Any similarities to real persons, living or dead, actual events, locales or organisations are purely coincidental and not intended by the author. License Notes: Thank you for downloading this free e book. Although this is a free book, it remains the copyrighted property of the author, and may not be scanned, reproduced, copied or distributed for commercial or non-commercial purposes whatsoever without written permission from the author except in the case of brief quotation embodied in critical articles and reviews. If you enjoyed this book, please encourage your friends to download their own copy where they can also discover other works by this author. Thank you for your support. THE HORROR FROM THE BLIZZARD. Any scientific expedition to the Arctic expects plenty of risk. However, Dr. Welham of Miskatonic University's survey uncovers far more than the usual geologic and ethnographic samples. In the severe, rock-scouring blizzards of the far north, the team comes across a hideous object from an elder age. A relic that brings earth shattering terror in its wake... This story is loosely inspired by H. P. Lovecraft's short story, Polaris, which was written in 1918. -
An Investigation of Jandek's
THEMATIC INTERCONNECTIVITY AS AN INNATE MUSICAL QUALITY: AN INVESTIGATION OF JANDEK’S “EUROPEAN JEWEL” GUITAR RIFFS NICOLE A MARCHESSEAU A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO MAY 2014 © NICOLE A MARCHESSEAU, 2014 Abstract This dissertation is divided into two main areas. The first of these explores Jandek-related discourse and contextualizes the project. Also discussed is the interconnectivity that runs through the project through the self-citation of various lyrical, visual, and musical themes. The second main component of this dissertation explores one of these musical themes in detail: the guitar riffs heard in the “European Jewel” song-set and the transmigration/migration of the riff material used in the song to other non-“European Jewel” tracks. Jandek is often described in related discourse as an “outsider musician.” A significant point of discussion in the first area of this dissertation is the outsider music genre as it relates to Jandek. In part, this dissertation responds to an article by Martin James and Mitzi Waltz which was printed in the periodical Popular Music where it was suggested that the marketing of a musician as an outsider risks diminishing the “innate qualities” of the so-called outsider musicians’ works.1 While the outsider label is in itself problematic—this is discussed at length in Chapter Two—the analysis which comprises the second half of this dissertation delves into self- citation and thematic interconnection as innate qualities within the project. -
Songs in the Key of Z
covers complete.qxd 7/15/08 9:02 AM Page 1 MUSIC The first book ever about a mutant strain ofZ Songs in theKey of twisted pop that’s so wrong, it’s right! “Iconoclast/upstart Irwin Chusid has written a meticulously researched and passionate cry shedding long-overdue light upon some of the guiltiest musical innocents of the twentieth century. An indispensable classic that defines the indefinable.” –John Zorn “Chusid takes us through the musical looking glass to the other side of the bizarro universe, where pop spelled back- wards is . pop? A fascinating collection of wilder cards and beyond-avant talents.” –Lenny Kaye Irwin Chusid “This book is filled with memorable characters and their preposterous-but-true stories. As a musicologist, essayist, and humorist, Irwin Chusid gives good value for your enter- tainment dollar.” –Marshall Crenshaw Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. But, believe it or not, they’re worth listening to, often outmatching all contenders for inventiveness and originality. This book profiles dozens of outsider musicians, both prominent and obscure, and presents their strange life stories along with photographs, interviews, cartoons, and discographies. Irwin Chusid is a record producer, radio personality, journalist, and music historian. He hosts the Incorrect Music Hour on WFMU; he has produced dozens of records and concerts; and he has written for The New York Times, Pulse, New York Press, and many other publications. $18.95 (CAN $20.95) ISBN 978-1-55652-372-4 51895 9 781556 523724 SONGS IN THE KEY OF Z Songs in the Key of Z THE CURIOUS UNIVERSE OF O U T S I D E R MUSIC ¥ Irwin Chusid Library of Congress Cataloging-in-Publication Data Chusid, Irwin. -
A Vietnam Requiem
A VIETNAM REQUIEM Chapter 1: The Marine Way Damn it was good to get away from home! I don’t mean that in the same way a kid leaving for college means it. My brother Bill and I hated our stepfather so much that we couldn’t wait to get out of the house. My brother had enlisted in the Marines and now that I was graduating from high school I was going to do the same. Anyone who joins the Marines does so because they’re patriotic and want to do the right thing. I was no different but I would be lying if I said that was the only reason I enlisted. When I left home, I left! In the 1960s (and maybe still today) the idea of spending August at Parris Island, South Carolina in Marine boot camp sounded terrifying. It had a reputation for pressing the limits of human endurance. The physical training, the mental assault of DI’s (Drill Instructors) and the regime of detail were all legendary. But whether it was having a brother who already made it through or maybe just being so damn glad to get away from home, I didn’t fear and rather looked forward to it. I was ready to get going with my life. I was jolted awake when the bus hit another bump. The already sweltering heat of a humid August morning made me realize I was in the south. This bus ride was my “ticket to freedom” even though I was jam-packed in with a forty other eighteen year olds. -
New Expression: April 1987 (Volume 11, Issue 4) Columbia College Chicago
Columbia College Chicago Digital Commons @ Columbia College Chicago New Expression Youth Communication Chicago Collection April 1987 New Expression: April 1987 (Volume 11, Issue 4) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/ycc_newexpressions Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "New Expression: April 1987 (Volume 11, Issue 4)" (1987). New Expression. 83. http://digitalcommons.colum.edu/ycc_newexpressions/83 This Article is brought to you for free and open access by the Youth Communication Chicago Collection at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in New Expression by an authorized administrator of Digital Commons @ Columbia College Chicago. Celebrating our 1Oth Anniversary The Magazine of ~outh Communication .................~ Volume 11, N.o. 4 April, 1987 'I can make it on my own.' An estimated 14,000 Chicago teens Teens have an especially hard time n their own.' They're homeless living on the streets because they choice or by force. legally can't take refuge in a shelter until they're 21. Reporter Wendell Hutson in. terviewed homeless teens to uncover their story. And he talked with adult leaders who are trying to help them 'make it.' His report is on Page 5. djllroufld CJU.cago By Les Callihan, Desiree Washington, Mike Benedetto, Cassandra Chew and Yolanda Nash HISTORY IN FOCUS .. Th1rty years of black Amenca's most "ALLELUIA" The famous Ch1cago Children's Choir presents "Three Masses. an Evenmg of Sacred Music," May 7 at 8 pm at 65 1mportant moments will be exhibited m photographs at the E. -
Holes Louis Sachar
Holes Louis Sachar PART ONE YOU ARE ENTERING CAMP GREEN LAKE 1 There is no lake at Camp Green Lake. There once was a very large lake here, the largest lake in Texas. That was over a hundred years ago. Now it is just a dry, flat wasteland. There used to be a town of Green Lake as well. The town shriveled and dried up along with the lake, and the people who lived there. During the summer the daytime temperature hovers around ninety-five degrees in the shade— if you can find any shade. There's not much shade in a big dry lake. The only trees are two old oaks on the eastern edge of the "lake." A hammock is stretched between the two trees, and a log cabin stands behind that. The campers are forbidden to lie in the hammock. It belongs to the Warden. The Warden owns the shade. Out on the lake, rattlesnakes and scorpions find shade under rocks and in the holes dug by the campers. Here's a good rule to remember about rattlesnakes and scorpions: If you don't bother them, they won't bother you. Usually. Being bitten by a scorpion or even a rattlesnake is not the worst thing that can happen to you. You won't die. Usually. Sometimes a camper will try to be bitten by a scorpion, or even a small rattlesnake. Then he will get to spend a day or two recovering in his tent, instead of having to dig a hole out on the lake But you don't want to be bitten by a yellow-spotted lizard.