The Ashmolean Museum's New Exhibition
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Every Drawing Tells a Story the Big Draw Launch 2015 19 September Adam Dant Adam
Every drawing tells a story The Big Draw Launch 2015 19 September Adam Dant Adam Chris Riddell book signing at Blackwell’s Bookshop 1-2.30pm FREE workshops and events across oxford www.thebigdraw.org Pick up a free walk & draw trail and discover treasures new and old in creative workshops at nine venues every drawing tells a story At 11am join Philip Pullman and Chris Riddell, Children’s Laureate, to launch the 2015 Big Draw Festival at the Weston Library, Activities for all ages unless stated otherwise Bodleian Libraries, Broad Street, Oxford OX1 3BG Radcliffe Square, 11am–4pm Weston Library, Bodleian Libraries, 11am–4.30pm 2 Yarn-storming 1 Join woolly street artist Deadly Knitshade in conjuring a street art story with just wool, Workshops inspired by the Marks of Genius exhibition run 11.15am -12.15pm easy-peasy French knitting and a lot of Drawing together with Chris Riddell on a drop-in basis from 11am–4.30pm: imagination. Learn a new skill and bring Sign in on the world’s longest visitor out your inner graffiti artist. book and draw alongside famous and Drawing with camera obscura The Same River Twice (video) budding illustrators. See Chris draw his Experience the magic of drawing with Tamarin Norwood and Anton Viesel’s Museum of the History this historic tool, thanks to the Museum video contrasts romantic and sceptical Laureate’s Log live and large! 3 of Science, 12 noon–4pm of the History of Science. Be inspired attitudes towards genius. Drawing an X-ray Line by beautiful buildings and use your analogy between man-made marks and Join artists from Oxford Brookes University 2–4.30pm Create a bibliotopia drawing to create a linocut print. -
Nov 12.Qxp:Feb 08.Qxd
Issue 352 November 2012 50p HGV ban Fun at the Autumn Fair County Cabinet forced to reinstate plan to deal with Chippy’s illegal pollution levels A plan to ‘downgrade’ the A44 and force a lorry weight restriction through Chipping Norton’s town centre is back in Oxfordshire’s Transport plan – but only after a row and a Cabinet u-turn. Air pollution in the Horsefair hotspot was A sunny Saturday in October saw the town declared illegal back in 2006. After 10 years of centre buzzing with people enjoying appraisals, options and the famous ‘black box’ on Transition Chipping Norton’s Autumn Fair. Topside, Oxfordshire County Council officially Fancy dress winner Chace Jones (right) is announced the ‘plan for a ban’ in their 2011 Local pictured with other entrants and TCN’s Transpor t plan. Barbara Saunders. Report and more Hopes were then dashed – first ‘funding cuts’ pictures on page 7. were blamed, then in April this year the County Cabinet tried to withdraw the whole idea. Chippy’s County Councillor Hilary Biles objected Maternity unit at full Council and now Cllr Rodney Rose, the Cabinet member who runs the roads, has reinstated the plan after a ‘scrutiny’ review. closure shock So it still could happen – but when and how? It Chipping Norton’s brand new will be up to local people, councillors and maternity unit, opened by MP David WODC to keep pressure on the County and work with other affected towns. Full story on Cameron last year, has closed for a this extraordinary turn of events inside. -
PRESS RELEASE Oxford Hosts Launch of the World's Biggest Drawing Festival FINAL
The Big Draw in partnership with Bodleian Libraries, Museum of the History of Science, The Story Museum, Modern Art Oxford, Old Fire Station, Ashmolean Museum, Pitt Rivers Museum, and Oxford University Museum of Natural History. For immediate release Oxford hosts launch of the world’s biggest drawing festival On 19 September 2015, renowned author, Philip Pullman, and Children’s Laureate, Chris Riddell, will launch international drawing festival, The Big Draw 2015, at a free public event championing visual literacy and connecting nine venues across Oxford in an epic celebration of creativity. Hosted by the world famous Bodleian Libraries, and announced by celebrated author Philip Pullman and Children’s Laureate Chris Riddell, the launch of this year’s Big Draw Festival will champion the universal language of drawing and highlight the importance of creativity in education, literature and society. Following a public launch at the Weston Library, Bodleian Libraries, a free WalK & Draw Trail will connect nine of Oxford’s leading galleries, museums and arts organisations demonstrating the relevance of drawing across all sectors and revealing this year’s Big Draw theme, Every Drawing Tells a Story. Throughout the international Big Draw festival (1-31 October), visitors can discover treasures old and new in creative worKshops at each Oxford venue, using a map specially designed by artist Adam Dant. The launch will offer over twenty unique activities for all ages, starting in the Weston Library with an open invitation to sign in to the world’s longest visitors’ book, drawing alongside famous and budding illustrators. Visitors can experience the magic of drawing with a camera obscura; maKe their own artist’s booKs and print using the Bodleian’s wooden press; have their portrait drawn by three actual robots; join artist Claire Duffy and the World Wildlife Fund–UK to support a campaign to save endangered birds; discover digital drawing with Angus DicK and worK with artist Adam Dant, official recorder – in drawings – of the recent General Election, to create a bibliotopia. -
Oxfordshire Local History News
OXFORDSHIRE LOCAL HISTORY NEWS The Newsletter of the Oxfordshire Local History Association Issue 128 Spring 2014 ISSN 1465-469 Chairman’s Musings gaining not only On the night of 31 March 1974, the inhabitants of the Henley but also south north-western part of the Royal County of Berkshire Buckinghamshire, went to bed as usual. When they awoke the following including High morning, which happened to be April Fools’ Day, they Wycombe, Marlow found themselves in Oxfordshire. It was no joke and, and Slough. forty years later, ‘occupied North Berkshire’ is still firmly part of Oxfordshire. The Royal Commission’s report Today, many of the people who live there have was soon followed by probably forgotten that it was ever part of Berkshire. a Labour government Those under forty years of age, or who moved in after white paper. This the changes, may never have known this. Most broadly accepted the probably don’t care either. But to local historians it is, recommendations of course, important to know about boundaries and apart from deferring a decision on provincial councils. how they have changed and developed. But in the 1970 general election, the Conservatives were elected. Prime Minister Edward Heath appointed The manner in which the 1974 county boundary Peter Walker as the minister responsible for sorting the changes came about is little known but rather matter out. He produced another but very different interesting. Reform of local government had been on white paper. It also deferred a decision on provincial the political agenda since the end of World War II. -
Download a PDF of Our Community Brochure
Engagement with the communities of Oxford and Oxfordshire Did you know? St Giles’ Fair began as the parish feast of St Giles, first recorded in 1624. From the 1780s it became a toy fair, with general amusements for children. In the next century its focus shifted towards adults, with entertainment, rides and stalls. In the late 1800s there were calls for the fair to be stopped on the grounds that it encouraged rowdy behaviour. During Victorian times engineering advances brought the forerunners of today’s rides. Today the huge pieces of machinery fill St Giles’ with sparkling lights for a few days each year, and whizz within feet of ancient college buildings. The stone heads around the Sheldonian Theatre now number thirteen (there were originally fourteen, but one was removed to make way for the adjoining Clarendon Building.) It is not known what they were intended to represent – they might be gods, wise men, emperors or just boundary markers. The original heads were made by William Byrd and put up in 1669. Did you Replacements put up in 1868 were made in poor stone, know? which crumbled away; in 1972 the current set, carved by Michael Black of Oxford, were erected. More on page 4 STARGAZING AND SPIN-OUTS PAGE 1 Contents 2 Introduction from the Vice-Chancellor 3 Foreword from the Chair of the Community Engagement Group 5 Part 1: Part of the fabric of the city Part of the fabric 6 800 years of history of the 8 Economic impact city 9 Science Parks 1 0 Saïd Business School 11 Oxford University Press PART 1 PART 1 2 The built environment 13 -
Inspiring Science
SLIME is Science Links in Museum Education, a network of museums in the South East who want to tell you about the great things which museums are doing to support science! Can they support? a) Scientific enquiry b) Life processes and living things c) Materials and their properties d) Physical processes Young visitor looking at Pyrite at Oxford University Museum If you answered of Natural History yes to all four you are absolutely right! We think museums are great places where a veritable treasure trove of interesting artefacts and specimens can inspire children’s learning. But don’t just take our word for it, here is what the experts have to say! 3 4 Children learn better when Primary Horizons, Science Education they are excited and engaged… Report 2005 recommended that there when there is joy in what should be greater emphasis on they are doing, they learn stimulating enthusiasm for science by: to love learning. • Wider use of creative contexts Excellence and Enjoyment: e.g. role play, stories, open ended A Strategy for Primary Schools. investigations DfES 2003 • Making science more relevant to children’s It was exciting because everyday lives it is a good place to be. • Links between science and other subjects Key Stage 1 pupil at Portsmouth should be made more explicit and Natural History Museum strengthened to bring science to life • Placing a greater focus on children’s thinking, questioning and investigative skills. Science is about thinking creatively to try to explain how living and non-living things work. Sue Cooper, Raising Achievement Museums can help teachers to do Service, Oxfordshire County Council all this – read on to find out more! I really enjoyed it when you put the animal skeletons on the table. -
Plot 16 Residency - Art in Rose Hill Modern Art Oxford
The Fermenting Room (return of the rhizome) Plot 16 Residency - Art in Rose Hill Modern Art Oxford plot 16 Introduction by Sarah Mossop Artists’ Thoughts by brook and black The Fermenting Room (return of the rhizome) Plot 16 Residency - Art in Rose Hill Modern Art Oxford Introduction A rhizome, with its associated network of offshoots that develop into new plants, is an apt metaphor for the evolution of Modern Art Oxford’s (MAO) Art in Rose Hill programme. It reflects well how brook & black, the artistic partnership of Leora Brook and Tiffany Black, came to be involved as artists in residence at Plot 16, an allotment at Rose Hill, growing hops (from rhizomes) and making beer, and creating a large sculptural work. The original plan for the off-site programme, which centred on inviting artists ‘to make work in response to and within the communities of Rose Hill’ did not include taking on an allotment, and as such presented a challenge, as well as an opportunity, to take an innovative approach to nurturing new work. The idea of the gallery commissioning new work to take place in Rose Hill was the inspiration of Andrew Nairne, Director at MAO in 2007. Until this time, the Learning Team had worked on numerous offsite community partnership projects, but none of them had lasted beyond a few months, and Andrew was keen for the gallery to develop closer, more sustained partnerships, within one particular community in order to widen access to contemporary art and better understand the dynamics of this mode of working. It was also seen as an opportunity to explore areas of contemporary art practice generally referred to as socially engaged and/or participatory practice that often take place beyond the gallery setting. -
Humanities Programme
Fall Term or Extended Oxford Academic year Humanities Programme The Fall Term/Extended Oxford Academic Year Humanities programme offers you the opportunity to study The Making and Unmaking of Modern Britain: Britishness and the Construction of National Identity in the Twenty-First Century, a History and Politics course, during September. You would then choose another one or two subject(s) from Humanities, Sciences or Social Sciences to study for the remainder of your time in Oxford. This diverse and unique offering will allow you to study up to three different subject areas during your time at Oxford, as well as extend your time abroad. The Making and Unmaking of Modern Britain: Britishness and the Construction of National Identity in the Twenty-First Century September – History and Politics course Course Overview To understand modern Britain, it is vital to know something of how British national identity has been formulated in an historical, political, social, and cultural sense. Is the story of Britain in the twenty-first century one of the making or unmaking of the nation? How have British institutions such as schools, the media, museums, and churches, helped or hindered the formation of a singular national identity? And to what extent have social constructions including class, race, gender, and sexuality, divided or united the British people? Drawing on the disciplines of history, political science, sociology, and art history, amongst others, this course serves to introduce students to some of the main debates exercising Britons today, and in so doing, highlights the wealth of primary sources available to students for research and evaluation in this field. -
October 2007
HOOK NORTON NEWSLETTER OCTOBER 2007 Series 32 No 5 2 Structural & Civil Engineering Consultancy Work undertaken in the following areas: Ø Refurbishment & conversions Ø Domestic new build & extensions Ø Commercial & Industrial buildings Specialist areas of work: Ø Stonework Ø Oak framed structures Ø 3D Engineering Tel: 0845 241 4705 Email: [email protected] Mob: 07813 694 680 www.solid-structures.com Solid Stuctures (UK) LTD, The Brewery, Hook Norton, Banbury, Oxon OX15 5NY 3 Horse Riding in Hook Norton · Indoor and outdoor schools, so what ever the weather come and ride! · Horses and Ponies of all shapes and sizes · Lessons Saturday, Sunday and after school. · Reduced Rates 10.30 - 3.30 Tuesday to Friday. · School holidays 'own a pony days' and more... · Gift Vouchers available. Ideal for Christmas! (can be bought over the phone) Turpins Lodge Riding School, Turpins Lodge, Tadmarton Heath Road, Hook Norton Association of British Riding Schools Approved, Council Licensed Telephone 01608 737033 See our web site for more information. www.turpinslodge.co.uk Where ever you ride please ensure they have a council licence. 4 FROM THE EDITORS NEWSLETTER TEAM This month, the Newsletter has re- Advertising: Andy Horne 730604 ceived donations totalling £33.97 Distribution: Malcolm Black 730668 Sadly we report the death of Ruby Proof Reading: Nigel Lehmann Rosemary Atkinson aged 83 years. IT/Web Support: Martin Baxter On behalf of the village we send our Treasurer: Kevin Hope condolences to her family and friends. Directory: Diana Barber 737428 -
A Fiery Splash in the Rockaways and Twists on Film at the Whitney
ART & DESIGN A Fiery Splash in the Rockaways and Twists on Film at the Whitney By ROBIN POGREBIN MAY 26, 2016 Japan Society Show When the Turner Prize-winning artist Simon Starling was preparing the piece he would exhibit at the Hiroshima City Museum of Contemporary Art five years ago, he learned about masked Japanese Noh theater, which inspired W. B. Yeats’s 1916 play, “At the Hawk’s Well.” Now Mr. Starling is building on that project with “At Twilight,” his first institutional show in New York and a rare solo exhibition at Japan Society that features a non-Japanese artist. It is also the first exhibition by Yukie Kamiya, Japan Society’s new gallery director, who used to be chief curator at the Hiroshima museum. The show is organized with the Common Guild of Glasgow, which will present Mr. Starling’s version of the Yeats play in July. Mr. Starling said that he was intrigued by the idea of masked theater, “where nobody is who they appear to be.” Pogrebin, Robin, “A Fiery Splash in the Rockaways and Twists on Film at the Whitney”, The New York Times (online), May 26, 2016 The Grand Tour: Simon Starling 19 Mar 2016 - 26 Jun 2016 Nottingham Contemporary presents Turner Prize-winner Simon Starling’s largest exhibition in the UK to date. The exhibition will include a new artwork developed in collaboration with Not- tingham Trent University, of which Starling is an alumnus and a number of Starling’s major proj- ects, most of which have not been presented in Britain before. -
Oxford Town & Gown Guide
OXFORD – TOWN AND GOWN ATTRACTIONS Compiled by Phyllis Ferguson – AUGUST 2017 Oxford Visitor Information Centre http://www.experienceoxfordshire.org/venue/information-ticket-sales- oxford-visitor-information-centre/ TOWN * Town Hall https://www.oxfordtownhall.co.uk/ * Carfax Tower http://www.free-city-guides.com/oxford/carfax-tower/ * Oxford Castle https://www.oxfordcastleunlocked.co.uk/ * St Michael at the Northgate http://www.smng.org.uk/wp/ * The Synagogue http://www.ojc-online.org/ * The Oratory http://www.oxfordoratory.org.uk/ * The Rivers http://www.oxfordrivercruises.com/ • Cherwell • Isis • Thames * The parks http://www.parks.ox.ac.uk/home • Christ Church Meadow • The University Park • Port Meadow – the Perch, Medley Manor Farm (Pick your own), Binsey Church and the sacred well, Frideswide Nunnery, the Trout * The Markets https://www.oxford.gov.uk/info/20035/events/791/markets_and_fairs • The covered Market, Gloucester Green • Open Markets: 7.30-15h - Wed. 16th and the Farmer’s market on Thurs. 17h August * The Museums https://www.ox.ac.uk/visitors/visiting-oxford/visiting- museums-libraries-places?wssl=1 • Modern Art Oxford – 10-17 https://www.modernartoxford.org.uk • The Story Museum – 10-17h http://www.storymuseum.org.uk/ • The City of Oxford Museum – 10-17h http://www.museumofoxford.org.uk/ GOWN * The Sheldonian https://www.admin.ox.ac.uk/sheldonian/ * Old University Quarter * Divinity School https://en.wikipedia.org/wiki/Divinity_School,_Oxford * The Clarendon Building http://www.oxfordhistory.org.uk/broad/buildings/south/clarendon.html -
Fourth Plinth: Contemporary Monument Contemporary 5 Dec 2012— 20 Jan 2013 Fourth Plinth: Contemporary Monument Contemporary
5 Dec 2012— 20 Jan 2013 Fourth Plinth: Contemporary Monument 5 Dec 2012— 20 Jan 2013 Fourth Plinth: Contemporary Monument Foreword The Mayor of London's Fourth Plinth has always been a space for experimentation in contemporary art. It is therefore extremely fitting for this exciting exhibition to be opening at the Institute of Contemporary Arts, London – an institution with a like-minded vision that continues to champion radical and pioneering art. This innovative and thought-provoking programme has generated worldwide appeal. It has provided both the impetus and a platform for some of London’s most iconic artworks and has brought out the art critic in everyone – even our taxi drivers. Bringing together all twenty-one proposals for the first time, and exhibiting them in close proximity to Trafalgar Square, this exhibition presents an opportunity to see behind the scenes, not only of the Fourth Plinth but, more broadly, of the processes behind commissioning contemporary art. It has been a truly fascinating experience to view all the maquettes side-by-side in one space, to reflect on thirteen years’ worth of work and ideas, and to think of all the changes that have occurred over this period: changes in artistic practice, the city’s government, the growing heat of public debate surrounding national identity and how we are represented through the objects chosen to adorn our public spaces. The triumph of the Fourth Plinth is that it ignites discussion among those who would not usually find themselves considering the finer points of contemporary art. We very much hope this exhibition will continue to stimulate debate and we encourage you to tell us what you think at: www.london.gov.uk/fourthplinth Justine Simons Head of Culture for the Mayor of London Gregor Muir Executive Director, ICA 2 3 5 Dec 2012— 20 Jan 2013 Fourth Plinth: Contemporary Monument One Thing Leads To Another… Michaela Crimmin Trafalgar Square holds interesting tensions.