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Foreign Soil by Maxine Beneba Clarke HACHETTE
2015 STELLA PRIZE SHORTLISTED TITLE Foreign Soil by Maxine Beneba Clarke HACHETTE ‘Wondrous as she seemed, Shu Yi wasn’t a problem I wanted to take on. Besides, with her arrival my own life had become easier: Melinda and the others hadn’t come looking for me in months. At home, my thankful mother had finally taken the plastic undersheet off my bed.’ Maxine Beneba Clarke, Foreign Soil INTRODUCTION TO THE TEXT suitable for study. A short synopsis and series of This collection of short stories won the Victorian reading questions are allocated for each story, along Premier’s Award for an Unpublished Manuscript in with any themes that are not included in the general 2013, and was subsequently published by Hachette list of the book’s themes below. Following this Australia. It went on to be critically recognised and breakdown are activities that can be applied to the appear on the shortlists for numerous awards. book more broadly. Like all of Maxine Beneba Clarke’s work, this ABOUT THE AUTHOR collection reflects an awareness of voices that are often pushed to the fringes of society, and frequently MAXINE BENEBA CLARKE is speaks to the experiences of immigrants, refugees and an Australian writer and slam single mothers, in addition to lesbian, gay, bisexual, poetry champion of Afro-Caribbean transgender and intersex people. In Foreign Soil, descent. She is the author of the Clarke captures the anger, hope, despair, desperation, poetry collections Gil Scott Heron is strength and desire felt by members of these groups, on Parole (Picaro Press, 2009) and Nothing Here Needs and many others. -
Book History in Australia Since 1950 Katherine Bode Preprint: Chapter 1
Book History in Australia since 1950 Katherine Bode Preprint: Chapter 1, Oxford History of the Novel in English: The Novel in Australia, Canada, New Zealand and the South Pacific since 1950. Edited by Coral Howells, Paul Sharrad and Gerry Turcotte. Oxford: Oxford University Press, 2017. Publication of Australian novels and discussion of this phenomenon have long been sites for the expression of wider tensions between national identity and overseas influence characteristic of postcolonial societies. Australian novel publishing since 1950 can be roughly divided into three periods, characterized by the specific, and changing, relationship between national and non-national influences. In the first, the 1950s and 1960s, British companies dominated the publication of Australian novels, and publishing decisions were predominantly made overseas. Yet a local industry also emerged, driven by often contradictory impulses of national sentiment, and demand for American-style pulp fiction. In the second period, the 1970s and 1980s, cultural nationalist policies and broad social changes supported the growth of a vibrant local publishing industry. At the same time, the significant economic and logistical challenges of local publishing led to closures and mergers, and—along with the increasing globalization of publishing—enabled the entry of large, multinational enterprises into the market. This latter trend, and the processes of globalization and deregulation, continued in the final period, since the 1990s. Nevertheless, these decades have also witnessed the ongoing development and consolidation of local publishing of Australian novels— including in new forms of e-publishing and self-publishing—as well as continued government and social support for this activity, and for Australian literature more broadly. -
21 – 23 February University of Western Australia Welcome to Literature & Ideas
PERTH FESTIVAL LITERATURE & IDEAS 21 – 23 FEBRUARY UNIVERSITY OF WESTERN AUSTRALIA WELCOME TO LITERATURE & IDEAS Perth Festival acknowledges the Noongar people who continue to practise their values, language, beliefs and knowledge on their kwobidak boodjar. They remain the spiritual and cultural birdiyangara of this place and we honour and respect their caretakers and custodians and the vital role Noongar people play for our community and our Festival to flourish. Welcome to Perth Festival’s Literature & Ideas Weekend, nestled on the campus of the University of Western Australia, our Founding Partner. Within a broader Festival 2020 program that celebrates this city and its stories, this weekend acknowledges the importance of histories both oral and written, as we share figurative campfires of understanding here on Whadjuk Boodja. This festival-in-a-festival has been curated by extraordinary local writer, Sisonke Msimang. Her broad knowledge is matched only by the size of her heart – traits that shine through in this program of big ideas and intimate revelation. I do trust you’ll enjoy it. IAIN GRANDAGE Image: Jess Wyld ARTISTIC DIRECTOR Image: Nick White The Stevie Wonder song ‘Love’s in Need of Love Today’ was an a more overt role in our public discussions. This is no excuse to integral part of my childhood. At every family party it would be avoid truth telling: we have asked our guests to bring their most played at full blast and everyone would join in, singing along at the loving, direct and clear selves to the table. top of our voices until we were drowning out Stevie, belting out We are excited to introduce you to an international roster of the lyrics which managed to be simultaneously saccharine and writers from Indonesia, Bangladesh, Thailand, Nigeria and Pakistan poignant: whose books we love. -
Clarence Williams
MUNI 2017-2 – Flute 1-2 Shooting the Pistol (Clarence Williams) 1:26 / 1:17 Clarence Williams Orchestra: Ed Allen-co; Charlie Irvis-tb; possibly Arville Harris-cl, as; Alberto Socarras-fl; Clarence Williams-p; Cyrus St. Clair-tu New York, July 1927 78 Paramount 12517, matrix number 2837-2 / CD Frog DGF37 3 I’ll Take Romance (Ben Oakland) 2:39 Bud Shank-fl; Len Mercer and His Strings Bud Shank With Len Mercer Strings: Giulio Libano (trumpet) Appio Squajella (flute, French horn) Glauco Masetti (alto sax) Bud Shank (alto sax, flute) Eraldo Volonte (tenor sax) Fausto Pepetti (baritone sax) Bruno De Filippi (guitar) Don Prell (bass) Jimmy Pratt (drums) with unidentified harp and strings, Len Mercer (arranger, conductor) Milan, Italy, April 4 & 5, 1958 LP World Pacific WP-1251, Music (It) EPM 20096, LPM 2052 4-5 What’ll I Do (Irving Berlin) 1:26 / 1:23 Bud Shank-fl; Bob Cooper-ob; Bud Shank - Bob Cooper Quintet: Bud Shank (alto sax, flute) Bob Cooper (tenor sax, oboe) Howard Roberts (guitar) Don Prell (bass) Chuck Flores (drums) Capitol Studios, Hollywood, CA, first session, November 29, 1956 LP Pacific Jazz X-634, PJ 1226, matr. ST-1894 / CD Mosaic MS-010 6-7 Flute Bag (Rufus Harley) 2:06 / 2:15 Herbie Mann.fl; Rufus Harley-bagpipes; Roy Ayers (vibes) Oliver Collins (piano) James Glenn (bass) Billy Abner (drums) "Village Theatre", NYC, 2nd show, June 3, 1967 LP Atlantic SD 1497, matr. 12589 8-10 Moment’s Notice (John Coltrane) 4:58 / 1:04 / 0:52 Hubert Laws-fl; Ronnie Laws-ts; Bob James-p, elp, arranger; Gene Bertoncini-g; Ron Carter-b; Steve -
Nothing Will Silence It
LeadingWriters-FinalText.x 5/2/07 9:45 AM Page 3 Nothing Will Silence It By Alex Miller I don’t know that it’s making any difference, is it? And if it is making a difference, how do we begin to quantify the differ- ence it’s making? It’s rather like prayer. How can we know? Without poetry and drama and novels and music and art we know ourselves to be poorer. We know such things as these enrich our existence. But really that’s about all we can say. We can’t really say what it all means, or how it changes anything, at least not for other people, and perhaps not even for ourselves — unless we are book reviewers, of course, and no mysteries of the human soul are hidden from us. It is a rather elusive thing really, what creative writing or music mean. And this is one of their greatest charms. They elude our reason and give us respite from its tyrannies. What is this feeling of wonder that holds us in thrall as we read W.G. Sebald’s description of the decay of the Ashbury household in Ireland? Why are we so mesmerised? We don’t know these people. They are not our neighbours or our old friends. We are not learning anything useful. And Sebald is telling someone else’s story — the greatest source for all story- tellers, of course, other people’s stories. We are listening to Sebald’s own astonishment, to his sense of the melancholy and the inexplicable meaninglessness of the lives of this stricken family of forlorn exiles. -
Download Reading Group Notes
N O T E S F O R pic here R E A D I N G CONDITIONS OF FAITH by Alex Miller G Contents R About Alex Miller................................................................. 2 O Q&A with Alex Miller ............................................................ 3 U On Writing Conditions of Faith ............................................... 4 P Reviews............................................................................ 5 Some suggested points for discussion .................................... 13 S Further reading ................................................................ 14 About Alex Miller Alex Miller was born on the South London Council estate of Downham. By the age of 15 he was working as a farm labourer on the edge of Exmoor in Somerset. While working on the farm Alex read Jean Devanny’s Travels in North Queensland and at 17 went to work as a ringer (stockman) on a cattle station in the Central Highlands of Queensland. He stayed in the Central Highlands for two years, then found a job in a cattle camp on the remote Leichhardt River country of the Gulf of Carpentaria. He spent the next two years working with the Birri and Jangga ringers in the stock camps of the Gulf before going on holiday to Townsville. When he ran out of money in Townsville he joined a carnival and travelled for the following year from one small outback Queensland settlement to another as a spruiker with Paddy McCarroll’s speed wheel. Alex began to feel there must be more to living than spruiking and ringing so he left Paddy and hitched a ride south. When he reached Melbourne Alex began studying at night and the following year enrolled at Melbourne University, where he read English and History. -
Budget Cuts Spare School Programs W Here the Beaches
MAY 25, 1994 40 CENTS VOLUME 24, NUMBER 21 Budget cuts spare school programs assessed at BY LAUREN JAEGER $ 1 20,000 Staff W riter would see an total of $810,000 was cut increase of from the defeated 1994-95 $156, to a A Matawan-Aberdeen proposed total tax of school budget. $2,402. As required by law, the councils of Before the Matawan and Aberdeen met last week, Cuts were along with the regional board of educa made, the rate tion, to amend the defeated budget, was $2 .10 for which originally proposed $33,532,113 A b e r d e e n ; in current expense and $28,926 in capital 2.05 for outlay. M ataw an — The new school tax rate will be $2.05 translating to a Brian Murphy per $100 assessed value for Aberdeen yearly tax rate residents, and $2.01 per $100 of assessed on a $120,000 property of $2,530 for an home value for Matawan residents. Aberdeen homeowner and $2,460 for In other words, this means that an M atawan homeowner. Marlboro High School’s Amy Feaster (gold jersey) and Middletown North’s Aberdeen resident with a home assessed Matawan’s Mayor Robert Shuey was Ann Marie Sacco hook up in a battle for the ball during a Shore at $ 120,00 would see an increase in the pleased by what he said was a smooth Conference A North Division soccer match won by the Mustangs, 2-1, on school tax rate of $95, bringing the bill meeting between the three parties and May 18 in Marlboro. -
Ethics of Representation and Self-Reflexivity: Nicolas Rothwell's
Ethics of Representation and Self-Reflexivity: Nicolas Rothwell’s Narrative Essays STEPHANE CORDIER UNIVERSITY OF WOLLONGONG Australian literature has been preoccupied, perhaps even obsessed, with representations of place and space. What started as a nationalising enterprise, an attempt to artificially cement place-making by substituting landscape for unknown space (Bennett 21), slowly gave rise to texts that interrogate settler colonial culture through spatial contestations. Yet, as Laurie Clancy argued in 1993, literary forms have proven resistant to decolonisation: ‘in the last two decades the self-conscious preoccupation with landscape among Australian fiction writers has become . debilitating and even self-destructive’ (49). The 1988 Bicentenary could be seen as a turning point in Australian history and culture. The array of festivities around the event may be interpreted as an orchestration of reified forms of settler-belonging to counter a rising intellectual opposition to a monolithic conceptualisation of history, art and culture; a last- ditch political effort from centric forms of power to re-assert traditional forms of belonging in the settler imaginary. But the Bicentenary also coincided with non-Indigenous Australian writers beginning to inscribe unbelonging at the heart of their fictions and non-fictions.1 Spatial crises, non-belonging and unbelonging are, increasingly, features of contemporary Australian literature, as demonstrated in the works of Michele de Kretser, Richard Flanagan, Ross Gibson, Christos Tsiolkas or Tim Winton (Cordier, ‘Intimate Immensities’). Non- Indigenous authors who grapple with settler identity in the twenty-first century are also in search of ethical literary forms that reflect a necessary erosion of settler dominance, privilege or class. -
Australian Literature: Culture, Identity and English Teachingi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online Australian literature: culture, identity and English teachingi ANNETTE PATTERSON Queensland University of Technology The development of the Australian Curriculum has reignited a debate about the role of Australian literature in the contexts of curricula and classrooms. A review of the mechanisms for promoting Australian literature including literary prizes, databases, surveys and texts included for study in senior English classrooms in New South Wales and Victoria provides a background for considering the purpose of Australian texts and the role of literature teachers in shaping students’ engagement with literature. In taking the pulse of Australian literature generally it is worth pausing to think about some of Australia’s literary prizes and their accompanying guidelines and criteria. Many texts set for study in classrooms first appear on our radar through these prize lists. One of the most prestigious and oldest awards is the Miles Franklin Award which commenced in 1957. The winner of that year was Patrick White for his novel Voss. In the 54 years since the prize was established it has been won by female writers on 12 occasions, including four-time winner Thea Astley. Given Thea Astley’s repeat performances, the prize has been awarded to nine individual female authors. Male authors have won the award on 39 occasions including repeat wins by Patrick White (2) Kim Scott (2) Alex Miller (2) Tim Winton (4) Thomas Keneally (2) and Peter Carey (3). Overall, the award went to 30 individual male authors. -
London Book Fair 2019
London Book Fair 2019 Rights Catalogue: Frontlist Fiction FOR RIGHTS QUERIES CONTACT Nerrilee Weir, Senior Rights Manager TEL +61 2 8923 9892 FAX +61 2 9956 6487 EMAIL [email protected] penguin.com.au/rights Awards and Nominations 2019 & 2018 The Second Cure by Margaret Morgan Finalist: Aurealis Awards 2018 The Cage by Lloyd Jones Longlisted: Ockham New Zealand Book Awards 2019 The Man Who Would Not See by Rajorshi Chakraborti Longlisted: Ockham New Zealand Book Awards 2019 This Mortal Boy by FIona Kidman Longlisted: Ockham New Zealand Book Awards 2019 The Tea Gardens by Fiona McIntosh Longlisted: Australian Book Industry Awards 2018 The Girl in Kellers Way by Megan Goldin Shortlisted: Ned Kelly Awards 2018 Shortlisted: Davitt Awards 2018 Shortlisted: Australian Book Designers Awards 2018 All Day at the Movies by Fiona Kidman Longlisted: IMPAC International Dublin Literary Award 2018 Billy Bird by Emma Neale Longlisted: IMPAC International Dublin Literary Award 2018 2 LONDON 2019 FRONTLIST RIGHTS CATALOGUE RIGHTS SOLD 2018 & 2019 The Pearl Thief The Escape Room Fiona McIntosh Megan Goldin United Kingdom (Penguin North America (St Martin’s) Random House – Ebury) United Kingdom (Hachette) Italy (DeA Planeta) The Netherlands (Ambo Anthos) Audio (Penguin Random Germany (Piper Verlag) House Australia) Spain (Penguin Random House Groupo Editorial) Poland (Wydawnictwo Bukowy Las) Greenlight Benjamin Stevenson North America (Sourcebooks) This Mortal Boy United Kingdom (Hachette) Fiona Kidman United Kingdom (Gallic Books) Audio (Audible) Film Option (South Pacific Pictures) Audio (Bolinda) Potiki The Mannequin Makers Patrica Grace Craig Cliff United Kingdom (Penguin United Kingdom (Melville Random House – Penguin House) Press) Also licenced to: North America (Milkweed Editions) Romania (Editura Univers) The Yellow Villa Sixty Summers Amanda Hampson Amanda Hampson Italy (Newton Compton Editori) Audio (W. -
Lyn Mccredden. the Fiction of Tim Winton: Earthed and Sacred Sydney: Sydney UP, 2016
Commonwealth Essays and Studies 41.2 | 2019 Nadine Gordimer Lyn McCredden. The Fiction of Tim Winton: Earthed and Sacred Sydney: Sydney UP, 2016. vii + 158 pp. ISBN: 9-781743-325032. AU$30 Jean-François Vernay Electronic version URL: https://journals.openedition.org/ces/447 DOI: 10.4000/ces.447 ISSN: 2534-6695 Publisher SEPC (Société d’études des pays du Commonwealth) Printed version Date of publication: 10 June 2019 Number of pages: 121-122 ISSN: 2270-0633 Electronic reference Jean-François Vernay, “Lyn McCredden. The Fiction of Tim Winton: Earthed and Sacred”, Commonwealth Essays and Studies [Online], 41.2 | 2019, Online since 05 November 2019, connection on 21 July 2021. URL: http://journals.openedition.org/ces/447 ; DOI: https://doi.org/10.4000/ces.447 Commonwealth Essays and Studies is licensed under a Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. 121 Reviews The Fiction of Tim Winton: Earthed and Sacred. By Lyn McCredden. Sydney: Sydney UP, 2016. vii + 158 pp. ISBN: 9-781743-325032. AU$30. Reviewed by Jean-François VERNAY Tim Winton has written his way to become the darling of Australian readers who enjoy his rich prose evocative of the south-western landscape which he calls home. He can be regarded as a left-leaning writer who has a close affinity with the people and es- pecially the land which he celebrates in his stories. His coastal narratives invariably viv- idly depict rural communities functioning in harmony with the beach culture. Winton’s focus is domestic, if not personal, fathoming the cultural and psychological impact of the Australian land. -
The Bookwallah Six Writers, a Nomadic Library, 2000Km by Train
The Bookwallah Six writers, a nomadic library, 2000km by train. Chandrahas Choudhury Michelle de Kretser Benjamin Law Kirsty Murray Sudeep Sen Annie Zaidi Mumbai October 31–November 4 Goa November 5–7 Bangalore November 8–13 Chennai November 14–16 Pondicherry November 17–21 1 2 Contents. Map 2 Overview 3 .... The writers 4 — Chandrahas Choudhury 4 — Michelle de Kretser 4 — Benjamin Law 5 — Kirsty Murray 6 — Sudeep Sen 6 — Annie Zaidi 7 .... The Bookwallah Nomadic Library 8 — The cases 8 — The books 8 — The designers 9 .... Mumbai 12 Goa 14 Bangalore 16 Chennai 18 Pondicherry 20 .... The library catalogue 22 .... The bookwallahs 46 The supporters 47 The publishers 48 1 Map. MUMBAI goA bangAlore chennai pondIcherry 2 Overview. The Bookwallah takes six writers and an ingenious lian books. Bound in kangaroo leather, the cases travelling library across south India by train. In- house fiction, non-fiction, poetry and children’s dian writers Chandrahas Choudhury, Annie Zaidi books. They’re part library, part art installation; and Sudeep Sen join Australian writers Michelle De visitors can browse, sit and read, or take part in Kretser, Benjamin Law and Kirsty Murray on a jour- intimate library events. If you see a book you like, ney through the cities and towns of modern India. you can borrow it from your local library: copies of They will share books and ideas, meet readers, and the books will be donated to a local library in each seek out stories, conversations and connections destination along the way. along the way. As well as public events, the Bookwallah tour In Mumbai you’ll find us at the Literature Live! includes private encounters with local writers, Mumbai LitFest, before we head to Goa for a Book- artists and thinkers in each city, designed to illu- wallah mini-festival at the Literati Bookshop.